"Scarification" of GOTHAM

Article originally published as GOTHAM Review "Scarification" on Seat42F.

Last night’s GOTHAM revealed the “Scarification” that rocked the city nearly two centuries ago. This gives insight into the motives of the Big Bad this season, as well as provides a clue as to what his goals might be. Whether or not that will help him be stopped remains anyone’s guess, but at least not every character is still in the dark about him. Oh, and a new villain is introduced.

“Scarification” basically halts its action for a bit as Edwige (Mary Joy, Secretary) tells Penguin (Robin Lord Taylor) the tale of the Waynes and the Galavans. Apparently, a very long time ago, a Wayne badly wronged Galavan’s family, then going by a different name. Theo Galavan (James Frain) has now returned to the city to exact revenge, supported by a coming army and a shadowy cult leader (Ron Rifkin, Alias, Brothers & Sisters).

I admit, my knowledge of Batman is mostly limited to the movies, not being much of a comic book reader, so I do not know if this plot arc is based on something in the written lore or not. What I can say is that it feels off for GOTHAM. GOTHAM has dealt in a grounded here-and-now. To have such an extended flashback to such a long time ago seems weird for this particular program, and it paints an odd picture of the Waynes, who are supposedly a force for good in the current age. I’m not saying the show can’t make this story work, but it doesn’t seem to quite fit in tonally with what’s been seen so far.

Much more enjoyable is the struggle between Penguin and Theo. Penguin works very hard in the first season to defeat his enemies and rise to the top. Granted, a victory that can be achieved in less than a year isn’t all that monumental, but Penguin is on top at the start of the season after struggling to get there To have Theo come in and threaten that position now is killing Penguin, and Taylor does an excellent job of showing that desperation and frustration mixed with lunacy.

As this battle between bad guys shapes up, Captain Barnes’ (Michael Chiklis) strike force is merely squabbling with henchmen and minor foes. They encounter new baddie Firefly (Michelle Veintimilla, Not Cool), but her story is more tragic than sinister, so even aftershe kills a police officer, viewers are likely to not blame Selina (Camren Bicondova) for helping her escape.

GOTHAM doesn’t have just one kind of villain, and those shown in “Scarification” represent a wide swath of baddies. From the idiot fire-starting brothers, to Firefly, forced into service, to the Penguin, a man with a chip on his shoulder, to Theo, a well-organized gangster, to Selina, who is only sort of a villain, there are a wide variety of personalities. The way they all interact makes for very interesting television, and it’s easy to see that Barnes, Gordon (Ben McKenzie), and the rest of the force have their work cut out for them, the city allowing all of these types of people to thrive for so long.

There’s another antagonist, though, who hasn’t yet become an antagonist, and I find his story just as fascinating as those others. Edward Nygma (Cory Michael Smith) has killed, but no one knows it. Instead, he fakes a normal, happy life, even double dating with Gordon and Lee (Morena Baccarin). Obvious to anyone who regularly watches GOTHAM, his craziness is bubbling just below the surface, ready to erupt. Every scene he’s in has the potential to get insane quickly, which makes his presence very welcome.

“Scarification” is a great episode because of the Penguin’s madness and the threat of Nygma losing it. The bits with Theo and the backstory are far less interesting, and while Theo’s plan has much more to play out, I’m not really into that arc this year. He’s not as complex or unique as other villains on the show, so I hope Penguin or someone else disrupts Theo’s activities before he gets too far. Since Theo is already planning to kill Bruce Wayne (David Mazouz), and we know that can’t happen, he likely can’t go on for an entire season. The sooner he is taken out, the better.

GOTHAM airs Mondays at 8 p.m. ET on FOX.

The Possibilities are LIMITLESS, But the Reality Isn't

Article originally published as LIMITLESS Review on Seat42F.

There are a lot of shows right now popping up to offer continuations of past shows or movies. My review of the disappointing Minority Report posted earlier this week, and now I tackle LIMITLESS, a sequel to the 2011 film of the same name, which starred Bradley Cooper. The show LIMITLESS picks up a few years later with a new young man who finds the NZT drug that allows you access to all of your brain, and other than that, progresses in roughly the same way the big version did.

LIMITLESS stars the excellent Jake McDorman (Greek, Shameless, Live Free or Die Hard) as Brian Sinclair. A failed musician, he receives a pill from his former bandmate and is suddenly able to help his ill father (Ron Rifkin, Alias). The problem is, when Brian goes to find more, he gets pulled into a murder investigation and an illegal drug ring, which soon finds him on the run from the law and worse.

I enjoyed the pilot of LIMITLESS. It does repeat the plot of the movie a tad bit more than I’d like, but it offers a more sympathetic hero than the film; Brian wants to help others, not himself, and it takes us back into the conspiracy presented. Adding Brian’s family as a major element makes the show more than a crime drama, and the really cool return of Eddie Morra (Cooper reprising his role) works in seamlessly for a nice set up.

