ONCE UPON A TIME Improvements in "Sight"

Article originally written for Seat42F.

Last night’s installment, “Shattered Sight,” may be my favorite this fall for ABC’s ONCE UPON A TIME. Ingrid The Snow Queen’s (Elizabeth Mitchell) spell falls over Storybrooke, making practically everyone turn against one another. Ribbons prevent Emma (Jennifer Morrison) and Elsa (Georgina Haig) from fighting Ingrid directly, bound as they are to her by the love injected in the material, so they seek out Regina (Lana Parrilla) to break the enchantment with her pure hate. But the real key to everything may be missing memories, some of which are shown via flashback.

Ingrid’s arc has been a moving one. She loves her sisters dearly, and the tragedy that befalls her at a young-ish age is an understandable reason why she turns cold. Her sole mission is to regain the love she’s lost, casting Elsa and Emma in the role of her sisters. Ingrid does not act out of cruelty, and while she doesn’t care if others get hurt, being selfish and narrow-sighted, she only casts the “Shattered Sight” spell to get to her end goal.

Which is why her heroic self-sacrifice is tragic. It doesn’t make up for everything she has done, but had she lived longer, I’m sure she would have worked to do so. The scenes we see of her with a young Emma (Abby Ross) prove that she does care about some people. Sure, the found-letter from Ingrid’s long dead sister proclaiming that she still loved Ingrid and regretted what she did to her is a little convenient, but it makes sense for a fairy tale, which is what this is. That does not cheapen Ingrid’s end, though, a bittersweet conclusion for a mostly-excellent arc.

It’s also a little too easy for Elsa and Emma to get Regina to break the ribbon bond. That was the result of something Ingrid spent decades planning, and Regina can make it go away in a second, accidentally? Then Elsa and Emma run from Regina, who is fully reverted back into Evil Queen, and manage to get away from her? And they’re not even worried about what unleashing the Evil Queen into the town will do?

That being said, Elsa and Emma are busy, so maybe they decide that letting evil Regina out is a risk they have to take. Plus, Regina goes to the jail, which leads to an awesome fight scene between her and Snow (Ginnifer Goodwin), so it’s hard to complain too much. In fact, the whole sequence with Snow, Charming (Josh Dallas), and Regina, ending in an uncomfortable laugh as the three try to process the emotional toll of what they just went through, is terrific. It’s some of the best work Goodwin has done in the series, and as much as I adore redemption-path-Regina, it’s fun to see her as the Evil Queen once more. Regina is my favorite character on ONCE UPON A TIME, and “Shattered Sight” affords Parrilla another opportunity to play her brilliantly.

One character nearly absent from “Shattered Sight” is Rumple (Robert Carlyle), and that could very well be why the hour is so good. Rumple arguably has the best plot in the show from its inception up through the middle of last year. Since then, all his development has been tossed out and he’s been ruined worse than just about any character on television I can think of. His story line this fall has been abysmal, completely out of the established persona, and while Carlyle remains a fine actor, Rumple has been an anchor weighing ONCE UPON A TIME down lately.

Unfortunately, the conclusion of this episode means that Rumple’s “scheme” hasn’t come to fruition, so my guess is that he will be front and center next week. Assuming the writers stay consistent with what they’ve done with Rumple recently, ignoring the previous version of him, he’s bent on power and getting his family away from Storybrooke. I just can’t bring myself to look forward to that, still sad about what’s been lost here.

Because Rumple isn’t important in “Shattered Sight,” though, with the focus on Ingrid, who is mostly well developed, and the episode contains some emotional and fun scenes, with a great battle and an exciting climax, it works very well. I kind of wish it were the fall finale so ONCE UPON A TIME could go out on a high note, but even though it isn’t, that doesn’t take away from a heck of a memorable hour.

ONCE UPON A TIME concludes this run next Sunday at 8 p.m. ET on ABC.

ONCE UPON A TIME Needs a Long Look in the "Mirror"

Article first published as ONCE UPON A TIME Review Season 4 Episode 8/9 Smash the Mirror on Seat42F.

A lot happens in last night’s special two-hour ONCE UPON A TIME on ABC, “Smash the Mirror.” We see the rest of the Arendelle flashback story, bringing us up to the point in which the Snow Queen (Elizabeth Mitchell) comes over to our world. We witness the battle for Emma’s (Jennifer Morrison) soul, both internally and externally. And a former villain is given hope for a happy ending. Let’s get started.

First, despite the glaring flaws in this fall’s run, the Frozen tale has been nearly flawless. “Smash the Mirror” picks back up where last we left it, Anna (Elizabeth Lail) imprisoned by her aunt. Elsa (Georgina Haig) learns of this and quickly concocts a plan to stop the Snow Queen, refusing to believe ill of her sister. Their plan fails, unfortunately, with Elsa ending up in an urn, Anna and Kristoff (Scott Michael Foster) frozen (hehe) in the castle, and the Snow Queen messing with Elsa’s memory before The Apprentice (Timothy Webber) sends her to our world, circa 1982.

The story of the sisters, Elsa and Anna, is a strong one. Anna goes to other realms to save Elsa, and Elsa never stops believing in Anna, even when Anna is under a spell that makes her say horrible things. There is an argument to be made that Nasty Anna is buried deep inside the real Anna, an expression of the suffering she has endured. But an essential part of Anna is that she keeps hope and moves past such issues, always deciding to believe in Elsa. Seeing Elsa pay this back is extremely gratifying, and it’s this bond that the Snow Queen will never have.

There’s very much a there-but-for-you-go-I element in “Smash the Mirror.” Had the Snow Queen’s surviving sister stuck by her, no matter what bad things the Snow Queen accidentally did, her fate might have turned out very differently. The Snow Queen desperately wants what Elsa and Anna already have. Knowing they won’t accept her as one of them, she goes to extremes to force such a relationship. What she will have to end up realizing, but hasn’t yet, is such bonds cannot be forced. They have to be given freely.

ONCE UPON A TIME does make the plot quite cohesive, providing a believable way the Snow Queen comes to our land, sets the stage for her memory spells, and provides a possible motivation as to why she does what she goes. Once the Snow Queen knows she can make people forget and start with a clean slate again, it would be tempting to do so anytime things go bad. That’s surely what happened with Emma, though we haven’t seen that yet.

