All Done RAISING HOPE

Article first published as TV Review: 'Raising Hope' - Series Finale on Blogcritics.

FOX’s Raising Hope has always been a really good show with just enough schmaltz to keep it from achieving true greatness. Though, that seems purposeful, and I don’t think it wants to be more than what it is. It has real charm and presents an authentic-feeling, extremely funny family. After four seasons, the series wrapped itself up this past Friday night in much the same vein it’s always been in, providing a touching half hour (or, rather, two half hours), but not going for the closure-filled ending.

The first half hour, which is its own installment, not connected to the second, is called “How I Met Your Mullet.” This is 100% a typical episode, with character-driven segments that illustrate the terrific dynamics, without actually changing who the players are. Burt (Garret Dillahunt) gets the chance to search for his passion since Virginia (Martha Plimpton) is now making “comma money,” only to realize he already has his ideal life. Jimmy (Lucas Neff) and Sabrina (Shannon Woodward) inherit a maid (Downton Abbey‘s Lesley Nicol), only to later realize they’re taking advantage of the help and setting a bad example for daughter Hope (Baylie and Rylie Cregut), so they let her go. None of this is anything spectacular or dramatic, but it’s a wonderfully typical episode.

The second half, “The Father Daughter Dance” goes in a little different direction, not reveling in the show’s personalities, as most entries do. Instead, this is all about Virginia’s father, Arnold (Jeffrey Tambor, Arrested Development), trying to get back in her good graces. He does so by throwing Virginia the dream wedding she never had, complete with a replica of Princess Diana’s dress. But his good intentions start to fall apart when the family realizes Arnold can’t pay for Hope’s college, as he promises to do, and ends up homeless, needing Virginia and Burt to take him in.

I do wonder if this is how the fourth season of Raising Hope would have ended if the show was renewed. After all, I can’t imagine Tambor sticking around full-time, so his crashing with the Chances would likely be only a temporary situation, perhaps Arnold even being gone by the fall premiere. That’s a shame because adding Arnold to the household gives the show a chance to really grow in a new and interesting direction, completely shaking up the firmly established dynamic. I’m not complaining about the mix, as I’ve enjoyed Raising Hope immensely, but almost all series would benefit from growth over time.

Raising Hope does allow change, usually incrementally. After all, Jimmy discovers how to be a good dad, marries Sabrina, and gets his own house in the first few seasons. This provides a lot more Virginia-Burt plots separate from the others, which works well because they are easily the two best characters on the program. But it’s never been a program that would shake things up too much, at least not in any kind of permanent way.

I’m disappointed “The Father Daughter Dance” is the last episode. Like Everybody Loves Raymond, Raising Hope decides to go out without a bang. It may work for the style established, but people want a memorable capper. The series with the best (or worst) endings are often talked about and debated for years to come. A stellar finale can raise the profile of a series significantly. By bowing out quietly, Raising Hope squanders a chance to attract even more viewers in its afterlife. And if there’s something this show has always deserved but never received, it’s more viewers.

The biggest regret about Raising Hope ending now may be that the writers didn’t have more time to explore the chemistry between Maw Maw (Cloris Leachman) and Frank (Todd Giebenhain). I don’t think their February-December relationship is romantic in nature, but we really doesn’t get the chance to figure out what it is, the twosome only being featured together a few times in the past few weeks. I am really interested to see where the show would have gone with this, but I guess we’ll never know.

Overall, I still enjoyed “The Father Daughter Dance” as much as most episodes of Raising Hope, which is a considerable amount. It’s a series that really knows itself, found its groove, and uses it effectively. Some shows flounder, but this one never does, being on very solid footing in tone, style, and sense of humor for quite some time. For those who connected with this spirit, it is a continuous joy, watching week after week, and it will be sincerely missed.

RAISING HOPE Raises My Hope Again

Article first published as RAISING HOPE Raises My Hope Again on TheTVKing.

FOX's Raising Hope got a late start this week with a pair of new episodes, "Deja Vu Man" and "Burt Bucks," that made it worth the wait. This series is goofy in the best of ways, and isn't shy about poking fun at itself or its subject matter before ending up in a warm, love-filled place. Season four gets started right.