What I’m concerned about is that LIMITLESS, instead of exploring this deep, rich tapestry, will confine itself to tracking down one lead every week, Brian working with the FBI agents to do so. The reason I think this is the direction that the show will take is because, a.) LIMITLESS airs on CBS, home of the crime procedural, and b.) all of the main characters, save Brian himself, are FBI agents. His terrific family are merely guest stars, and not likely to be the focus of most future installments.

Now, the ensemble assembled is not one to complain about. Brian’s ‘partner,’ Rebecca, is played by Dexter’s Jennifer Carpenter. Along with Hill Harper’s (Covert Affairs) Boyle, she works for Nasreen Awad (Mary Elizabeth Mastrantonio, Grimm). These are enjoyable enough actors, and are interesting to watch in the initial installment.

It’s just, how many of these carbon copy shows do we need? I just wrote a review wherein I laid out the premise of a quirky oddball with a special skill who inexplicably is allowed to work cases with the authorities. And that description applies to what feels like half of the scripted dramas on the broadcast networks right now. Do CBS, NBC, and the rest feel like this is a good recipe for long-term success? Because it’s not. A few of these will pop and provide short-term gains, but none will see a long shelf life, nor find passionate fans binge watching for years to come.

LIMITLESS is counting on the movie ‘prequel’ to bring in an existing audience, potentially giving it an edge over a completely original show since there will already be fans out there before the pilot even makes it on air. But if that premise is just going to be contorted into a clone of other works, why is it necessary? And will that audience stick around for very occasional cameos from Cooper? I am inclined to think not, though I could be wrong.

I really wish CBS would get itself on track and make more quality content, like The Good Wife. But it seems like the network is content to help drive the nails into its own coffin, while cable and streaming platforms like AMC and Netflix continue to kick their butt in creativity. Oh, well. CBS has had a good run. Everything must end. LIMITLESS will probably help them reach that finish line.

LIMITLESS premieres September 22^nd on CBS, and CBS All-Access subscribers can watch the pilot online now.

THE GOOD WIFE Turns "Ugly"

Article originally written for Seat42F.

CBS’s THE GOOD WIFE frequently drops surprises, but I’d be hard-pressed to name one recently that rocks the show as much as the voter fraud scandal surrounding Alicia’s (Julianna Margulies) election as State’s Attorney. This week’s episode, “Winning Ugly,” begins that battle as a legendary political figure, Spencer Randolph (Ron Rifkin, Alias), takes on her case in the name of the democratic process. But Spencer may really be supporting the Democrats’ process, as he turns on Alicia when she refuses to play ball with the party.

Alicia has long struggled with getting into politics, but the events of “Winning Ugly” are likely to turn her off of them entirely, whether she ends up in the State’s Attorney’s office or not. Alicia did not cheat, but that won’t stop the party from ruining her reputation if she goes against their interests, both sides in the city being famously corrupt. These movers and shakers have built a system that works for them, and they are not about to let some idealistic woman screw it up.

Alicia’s natural ally should be Prady, but he is no longer accessible to her, and may not believe she’s innocent, anyway. Instead, she is sent lawyer Martin Parillo (Remy Aubjeronis), who battles it out with Spencer in front of Ken Boxer (Lawrence Gilliard Jr., The Walking Dead, The Wire) and the panel. Until Spencer turns on Alicia, Martin is taking a beating. But now that Martin seems to have the upper hand, there is no way he will allow Alicia to broker a deal with Prady.

So it looks like Alicia may need to try to return to the law firm, assuming she loses, but there are some complications there. First, we’d have to see if the firm would take her back. Alicia still has her office, but considering that we’ve seen the settlement talks, she may have already cashed out and hurt feelings might block her from buying back in. Second, will there even be a firm left to come back to?

The second major plot in “Winning Ugly” finds Diane (Christine Baranski) learning about Kalinda’s (Archie Panjabi) forgery. To Diane’s credit, the first thing she does is not protect herself so much as clear Detective Prima’s (John Ventimiglia) name. Prima is a jerk, but he doesn’t deserve to lose his job over something he didn’t to. After that, though, Diane discusses strategy with Finn (Matthew Goode), David Lee (Zach Grenier), and Cary (Matt Czuchry), and it doesn’t look good.

I’m surprised Diane doesn’t immediately fire Kalinda. I don’t care that Kalinda has done a lot for the firm; she crossed a line with faking evidence, even if she didn’t intend Diane to use it. Panjabi will be leaving THE GOOD WIFE at the end of the season anyway, but this is the hour in which she should have been terminated from her job.

