Cougar Town Sweet and Funny In Its Old Age

Article first published as Cougar Town Sweet and Funny In Its Old Age on TheTVKing.

Cougar Town, having successfully relocated from ABC to TBS this year, wraps up their fourth season with the two parter "Don't Fade On Me; Have Love Will Travel." The Cul-de-Sac gang plans a trip to the Bahamas, but when Jules (Courteney Cox) learns that her father, Chick (Ken Jenkins), has Alzheimers, she convinces her friends to give him the dream trip he has always wanted to Los Angeles.

Surely, it saves quite a bit on budget to film a "location" shoot in the same city the rest of the series is taped in, even though the show is set in Florida. And it does feel a little surreal to watch actors who live in Hollywood walking the streets and commenting on what a weird town LA is. Yet, like most of Cougar Town, it strangely, inexplicably works in a very delightful way.

Except for the shot we get of Tom (Bob Clendenin) actually in the Bahamas. That looked super fake, definitely filmed on the green screen in Travis's apartment. In real life, not in the story. I do believe Tom actually went there, for the sake of the plot.

"Don't Fade On Me" and "Have Love Will Travel" are incredibly moving episodes. Cougar Town is funny, but it also has always handled the emotional side of itself well, not just in "special" episodes or as it ages, as some sitcoms do. Seeing Jules worry about, and take care of, her ailing father it a wonderful thing, forcing her to deal with emotions that she would rather avoid. The way her friends rally around her is awesome.

That's what Cougar Town is about: friends that are like a family. These people love one another and support each other through everything. They are always around, and willing to help. Some of them may say things don't sound that nice, but there's genuine affection behind the front, and they all understand that. So if there's anyone left out there that still thinks the series centers around older women chasing younger man, get over it, please.

The unfortunate thing about this arc would be if Cougar Town chooses to kill off Chick. While not a main character, he pops in on a decently regular basis, and is an important figure in Jules's life. I love Jenkins, and don't wish to see him depart the series, but I also don't think we need that level of grief anytime soon. Eventually, everyone loses their daddy. However, it would be heartbreaking for Jules to do so now. Maybe in the final season, but please, not before.

I love that Cougar Town gets Tippi Hedren (The Birds) to cameo as herself, giving Chick his dream date. It's an unexpected star to bring in, but with recent Alfred Hitchcock film projects, she should be back in the public consciousness, so she's not too far out of mind. Very nice.

Aging has been a theme this season, not just in an episode or two, with an older lady, Anne (Shirley Jones, The Music Man), and her husband moving to the cul-de-sac and joining the show on a recurring basis, the main characters embracing the good parts of getting older, and now Chick showing us the bad. It is an interesting direction for the show to head in, and not an entirely expected one, as most television doesn't illustrate this particular aspect of the human experience very often. But Cougar Town has never been most television, so it's terrific that they've found yet another way to be different.

 The first few seasons of Cougar Town do let Jules have a dating life, but she's married off now, so it's up to other characters to carry the romantic element of the show. Finally, in a move that fans have long been waiting for, but had to wait until Travis aged a bit, Travis (Dan Byrd) and Laurie (Busy Philipps) are together.

This two-parter sees them on a rocky start, not able to find a moment to share their first kiss, and stressing out about it. It seems like fate is against them, and they do soon break up, which is what many a show would do to draw out such a plot. But unlike its peers, Cougar Town finds a way to bring them back together, totally naturally, in a very romantic moment.

I don't know if they will be together for the rest of the show or not; that's impossible to predict. But they are together for now, circumstances be damned. Their issues can be tacked up to their worrying and stress, rather than an actual message that they shouldn't be together, and it just feels right. Laurie provides a logical reason for Travis to stay part of the group, so he's not just the creepy kid hanging out with his mom, and Travis lets Laurie grow as a human being with actual depth. It's a wonderful coupling, and it's oh so satisfying to see it come together.

Bobby (Brian Van Holt) also has a gal, Riggs (Maria Thayer), who unfortunately doesn't go on the trip, though I guess everyone can't be included. He has long been the single one, the constantly lonely man. I do think it's time for him to find happiness, though. If not with Riggs, who I see as a perfectly acceptable candidate, than with someone else. Cougar Town doesn't need to have anyone dating; it's good enough just to focus on hanging out. Thus, hopefully everyone finds love and settles in for another several seasons.