"Deja Vu Man" begins with a scene unrelated to the rest of the story in which Maw Maw (Cloris Leachman) forgets Hope's (Baylie and Rylie Cregut) name, as well as many other things. To refresh Maw Maw's noggin, the family and a few friends sing songs about what's happened in the first few seasons, reminding us Maw Maw who the characters are and certain events in their lives. Yes, it's a cheap excuse to recap for the audience, but by building it believably into the fabric of the show in an original way, it really, really works. Especially as Maw Maw hopes that Hope is named Edgar.

In "Deja Vu Man," Virginia (Martha Plimpton) finds out that the guy that hangs around every so often snapping pictures of the Chance family is none other than her father (Jeffrey Tambor, Arrested Development). See, Maw Maw lied about Virgina's dad being dead because he abandoned his family. Now, Virginia has a chance to reconnect with her parent, who claims to have left because Natesville was unaccepting of homosexuals and he is gay.

Of course, it's a line of bull. Tambor's character is charming enough to fool people for a little while, but viewers and Virginia alike soon come to see just how selfish and terrible a person he is. (Burt sees it right away, a credit to how smart he is, even if it's not book smart.) It wouldn't really make sense for a father who loves his child to stay away from them, no matter how hostile neighbors might be, so at the end of the day, we need to see he's a scoundrel, which we do.

That doesn't mean he shouldn't return to guest star in other episodes, though. And no tears for Virginia, who had a great man to take care of her in Paw-Paw (Terrence Beasor, Walk Hard: The Dewey Cox Story).

In the second installment, "Burt Bucks," Virginia and Burt (Garret Dillahunt) find they can barter their services for the finer things in life, then try to get their friends to barter with one another, too, ultimately creating a new currency, which Virginia and Burt keep printing more of so that they can live the high life. As Burt insists, probably necessarily given the IQ level of the town, despite the label not really making sense, this is not a pyramid scheme. Of course, it all collapses.

I love this commentary on our economic system and our government. It doesn't necessarily take a Republican or a Democratic viewpoint, instead, zeroing in on the system itself. This keeps the episode from being controversial, but also illustrates large economic issues in a way that's simple to understand.

I did keep thinking that the new system would catch up with Virginia and Burt, and they would no longer have U.S. currency to get things they need outside of their barter system, but that didn't happen. I guess there's only so much that can be gotten through in half an hour, and the focus was on satire, not keeping the zany characters stuck in the laws of reality.

An interesting thing happens in "Deja Vu Man" and "Burt Bucks" - Sabrina (Shannon Woodward) and Jimmy (Lucas Neff) make a conscious effort to stay out of Burt and Virginia's schemes. I can't say I'm not disappointed, as I love seeing the whole family together. Yet, Sabrina and Jimmy are newlyweds who live apart from Burt and Virginia, so they should have their own things. I'm sure they won't stay divided every week, and I guess the characters have to show growth, but it's a turning point that is still a little sad.

This doesn't mean Sabrina and Jimmy aren't in the installments. They have their own comedic situations, often involving Barney (Gregg Binkley) and the store. And I don't want less of the recurring cast, which has many talented players like Kate Micucci and Todd Giebenhain. I just love it when both groups mix, as they do in the opening of "Deja Vu Man."

Either way, these are still sharp, witty, welcome episodes. Clearly, Raising Hope has lost nothing during its break, and I'm glad to see it back on the air. Raising Hope now airs Fridays at 9 p.m. ET on FOX.

Raising Hope Continues to Raise the Bar

Article first published as Raising Hope Continues to Raise the Bar on TheTVKing.

FOX's Raising Hope completed its third season with a pair of new episodes last night, "Burt Mitzvah: The Musical" and "Mother's Day." Both are truly excellent examples of a consistently great series, and unable to choose between them, this review will cover elements of each.