The Snow Queen is a formidable foe. She goes toe-to-toe with Rumple (Robert Carlyle) this week and wins. While she herself is not the instrument of victory, she does manages to link Emma and Elsa to herself, which is the next stage in her plan, and goes against Rumple’s desires. It will be interesting to see how she can be defeated because, despite knowing she must fail, she is in a pretty good position at the episode’s end.

Emma is still a bit out-of-character in “Smash the Mirror.” After making Henry (Jared S. Gilmore) very slightly bleed, she goes into a panic, and eagerly accepts Rumple’s offer to remove her powers. It takes her forever to get to his cabin, and the others have plenty of time to track her, which doesn’t seem right, but from an emotional standpoint, these hours do a better job of illustrating the turmoil in Emma’s heart than others have. She wants to rid herself of power because she’s afraid of it, but Elsa, who has personal understanding, gets through to Emma and helps her accept herself.

It’s a little strange how easily Emma has things under control at the end of the episode, a new stage for ONCE UPON A TIME. Yet, perhaps it’s a timing thing. Finally able to see who she is and live up to her potential, she gets a handle on the powers. Even if the path to get there is a little bumpy, there are some strong character moments for Emma, and her fireworks scene is an earned triumph.

More uneven than Emma is Rumple’s plot, though. This Rumple takes Hook’s (Colin O’Donoghue) heart and seeks to destroy Emma so he can have power and take over the world. This is absolutely ridiculous. Rumple has never been shown to have these ambitions, and in fact works directly against such things in past seasons. The Rumple in “Smash the Mirror” is a completely new character than before, and not in a good way. ONCE’s biggest glaring mistake this year is to toss out Rumple’s entire arc and start fresh with an unrecognizable antagonist. It makes me ill to see how he has been handled.

Hook, to a lesser extent, is in a similar boat. His actions, from betraying Emma, to confessing to her, have bene erratic and nonsensical. I get the urge to be a hero and worthy of Emma, but then it’s more confusing when Hook acts against those interests. He has been used poorly as of late, too.

On a polar opposite, Regina’s ONCE UPON A TIME arc has been stellar. This week, she gets assurances from Robin Hood (Sean Maguire) that she’ll have a happy ending, ponders the path not taken, has a touching moment with her son, and is given encouragement by Snow White (Ginnifer Goodwin), of all people, who admits her own bratty past. I was worried for a bit the show would let Regina slip, negating her growth, but the other characters have rallied around her, even those who one doesn’t expect to, and in their eyes, Regina finally sees her best self reflected.

What’s more, Robin’s discovery in the library, with the help of Will Scarlet (Michael Socha), gives Regina hope. Robin finds an alternate page to Henry’s storybook, one in which Regina is not a villain. This proves the book isn’t set in stone so Regina can still change her ending! Yay!

Which begs the question, are new pages being added to the book? If so, why hasn’t anyone mentioned it? And because the page just appears in Robin’s bag, does that mean the author is still around? Possibly hiding in the magic library? Maleficent is still in the basement, isn’t she? And where is the Sorcerer’s Apprentice, who can see past and future, these days? Anyone else get the feeling the Apprentice might actually be the Sorcerer? Hmm.

For everyone awesome ONCE UPON A TIME moment, and there are many in “Smash the Mirror,” there is an unfortunate one, sometimes small, but always present. When looking at the TV schedule from last night, ONCE is only about the sixth or seventh best show on Sunday nights (behind The Walking Dead, The Newsroom, The Good Wife, and arguably several others) right now. There are a heck of a lot more than six shows on Sundays, but that’s still not a position to really brag about. If only it would get its act together, like it did a year ago, it could rise to match or exceed some of its currently-better peers. The potential is high, but the series just doesn’t live up to it as much as it should, making its wins, such as last night’s episode, bittersweet.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

ONCE UPON A TIME Reveals the Secrets of "The Snow Queen"

Article first published as ONCE UPON A TIME Review Season 4 Episode 7 The Snow Queen on Seat42F.

In this week’s installment of ABC’s ONCE UPON A TIME, we see the origin story of “The Snow Queen,” including her relationship with her sisters and their falling out. At the same time, her plans for Storybrooke move forward as she manipulates a vital piece of the puzzle to fall into place.

Once, The Snow Queen (Elizabeth Mitchell), Ingrid, had a strong relationship with her two sisters, Helga (Sally Pressman, Army Wives) and Gerda (Pascale Hutton, Canada’s Arctic Air). They shared a very special bond, looking out for one another and protecting each other. Ingrid had to hide from the world, but not from her family, who loved her as she was. We even get a glimpse of them quite young, with The Walking Dead’s Brighton Sharbino easily sliding into the episode’s titular role.

Then, Ingrid makes a mistake. In trying to punish the Duke (Jonathan Runyon, Miami Medical), a sleazy suitor trying to gain power from the sisters, she accidentally kills Helga. It’s a mistake, but an extremely costly one, which ruins the bond between Ingrid and Gerda, too. In retaliation or self-defense Gerda locks Ingrid in a bottle and wipes her memory from all the land.

“The Snow Queen” is a tragic tale of love gone sour after an unspeakable sin is committed. Ingrid is surely as upset with herself as Gerda is, even if she resists going into her prison, but in the intervening years, her pain turns to evilness. Ingrid is not only out to recreate that once perfect happiness she had, thinking she just needs two sisters with powers (to allow greater understanding between them), but she also has stopped caring about others. She feels wronged, an understandable emotion, and a fitting backstory for this season’s ONCE UPON A TIME villain.

In order to fulfill her desires, Ingrid needs two new sisters. Elsa (Georgina Haig), her niece, is an obvious choice because they share the same lineage and exact talents. Emma (Jennifer Morrison) may be a little different, but Emma’s feelings of abandonment and alienation are close enough to Ingrid’s experiences for easy manipulation. It takes almost no effort for Ingrid to get Emma in the mindset she wants, and while Emma won’t betray her loved ones, she is feeling separate from them. Though Ingrid may already have tried and failed with Emma, Emma’s memory of their previous time together being missing. Elsa will be a tougher nut to crack, unless wiped memories can assist.

Ingrid’s plan is not fully exposed, but “The Snow Queen” is on the right track there. Ingrid still needs three ribbons she and her sisters gave to Rumpelstiltskin, and he’s amiable when she gives him what he wants. The upcoming weeks should reveal all, and this installment puts us well on the path to an acceptable end game.

