Worship These AMERICAN GODS

Article first published as TV Review: AMERICAN GODS on Seat42F.

Anticipation is high for Starz’s newest drama, AMERICAN GODS, premiering tonight. Based on the popular book by British geek-god Neil Gaiman, and developed by the great Bryan Fuller (along with Logan’s Michael Green), it tells the story of a mortal man caught in the middle of a war between gods, old and new, as things come to a head between the factions. It’s unknown if our hero is working for the right team or not, but the danger is real, and the urgency is immediate.

AMERICAN GODS has a lot going for it, both behind and in front of the camera. While it is not as highly stylized as other Fuller projects (Hannibal, Pushing Daisies), he is able to make the fantasy sequences amazing, vivid, and imaginative. Lead Ricky Whittle (The 100) and lesser known performers like Bruce Langley (Deadly Waters) and Yetide Badaki (Sequestered) quickly establish themselves as people to watch, terrific in their roles. The bench is deep with familiar faces, too, including the likes of Cloris Leachman (Young Frankenstein, Raising Hope), Peter Stormare (Fargo), Emily Browning (Sucker Punch), Crispin Glover (Back to the Future), Pablo Schreiber (Orange Is the New Black), Gillian Anderson (The X-Files), Kristin Chenoweth (Wicked), Orlando Jones (Sleep Hollow), Betty Gilpin (Nurse Jackie), Jeremy Davies (Lost), Jonathan Tucker (Kingdom), Joel Murray (Mad Men), Beth Grant (The Mindy Project), and, of course, Ian McShane (Deadwood).

If a long list of talented names doesn’t impress you, though it should in this case, I’d like to stress how well cast each of them are. Stormare brings a certain likability to his chillingly creepy Czernobog. Anderson IS Lucy Ricardo, talking out of the screen of the television. Schreiber will seriously make you think twice about teasing a leprechaun. Browning is haunting as the deceased wife who doesn’t seem deserving of our protagonist’s love, and yet has it deeply. McShane watches over it all with a bemused charm that doesn’t allow audiences to question for a moment why Shadow Moon (Whittle) does what Mr. Wednesday (McShane) tells him to.

It’s been a few years since I read the book, but the two hours of AMERICAN GODS I’ve seen feel very faithful to it. This show finds a way to be episodic while maintaining the important through-line of the novel. The format of a road trip is helpful, as there are built in stops and sequences along the way. But there are also the threats of Technical Boy (Langley) and the erotic side trips with Bilquis (Badaki) that prove there’s something more to look forward to than just the next god to encounter.

AMERICAN GODS is sure to work both because of its quality, and because it shares similarities with another network hit, Outlander. Outlander is also based on a novel, and strings along a narrative that stays tight on a couple of characters, with most of the cast only appearing in a small number of episodes. That can be frustrating for those who want more Mr. Nancy (Jones) immediately, and you will. But at the same time, it keeps the plot purer in that Shadow and Mr. Wednesday are the people that count most, and the rest of the cast is truly there to support them.

I knew I would be blown away going into AMERICAN GODS, and it did not disappoint my high expectations. It’s gripping, has terrific pacing, feels very authentic, even in the elements that completely lack realism, and has a strong point of view. Fantasy won’t be for everyone, and this is definitely fantasy, but it also contains social commentary that’s worth paying attention to, along with some stellar performances. I’ll be shocked if this doesn’t help Starz get on the Emmy stage.

AMERICAN GODS premieres tonight at 9/8c on Starz.

All Done RAISING HOPE

Article first published as TV Review: 'Raising Hope' - Series Finale on Blogcritics.

FOX’s Raising Hope has always been a really good show with just enough schmaltz to keep it from achieving true greatness. Though, that seems purposeful, and I don’t think it wants to be more than what it is. It has real charm and presents an authentic-feeling, extremely funny family. After four seasons, the series wrapped itself up this past Friday night in much the same vein it’s always been in, providing a touching half hour (or, rather, two half hours), but not going for the closure-filled ending.

The first half hour, which is its own installment, not connected to the second, is called “How I Met Your Mullet.” This is 100% a typical episode, with character-driven segments that illustrate the terrific dynamics, without actually changing who the players are. Burt (Garret Dillahunt) gets the chance to search for his passion since Virginia (Martha Plimpton) is now making “comma money,” only to realize he already has his ideal life. Jimmy (Lucas Neff) and Sabrina (Shannon Woodward) inherit a maid (Downton Abbey‘s Lesley Nicol), only to later realize they’re taking advantage of the help and setting a bad example for daughter Hope (Baylie and Rylie Cregut), so they let her go. None of this is anything spectacular or dramatic, but it’s a wonderfully typical episode.

The second half, “The Father Daughter Dance” goes in a little different direction, not reveling in the show’s personalities, as most entries do. Instead, this is all about Virginia’s father, Arnold (Jeffrey Tambor, Arrested Development), trying to get back in her good graces. He does so by throwing Virginia the dream wedding she never had, complete with a replica of Princess Diana’s dress. But his good intentions start to fall apart when the family realizes Arnold can’t pay for Hope’s college, as he promises to do, and ends up homeless, needing Virginia and Burt to take him in.