In "Burt Mitzvah: The Musical," Burt's mother (Shirley Jones, The Partridge Family, The Music Man) tells her son that she's recently discovered she is Jewish, and by extension, so is he. She lays in a fitting Jewish mother guilt trip until Burt (Garret Dillahunt) agrees to have a Bar Mitzvah. However, Burt soon learns that his mom is lying, and his parents are trying to get even with all of their friends, whose children they have paid for gifts for all these years. They abscond with his money gifts, and, feeling like a disappointment for not having any celebration-worthy events of his own, he lets them.

Burt is a kind, good man. He has made some mistakes in his life, such as knocking up Virginia (Martha Plimpton) when they were only teenagers, but he takes care of his family, and has a big heart. It isn't fair that his mother and father treat him so poorly and look down on him so much, a theme also present in the second episode concerning others characters' parents. It's no wonder he tries so hard to please his parents now, but he shouldn't have to.

Burt's patience does have limits. He goes along with their scheme because of his love for them, but he also lets them know this will make them even, and not to try anything like this again. He understands and accepts his parents for who they are, but he won't be abused by them. They may still treat him like a child, but Burt is truly a man in every way that is important.

"Burt Mitzvah: The Musical" features three big musical numbers, which are definitely a high point of the series. The tunes are catchy and fun, with a host of upbeat extras dancing their way through. It all fits perfectly in tone with the series, and also adds something special that makes this episode more memorable than most. I love a musical done right, and my only complaint is that there should have been more than three songs, and that the episode should have ran an hour. I could definitely have used more.

Each member of the main cast gets to sing, including a big solo for Barney (Gregg Binkley), but the show is really stolen by Jimmy (Lucas Neff), who turns out to be quite the rocker. Add in Jones and Smash's Jason Kravits as a Rabbi, and the musical talent is quite impressive.

Part two of the season finale, "Mother's Day," finds Maw Maw's (Cloris Leachman) mother still alive at the rope old age of one hundred and four. Burt and Barney bring her back to the house, and Maw Maw and her mom resolve a grudge they've held against one another for seventy years.

I'm not a fan of Maw Maw, and while I like the idea of allowing Leachman to pull double duty in both roles, the humor in this subplot falls short. Leachman is a comic god, and being reduced to gross jokes and farts played for laughs seems beneath her. Yet, there is no arguing that she does such trivial junk with a talent and grace that should put to shame many modern day performers.

The ending, where Maw Maw's mother dies, but Maw Maw remembers the resolution, if little else, is incredibly sweet. I love that there is a peace between them, and that her mom hung around long enough for Maw Maw to make things right. It's a little bit disturbing, seeing what Maw Maw may turn into, but kudos for designing a story that deepens the character, even if the bits aren't particularly funny, in my opinion.

Even better is the plot involving the other women in the household. Hope (Baylie and Rylie Cregut) makes Sabrina (Shannon Woodward) a Mom necklace, which arouses jealousy in Virginia, who has helped raise Hope. Virginia is a grandmother, not a mother, to the toddler, and shouldn't feel left out. However, one can understand, now that Jimmy and Hope have moved out of the house, why she might be sad.

Thankfully, Sabrina not only makes things right with Virginia, but points out how she herself sees Virginia as a mother. Sabrina's own mother can't be reached (see my comments early in this article about parents), and Virginia treats Sabrina well. Virginia may not live in the same house as Sabrina and Hope, but she definitely has positive relationships with both, and that counts. Sabrina even gets Frank (Todd Giebenhain) and Shelley (Kate Micucci), the extended family that could very well be part of the main cast at some point, to help her make Virginia feel better.

Seeing how the Chance family gathers, full of love for one another, is heart-warming and moving. Not every family likes each other this much, and even if they screw up and get into trouble, they always support one another. That's why I like Raising Hope. It shows how a family should be.

Plus, it's super funny. From Barney and Burt walking through a gate where there is no fence, to singing pastrami sandwiches, to Virginia's tendency to get words wrong, there are so many fantastic little touches in these, and every, episode that keep the show amusing and round out the world. Make no mistake, Raising Hope isn't just a family, it's a fully flesh out, very specific universe in which these characters dwell. It's charm is rarely matched.