Rumple’s sourness is less digestible. He seems positively gleeful at whatever dark task Ingrid tells him he must do. As I’ve mentioned before, this twist negates Rumple’s entire character arc in ONCE UPON A TIME before this subplot, and it’s hard to imagine he really wants to go out and control the larger world. It just doesn’t make sense, given what we’ve seen of him before.

The other side story serviced in “The Snow Queen” finds Robin Hood (Sean Maguire) unable to fall back in love with his wife, so he kisses Regina (Lana Parrilla) once more. To do so, he must break his code, which doesn’t bode well for his continued heroics. Yet, Regina has tried to do the right thing and get over him many times. While their love may be less than pure, it’s hard not to root for the two to find a happy ending together, which may be where ONCE UPON A TIME is taking them. I just hope service is paid to why this isn’t completely a good idea. Since Regina is the cast member being best handled this year, that seems likely-ish.

One complaint I have about “The Snow Queen” is the way-too-brief appearance of Aurora (Sarah Bolger) and Ashley (Jessy Schram) in Mary Margaret’s (Ginnifer Goodwin) mommy class. It’s a fun scene, if a bit corny, and it contributes nicely to Emma’s arc, but why bring back these familiar faces only to waste them in such a quick moment? Will they be recurring in this capacity, or will Ashley disappear for another three years with no explanation?

“The Snow Queen” is one of the better episodes ONCE UPON A TIME has delivered this fall, a huge step back from the pit of last week. The characters are consistent within the hour and the season even if some of them, mainly Rumple, don’t match their series journey. I was very worried about what came after “Family Business,” but this has calmed much of that.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

ONCE UPON A TIME Is All About "Family"

Article first published as ONCE UPON A TIME Review Season 4 Episode 6 Family Business on Seat42F.

Tonight’s installment of ABC’s ONCE UPON A TIME, “Family Business,” starts well enough, but quickly goes downhill by the halfway point. As everyone searches for the elusive Snow Queen (Elizabeth Mitchell), we see some of Belle’s (Emilie de Ravin) backstory, which sparks behavior in her that is not at all in keeping with her character. The Snow Queen’s mission, too, is revealed, but again, doesn’t quite make sense.

Let’s start with Belle. Introduced as a match to the animated version, Belle is a sweet woman who believes in the goodness of people above all else. “Family Business” finds her desperate to remember her mother’s (Frances O’Connor, Mr. Selfridge) death. This mission takes her to Arendelle and an encounter with Anna (Elizabeth Lail), Oaken (Darcey Johnson), and Grand Pabbie (John Rhys-Davies). Then, the Snow Queen shows up and Belle puts her memory before Anna’s life, allowing the Snow Queen to capture Anna.

One might argue that this experience is what makes Belle so good. Maybe this one mistake is why she learned her lesson and went straight, becoming hero-like, if not a full-blown hero. That would actually make sense. Except, in present day Storybrooke Belle lies to Elsa (Georgina Haig) and Rumple (Robert Carlyle) about knowing Anna. This is not something our Belle, who holds Rumple to a very high standard, would do. Then, she compounds her sins by using the dagger to control Rumple, again, breaking character completely.

Now, bad Belle is a device that moves the story along. Because of her, we find out the Snow Queen’s purpose. But that doesn’t excuse poor storytelling. There are any number of ways the same information could be conveyed without ruining arguably the show’s purest character, and that makes “Family Business” a huge disappointment.

The Snow Queen’s end game is also not befitting the character. In this episode, we learn the Snow Queen’s desire is to have the residents of Storybrooke turn on themselves and kill each other off until only she, Elsa, and Emma (Jennifer Morrison) are left alive. She thinks Elsa and Emma could then replace her departed sisters and the three could be a family. Yet, the Snow Queen sees in the flashback story that just wanting a family doesn’t make it so. How can she possibly believe that Elsa and Emma will want to be with her after everyone else dies? Even if the three are alone together, the girls would likely turn on their elder.

The dark magic introduced in ONCE UPON A TIME, the Snow Queen’s malicious mirror and the Sorcerer’s hat, are solid parts of a good story. I like them both and think they could be well used in the narration. Instead, making them part of this ill-begotten twist, they are tainted and probably won’t end up being what they should be. They present danger, but ignore the obvious threats they possess.

I’m confused about the prophecy surrounding Emma. The Snow Queen found Emma a long time ago and is dropping hints to remind Emma of this, presumably so Emma will remember how much she liked the Snow Queen and they can be a family again. But why take the memories away at all? And why didn’t the Snow Queen keep Emma when she had her? Why come back now? It just doesn’t seem like these pieces will come together satisfactorily.

We’re also left to wonder about Anna. Is she in Storybrooke? Is she back in Arendelle, still locked in the dungeon? What happened to Elsa in the meantime? This is too many questions posed for a story that has robbed me of my confidence in a comprehensive ending.

“Family Business” is not without its good parts. Regina (Lana Parrilla) telling Robin (Sean Maguire) she may not be able to save Marian (Christie Laing) is a rich scene, full of interesting pathos. Hook (Colin O’Donoghue) joking that everyone in Storybrooke is related is funny and right on the money. But these small gems aren’t enough to save this dud of an episode. ONCE UPON A TIME is not doing well with its exposition or the structure of its arcs, and those are to very important, vital elements of the show.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

"Breaking" Down ONCE UPON A TIME

Article first published as ONCE UPON A TIME Review Season 4 Episode 5 Breaking Glass on Seat42F.

This week’s episode of ABC’s ONCE UPON A TIME is called “Breaking Glass,” a title that doesn’t really fit exactly with the episode. And that isn’t the only strange thing in the mostly entertaining, but occasionally inconsistent, installment which finds a friendship forming, inner strength being found, and a mother learning how to be more than that again.

First, we have Emma (Jennifer Morrison), Regina (Lana Parrilla), and Elsa (Georgina Haig) all on the hunt for the elusive Snow Queen (Elizabeth Mitchell). The Queen has taken to the woods, and when Emma goes to Regina for help, not only does Regina refuse to do so, but the Snow Queen manages to lure the left-alone Elsa into a trap (after Elsa sits in the car for an incredibly unrealistic long time). Emma and Regina become reluctant partners on the trail, until all have a big showdown in which the Snow Queen triumphs.