I do wonder if this is how the fourth season of Raising Hope would have ended if the show was renewed. After all, I can’t imagine Tambor sticking around full-time, so his crashing with the Chances would likely be only a temporary situation, perhaps Arnold even being gone by the fall premiere. That’s a shame because adding Arnold to the household gives the show a chance to really grow in a new and interesting direction, completely shaking up the firmly established dynamic. I’m not complaining about the mix, as I’ve enjoyed Raising Hope immensely, but almost all series would benefit from growth over time.

Raising Hope does allow change, usually incrementally. After all, Jimmy discovers how to be a good dad, marries Sabrina, and gets his own house in the first few seasons. This provides a lot more Virginia-Burt plots separate from the others, which works well because they are easily the two best characters on the program. But it’s never been a program that would shake things up too much, at least not in any kind of permanent way.

I’m disappointed “The Father Daughter Dance” is the last episode. Like Everybody Loves Raymond, Raising Hope decides to go out without a bang. It may work for the style established, but people want a memorable capper. The series with the best (or worst) endings are often talked about and debated for years to come. A stellar finale can raise the profile of a series significantly. By bowing out quietly, Raising Hope squanders a chance to attract even more viewers in its afterlife. And if there’s something this show has always deserved but never received, it’s more viewers.

The biggest regret about Raising Hope ending now may be that the writers didn’t have more time to explore the chemistry between Maw Maw (Cloris Leachman) and Frank (Todd Giebenhain). I don’t think their February-December relationship is romantic in nature, but we really doesn’t get the chance to figure out what it is, the twosome only being featured together a few times in the past few weeks. I am really interested to see where the show would have gone with this, but I guess we’ll never know.

Overall, I still enjoyed “The Father Daughter Dance” as much as most episodes of Raising Hope, which is a considerable amount. It’s a series that really knows itself, found its groove, and uses it effectively. Some shows flounder, but this one never does, being on very solid footing in tone, style, and sense of humor for quite some time. For those who connected with this spirit, it is a continuous joy, watching week after week, and it will be sincerely missed.

RAISING HOPE Raises My Hope Again

Article first published as RAISING HOPE Raises My Hope Again on TheTVKing.

FOX's Raising Hope got a late start this week with a pair of new episodes, "Deja Vu Man" and "Burt Bucks," that made it worth the wait. This series is goofy in the best of ways, and isn't shy about poking fun at itself or its subject matter before ending up in a warm, love-filled place. Season four gets started right.

"Deja Vu Man" begins with a scene unrelated to the rest of the story in which Maw Maw (Cloris Leachman) forgets Hope's (Baylie and Rylie Cregut) name, as well as many other things. To refresh Maw Maw's noggin, the family and a few friends sing songs about what's happened in the first few seasons, reminding us Maw Maw who the characters are and certain events in their lives. Yes, it's a cheap excuse to recap for the audience, but by building it believably into the fabric of the show in an original way, it really, really works. Especially as Maw Maw hopes that Hope is named Edgar.

In "Deja Vu Man," Virginia (Martha Plimpton) finds out that the guy that hangs around every so often snapping pictures of the Chance family is none other than her father (Jeffrey Tambor, Arrested Development). See, Maw Maw lied about Virgina's dad being dead because he abandoned his family. Now, Virginia has a chance to reconnect with her parent, who claims to have left because Natesville was unaccepting of homosexuals and he is gay.

Of course, it's a line of bull. Tambor's character is charming enough to fool people for a little while, but viewers and Virginia alike soon come to see just how selfish and terrible a person he is. (Burt sees it right away, a credit to how smart he is, even if it's not book smart.) It wouldn't really make sense for a father who loves his child to stay away from them, no matter how hostile neighbors might be, so at the end of the day, we need to see he's a scoundrel, which we do.

That doesn't mean he shouldn't return to guest star in other episodes, though. And no tears for Virginia, who had a great man to take care of her in Paw-Paw (Terrence Beasor, Walk Hard: The Dewey Cox Story).

In the second installment, "Burt Bucks," Virginia and Burt (Garret Dillahunt) find they can barter their services for the finer things in life, then try to get their friends to barter with one another, too, ultimately creating a new currency, which Virginia and Burt keep printing more of so that they can live the high life. As Burt insists, probably necessarily given the IQ level of the town, despite the label not really making sense, this is not a pyramid scheme. Of course, it all collapses.

I love this commentary on our economic system and our government. It doesn't necessarily take a Republican or a Democratic viewpoint, instead, zeroing in on the system itself. This keeps the episode from being controversial, but also illustrates large economic issues in a way that's simple to understand.

I did keep thinking that the new system would catch up with Virginia and Burt, and they would no longer have U.S. currency to get things they need outside of their barter system, but that didn't happen. I guess there's only so much that can be gotten through in half an hour, and the focus was on satire, not keeping the zany characters stuck in the laws of reality.

An interesting thing happens in "Deja Vu Man" and "Burt Bucks" - Sabrina (Shannon Woodward) and Jimmy (Lucas Neff) make a conscious effort to stay out of Burt and Virginia's schemes. I can't say I'm not disappointed, as I love seeing the whole family together. Yet, Sabrina and Jimmy are newlyweds who live apart from Burt and Virginia, so they should have their own things. I'm sure they won't stay divided every week, and I guess the characters have to show growth, but it's a turning point that is still a little sad.

