"What Happened" on THE WALKING DEAD?

Article first published as THE WALKING DEAD Review Season 5 Episode 9 What Happened and What's Going On on Seat42F.

Fans of AMC’s THE WALKING DEAD eagerly anticipated last night’s mid-season premiere, wondering “What Happened and What’s Going On.” We get an answer to the strange title of the episode, some time after the events of last season. The group goes to Richmond, Virginia, where Noah’s (Tyler James William) mother and brothers were last known to be. But there’s been a cost to this journey, to this life, and there’s a fatal price for looking for hope in this place.

With Eugene (Josh McDermitt) now a known liar, the group lacks direction. Noah provides a little bit of it with a pipe dream, tales of a place protected by walls. It’s better than any other idea offered, so it’s understandable they would give it a shot. This, despite the fact that several of the characters don’t bother to buy into the hope at all. They are too jaded, have been disappointed too many times. They don’t see an attractive path left open to them.

Michonne (Danai Gurira) is not one of those. Listening to Rick (Andrew Lincoln) and Glenn (Steven Yeun) debate if killing Dawn even matters, she reaches a breaking point. Of course taking a life matters. Of course one must try to hold onto their humanity. The guys may not agree in “What Happened and What’s Going On,” but at least Rick has the good sense enough to listen to Michonne’s concerns. Maybe he’s past caring, but he recognizes the wisdom in trying to do so.

Michonne is now the de-facto moral compass, which is a precarious position to be in. Those who have shouldered the mantle in the past tend to have a limited lifespan. I desperately hope Michonne’s days aren’t numbered, but I felt the same about Hershel and about THE WALKING DEAD’s most recent victim, and have been disappointed both times. Disappointed not because their stories aren’t fantastic; they are. Disappointed because I mourn for and miss those players. True, there’s no impending demise for her if the show echoes the comics, but ask Andrea, who is still alive in the paper version, how believing the TV adaptation will follow the books works out.

As THE WALKING DEAD returns this week, it’s Tyreese (Chad L. Coleman) who tries to hold on. He offers to stay with Noah as Rick, Glenn, and Michonne hunt for supplies. And in Noah’s house, Tyreese is taken in by the photos of Noah’s brothers, innocents. It makes Tyreese remember his own family, his own father, and it saddens him.

Unfortunately, THE WALKING DEAD is cruel to those who take the time for such sappy reminiscing. Tyreese is bitten while distracted, and despite everyone’s best efforts to save him, it’s too late. Another moral compass gone, passing the torch to Michonne.

Tyreese is a beloved and fascinating character, and his death in “What Happened and What’s Going On” is worthy of him and of Coleman, who brings him to life so brilliantly. We see flashes of Tyreese’s past over the last few seasons. We see mementos of happier times. It’s almost a victory lap, a life flashing before one’s eyes, reminding Tyreese of what’s important.

As he lies bleeding, he’s visited by the ghost of many a departed friend and foe, including Bob (Lawrence Gilliard Jr.), Beth (Emily Kinney), Lizzie (Brighton Sharbino), Mika (Kyla Kenedy), Martin (Chris Coy), and The Governor (David Morrissey). Some of them are there to comfort him and usher him out of this life. Others are there to accuse him of wrongdoing and make him take stock of his situation. In the end, though, the comfort wins out, and while Tyreese fights if for awhile, we eventually see him go away peacefully, surrounded by those who care.

Not every death on THE WALKING DEAD is this pretty, but if there’s a soul that deserves this type of demise, it’s Tyreese. Out of the action, his passing is unexpected, but it also makes sense, given the type of guy he is. If it didn’t happen here, it would have happened soon enough anyway. Having all of those actors return makes it that much sweeter, lending importance to the passing, and delighting viewers who miss them. Yes, even The Governor is missed, if for Morrissey’s performance alone.

“What Happened and What’s Going On” is a way-stop on the way to D.C., the place where an ounce of hope might still remain. Still, it’s an important one. The Walking Dead skips over 500 miles of the journey, but I’m glad it chooses now to take a brief respite and deliver a compelling narrative.

Next week, they will go the last 100 miles and find something new. If the next stage is anything like the comic books, the show is about to change dramatically, and this hour serves as a fine transition between two distinct halves of a major series, starting to close the book on what the characters have been dealing with thus far.