We still don’t know the Snow Queen’s plan, but it involves getting Regina’s pocket mirror in order to complete a larger mirror in her lair. Incidentally, this also allows Sidney (Giancarlo Esposito) out of his entrapment when he switches allegiances, but the Snow Queen doesn’t really want him, and it’s certainly too late for him to go crawling back to Regina, so he’s left a bit adrift. But back to the Snow Queen, it’s all ice and mirrors as she plays with everyone, accomplishes her goals, but reveals nothing to the of herself to the characters or the viewers.

The Snow Queen seems interested in Elsa, whom we know is her niece, though Elsa isn’t aware. The Snow Queen gets Elsa out of the way so she can attend to the task at hand, but when Elsa is able to break free, the Snow Queen seems proud. My guess is that the Snow Queen would like to help Elsa, but only if she proves herself worthy of her attention, and Elsa is well on her way to doing so. However, the help will probably only come if it benefits the Snow Queen, at least in casting Elsa (who really needs to change clothes) as an apprentice and heir-apparent.

The Snow Queen doesn’t seem to care so much about Regina and Emma. True, one could argue that the way the bridge disintegrates is designed to lead the women somewhere rather than to kill them, but the Snow Queen is just a little too careless with their lives to seem like she worries about keeping them alive in any way.

Which makes the revelation that Emma lived with her as a teenager, something the Snow Queen has wiped from Emma’s memory, and that doesn’t quite justify the pointless Emma flashbacks in “Breaking Glass,” all the more puzzling. Why is the Snow Queen interested in Emma, and how did she get out of Storybrooke during the original curse? Or why did she join the town sometime during that curse, as seen in pictures?

The welcome outcome of this ONCE UPON A TIME adventure is that Emma and Regina acknowledge something like a friendship. I do feel like Regina shuts Emma down too much, even in keeping with her character, and the way that Emma sees Regina as a much-needed friend comes out of nowhere, not satisfactorily answered in the flashbacks. But “Breaking Glass” gets the women to a place they need to be, on the road to a real relationship, and that is very moving.

Regina needs Emma’s friendship as much as Emma needs Regina. The latter reasons are obvious, as Emma could use some help with her magic. The former may be less so. Regina is losing her humanity, treating Sidney like a pawn again and considering dark options, even as she doesn’t go through with them. Henry’s (Jared Gilmore) faith in his adopted mother helps keep Regina good, but an adult friend, one who can see through the bull in a way Henry can’t, as well as someone whose faith in her that Regina doesn’t expect, can help Regina even more. Emma is important in Regina’s redemption sticking and continuing forward.

Another great scene is a small one in which Hook (Colin O’Donoghue) shows interest in Emma’s past. This romantic, compassionate Hook doesn’t quite gel with the schemer seen last week, but it is the Hook fans want, and the Hook that Emma deserves. Hopefully, ONCE UPON A TIME will give us more of this Hook and less of the other one.

Elsewhere, Mary Margaret (Ginnifer Goodwin) thinks David (Josh Dallas) leads her on a wild goose chase after the escaped Will Scarlet (Michael Socha) in order to get her groove back. It turns out not be a trick by David, but the side story is a good use of Mary Margaret and David, usually flat, uninteresting characters, and the more Will can be worked into the story, even if his narrative is unfolding as fitfully as the Snow Queen’s, the better.

ONCE UPON A TIME is having a rough fall, better than last spring’s batch, but lacking the cohesiveness and the rich layers of the previous autumn’s Neverland arc. “Breaking Glass” does much to get the show back on track, but unfortunately, in doing so, it has to stray from some established bits in recent weeks. Here’s hoping ONCE figures out what it needs to do and sticks with it in time to salvage this story.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

ONCE UPON A TIME Might Want to "Apprentice" Itself to a Storyteller

Article first published as ONCE UPON A TIME Review Season 4 Episode 4 The Apprentice on Seat42F.

This week’s installment of ABC’s ONCE UPON A TIME is called “The Apprentice.” Rumple (Robert Carlyle) tries to steal a magical box from the Sorcerer’s Apprentice (Timothy Webber, Men in Trees, Arctic Air) that would allow him to keep the Dark One’s powers, but without the limitations. Meanwhile, Hook (Colin O’Donoghue) and Emma (Jennifer Morrison) have their first date, a thief plagues the town, and Elsa (Georgina Haig) searches the town census for signs of her missing sister.

I need to start this paragraph by saying I STRONGLY disapprove over the spoiling of Rumple’s character this year and last spring, negating his growth arc from the first couple of seasons. Still, at least “The Apprentice” finally offers a plausible explanation as to why Rumple cannot have a happy ending, mentioning that villains cannot find their bliss because that’s not how the storybook works. It would be nice if this were established before now, but still, at least it’s offered now. In Regina’s (Lana Parrilla) quest to end up with true love for herself, might she also show Rumple a way to finally, once and for all, get back to who he should be?

This week’s ONCE UPON A TIME doesn’t give us any positive signs in Rumple. His quest to get the box from the Apprentice is something every Dark One has attempted, as we see in a Zoso (Brad Dourif) flashback, and it is only done for evil purposes. Rumple is tricking Belle (Emilie de Ravin), the woman he supposedly loves, and taking out innocent men to get what he wants. These are not good signs.

Hook lets his inner villain out, too. It’s one thing for him to get his hand back (which, by the way, the fact that the hand is not really cursed is totally predictable), but it’s another for him to engage in a game of mutual blackmailing and lying with Rumple. True, Hook has never had that catalyst moment, as Rumple did, where he turns over a new leaf and truly proves himself, but fans of ONCE UPON A TIME don’t expect him to behave this badly. It’s a bit inconsistent for the character, and not a welcome development.

Henry’s (Jared Gilmore) actions also don’t make sense. Isn’t Rumple suspicious when his only grandchild, whom Rumple has strangely ignored for awhile despite Henry’s connection to Rumple’s beloved son, suddenly wants to spend time with him? Rumple is too bright to be fooled by the kid unless love blinds him, and there is no hint of that. Their family connection also should have been explored more fully before now, and that’s glaringly obvious when it is approach at this juncture.