This doesn't mean Sabrina and Jimmy aren't in the installments. They have their own comedic situations, often involving Barney (Gregg Binkley) and the store. And I don't want less of the recurring cast, which has many talented players like Kate Micucci and Todd Giebenhain. I just love it when both groups mix, as they do in the opening of "Deja Vu Man."

Either way, these are still sharp, witty, welcome episodes. Clearly, Raising Hope has lost nothing during its break, and I'm glad to see it back on the air. Raising Hope now airs Fridays at 9 p.m. ET on FOX.

Raising Hope Continues to Raise the Bar

Article first published as Raising Hope Continues to Raise the Bar on TheTVKing.

FOX's Raising Hope completed its third season with a pair of new episodes last night, "Burt Mitzvah: The Musical" and "Mother's Day." Both are truly excellent examples of a consistently great series, and unable to choose between them, this review will cover elements of each.

In "Burt Mitzvah: The Musical," Burt's mother (Shirley Jones, The Partridge Family, The Music Man) tells her son that she's recently discovered she is Jewish, and by extension, so is he. She lays in a fitting Jewish mother guilt trip until Burt (Garret Dillahunt) agrees to have a Bar Mitzvah. However, Burt soon learns that his mom is lying, and his parents are trying to get even with all of their friends, whose children they have paid for gifts for all these years. They abscond with his money gifts, and, feeling like a disappointment for not having any celebration-worthy events of his own, he lets them.

Burt is a kind, good man. He has made some mistakes in his life, such as knocking up Virginia (Martha Plimpton) when they were only teenagers, but he takes care of his family, and has a big heart. It isn't fair that his mother and father treat him so poorly and look down on him so much, a theme also present in the second episode concerning others characters' parents. It's no wonder he tries so hard to please his parents now, but he shouldn't have to.

Burt's patience does have limits. He goes along with their scheme because of his love for them, but he also lets them know this will make them even, and not to try anything like this again. He understands and accepts his parents for who they are, but he won't be abused by them. They may still treat him like a child, but Burt is truly a man in every way that is important.

"Burt Mitzvah: The Musical" features three big musical numbers, which are definitely a high point of the series. The tunes are catchy and fun, with a host of upbeat extras dancing their way through. It all fits perfectly in tone with the series, and also adds something special that makes this episode more memorable than most. I love a musical done right, and my only complaint is that there should have been more than three songs, and that the episode should have ran an hour. I could definitely have used more.

Each member of the main cast gets to sing, including a big solo for Barney (Gregg Binkley), but the show is really stolen by Jimmy (Lucas Neff), who turns out to be quite the rocker. Add in Jones and Smash's Jason Kravits as a Rabbi, and the musical talent is quite impressive.

Part two of the season finale, "Mother's Day," finds Maw Maw's (Cloris Leachman) mother still alive at the rope old age of one hundred and four. Burt and Barney bring her back to the house, and Maw Maw and her mom resolve a grudge they've held against one another for seventy years.

I'm not a fan of Maw Maw, and while I like the idea of allowing Leachman to pull double duty in both roles, the humor in this subplot falls short. Leachman is a comic god, and being reduced to gross jokes and farts played for laughs seems beneath her. Yet, there is no arguing that she does such trivial junk with a talent and grace that should put to shame many modern day performers.

The ending, where Maw Maw's mother dies, but Maw Maw remembers the resolution, if little else, is incredibly sweet. I love that there is a peace between them, and that her mom hung around long enough for Maw Maw to make things right. It's a little bit disturbing, seeing what Maw Maw may turn into, but kudos for designing a story that deepens the character, even if the bits aren't particularly funny, in my opinion.

Even better is the plot involving the other women in the household. Hope (Baylie and Rylie Cregut) makes Sabrina (Shannon Woodward) a Mom necklace, which arouses jealousy in Virginia, who has helped raise Hope. Virginia is a grandmother, not a mother, to the toddler, and shouldn't feel left out. However, one can understand, now that Jimmy and Hope have moved out of the house, why she might be sad.

Thankfully, Sabrina not only makes things right with Virginia, but points out how she herself sees Virginia as a mother. Sabrina's own mother can't be reached (see my comments early in this article about parents), and Virginia treats Sabrina well. Virginia may not live in the same house as Sabrina and Hope, but she definitely has positive relationships with both, and that counts. Sabrina even gets Frank (Todd Giebenhain) and Shelley (Kate Micucci), the extended family that could very well be part of the main cast at some point, to help her make Virginia feel better.

Seeing how the Chance family gathers, full of love for one another, is heart-warming and moving. Not every family likes each other this much, and even if they screw up and get into trouble, they always support one another. That's why I like Raising Hope. It shows how a family should be.

Plus, it's super funny. From Barney and Burt walking through a gate where there is no fence, to singing pastrami sandwiches, to Virginia's tendency to get words wrong, there are so many fantastic little touches in these, and every, episode that keep the show amusing and round out the world. Make no mistake, Raising Hope isn't just a family, it's a fully flesh out, very specific universe in which these characters dwell. It's charm is rarely matched.