I guess a theme of this article is that Cougar Town does it differently than most comedies, and I can't stress enough that it really does. It has a certain tone and way about itself that sets it apart. The characters and writers are completely comfortable in this direction, and don't seem to second-guess what "sells" on television, which is refreshing. They also do it really well, which allows them to depart from convention without being crucified for it. The television landscape would be much poorer without it, which is why I'm very happy to see that TBS has renewed it for a fifth season.

I've been concentrating on the mushy stuff, but there are also a lot of funny moments in these episodes. Grayson (Josh Hopkins) is stuck on his past, remembering his days as a model in LA. The doctors' office that Jules takes Chick to has many of the Scrubs, another series by the same creator, Bill Lawrence, doctors listed on the sign. Poor Tom is still dumped on, but at least he's finally included. Andy (Ian Gomez) tries to make everyone admit he's Latino, even though he never acts like he is.

In short, Cougar Town continues to be a humorous and heart-warming story of a group of best friends who drink a lot of wine. Exactly what its fans want it to be.

Raising Hope Continues to Raise the Bar

Article first published as Raising Hope Continues to Raise the Bar on TheTVKing.

FOX's Raising Hope completed its third season with a pair of new episodes last night, "Burt Mitzvah: The Musical" and "Mother's Day." Both are truly excellent examples of a consistently great series, and unable to choose between them, this review will cover elements of each.

In "Burt Mitzvah: The Musical," Burt's mother (Shirley Jones, The Partridge Family, The Music Man) tells her son that she's recently discovered she is Jewish, and by extension, so is he. She lays in a fitting Jewish mother guilt trip until Burt (Garret Dillahunt) agrees to have a Bar Mitzvah. However, Burt soon learns that his mom is lying, and his parents are trying to get even with all of their friends, whose children they have paid for gifts for all these years. They abscond with his money gifts, and, feeling like a disappointment for not having any celebration-worthy events of his own, he lets them.

Burt is a kind, good man. He has made some mistakes in his life, such as knocking up Virginia (Martha Plimpton) when they were only teenagers, but he takes care of his family, and has a big heart. It isn't fair that his mother and father treat him so poorly and look down on him so much, a theme also present in the second episode concerning others characters' parents. It's no wonder he tries so hard to please his parents now, but he shouldn't have to.

Burt's patience does have limits. He goes along with their scheme because of his love for them, but he also lets them know this will make them even, and not to try anything like this again. He understands and accepts his parents for who they are, but he won't be abused by them. They may still treat him like a child, but Burt is truly a man in every way that is important.

"Burt Mitzvah: The Musical" features three big musical numbers, which are definitely a high point of the series. The tunes are catchy and fun, with a host of upbeat extras dancing their way through. It all fits perfectly in tone with the series, and also adds something special that makes this episode more memorable than most. I love a musical done right, and my only complaint is that there should have been more than three songs, and that the episode should have ran an hour. I could definitely have used more.

Each member of the main cast gets to sing, including a big solo for Barney (Gregg Binkley), but the show is really stolen by Jimmy (Lucas Neff), who turns out to be quite the rocker. Add in Jones and Smash's Jason Kravits as a Rabbi, and the musical talent is quite impressive.

Part two of the season finale, "Mother's Day," finds Maw Maw's (Cloris Leachman) mother still alive at the rope old age of one hundred and four. Burt and Barney bring her back to the house, and Maw Maw and her mom resolve a grudge they've held against one another for seventy years.

I'm not a fan of Maw Maw, and while I like the idea of allowing Leachman to pull double duty in both roles, the humor in this subplot falls short. Leachman is a comic god, and being reduced to gross jokes and farts played for laughs seems beneath her. Yet, there is no arguing that she does such trivial junk with a talent and grace that should put to shame many modern day performers.