The Frozen arc takes a sharp left turn this week when Anna (Elizabeth Leil) accomplishes her task of figuring out why her parents went to the Enchanted Forest and she returns home. One does not expect this, given Elsa’s efforts to find Anna, so there’s definitely more story in their land to tell. I like when the writers surprise me, which doesn’t happen every week on ONCE UPON A TIME, and that kicks this episode up a couple of notches.

Less enticing is the Snow Queen’s (Elizabeth Mitchell) behavior. She appears only briefly in “The Apprentice” to taunt Emma. It’s fine if the show is taking the slow-reveal approach and only giving us bits of the Queen’s motivation at a time. But it’s weird to get so much of her last week, and then just a brief look at her this one that has her behaving strangely with no discernable reason as to why she is doing so. That needs to sort itself out.

I’m sorry if this review has leaned negative, as I mostly liked it. There is just a lot more to say about the complaints than the impressive bits. There are lots of good things to say about “The Apprentice,” too, though. I love how Snow (Ginnifer Goodwin) and Charming (Josh Dallas) make too big a deal over Emma’s date, the Lady and the Tramp reference at the restaurant, the hints about Will Scarlet’s (Michael Socha) true mission in Storybrooke, which has to be to find the Red Queen again, and the meta references where the characters basically acknowledge their storybook roots. This style of humor is exactly what the show should strive for more of, as it works extremely well for the premise and makes for entertaining dialogue.

“The Apprentice” isn’t a bad episode, but it’s not a great one either. It is very Rumple heavy, and I like his Dark One stories, but his behavior in Storybrooke is troubling, as is Hook’s. If the characters and tone were a little more consistent, that would improve the overall presentation a lot.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

ONCE UPON A TIME Stumbles On "Rocky Road"

Article first published as ONCE UPON A TIME Review Season 4 Episode 3 Rocky Road on Seat42F.

This week’s installment of ABC’s ONCE UPON A TIME, “Rocky Road,” is an interesting because it’s full of exposition, leaving us with more questions than answers. As our heroes race to save a slowly-freezing-to-death Marian (Christie Laing), they encounter a new villain who seems a little too familiar with them. In flashback, the introduction of said baddie doesn’t exactly match up with what’s happening in Storybrooke, indicating that there are more secrets that must come out to understand the tale.

The “monster” is the Snow Queen (Elizabeth Mitchell). Trapped in an urn, locked in a cave, she is accidentally freed by Hans (Tyler Jacob Moore, Shameless) as he attempts to capture Elsa (Georgina Haig) and steal her kingdom. Once she is freed, it is Hans that is in trouble, and Elsa looks to have a new mentor in the woman that claims to be her aunt.

Yet, in Storybrooke, the Snow Queen isn’t so benevolent. She has attacked Marian for unknown reasons, and tells Elsa that Elsa was locked in an urn by Anna and that the Rock Trolls erased Elsa’s memory. Elsa can’t believe Anna would entrap her in such a way, and is confused by what has been supposedly removed from her brain, kicking off a whole new set of mysteries.

This is a pretty compelling narrative, two sisters on their own quests, long separated, beset by challenges. They will surely find their way back to one another because fairy tales have happy endings (usually), but it’s clearly not going to be easy, and the fall run of ONCE UPON A TIME will document that.

We are also briefly introduced to new main character Will Scarlet (Michael Socha), a.k.a. The Knave. We don’t know why he’s come over from Wonderland (he starred in the short-lived spin-off of this series) or gone back to his thieving ways, but his introduction is a fun one, and I look forward to hearing why he isn’t still with the Red Queen, who should be by his side, and hopefully will be again.

Some fans of the series are sure to be disappointed by “Rocky Road” and the episodes surrounding it because of how heavily it leans on the guest characters. Elsa and the Snow Queen aren’t part of the core cast, and by focusing on them so much, it gives the more familiar people less screen time. Personally, while I would like to get back to some of the larger arcs that seem to move so slowly, I am enjoying this Frozen tale, and I think the recent hours are good enough that I don’t have much reason to complain, at least not about story structure.

After all, there’s still development for most of the main cast. Emma (Jennifer Morrison) uses her powers to good effect in “Rocky Road,” and she finally confesses to Hook (Colin O’Donoghue) why she’s keeping him at arm’s length. It’s not him, of course, it’s that every man she gets close to winds up dead, which sort of backs up what Elsa tells Hook, that responsibility trumps personal feelings. And we see Mary Margaret (Ginnifer Goodwin) adjusting to motherhood and a mayorship, two tough challenges that she honestly should be doing better with, but she’s getting there. Her story is a little lame (Mysteries of Laura style), but at least she has something to do, which isn’t always the case.

Best of all, there is movement on both of Regina’s (Lana Parrilla) fronts. First, she teams up with a willing Henry (Jared Gilmore) to find the author of the storybook so she can get a happy ending. It’s cool to see how amazed she is when Henry jumps at the chance to help her, and it’s nice knowing he’ll make sure she doesn’t turn back to the dark side to get what she wants. He anchors her to her heart, and she doesn’t deserve to backslide after coming so far. Robin Hood (Sean Maguire) also admits to Regina he’s still in love with her but just can’t be with her, which does seem to soften Regina’s bitterness, just a little. Let’s hope Robin comes clean with Marian that it just isn’t working between them anymore, which could, but probably won’t, create a new villain.

How weird is it that Regina removes Marian’s heart? I have no idea what the implications of this will be, but I dig the twist.

I don’t like a couple of things going on this season. I still hate how Rumple (Robert Carlyle) has slipped back into his shameful ways, and I really don’t like that Hook is covering for him, though I’m sure Hook just sees it as none of his business. It also doesn’t feel right that Granny (Beverly Elliott), Grumpy (Lee Arenberg), and the other townsfolk should turn so cruelly on Mary Margaret. They’ve been through so much together; they should be more understanding, and it seems out of character that they are not.

Fans of Marvel might also have caught the Thor and Avengers comic books Regina gives Henry. It’s a shameless bit of cross promotion, but nothing new for ONCE UPON A TIME. At least it’s worked into the story nicely, the illustrated tales being compared to Henry’s storybook. Any chance there might one day by an Agents of S.H.I.E.L.D. / ONCE UPON A TIME crossover event? It would be incredibly hard to do correctly, so I’m guessing not, even though it could be awesome.