THE WALKING DEAD airs Sundays at 9 p.m. ET on AMC.

ONCE UPON A TIME Reveals the Secrets of "The Snow Queen"

Article first published as ONCE UPON A TIME Review Season 4 Episode 7 The Snow Queen on Seat42F.

In this week’s installment of ABC’s ONCE UPON A TIME, we see the origin story of “The Snow Queen,” including her relationship with her sisters and their falling out. At the same time, her plans for Storybrooke move forward as she manipulates a vital piece of the puzzle to fall into place.

Once, The Snow Queen (Elizabeth Mitchell), Ingrid, had a strong relationship with her two sisters, Helga (Sally Pressman, Army Wives) and Gerda (Pascale Hutton, Canada’s Arctic Air). They shared a very special bond, looking out for one another and protecting each other. Ingrid had to hide from the world, but not from her family, who loved her as she was. We even get a glimpse of them quite young, with The Walking Dead’s Brighton Sharbino easily sliding into the episode’s titular role.

Then, Ingrid makes a mistake. In trying to punish the Duke (Jonathan Runyon, Miami Medical), a sleazy suitor trying to gain power from the sisters, she accidentally kills Helga. It’s a mistake, but an extremely costly one, which ruins the bond between Ingrid and Gerda, too. In retaliation or self-defense Gerda locks Ingrid in a bottle and wipes her memory from all the land.

“The Snow Queen” is a tragic tale of love gone sour after an unspeakable sin is committed. Ingrid is surely as upset with herself as Gerda is, even if she resists going into her prison, but in the intervening years, her pain turns to evilness. Ingrid is not only out to recreate that once perfect happiness she had, thinking she just needs two sisters with powers (to allow greater understanding between them), but she also has stopped caring about others. She feels wronged, an understandable emotion, and a fitting backstory for this season’s ONCE UPON A TIME villain.

In order to fulfill her desires, Ingrid needs two new sisters. Elsa (Georgina Haig), her niece, is an obvious choice because they share the same lineage and exact talents. Emma (Jennifer Morrison) may be a little different, but Emma’s feelings of abandonment and alienation are close enough to Ingrid’s experiences for easy manipulation. It takes almost no effort for Ingrid to get Emma in the mindset she wants, and while Emma won’t betray her loved ones, she is feeling separate from them. Though Ingrid may already have tried and failed with Emma, Emma’s memory of their previous time together being missing. Elsa will be a tougher nut to crack, unless wiped memories can assist.

Ingrid’s plan is not fully exposed, but “The Snow Queen” is on the right track there. Ingrid still needs three ribbons she and her sisters gave to Rumpelstiltskin, and he’s amiable when she gives him what he wants. The upcoming weeks should reveal all, and this installment puts us well on the path to an acceptable end game.

Rumple’s sourness is less digestible. He seems positively gleeful at whatever dark task Ingrid tells him he must do. As I’ve mentioned before, this twist negates Rumple’s entire character arc in ONCE UPON A TIME before this subplot, and it’s hard to imagine he really wants to go out and control the larger world. It just doesn’t make sense, given what we’ve seen of him before.

The other side story serviced in “The Snow Queen” finds Robin Hood (Sean Maguire) unable to fall back in love with his wife, so he kisses Regina (Lana Parrilla) once more. To do so, he must break his code, which doesn’t bode well for his continued heroics. Yet, Regina has tried to do the right thing and get over him many times. While their love may be less than pure, it’s hard not to root for the two to find a happy ending together, which may be where ONCE UPON A TIME is taking them. I just hope service is paid to why this isn’t completely a good idea. Since Regina is the cast member being best handled this year, that seems likely-ish.

One complaint I have about “The Snow Queen” is the way-too-brief appearance of Aurora (Sarah Bolger) and Ashley (Jessy Schram) in Mary Margaret’s (Ginnifer Goodwin) mommy class. It’s a fun scene, if a bit corny, and it contributes nicely to Emma’s arc, but why bring back these familiar faces only to waste them in such a quick moment? Will they be recurring in this capacity, or will Ashley disappear for another three years with no explanation?

“The Snow Queen” is one of the better episodes ONCE UPON A TIME has delivered this fall, a huge step back from the pit of last week. The characters are consistent within the hour and the season even if some of them, mainly Rumple, don’t match their series journey. I was very worried about what came after “Family Business,” but this has calmed much of that.