Raising Hope has been renewed for a fourth season and will return next fall on FOX.

'Raising Hope' wants its baby back

FOX's Raising Hope presents the second half of a two-part episode as their season finale this week. Entitled "I Want My Baby Back, Baby Back, Baby Back," this installment finds Jimmy (Lucas Neff) and family locked in a court battle for custody over Hope (Baylie and Rylie Cregut) with his "wife," Lucy (Bijou Phillips). This follows an episode of Inside Probe, in which Nancy Grace (herself) tells the family's story, and reveals that Lucy survived her execution. Lucy wins the legal battle, and Jimmy has to leave his parents and Sabrina (Shannon Woodward) behind in order to stay with his daughter.

If a comedy series is hilarious enough, it does not need to follow the rules of realism. This is a relief, because Raising Hope leaves such constraints far behind in the dust during these final two episodes. Not only does Lucy survive the electric chair, there is a jailhouse wedding, complete with a prisoner allowed a knife to cut the cake, a jury made up purely of miners who were trapped underground for six months, and so don't know Lucy is a serial killer, Shelley (Kate Micucci) is allowed to testify with a ukelele, and Lucy will most likely survive being hit by a bus. The last of which is welcome, because Phillips is such a joy during her guest stints on the show. And with Jimmy needing a divorce, she will have to return again.

But honestly, the fact that the events of "I Want My Baby Back, Baby Back, Baby Back" would never happen does not lessen the enjoyment of the episode in the slightest. Part of this is the comedic writing, which is just as sharp, tight, and unexpected as it ever has been, if not sharper. Part of it is nostalgia, as this week's installment and the one before it reference many of the show's earlier events and gags, as well as bringing back a large number of guest stars.

Best of all, most of the cast of My Name Is Earl, a previous show by Raising Hope's creator, Greg Garcia, appears again. Earl is alluded to as well, and the tone of both shows are similar. In fact, the Inside Probe stunt feels just like Earl's Cops episodes! So it all comes across as one big, happy, funny universe, drawn closer together with each crossover, of which there have been many.

Should Raising Hope have concentrated on pathos instead? Sure, there are tears and heartbreak when Jimmy leaves Sabrina so that he can stay with Hope. Viewers would be heartless not to feel for Sabrina as tears stream down her face, and the situation really evokes something inside of oneself. However, instead of capitalizing on these dramatic moments, leaving a heck of a cliffhanger, Lucy is hit by a bus, and Jimmy gets to return home.

Nor does it appear that Burt (Garret Dillahunt) and Virginia (Martha Plimpton) will face legal charges for fighting with law enforcement in the court room, as they are seen to be in their house and doing just fine.

And that's OK. Some sitcoms need the drama to infuse with comedy in order to keep their fans invested. Raising Hope does not. It's tongue-in-cheek style, with meta elements and constant self-referencing, has created a unique world that deserves to be on television. One can drop in to see what the Chances are doing each week, and continuously be very taken in by their spell.

What kind of show dares to have Nancy Grace lampooning herself, Ed Begley Jr. playing both god and the devil, and "introduces" Cloris Leachman each episode? Raising Hope, that's who, and it does so proudly. Never before has white trash been made look so attractive. The show doesn't just play on stereotypes, it redefines them. It will change the way you think about many things, and if the show contributes anything to society, it assists in tearing down the barriers of hate and judgment.

Does this make Raising Hope sound too important? Perhaps. But it deserves the accolades. There is absolutely nothing else currently running like it, and it continues to hit all of the right notes week after week. That is a laudable feat.

Is it the sharp writing or the amazing cast, which includes Gregg Binkley and a slew of talented, recurring players to fill out the world, that makes Raising Hope work so well? It's both, as well as everyone else in the crew who builds this specific place and time. There is really nothing to complain about in Raising Hope. It's that rare gem that knows what it is, and delivers extremely well on a remarkably consistent basis.


Thank you to Raising Hope for an awesome second season, and I am greatly looking forward to years of more terrific comedy. Raising Hope will return to FOX this fall.