“Rocky Road” isn’t the best episode because it doesn’t have a lot that makes it stand on its own. But I did find it enjoyable, and it planted the seeds for what I assume will be some neat things coming up. For that reason, it works.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

ONCE UPON A TIME Puts on the "White" Hat

Article first published as ONCE UPON A TIME Review Season 4 Episode 2 White Out on Seat42F.

Tonight’s ONCE UPON A TIME is called “White Out.” Panicked as she searches for her sister, Elsa (Georgina Haig) accidentally traps Emma (Jennifer Morrison) in an ice cave, where she slowly begins to freeze to death. David (Josh Dallas) and Hook (Colin O’Donoghue) try to figure out a way to free Emma before it’s too late, and Mary Margaret (Ginnifer Goodwin) steps into her new role as mayor. Meanwhile, back in the Enchanted Forest, David is inspired to become a hero after an encounter with Anna (Elizabeth Lail), queen of encouragement.

“White Out” is really good with character development, but poor on plot logic. The power goes out and the people go to Mary Margaret, who has absolutely no electrical training, to solve the issue? They don’t just ask her to have someone fix it; they expect her to get the current running again herself. And somehow, she is able to, doing things that have nothing to do with the downed power line that causes the problem in the first place, and with a baby near dangerous circuits. Emma is too weak to talk or sit up, but then is able to limp out of the cave. Hook keeps sticking his hook into the ice, even after David stops him. Elsa thinks she can’t melt the ice, but does tunnel through on the first try, only to have that option fail again when she attempts to repeat it. These things just don’t make a lot of sense.

Luckily, most of the episode is character-centric. Take Mary Margaret, for instance. With the townsfolk looking to her as mayor after Regina shuts herself off, Mary Margaret has to find her strength and step up. She is their leader, and she needs to start acting like it. It’s not a surprise that ONCE UPON A TIME goes to this place, only that it hasn’t done so before now. It makes sense for Mary Margaret to take on this role, and gives her something to do in the hour other than sit at home.

The scenes between Elsa and Emma are even better. Here are two women that have a lot in common. They’ve had to fend for themselves, having lost loved ones, and have powers they don’t understand or entirely control. They are expected to save the day, even when they don’t know how, and they are emotionally stunted. Yet, during their entrapment, they find a way to connect and become friends, a bond that lasts past when they get free. It’s because of this connection that the danger Elsa has placed others in can be overlooked, Emma able to see past the mistakes, which all the characters have made at one time or another, to the type of person Elsa really is.

It helps that David knows Anna, too, from before he meets Snow and becomes king. When David lacks courage and conviction, Anna helps him find it, much as she does for her own sister in the film Frozen, which is set prior to the events depicted in ONCE UPON A TIME. Anna is just the type of person who can bring out the best in people. Snow and the kingdom have her to thank for David becoming the man he is, and because of David knowing Anna, he knows a little about Elsa, too, making him smart enough not to strike out at her.

Thus, only two episodes in, ONCE UPON A TIME has avoided painting Elsa as a villain. This is good because fans of the movie wouldn’t like her being evil, and it allows the plot to move forward. There are enough misunderstandings in this show, so no more are needed.

Among the other great character bits in “White Out” are Emma falling into Hook’s arms once freed and Henry (Jared Gilmore) refusing to give up on Regina (Lana Parrilla). It really is a moving, heart-warming episode.

There are also some new baddies introduced this week. Bo Peep (Robin Weigert, Sons of Anarchy) is a wicked mob boss / warlord who still lives on in Storybrooke, and thus may pop up again. The owner of the ice-cream shop (Elizabeth Mitchell, Lost, Revolution) has some dark, icy powers, too. Their arrival is none too soon, as Regina is no longer bad enough to cause real trouble, and ONCE UPON A TIME needs a villain to defeat. That’s the nature of fairy tales.

Regrettably, Rumple (Robert Carlyle) also appears to be going down the wrong path. He clearly has something to do with Anna’s disappearance, which apparently happened many years ago, making it more tragic, and doesn’t speak up about what he knows when David comes asking. This, combined with other recent actions we’ve seen him take, does not bode well. It’s really sad that he’s being like this, given his heroic sacrifice last year and recent marriage. It kind of ruins the character to bring him so far, then have him backslide so much. Hopefully, that will straighten itself out soon.

In all, “White Out” is a pretty good installment. The weaknesses tend to be minor things that are swept quickly past, while drawn out scenes give us meaty dialogue and pathos that explore the various personalities featured. There may still be no sign of our Knave (Michael Socha), other than the actor’s name in the opening credits, but season four is shaping up to be an intriguing mystery that I look forward to seeing solved. It’s already far better than last spring’s Oz arc, a sign the show is back on track.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

ONCE UPON A TIME, There Were "Two (Frozen) Sisters"

Article first published as ONCE UPON A TIME Review Season 4 Episode 1 A Tale of Two Sisters on Seat42F.

WARNING: There are spoilers below, but as always for unaired episodes, I don’t give away anything too major.

ABC’s ONCE UPON A TIME is back this weekend, kicking off a whole new arc related to the recent blockbuster movie Frozen, beginning with the episode “A Tale of Two Sisters.” While last spring’s Oz arc didn’t live up to expectations, the previous fall’s Neverland run was nothing short of spectacular. We’re only one episode in to the new story, but as far as first impressions go, this is a solid one, favoring the latter’s quality, rather than the former’s.

As some fans have been eagerly anticipating, “A Tale of Two Sisters” brings Elsa (Georgina Haig, Fringe) and her sibling, Anna (newcomer Elizabeth Lail), into ONCE UPON A TIME. And there is no shortage of the girls in the premiere. We see them in multiple time periods and get Elsa in both their home and in Storybrooke. Whatever this immediate plot entails, it will have plenty of them.

The main portion of Elsa and Anna’s scenes are set in their kingdom after the end of the movie. So if you haven’t seen Frozen, you may want to check it out this beforehand to catch you up on who these people are. ONCE UPON A TIME may eventually reveal enough to follow along without prior knowledge, but the scenes with Elsa, Anna, Kristoff (Scott Michael Foster, Greek), Sven (played by an actual reindeer, hilariously used!), and Pabbie the Troll (CGI, voiced by John Rhys Davies from The Lord of the Rings) may seem confusing to those who don’t already know them.