The ending, where Maw Maw's mother dies, but Maw Maw remembers the resolution, if little else, is incredibly sweet. I love that there is a peace between them, and that her mom hung around long enough for Maw Maw to make things right. It's a little bit disturbing, seeing what Maw Maw may turn into, but kudos for designing a story that deepens the character, even if the bits aren't particularly funny, in my opinion.

Even better is the plot involving the other women in the household. Hope (Baylie and Rylie Cregut) makes Sabrina (Shannon Woodward) a Mom necklace, which arouses jealousy in Virginia, who has helped raise Hope. Virginia is a grandmother, not a mother, to the toddler, and shouldn't feel left out. However, one can understand, now that Jimmy and Hope have moved out of the house, why she might be sad.

Thankfully, Sabrina not only makes things right with Virginia, but points out how she herself sees Virginia as a mother. Sabrina's own mother can't be reached (see my comments early in this article about parents), and Virginia treats Sabrina well. Virginia may not live in the same house as Sabrina and Hope, but she definitely has positive relationships with both, and that counts. Sabrina even gets Frank (Todd Giebenhain) and Shelley (Kate Micucci), the extended family that could very well be part of the main cast at some point, to help her make Virginia feel better.

Seeing how the Chance family gathers, full of love for one another, is heart-warming and moving. Not every family likes each other this much, and even if they screw up and get into trouble, they always support one another. That's why I like Raising Hope. It shows how a family should be.

Plus, it's super funny. From Barney and Burt walking through a gate where there is no fence, to singing pastrami sandwiches, to Virginia's tendency to get words wrong, there are so many fantastic little touches in these, and every, episode that keep the show amusing and round out the world. Make no mistake, Raising Hope isn't just a family, it's a fully flesh out, very specific universe in which these characters dwell. It's charm is rarely matched.

Raising Hope has been renewed for a fourth season and will return next fall on FOX.

"Burt's Parents" visit Raising Hope

     On this week's Raising Hope, on FOX, "Burt's Parents" come for Thanksgiving. Burt (Garret Dillahunt) feels ashamed at the lack of accomplishment in his life, and so, to impress them, the family moves into one of Virginia's (Martha Plimpton) client's houses, who are out of town. They even get Barney (Gregg Binkley) to pretend to be a servant. The scheme works, until the real owners of the house return from vacation early and catch the family in their beds. Then Burt's dad (Lee Majors, The Six Million Dollar Man) admits they are broke, and Burt agrees to let them stay in the real house. It's not long before Burt's parents can't take being poor, suck up their pride, and go to stay with Burt's more successful brother.

     The entire plot about taking over another family's dwelling, and then getting caught, is wholly predictable. What sets Raising Hope apart is that they are caught midway through the episode, and "Burt's Parents" goes on from there. Setting aside the completley unrealistic lack of anger or legal charges by the house's owners, it's a great story about trying to earn a parent's approval, and how perspectives change as an adult. Burt realizes that he should be proud of what he has done, and Burt's parents give Burt long overdue credit for just how hard he works, admitting they couldn't possibly do the same.

     Casting Lee Majors and Shirley Jones (The Partridge Family, The Music Man) as Burt's parents is a wonderful get. Both are veteran actors, who can handle comedy, but also the real emotional punch of such a story. Raising Hope treats the situation lightly, per the usual tone of the show, but there is some real heart in a very relatable tale. Dillahunt plays it excellently, proving he can be the heart of the series, and works well with the other two performers. Hopefully Majors and Jones will agree to return from time to time to continue the characters they very successfully begin this week.

     Sabrina (Shannon Woodward) cannot resist getting in on the lie. She enjoys the Chance family very much, and obviously likes their uncooth ways. She jumps at the chance to spin a whole false reality for Burt's parents because of how wrong it is. It is her idea to play Jimmy's (Lucas Neff) wife, because it makes sense with her age and their chemistry. But is there something more to it. Jimmy obiously pines for Sabrina, but can her feelings for him really be so platonic? She spends much of her free time with him and his relations, and doesn't complain about practicing kissing him over and over. Plus, the whopper she makes up about Jimmy losing a testicle treads on pretty personal territory. She clearly feels very comfortable with him. Why can't she go after something more?