ONCE UPON A TIME airs Sundays at 8 p.m. ET on ABC.

THE WALKING DEAD Pauses to Mourn at "The Grove"

Article originally written for Seat42F.

Last night’s episode of THE WALKING DEAD, “The Grove,” is a rough one to watch. It is an entry that illustrates the very real moral struggles in this new world. It also poses a tough dilemma for two of our main characters, who contemplate doing something that is unquestionably bad, but also clearly necessary. If you haven’t seen the hour yet, grab a box of tissues, hunker down, then return to this review when you’re done.

Like other episodes this half-season, “The Grove” features only one surviving group from the prison as they continue their journey towards Terminus. While searching for water, Carol (Melissa McBride) and Mika (Kyla Kenedy) come across an abandoned house in a pecan grove, an ideal setting to rest. They need a pause as Tyreese (Chad L. Coleman) is fighting off infection and fever from his arm wound, which Carol treats. And, for a time, all three consider building a life here, rather than continuing on, until events make it impossible for them to stay with the memories of what transpires.

This isn’t the first time some of the characters on THE WALKING DEAD are tempted by relative, temporary safety, rather than feeling it’s necessary to push on and find everyone else. Is this because they don’t trust strangers after what The Governor did to them? Do they think all their friends are dead? Or are they just exhausted from traveling? Or maybe it’s because they’re just trying to recapture the appearance of normalcy, as Tyreese and Mika seem to do, relaxing in a real living room.

But as any viewers know, these reprieves are destined to be short-lived. This time, the threat that propels them forwards comes from inside their little group, rather than outside. That’s because there’s a fourth member of this company I haven’t mentioned yet – Lizzie (Brighton Sharbino).

Fans already assume that Lizzie is the one who fed the walkers rats at the prison, as well as dissected the rodent down in the tombs. We see her callously stabbing bunnies a few weeks ago. She has all the makings of a psychopath.

But Lizzie’s situation is more precarious than that. She may be hard-hearted against animals, but she loves walkers. She thinks the human being they were is still present inside of them, and with a little effort, they can overcome their people-eating impulses. She decides to prove her theory, which she definitely whole-heartedly believes, to the adults by turning her sweet sister Mika into a walker, stabbing her to death, but not in the brain.

If I hadn’t read the comics in which a pair of twin boys have a similar, less developed story, I wouldn’t have seen this coming, even after Lizzie’s “I know what I have to do,” coming on the heels of her feeling guilty for killing walkers in self-defense. Television shies away from child violence, especially against those so young, and “The Grove” does dance around the issue, declining to show much. Still, the fact that the writers go here is a bold move for any network.

It’s sad because we know Lizzie is just trying to be good and help others. Carol and Tyreese are faced with a real conundrum because they and baby Judith are not safe around Lizzie, but can anyone bring themselves to kill a misguided child? It’s not like Lizzie’s behavior screams evil, even if her deeds do. She’s begging them to love her, and Carol, at least, does. In the modern world, Lizzie could go to a psychiatric hospital and seek help. But here, there is no such luxury in THE WALKING DEAD.

And so Carol puts Lizzie down. She has to. I don’t think Tyreese, gentle giant that he is, could have done it, but he doesn’t object or try to stop Carol. He understands they are in a terrible position, having talked it through, and something must be done. It isn’t easy for Carol, either, as we see, but as she has in the past, Carol does what she has to for the good of the group.

This opens the door to resolve the whole Karen situation, which hangs over Tyreese and Carol throughout “The Grove” and before. Carol was banished for murdering Karen and another guy to stop the spread of a virus, but Tyreese loved Karen and doesn’t yet know Carol is responsible. Charred walkers, presumably coming from the fire that Beth and Daryl set two weeks ago, reawaken Karen’s memory, as she was burned, and Tyreese struggles with nightmares. As he confides these feelings to Carol, the only other adult present, viewers can see how hard it is for Carol not to confess.

Carol is a good person at heart. She only hurts others when it’s necessary. If she told Tyreese the truth early in this episode, though, Tyreese would not have been able to handle it. Only after Tyreese sees how hard it is for Carol to kill Lizzie is he able to understand and forgive Carol when she finally gets her secret off her chest. It’s the timing of the revelation, more than anything, that allows the two to stay together.