Raising Hope has been renewed for a fourth season and will return next fall on FOX.

Raising Hope engages in "Sheer Madness"

FOX's Raising Hope goes for "Sheer Madness" this week. Sabrina (Shannon Woodward) and Jimmy's (Lucas Neff) relationship is still new, so they hide their embarrassing habits from each other. This doesn't sit right with Virginia (Martha Plimpton), who encourages them to be themselves. To do that, Sabrina goes off her meds, which reveals her irrational fear of spiders crawling into her ears at night, which she solves by wearing pantyhose on her head. As this plays out, Burt (Garret Dillahunt) feels guilty for hiding his own shameful secret from Virginia, but is scared of what she might say if he does come clean. To this end, he seeks advice from Andrew (Ethan Suplee). 

Raising Hope did the bold thing last week by putting Sabrina and Jimmy together. A year and a half is enough dancing around the issue. The series deserves praise for taking the chance, something many shows why away from. While their relationship is only one week old in "Sheer Madness," it is already showing signs of working well for the series. Now that she is with Jimmy, Sabrina gets the chance to reveal a little more of her character. Woodward is a constant delight, and any opportunity for her to be even funnier on the show is appreciated.

How will the couple progress from here? Making it through this first trial is a valid test, though it's a simple, easy one that just covers the onset of being together. Jimmy accepts Sabrina the way she is, which is just a more pronounced version of the personality she has already shown. But he also cares enough to help her try to get over her fear. It's telling that Jimmy doesn't ask Sabrina to go back on the meds, but rather, tries to help her work on her issues in a healthy way. This doesn't end well for Jimmy's face, but it should prove just fine for his heart.

There are signs already that Jimmy and Sabrina's relationship is similar to Virginia and Burt's. Both care a great deal about each other. They overlook flaws, and love the other person for who they are. They understand each other. This is evident on Jimmy's part over the past year and a half, but it's gratifying to witness that, with Sabrina, this just may be a two-way street.

In this story, Virginia is arrogant in her assumption that she and Burt are the perfect couple, with nothing to hide from each other. They have a very open, honest relationship, but that doesn't mean that they are perfect, as "Sheer Madness" soon reveals. This isn't a bad thing. It makes them relatable and normal. The fact that Burt goes to great lengths to hide his foot shaving habit speaks to his continuing desire to be adored by Virginia. When she finds out, she handles it wonderfully. This is certainly a couple in it for the long haul, and one who shares deep love. And if Jimmy and Sabrina continue to follow their example, as they seem to be doing, there could be a second pairing just as good on Raising Hope soon.

Maw Maw (Cloris Leachman) is a strange character, in that the humor she plays up in the series is divisive. This reviewer, for one, does not usually find her character amusing, which is a shame, given the actress's long body of excellent work in film and television. However, in "Sheer Madness," it's hard not to like her. The way that Leachman goes for the gusto in describing the foursome that she lost her virginity to is quite impressive, and it dares anyone not to appreciate her in that moment. She proves once more why the term 'comedy legend' is apropos in describing her. Well done!

"Sheer Madness" is not quite as good as last week's episode, but considering how epic that particular one was, how could it be? Instead, the truly excellent cast and writing staff (and surely everyone else involved) deliver the consistent, funny, touching content that few series can do week after week, and that's plenty.

Watch Raising Hope Tuesdays at 9:30 p.m. ET on FOX.

MORE: If you like my reviews, please follow me on Twitter! To buy Raising Hope DVDs or streaming episodes, please click here.

"Burt's Parents" visit Raising Hope

     On this week's Raising Hope, on FOX, "Burt's Parents" come for Thanksgiving. Burt (Garret Dillahunt) feels ashamed at the lack of accomplishment in his life, and so, to impress them, the family moves into one of Virginia's (Martha Plimpton) client's houses, who are out of town. They even get Barney (Gregg Binkley) to pretend to be a servant. The scheme works, until the real owners of the house return from vacation early and catch the family in their beds. Then Burt's dad (Lee Majors, The Six Million Dollar Man) admits they are broke, and Burt agrees to let them stay in the real house. It's not long before Burt's parents can't take being poor, suck up their pride, and go to stay with Burt's more successful brother.

     The entire plot about taking over another family's dwelling, and then getting caught, is wholly predictable. What sets Raising Hope apart is that they are caught midway through the episode, and "Burt's Parents" goes on from there. Setting aside the completley unrealistic lack of anger or legal charges by the house's owners, it's a great story about trying to earn a parent's approval, and how perspectives change as an adult. Burt realizes that he should be proud of what he has done, and Burt's parents give Burt long overdue credit for just how hard he works, admitting they couldn't possibly do the same.

     Casting Lee Majors and Shirley Jones (The Partridge Family, The Music Man) as Burt's parents is a wonderful get. Both are veteran actors, who can handle comedy, but also the real emotional punch of such a story. Raising Hope treats the situation lightly, per the usual tone of the show, but there is some real heart in a very relatable tale. Dillahunt plays it excellently, proving he can be the heart of the series, and works well with the other two performers. Hopefully Majors and Jones will agree to return from time to time to continue the characters they very successfully begin this week.