By beginning after the movie (spoiler for those who haven’t seen Frozen!), Elsa isn’t a villain the way she is for much of the film. She isn’t completely good either, though, as she is still struggling to control her powers. Suddenly dropped into a strange land, and likely on a very important mission viewers can guess at, it makes sense for her to panic and perhaps get a bit defensive. I’m not quite sure yet how she’ll fold in (or not) with the Storybrooke residents, but there is definitely the potential for conflict here, and I will say the earliest, indirect encounters don’t exactly go smoothly.

Some have criticized ONCE UPON A TIME in the past for periodically giving too much screen time to guest stars and not developing the core cast enough. While “A Tale of Two Sisters” definitely has a lot of Frozen fare, it does provide good, character-driven scenes to many of the primary players, too, striking what I feel is a respectable balance between the two camps.

Obviously, the biggest question after last spring’s finale is if Regina (Lana Parrilla) will slip back into her evil ways. This question is addressed a lot in the hour, but not answered this week. She is definitely tempted to smite Marian (Christie Laing), who is long believed dead until she suddenly shows back up to claim her husband, Regina’s boyfriend, Robin Hood (Sean Maguire). She even recruits an old henchman (yay!) to help her out. But Regina is no longer just the Evil Queen, and slipping back to her old ways doesn’t come as naturally as it once did. She also has a perhaps-unexpected ally trying to save her. Parrilla gives an as-usual fantastic performance as Regina struggles with her warring motivations.

Those who prefer the romantic side of things should be happy with “A Tale of Two Sisters.” There is some great stuff between Emma (Jennifer Morrison) and Hook (Colin O’Donoghue), and some even better stuff between Rumple (Robert Carlyle) and Belle (Emilie de Ravin). The latter’s honeymoon becomes quite fairy tale-esque in a scene that will make many Beauty and the Beast fans smile.

Both Rumple and Regina also kick off some extremely interesting arcs, one relating to another familiar tale not yet covered in ONCE UPON A TIME, and the other diving deeper into the base mythology of the show, exploring something not dwelled upon for some time. These are promising, excellent threads that should hopefully pair nicely with the Frozen line, succeeding in keeping everyone important busy in the coming season.

As for the announced new main cast member, the Knave of Hearts (Michael Socha) from the spin-off Once Upon a Time in Wonderland, he’s completely MIA in the first episode back. But his name graces the opening credits, so I expect that won’t be the case for long, and there’s still time to hold out hope that he won’t be coming to Storybrooke alone.

In all, ONCE UPON A TIME has a great return to form, beginning a fascinating series of stories and doing justice to the best characters in the show, even while introducing yet another batch of new ones. It’s too early to tell if this fall will rival the show’s Neverland zenith, but it’s got the right ingredients in place to serve the show well, should they be mixed correctly and baked for the right amount of time.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

CBS Gets RECKLESS

Article first published as RECKLESS Review on Seat42F.

CBS has a new crime series, which premiered tonight, called RECKLESS. Masquerading as a typical cop or lawyer show, it’s a combination of both, mixed with a heavy dose of soapy drama. There are short-run cases, such as the one in the pilot, but there is also a bigger arc involving a departmental scandal which will likely play out over the course of the summer. Everyone has secrets, and the draw will be in wondering what twist will come next.

RECKLESS is not a high-quality show. You won’t find many of those on the broadcast networks, and certainly not during the summer. But it’s a smart move for CBS to move beyond standard procedurals and try something more salacious, a la ABC, especially during the warm months when many TVs are turned off. I do wonder why the network chose Sundays to air it, though, since that’s the night of the week with the most competition, and while RECKLESS is enjoyable, it’s doubtful it can compete with the likes of True Blood and Falling Skies.

On most shows these days, the police are the good guys. We might find a bad seed or two among the contingent, but rarely is there a widespread issue within the force, unless it’s a really meaty, intense drama, which this show is not. RECKLESS is different in that most of the boys in blue in Charleston are not on the up and up. Whether sleeping with fellow officers or covering up for their buddies that do, there is much to loathe in this unit, and little to admire.

The main thread kicks off when Lee Ann Marcus (Georgina Haig, Fringe) decides to break up with her boyfriend, fellow officer Terry McCandless (Shawn Hatosy, Southland). Terry isn’t happy about this and shares some of Lee Ann’s dirty photos and such, which were sent through departmental communications. Their boss, Holland Knox (Michael Gladis, Mad Men), fires Lee Ann, but only lightly reprimands Terry. Feeling discriminated against, Lee Ann seeks the representation of lawyer Jamie Sawyer (Anna Wood, Deception).

Jamie is the main woman we’re supposed to root for, but she’s not exactly pure. She thinks nothing of bending, or even outright breaking, the rules in order to win her case. She may have noble intentions, or so we’re left to assume, but that doesn’t mean she can’t get in trouble, and perhaps she should. Even when she is framed for a minor crime in this episode, one has to wonder if she’s just serving time for something else she did but didn’t get caught.

There is room for some debate over RECKLESS’s portrayal of women. Lee Ann steps across the line of her own free will, and her punishment is justified. The problem at hand is that the rules are not applied equally across the board. The good ol’ boys of the south stick together and feel above the law. So in a situation where no one has done right, can we blame one party more than the other? Yes, but not completely, making it hard to really care about too many of the players.

Of course, besides all the legal and cop stuff, there’s plenty of room for romance. Jamie smolders whenever she encounters city attorney Roy Rayder (Cam Gigandet, The O.C.), but she also has regular hookups with Preston Cruz (Adam Rodriguez, CSI: Miami), who dons the uniform. Jamie can’t help but shit where she eats, like most TV characters, and so causes much of her own trouble.

If you’re looking for a sexy guilty pleasure show that’s entertaining but doesn’t make you think too hard, RECKLESS should fit that bill fine. That it’s a notch or two better than CBS’s regular season fare, The Good Wife excepted, may surprise and impress, but it still runs behind its cable counterparts.

RECKLESS airs Sundays at 9 p.m. ET on CBS.

On the Fringe of the series

Grade: 87%

FOX’s FRINGE has tackled several universes and timelines, with characters existing, then not existing, being killed off, and then being alive again. For the fifth and final season, the series faces yet another reboot, this time moving events more than twenty years into the future.