     In short, Raising Hope covers a lot of ground already covered in plenty of other sitcoms, but it gives it a unique twist that makes it seem fresh and original. Enhanced by a really fantastic ensemble, which also includes Cloris Leachman, who gets hysterical video chatting with a young man this week, there is something special going on here. Also, it's very, very funny.

     Watch Raising Hope Tuesdays at 9:30 p.m. ET on FOX.

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2010 Emmys: Guest Actors and Actresses

    The Emmy nominations for this year are out. This is television's biggest awards show, and as a television reviewer, I couldn't help but be excited. Sure, there were some snubs, but there were also some pleasant surprises. With lots of time left until the statues are handed out on August 29th, there is plenty of time to examine who's up for what. In this fifth in a series of articles, I'll look at the the guest star awards.

Outstanding Guest Actor in a Comedy Series: Mike O'Malley, Glee "Wheels"; Neil Patrick Harris, Glee, "Dream On"; Fred Willard, Modern Family, "Travels With Scout"; Eli Wallach, Nurse Jackie, "Chicken Soup"; Jon Hamm, 30 Rock, "Emmanuelle Goes to Dinosaur Land"; Will Arnett, 30 Rock, "Into the Crevasse".  Mike O'Malley deserves this award the most.  His turn as the father who doesn't hate his gay son, and tries everything he can do make him feel accepted, was fantastic.  Definitely some of my favorite scenes in season one.  That being said, Eli was also great, and Fred Willard could always use a little more credit.  Honestly, I wouldn't be disappointed by anyone on this list.  It's a great group.  But O'Malley, all the way.

Outstanding Guest Actress in a Comedy Series: Christine Baranski, The Big Bang Theory, "The Maternal Congruence"; Kathryn Joosten, Desperate Housewives, "The Chase"; Kristen Chenoweth, Glee, "The Rhodes Not Taken"; Tina Fey, Saturday Night Live, "Host: Tina Fey"; Betty White, Saturday Night Live, "Host: Betty White"; Elaine Stritch, 30 Rock, "The Moms"; Jane Lynch, Two and a Half Men, "818-JKLPUZO".  I love me some Lynch and some Chenoweth and some Stritch and some Fey, but let's clear those out of this cluttered category right now, because I don't think they'll win.  With White's momentum, including the groundswell facebook campaign that got her the gig, I see her as the favorite.  However, Baranski gave my favorite performance of the above choice (disclosure: I did not see Lynch's because that's a terrible show).  I also like Joosten quite a bit, as she's won before, I don't want to discount her.

Outstanding Guest Actor in a Drama Series: Beau Bridges, The Closer, "Make Over"; Ted Danson, Damages, "The Next One's Gonna Go In Your Throat"; John Lithgow, Dexter, "Road Kill"; Alan Cumming, The Good Wife, "Fleas"; Dylan Baker, The Good Wife, "Bad"; Robert Morse, Mad Men, "Shut the Door, Have a Seat"; Gregory Itzin, 24, "1:00 PM - 2:00 PM".  All I can say is tough, tough, tough.  Lithgow's buzz makes me lean towards him, although I haven't watched it yet.  I am buzzing through Dexter as fast as I can, but I just started the series two weeks ago!  Itzin was wonderful, as always, and 24 just couldn't resist bringing him back again for good reason.  My third choice would be Cumming.  But again, tough category filled with very talented men.  This is one I am very unsure about my choices.

Outstanding Guest Actress in a Drama Series: Mary Kay Place, Big Love, "The Might and The Strong"; Sissy Spacek, Big Love, "End of Days"; Shirley Jones, The Cleaner, "Does Everybody Have a Drink?"; Lily Tomlin, Damages, "Your Secrets Are Safe"; Ann-Margret, Law & Order: SVU, "Bedtime"; Elizabeth Mitchell, Lost, "The End".  I hate to admit it, but I only saw two of the above performances: Tomlin and Mitchell.  Both were excellent, both were talked about.  I favor Tomlin a little more.  However, Jones has been absent from television a long time, as has Ann-Margret, so my instincts are telling me these two legends may be battling it out.  We'll just have to wait and see.

     The 62nd Primetime Emmy Awards will air live Sunday, August 29th at 8pm on NBC.