     Sabrina (Shannon Woodward) cannot resist getting in on the lie. She enjoys the Chance family very much, and obviously likes their uncooth ways. She jumps at the chance to spin a whole false reality for Burt's parents because of how wrong it is. It is her idea to play Jimmy's (Lucas Neff) wife, because it makes sense with her age and their chemistry. But is there something more to it. Jimmy obiously pines for Sabrina, but can her feelings for him really be so platonic? She spends much of her free time with him and his relations, and doesn't complain about practicing kissing him over and over. Plus, the whopper she makes up about Jimmy losing a testicle treads on pretty personal territory. She clearly feels very comfortable with him. Why can't she go after something more?

     In short, Raising Hope covers a lot of ground already covered in plenty of other sitcoms, but it gives it a unique twist that makes it seem fresh and original. Enhanced by a really fantastic ensemble, which also includes Cloris Leachman, who gets hysterical video chatting with a young man this week, there is something special going on here. Also, it's very, very funny.

     Watch Raising Hope Tuesdays at 9:30 p.m. ET on FOX.

     If you like my reviews, please follow me on Twitter!

     To buy Raising Hope DVDs or streaming episodes, please click here.

Raising Hope first season now on DVD

     FOX's Raising Hope recently released its complete first season on DVD. It is a three-disc set containing all 22 episodes that aired last year. The series follows a lower middle class family as they raise a baby. This is refreshing, considering many television characters certainly live above realistic means for many of their viewers. It also focuses on the kooky friends and relatives that surround the primary clan, creating a rich, becoming vast, world of interesting characters. After one mere season, Raising Hope has become TV to watch.

     The series begins when Jimmy Chance (Lucas Neff) unknowingly hooks up with a crazy murderer named Lucy (Bijou Phillips). Lucy is arrested and executed, but not before giving birth to Jimmy's daughter, Princess Beyonce, whom he renames Hope (Bayley and Rylie Crecut). Jimmy is in his early twenties, and lives with his parents Virginia (Martha Plimpton) and Burt (Garret Dillahunt), who had him when they were teenagers. Jimmy really wants to take care of the baby, and Burt and Virginia see a second chance to raise a child correctly; it thus becomes a team effort.

     Adding to the chaos is Maw Maw (Cloris Leachman), Virginia's senile grandmother, in whose house they live. She is only lucid for short periods of time, but resents her family, worrying they are taking advantage of her. In fact, they take good care of her during her crazy periods.

     To help pay for the child's care and feeding, Jimmy takes a job at the local supermarket after falling for cashier Sabrina (Shannon Woodward). They work for enthusiastic, geeky Barney (Gregg Binkley, a recurring character in season one, but promoted to series regular in season two). These two help Jimmy keep his own sanity, and provide some fun, outside-the-home stories. In addition, babysitter Shelley (Kate Micucci) keeps Hope when the Chance family are all working.

     There are many great episodes in this freshman run. "Dead Tooth" introduces Sabrina's cousin, Shelley, and finds Burt helping Virginia to quit smoking. The latter is a necessity, since smoking is now strictly limited in primetime broadcast network television. In "Dream Hoarders," Hope crawls into the maze of a junk-filled shed. "Burt Rocks" lets Burt meet his singer idol, Smokey (Jason Lee). In "What's Up, Cuz?" Virginia's gold digging cousin, Delilah (Amy Sedaris), who has a crush on Burt, visits. And the season finale takes a look at how different life was for all of the characters, main and supporting, only five short years ago.

     The first season DVD set (not currently available in Blu-ray) has quite a few bonus features. There are 20 minutes of deleted and extended scenes, and the essential gag reel. The broadcast "Pilot" has a commentary track with series creator Greg Garcia (My Name is Earl), Neff, Plimpton, and Dillahunt, who talk about the constantly changing babies in the episode. The original, unaired version of "Pilot," with a different actress playing Sabrina, and featuring Micucci as a cousin that lives with the Chances, is also included. Additionally, there is an extended version of the season finale, "Don't Vote for This Episode," with three minutes of cut footage inserted back in.

     As far as featurettes go, "Adorable Stars: Meet the Hopes" gives viewers more than six minutes of focus on the adorable twins that play the titular baby. Fans get a look at their personalities, and their work environment. "Moments with Mrs. Chance" is a package of clips from the first season featuring Virginia in many of her best, and funniest, moments. It's an apt choice, considering Plimpton's vast talent, but one hopes that other performers will be featured similarly in later releases.
     "Taking Chances: Shooting the Season Finale" spends only a little bit of time talking about the season's last episode, but gives lots of attention to the usual environment on the set, and how everyone gets along. It also has Neff and Plimpton complaining of  Garcia's (My Name is Earl) alcoholism and sexcapades on set. Garcia argues in his own interview that he doesn't usually start getting drunk until at least 9 a.m. One assumes this is all a joke, but it is filmed in Hollywood, so you never know. But yeah, pretty sure they are kidding.

     To buy Raising Hope DVDs or streaming episodes, please click here.

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Article first published as DVD Review: Raising Hope The Complete First Season on Blogcritics.