The season premiere, “Transilience Thought Unifier Model-11,” continues the plot begun in last season’s episode “Letters of Transit.” Peter (Joshua Jackson), Walter (John Noble), and Astrid (Jasika Nicole) have been freed from their self-imposed amber prison by Peter’s daughter, Etta (Georgina Haig). Walter tells them that they must find Olivia (Anna Torv), as she has an important device that would allow Wallter to defeat the Observers, who have taken over the world.

Believe it or not, it isn’t that hard to find Olivia, and Etta is soon reunited with her mother. But in the process, Walter is taken prisoner by the Observers, and his brain is damaged severely. Will he still be able to save everyone? And why has the music died? Are songs what Walter needs to figure things out?

The futuristic world of FRINGE owes allegiance to many sci-fi stories. While it is a new, original creation, there are lots of illusions its geeky fans will recognize. The Observers say “Resistance is futile” like Star Trek’s Borg. Videos are played back on flickering blue projects, a la Star Wars. Banners and posters of an Observer hang from buildings just as they did for Big Brother in 1984. Why so many borrowed ideas? Is this purposeful, a clue meant to provide insight into events? Or have the Easter eggs included for the nerds just grown too obvious?

There are so many unanswered questions in “Transilience Thought Unifier Model-11.”  Even before the team was put in the amber, several years had passed since the previous episode. How did the Observers conquer mankind? Why was William Bell (Leonard Nimoy) in the amber with the Fringe team? When did September (Michael Cerveris) implant Walter’s brain with the key to stopping his people? Why have the Observers taken over in the first place, when previously they had only watched?

The episode itself is kind of tantalizing because it does fill in a couple of the gaps, such how Olivia and Peter came to break, and why Olivia isn’t with the rest of the team. But not a lot else happens. A plan is revealed, only to be yanked away again. Olivia is found way too easy, and the Observer’s base is infiltrated just as smoothly. Overall, it is not a strong return.

Even more regrettable is what is missing. Lincoln Lee (Seth Gabel) has been dropped from the cast, and there is no mention or glimpse of the other universe. This is an important element to FRINGE, having spent years developing that place and Lincoln’s character. To have them just disappear is disconcerting, and hopefully both will be revisited before the series makes its final bow. In fact, given the unsettling time and space jump, maybe some of these final episodes will be set back in the present day?

Broyles (Lance Reddick) and Nina (Blair Brown) are also missing. Does this allude to a shrunken universe in season five? Will the show now just concentrate on Peter, Olivia, Walter, Astrid, and Etta? These are all wonderful characters with fantastic stories, and the Bishop family (including Astrid, who is practically a member) is the heart of FRINGE. But that doesn’t mean that fans are ready to give up the rest of what is familiar about the show.

Which means that “Transilience Thought Unifier Model-11″ is disappointing. A large part of me trusts the people who make FRINGE to do right. After all, for four seasons they have not let us down, crafting this brilliant, original series. But the first installment of season five is less than promising, taking away many of the trappings fans have grown comfortable with, and revealing a whole different kind of adventure. Should the series be continuing a couple more years, this would be cool. Since there are a scant dozen episode left, it’s worrying to be taken so far off the trail FRINGE was previously on, with no signs pointing the way back.

FRINGE airs Fridays 9 p.m. ET on FOX.

Fringe stops a "Brave New World"

Time is running out for both universes featured in FOX's Fringe in the climatic "Brave New World." William Bell (Leonard Nimoy) intends to play god, creating his own reality, but to do so, he is going to destroy everyone else. Not only that, he is using Olivia (Anna Torv) to power the destruction, so as September (Michael Cerveris) told them months ago, Olivia must die. Which is why Walter (John Noble) shoots her right between the eyes, in front of his son, Peter (Joshua Jackson), who loves Olivia.

Could this have been a heart wrenching series finale for the strange sci-fi show that has surprised and delighted viewers for four years? No. No Fringe fan would have been satisfied with such a tragic end, Olivia dead, son hating father more than ever, and Walter sinking even deeper into a mire of guilt. We care too much about these characters, and what happens to them. It is beyond cruel to leave all three central people in a bad place.

And so, as Bell escapes, Walter finds a way to bring Olivia back. She learns she is pregnant. They all celebrate in the hospital, where Astrid (Jasika Nicole) is recovering nicely from her own wound. Happiness for all!

Or is it? What happens in "Brave New World" concludes many of this season's plots, including stopping David Robert Jones (Jared Harris) and saving the world. It's a nice, and understated, two part episode, lacking the big cliffhangers from years past. It's exciting enough, and features a wonderful guest spot by Rebecca Mader (Lost). Tt doesn't change too many rules, other than draining Olivia of the powers she once possessed.

But just a couple of weeks ago Fringe revealed its final mission, slated to play out next year, the last season there will be of the show. In the future, The Observers rule mankind harshly, and a couple of survivors, Simon (Henry Ian Cusick, Lost) and Etta (Georgina Haig, The Elephant Princess), who happens to be Peter and Olivia's daughter, pull Peter, Walter, and Astrid from amber to help save humanity. This is the final conflict, the last great challenge the Fringe team must face. This is what hangs over "Brave New World."

How did Peter, Astrid, Walter, and William Bell get frozen in amber in the first place? Where is Olivia? Why must they wait decades to stand up to their oppressors? Is this a future that can be stopped before it happens? And, in this episode, the future is shown with a blue theme song. Does that mean things will be restored to Peter's universe, where everyone remembers him, before going down this path? And if that is the case, how could William Bell still be alive? Will we even see the red universe and Lincoln Lee (Seth Gabel) again?

On top of all these questions, why isn't this future episode the season finale? Why tease fans with it, when it didn't really fit within this season's mythology, other than to build appetite for next year?

It's a strange game Fringe is playing. It pushes and pulls in unexpected directions, keeping people on the edge of their seats, always wondering what is going on. With only thirteen episodes left to tell the story, it's sure to be a wild ride. If the first four years are any indication, it will also be a highly satisfying one, full of things no one can predict except those who write the show. I can't wait!

Fringe will return to FOX for its final season next fall.

If you like my reviews, please follow me on Twitter! To catch up on the Fringe you missed, buy DVDs or watch episodes instantly on Amazon.com

Article first published as Fringe stops a "Brave New World" on TheTVKing.com