One has to wonder if Carol wants to die when she tells Tyreese the truth. Taking out Lizzie, whom Carol saw as a surrogate daughter, does a number on the woman, who can’t even kill a deer in the aftermath. Plus, the parallels between Mika and Carol’s own daughter, Sophia, are strong, so that’s another blow against Carol. As she hands Tyreese a gun and awaits his reaction, she might actually think she deserves to die, and might crave it just a little bit.

But Tyreese is better than that. As Lizzie told him, misguided as she was at the time, killing isn’t always necessary. In this instance, Tyreese needs Carol to get him and Judith safely to Terminus. And I do think he respects her for doing what he couldn’t in regards to Lizzie. He’ll be wary around Carol for here on out, but their bond isn’t completely broken.

One has to respect the amount of foreshadowing and through-lines in this hour. When our heroes first get to the grove, they see three graves, one with baby booties. This may trick some in the audience into thinking Judith will die along with two others, which is only narrowly avoided. There’s also a lot of repetition of lines such as “it’ll all work out” and being a good person isn’t enough, often meaning something else in subsequent deliveries. These make for a very cohesive, strongly written episode, raising the overall quality considerably.

I can’t end this without comment on the first scene shown being set mid-episode, as this is a trope I’ve frequently complained about in other reviews lately. Yet, somehow, it didn’t bother me here. It may be because it wasn’t initially obvious that’s what the scene was. It may be because it was artistically done, not merely included to smack the audience in the face with a hook. Whatever the reason, THE WALKING DEAD, unlike most series, made it work.

“The Grove” is an excellent, emotional episode. The two young girls do all right, not the strongest performances, but not bad for someone of their age. Coleman is terrific, and McBride is really something to watch, her feelings definitely communicated well to viewers as the character struggles with herself and this awful existence. This will be a memorable installment, a stand out in a consistently fantastic string of episodes, largely because of the acting abilities of McBride and Coleman.

THE WALKING DEAD airs Sundays at 9 p.m. ET on AMC.

THE WALKING DEAD Catches Up With the "Inmates"

Article first written for Seat42F.

While the mid-season premiere of THE WALKING DEAD last week catches us up with three of the survivors, who eventually find one another, this week’s “Inmates” shows us what happens to everyone else in four separate vignettes. It doesn’t feel like everyone is shown tonight, but the hour really does get around to the entire remaining cast (save the ones that appeared last week), the holes being those who are dead and won’t be seen again.

First up is Daryl (Norman Reedus) and Beth (Emily Kinney). The opening narration is an entry from Beth’s journal, one of hope that the prison will be a permanent safe haven where the group can rebuild their lives. It’s heartbreaking to hear it now, Beth being apart from her sister, her father executed, and little protection to be found from the walkers and the elements. It’s a jarring juxtaposition, but one that reminds us of how great the loss they just suffered is.

Beth somehow hangs onto a little bit of hope, despite her grief, wanting to immediately go find the others. Daryl is less eager, having been hurt enough, likely still smarting from Carol’s (Melissa McBride) banishment. It’s up to Beth to spur Daryl on, though he seems more determined to protect her than eager to find anyone else as they trace what is very clearly a trail left by other humans.

Daryl and Beth’s differing attitudes, as well as those of the other players as the hour unfolds, show just how strong the character development is on THE WALKING DEAD. While in other stories most people would react in a similar manner to such a huge tragedy, and it’s hard for writers to always imagine those varying personalities, no two people in this show take the events the same. “Inmates” highlights this quality.

The second segment shows us those Daryl and Beth are following, backing up as they leave the clues the first two will find. Tyrese (Chad L. Coleman) has Lizzie (Brighton Sharbino) and Kyla (Mika Samuels) with him, as well as baby Judith, whose cries are a magnet to walkers. It’s no wonder, with the challenge of keeping these young ones alive, that Tyreese misses how psychopathic Lizzie has become.

From the casual stabbing of rabbits to the nearly smothering Judith to death to quiet her, it seems pretty clear that THE WALKING DEAD has unmasked the secret of the dead rats this week. Lizzie may be able to handle herself around walkers, but she is a serious threat to the group if she can’t keep her heartless impulses under control. One has to wonder if Lizzie and Mika’s tale will echo those of twin boys in the comics, which gets really dark and tragic quite quickly after the prison story.