A secret "Prodigy" on Raising Hope

     In the season premiere of FOX's Raising Hope, Jimmy (Lucas Neff) learns that he was a child "Prodigy" when he finds a video of him playing the piano and singing, quite well. Apparently, though, eight months after Jimmy's talent surfaces, he is hit on the head with a golf club and remembers nothing of it. MawMaw's (Cloris Leachman) efforts to reteach him are fruitless. Virginia (Martha Plimpton) feels guilty, wondering if she pushes him too hard. Burt (Garret Dillahunt) secretly feels worse because he is the one that threw the golf club, though the family doesn't know it. A night of drinking makes them thing Jimmy's abilities have come back to him, but really, they're just drunk.

     It's more than a little weird that Jimmy has this ability, and then doesn't. A doctor can't explain it, and there's no sign that any of it ever happened until Jimmy finds the video. While it is nice that Raising Hope doesn't go the Gilligan's Island route and use another whack to the head to fix things, in fact, they mock that shoddy writing, but it's also just a strange plot in general. And why do his parents think he gets his memory back after some drinking? Yes, alcohol might make him sound better, but as good as he once was? Not even close. It's disappointing, after such a brilliant first season.

     Also weird is Sabrina's (Shannon Woodward) infatuation with the young, brilliant Jimmy. She stares dreamily at his video. While this "Justin Bieber-effect" of older women swooning over younger men, it's kind of creepy to see a gal in her twenties drool concerning a thirteen year old. Woodward is a hilarious actress, but this subplot is a clear miss.

     Young Jimmy is played by Greyson Chance, the young boy who got over thirty-six million hits on YouTube singing Lady Gaga. He's a decent enough actor for the role, and certainly has the voice to pull of the part. Plus, he bears a passing resemblance to Neff, and fortuitously shares his character's last name, making his casting a pretty solid choice. The weakness of the episode is not his fault.

     Raising Hope begins "Prodigy" very cleverly. Shelley (Kate Micucci) sings a recap ditty, while scenes from season one and footage of baby Hope (Bayley and Rylie Crecut) are shown. It's clever and touching. Despite the fact that two toy cars are seen in the background of one of the "home movies" of the Crecut twins, it's not noticeable that two children are used. The tune is catchy, and the lyrics are funny in Raising Hope's particular humor vein. As such, the opening is the best part of the episode.

     Strangely, and a little regrettably, Barney (Gregg Binkley) is absent from "Prodigy" even though he has just been upgraded to series regular. But, of course, not everyone can be in every episode. His portion of the story is missed, and I look forward to seeing him again soon.

     Hopefully, next week will be better, as Raising Hope is usually a very, very good show. Watch Raising Hope Tuesdays at 9:30 p.m. ET on FOX.

     If you like my reviews, please follow me on Twitter!

     To buy Raising Hope DVDs or streaming episodes, please click here.

Raising Hope asks "Don't Vote for This Episode"

     For the season finale of FOX's Raising Hope, the series goes back in time five years. Jimmy (Lucas Neff) is a goth, attracting the attention of a the new awkward, braces-wearing cashier at the grocery store, Sabrina (Shannon Woodward). Maw Maw (Cloris Leachman) still seems fully lucid, and is tired of supporting her immature granddaughter, Virginia (Martha Plimpton), and Virginia's equally clueless husband, Burt (Garret Dillahunt). So on Jimmy's 18th birthday, which is also Maw Maw's 80th, she kicks the trio out on the street. At the grocery store, a morbidly obese Barney (Gregg Binkley) hunts for the "gypsy" squatting in the shop at night (it's Jimmy), while Shelley (Kate Micucci) and Frank (Todd Giebenhain) are expert shelf stockers until an accident leaves the former with a dead tooth. And Lucy (Bijou Phillips) begins to get awfully tired of her boyfriend.

     An episode like this is purely gratuitous, but it's such fun, so that can be easily forgiven. No plots arcs or ongoing stories are furthered, but the origin of many relationships and familiar characteristics are explored. This episode also bridges the gap between other past exploits that have been briefly shown and the modern incarnations of the characters, helping explain away some major life changes.

     The title is "Don't Vote for This Episode," which can only be a message for Emmy voters. Why the minds behind the series do not want this very special entry to be considered for awards is anyone's guess, but perhaps they want to be judged on their general merits, rather than one, far from representative, effort. It's too bad, because despite all of the perfectly logical arguments against doing an episode such as this, it is wonderfully executed and very entertaining, much as Raising Hope is almost every week.

     Perhaps the neatest thing about "Don't Vote for This Episode" is Sabrina's infatuation with Jimmy. Throughout season one, Jimmy has exhibited feelings for Sabrina that she doesn't return. While some may wonder if she just isn't interested in him, others may point out that her boyfriend could be a deterant, and were he not in the equation, the pair may have a chance. This episode supports the latter reasoning, as under different circumstances, Sabrina is very much attracted to Jimmy. Also, the elaborate goth makeup is a neat device so that Sabrina will not recognize her former crush years later when they meet under more ordinary circumstances.