If you like my reviews, please follow me on Twitter! To buy Raising Hope DVDs or streaming episodes, please click here. Article first published as TV Review: Raising Hope - "I Want My Baby Back, Baby Back, Baby Back" on Blogcritics.

Raising Hope first season now on DVD

     FOX's Raising Hope recently released its complete first season on DVD. It is a three-disc set containing all 22 episodes that aired last year. The series follows a lower middle class family as they raise a baby. This is refreshing, considering many television characters certainly live above realistic means for many of their viewers. It also focuses on the kooky friends and relatives that surround the primary clan, creating a rich, becoming vast, world of interesting characters. After one mere season, Raising Hope has become TV to watch.

     The series begins when Jimmy Chance (Lucas Neff) unknowingly hooks up with a crazy murderer named Lucy (Bijou Phillips). Lucy is arrested and executed, but not before giving birth to Jimmy's daughter, Princess Beyonce, whom he renames Hope (Bayley and Rylie Crecut). Jimmy is in his early twenties, and lives with his parents Virginia (Martha Plimpton) and Burt (Garret Dillahunt), who had him when they were teenagers. Jimmy really wants to take care of the baby, and Burt and Virginia see a second chance to raise a child correctly; it thus becomes a team effort.

     Adding to the chaos is Maw Maw (Cloris Leachman), Virginia's senile grandmother, in whose house they live. She is only lucid for short periods of time, but resents her family, worrying they are taking advantage of her. In fact, they take good care of her during her crazy periods.

     To help pay for the child's care and feeding, Jimmy takes a job at the local supermarket after falling for cashier Sabrina (Shannon Woodward). They work for enthusiastic, geeky Barney (Gregg Binkley, a recurring character in season one, but promoted to series regular in season two). These two help Jimmy keep his own sanity, and provide some fun, outside-the-home stories. In addition, babysitter Shelley (Kate Micucci) keeps Hope when the Chance family are all working.

     There are many great episodes in this freshman run. "Dead Tooth" introduces Sabrina's cousin, Shelley, and finds Burt helping Virginia to quit smoking. The latter is a necessity, since smoking is now strictly limited in primetime broadcast network television. In "Dream Hoarders," Hope crawls into the maze of a junk-filled shed. "Burt Rocks" lets Burt meet his singer idol, Smokey (Jason Lee). In "What's Up, Cuz?" Virginia's gold digging cousin, Delilah (Amy Sedaris), who has a crush on Burt, visits. And the season finale takes a look at how different life was for all of the characters, main and supporting, only five short years ago.

     The first season DVD set (not currently available in Blu-ray) has quite a few bonus features. There are 20 minutes of deleted and extended scenes, and the essential gag reel. The broadcast "Pilot" has a commentary track with series creator Greg Garcia (My Name is Earl), Neff, Plimpton, and Dillahunt, who talk about the constantly changing babies in the episode. The original, unaired version of "Pilot," with a different actress playing Sabrina, and featuring Micucci as a cousin that lives with the Chances, is also included. Additionally, there is an extended version of the season finale, "Don't Vote for This Episode," with three minutes of cut footage inserted back in.

     As far as featurettes go, "Adorable Stars: Meet the Hopes" gives viewers more than six minutes of focus on the adorable twins that play the titular baby. Fans get a look at their personalities, and their work environment. "Moments with Mrs. Chance" is a package of clips from the first season featuring Virginia in many of her best, and funniest, moments. It's an apt choice, considering Plimpton's vast talent, but one hopes that other performers will be featured similarly in later releases.
     "Taking Chances: Shooting the Season Finale" spends only a little bit of time talking about the season's last episode, but gives lots of attention to the usual environment on the set, and how everyone gets along. It also has Neff and Plimpton complaining of  Garcia's (My Name is Earl) alcoholism and sexcapades on set. Garcia argues in his own interview that he doesn't usually start getting drunk until at least 9 a.m. One assumes this is all a joke, but it is filmed in Hollywood, so you never know. But yeah, pretty sure they are kidding.

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Article first published as DVD Review: Raising Hope The Complete First Season on Blogcritics.