At one point in “Inmates,” Tyreese leaves the three girls alone because he hears screams nearby and, after some quick words of advice, runs off to help those in trouble. Is this forgivable? Abandoning the trio, even temporarily, is extremely dangerous. They’re too little to really fight off walkers. Yes, Tyreese could be concerned his sister, Sasha (Sonequa Martin-Green), is one of those in trouble, or he could just realize he needs help and hopes those screams will lead to other compatriots. But is it really excusable to leave the kids on their own, and just how bad would he feel if something happened to them? In this instance, shouldn’t his duty to protect them outweigh anything else?

Luckily, before Judith is smothered and the others are eaten, Carol, who watched the prison fall from afar, likely trying to decide how she could get back into the group before it was attacked, finds them. She doesn’t scold Tyreese, probably nervous that Tyreese knows why Rick (Andrew Lincoln) banished her, which it turns out he doesn’t. But while the dread of what will happen when Tyreese learns the truth hangs over this group, it’s just so damn good to have Carol back, and heartening that no one else we care about dies.

At the end of this vignette, Carol and Tyreese learn about a settlement that is offering protection and decide to take the girls there. Shouldn’t they have learned their lesson after Woodbury and the prison that any safety is temporary? But I guess in a super dangerous world like this, any promise of peace, no matter how short-lived, is better than life on the run.

Is this place connected to the three new characters we meet at the very end of the episode? Abraham (Michael Cudlitz, Southland), Eugene (Josh McDermitt, Retired at 35), and Rosita (Christian Serratos, Twilight) are good guys in the comics who lead our heroes to a bunch of settlements near Washington D.C. However, the city Tyreese and Carol are hearing towards is much closer, near Atlanta. Will the show go a different direction, or will this promise of a home be an empty one, freeing the characters up to begin their journey north?

But I’m getting ahead of myself because those three don’t show up until the final moments.

The third section finds Maggie (Lauren Cohan) single-mindedly determined to find Glenn (Steven Yeun), a reckless mission that soon endangers her traveling companions, Sasha and Bob (Lawrence Gilliard Jr.), when she insists on boarding a bus full of walkers to see if Glenn is among them. It’s as much luck as skill that lets these three dispatch the contingent, confirming that Glenn is not on the bus, leading to a terrific acting moment for Cohan.

Having everyone on the bus die provides a convenient way to get rid of the unnamed extras, though it’s horrible that the first evacuated, who should have been the safest, have all perished. THE WALKING DEAD has had to, and will continue to, struggle with how to balance the core group of players with a larger number of extras. Not everyone can be featured, and with the cast currently in a growing phase, likely soon to get even larger, it’s challenging to keep these actors all straight. The bus massacre, while maybe not necessary, is a way to contain the population shown.

Finally, we see that Glenn made it off the bus and is now trapped in the prison. While his plight seems scary for a bit, Glenn does know how to handle himself, and has the riot gear to help him escape. What he doesn’t count on, though, is finding Tara (Alanna Masterson) amid the chaos, and after a bit of hesitation, decides to rescue her on his way out.

It seems certain that Glenn would not have been so generous had Tara not been crying and scared in a cage. And it helps Tara’s case that her gun was completely full, showing that she didn’t fire at Glenn’s friends when her group did. This should make everyone else accept her easily enough, as they did others of The Governor’s former followers before her. None of what happened is Tara’s fault, and her obvious regret works in her favor.

It’s a little disappointing, though convenient, to learn that Tara’s sister, Lilly (Audrey Marie Anderson), is among those who perished at the prison. I guess everyone can’t be saved, but I don’t feel like her story was through, and I wanted to see the sisters adjust to the group. Now, Tara has no one, really, and will have quite the difficult time as an outsider.

Glenn is just as obsessed with finding Maggie as she is him, which is touching, a couple truly in love. He might be sidetracked a little, as Glenn and Tara are the ones who happen upon Abraham and company. But we’ll see.

“Inmates” is a great way to reintroduce all the characters, giving each time to show a bit of who they are, and setting up the next part of the story, which will certainly be concerned with trying to get everyone back together. I kind of hope it takes all of this run to do so, as it wouldn’t be realistic for everyone to find each other quickly. But it’s also likely, for ease of storytelling if nothing else, that our heroes will begin to reassemble as early as next week, which will be gratifying, too, as they miss each other and we root for them to reunite.

THE WALKING DEAD airs Sundays at 9 p.m. ET on AMC.