     It is also nice to see Maw Maw in a transitional state. She appears more vulnerable and layered than the usual one-note jokes the character is often subjected to. Maw Maw used to be a complete individual, and it's illuminating to see some of that spirit before it is tempered by age and disease.

     Finally, "Don't Vote for This Episode" provides very good development for Burt and Virginia. Jimmy always complains about the mistakes they made with him, and they are often shown as irresponsible parents in flashback. Being put in a situation where they have to care for a sick relative, and have thier own safety net removed, is a reasonable explanation for their current (relative) maturity. Their story is actually one with an emotional impact, melding seamlessly with this mostly-for-laughs episode.

     Raising Hope has already been given a second season, and will return to FOX next fall.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     To buy Raising Hope DVDs or streaming episodes, please click here.

Article first published as TV Review: Raising Hope - "Don't Vote for This Episode" on Blogcritics.

Raising Hope raising eyebrows with "Cheaters"

     FOX's Raising Hope presented its first new episode last night in about a month. Called "Cheaters", the half hour outing dealt with two different plots that fit the title. Maw Maw (Cloris Leachman) thinks she is cheating on her husband with new boyfriend, Mel (Jerry Van Dyke), though her spouse has been long dead. Jimmy (Lucas Neff), sensing a chance to move in on Sabrina (Shannon Woodward), offers to drive her up to college and find her boyfriend, Wyatt (Ryan Doom), who they think is cheating on Sabrina. Neither story ends well for the Chances, as is often the case with this hard luck family.


PART ONE: JIMMY AND SABRINA

     It is time for Jimmy to move on. While Sabrina is a main part of the cast, and she and Jimmy will likely be a "will they, won't they?" couple for several seasons, Jimmy is ready for another relationship in the meantime. It is getting too pathetic, watching him pine after a woman he cannot have. He is offered a date this week by Zoe (Kaitlyn Black), and turns it down because he is still thinking about Sabrina.

     But Jimmy is also his own worst enemy. He could have gotten with Sabrina, but instead helps them stay together. Jimmy and Sabrina catch Wyatt making out with another girl at a party, and begins to drive Sabrina home to commiserate. Wyatt follows, and when Jimmy's van runs out of gas, gives them a ride to the gas station. En route, Wyatt begins acting erratically, threatening a car wreck if Sabrina doesn't let him explain that he is just getting even for her accidental kiss with Jimmy on Halloween. While it is understandable for Jimmy to cave and help Wyatt convince her when faced with death, he should have stood his ground. Since he did not, he needs to find someone to occupy his time that is not Sabrina.

     There is a hopeful sign at the end of the episode when Jimmy takes Zoe up on her off to go out. Unfortunately, he also stage whispers to Sabrina, who sees them, that the other woman is "just a friend." While there is no immediate reaction from Zoe, Jimmy's behavior will sabotage any relationship he actually would be serious about. He needs to make a decision to move on before he can successfully see other women.

     It is also possible that once Sabrina sees Jimmy in action as a good boyfriend, she may change her mind about him. Wyatt is no catch. Plenty of women go for the wrong guy, and stay with him long after they realize they could do better. Sabrina is echoing this real life truth. For now, she doesn't even see Jimmy as a possibility. If he makes a real go with someone else, she could realize too late that he is the one for her. And then the characters will spend part of a season with their roles reversed.


PART TWO: MAW MAW

     Maw Maw is senile, so when she meets Mel, who is equally out of it, they both think they are in the 1950's, and Maw Maw is willing to cheat on her husband to be with this new man. This begs the question, did she cheat on him before? Maw Maw does it so willingly, and with no hesitation. Is this a symptom of the disease, or a sign of the woman that she used to be? It wouldn't be all that surprising to learn that Maw Maw used to get around.

     At first, Virginia (Martha Plimpton) is outraged. Since Maw Maw thinks she is cheating, Virginia considers her actions immoral. Burt (Garret Dillahunt), on the other hand, is just relieved that Maw Maw's recent depression is lifting. They argue about the morality of allowing the relationship to go, an actual, interesting debate. While both eventually land on the side of allowing it to happen, Virginia makes some good points before caving. If you are so inclined, this episode might actually give you something to ponder.

     Mel is perfect for her, because he is in the same boat. While it is never mentioned if he is married, he is all for hooking up with Maw Maw, and then going off to war in Korea, as he believes he is about to do, and find a local girl to bed. This makes for an awkward encounter when Maw Maw is taken to his house, only to find him with an Asian woman. Neither Maw Maw nor Mel seems to know what is happening or where they are.

     On a less funny show, jokes like this about people with Alzheimer's would be offensive. Raising Hope avoids that trap because Maw Maw's family genuinely cares for her and tries to make her happy. While her disease is still milked for laughs, she is also treated kindly, and not looked down upon. Caring for a sick relative is a hardship, and Virginia and Burt do it fairly good naturedly, as much as one can be expected to when taking on this responsibility. While things are exaggerated, this series handles things in a light hearted way that sits well with viewers.


     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     Raising Hope airs Tuesday nights at 9:30 p.m. on FOX.

Raising Hope has grown on me

   When FOX's Raising Hope was the first new show of the season given a full year order, I was skeptical. Three episodes had aired, and it was ok, but nothing special. Now, 10 episodes in, it has really grown on me. In fact, it may be my favorite new sitcom this year.

     The true star of the show for me is Garret Dillahunt (Terminator: The Sarah Connor Chronicles), who plays new grandfather Burt. In this week's installment, "Burt Rocks," Burt mourns his dream of becoming a rock star. He blames his son Jimmy (Lucas Neff), a baby at the time, for ruining that hope. Jimmy is hired for a couple of drawing jobs around town, and Burt gets jealous, feeling like Jimmy is achieving what he failed to do. It's Burt's little quirks, from his rocking back and forth, to his kisses on the lips, that make the character such a joy. It's also a huge departure from Dillahunt's last series role, as an emotionless killing machine.

     I'm also enjoying the grocery store where Jimmy works. In the last few weeks, the store and the people that work there, including love interest Sabrina (Shannon Woodward) and boss Barney (Gregg Binkley), have become more prominent. It's a fun, quirky place, and I love that it's getting more play. Binkley is not currently a series regular, but I fervently hope that oversight is corrected no later than the start of season two. The series will surely get at least two seasons.

     In last night's episode, Jimmy arranged for Burt to play guitar with his hero, Smokey Floyd (Jason Lee). Lee previously starred in Greg Garcia's last sitcom, My Name is Earl, and so it was a treat to see him again. What's more, a confused Smokey called Barney by the name Ken. This is amusing, as Binkley played a major recurring role on Earl as a guy named Kenny. And like Kenny in Earl, Barney is one of a growing cast of supporting characters that have really fleshed out the world the show is set in.

     I would be remiss if I don't mentioned that fabulous performance Martha Plimpton is bringing to the table as Jimmy's mom, Virginia. Her character is nuanced, layered, tough, sweet, and a whole lot of fun. It's a role seemingly easily inhabited by the talented Plimpton, and the show would not be the same without her. Strangely, I find myself wishing for less Maw Maw. Though I'm a fan of Cloris Leachman from way back, her character is disgusting and not funny. Please ditch her.

     Raising Hope airs Tuesday nights at 9pm on FOX. If you haven't been watching, please tune in.

For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.

Article first published as TV Review: Raising Hope Has Grown On Me on Blogcritics.

Raising Hope is first new show to get a full season

    FOX's new sitcom Raising Hope gets the honor of being the first new primetime broadcast network show picked up for a full season this year.  Raising Hope is far from the best new show, though, so I'm not sure how it's earned that position.  Sure, sitcoms are cheaper to make than hour-long dramas, and so are more likely to make more episodes.  But Raising Hope is not even the best new sitcom.  I don't hate the show.  I was amused by many parts of the first three episodes.  I'm just sad that other shows have not been given a similar order.

     The show is from creator Greg Garcia (My Name is Earl), and although it is set in a trailer park, the family is what traditionally may be considered white trash to an outsider.  There is no character that is as foul mouthed as Joyce, but the family's economic standing, living conditions, diet, television interests, etc. lead me to that conclusion.  However, in the absence of alcoholism, bigotry, homophobia, or racism, trash probably isn't the right word either.  They are good people who really struggle, and just live a little below the average household.

     Raising Hope is about twenty-three year old Jimmy Chance (Lucas Neff), who has a one-night stand, only to discover in the morning that she's a serial killer.  Before she can off him, she is arrested and sent to jail.  However, Jimmy learns that she is pregnant with his child, and six months after she gives birth, she is executed.  Now Jimmy, who still leaves with his parents and works for his dad's lawn-care company, though company is probably too strong a word, is faced with being a single parent.  Luckily, his own parents, who had him as teenagers, agree to help him out.

     As mentioned, father Burt (Garret Dillahunt, Terminator: The Sarah Connor Chronicles) mows lawns and cleans pools.  He's quite dumb.  When he is told to think, all he can think of is the word 'think'.  But he seems to have a warm heart.  I think the novelty of seeing someone who so recently a literal killing machine play a simple father is part of the fun.  Mother Virginia (Martha Plimpton, The Goonies) is a house cleaner.  The two have great chemistry, and although they act tough, it's just an act.  They will do anything they can to help out Jimmy and his infant daughter, Hope.

     Living with the Chances (or rather, who they live with, since Burt and Virginia do not own the house) is Virginia's grandmother, known as Maw Maw (the legendary Cloris Leachman).  Maw Maw is in the deep stages of dementia, but usually has one lucid moment per episode.  So far, the character is crass and not very likeable.  But in last night's story, the family discovered that Maw Maw was an expert at Jenga while listening to "Istanbul".  This came in handy when Baby Hope was trapped in her grandmother's greenhouse full of hoarded junk and she needed to be safely dug out.  Though she did help them while dancing around in just a bra and skin-tight pants, hair in curlers.

     Also in the cast is Shannon Woodward (The Riches) as Sabrina, a checkout girl who is Jimmy's love interest.  Sadly, Sabrina has a long-term boyfriend, but as this is television, and there is a formula, that is sure to change soon.

     It's a family comedy, but from a side of Americana not often seen on primetime television.  If you'd like to check out Raising Hope, it airs Wednesday nights at 9pm on FOX.


For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.