I also hope this doesn’t blow back on Cary. There is other evidence to clear his name, but it will be much harder to convince people he is innocent after this fiasco.

The current State’s Attorney isn’t focused on destroying the law firm, though, so much as he wants to go after drug kingpin Lemond Bishop (Mike Colter). Geneva Pine (Renee Elise Goldsberry) says as much, offering to drop all charges against Diane if Diane will just testify against Bishop. The problem is, every viewer and main character knows that going up against Bishop is a death sentence, so Diane doesn’t want to risk it.

For a minute in “Winning Ugly,” it looks like Kalinda might step up. She is closest to Bishop and can get him jailed. This would also go a long way towards making up for her wrong doings. And who knows? She might survive. But it’s Cary that goes to Geneva and says that if Kalinda makes the offer to speak in court, he will do it in her place. Cary loves Kalinda, despite her flaws, and that’s truly a noble sacrifice he is willing to make.

Since Kalinda didn’t go to Geneva, though, where did she go? Did she flee and abandon those taking the fall for her mistakes? Or is she going to kill Bishop, hoping that will end the fight. I don’t know that I actually want to see Kalinda murder anyone, but there’s no way she can convince him to confess to wrong doings, no matter what she has on him. Whatever Kalinda is doing, she’s playing a dangerous game.

In both of these stories, I just don’t see how it can end well. There is no clear way out, and only a scant few hours left to tell the story this year. THE GOOD WIFE has not been renewed yet, either, and those at CBS would be awful, awful monsters if they didn’t let the tale conclude satisfactorily. We’ll see how it plays out.

THE GOOD WIFE airs Sundays at 9 p.m. ET on CBS.

Love Playing MIND GAMES

Article first published as MIND GAMES Review @Seat42F.

ABC’s MIND GAMES is the network’s newest drama. Like most ABC shows, it isn’t really a procedural, much more focused on the drama between the characters, rather than a case of the week. However, there are some procedural elements to it, as the staff of Edwards and Associates will be working on a number of different projects as the weeks unfold.

Clark Edwards (Steve Zahn, Treme) is a bipolar genius who studies human behavior. Recently fired from his job as a college professor after having an affair with a student named Beth (Katherine Cunningham, The Playboy Club), Clark has been recruited by his brother, Ross (Christian Slater, Breaking In), to apply his skills to the real world, hoping to build a business that will make them both rich. The problem is, Clark is highly unstable, given to flights of exuberance that can turn potential clients off or ruin Clark’s own carefully planned scenarios, exacerbated by his inability to let Beth go. Only Ross’s ex-wife, Claire (Wynn Everett, The Newsroom), can keep Clark calm.

Now, for those wondering if having his former spouse around will drive Ross crazy, the answer is a resounding yes. After all, Ross has just spent two years in jail for fraud, and Claire is the one who turned him in, so to say their breakup is amiable would be a gross misrepresentation. Unfortunately, since Clark needs Claire, Ross is going to have to put up with her.

The dynamic and interactions between Ross and Clark are a highlight of the series. Zahn and Slater have been perfectly cast. Through the “Pilot,” viewers will be kept guessing if Ross is a good guy and if he really cares about Clark, or if he’s using him for financial gain, since we’re shown he’s a known liar and cheat. There are clues that point in both directions, and the simple truth of the matter is, perhaps both mindsets apply, which makes for a complex, interesting sibling relationship.

Claire’s insertion into the middle of this is explosive and very entertaining. Checking out the press website for the show, though, Claire is not listed among the main cast, worrying me that she isn’t long for the series. I think that would be a grave mistake, as even if the love triangle set up is familiar, it’s done in such an effecting way that it really makes the characters. Maybe she’ll be recurring throughout season one and then promoted if the show is renewed?

And renewed, it deserves to be. I’ve only seen a single episode, and I can still say that with certainty. Everything I’ve mentioned above is absolutely fantastic, well written and superbly acted. And there are other elements to the show, too.

For one, there will be individual clients, and since this isn’t a cop or lawyer drama, these stories can be new and different, taking a fresh approach to the scenarios. The “Pilot” opens with Clark and Ross in a meeting with a potential investor (Ron Rifkin, Alias) that is extremely amusing. Then it segues into the firm trying to help a boy whose insurance is denying him much needed care. This is a compelling narrative that will tug at the emotions of the viewers, and through helping him, fans will come to care about the characters.

It seems the ensemble is good, too. The Edwards brothers are joined by Megan (Megalyn Echikunwoke, The 4400), a wannabe actress, Latreel (Cedric Sanders, The Social Network), who has business acumen, and Miles (Gregory Marcel, Infinity Strategists), whose contribution isn’t fully defined in the premiere. The first two have a skillset that will certainly serve the firm’s mission well, and the entire trio have wonderful, character-defining moments that tell us who they are, very different personalities.

MIND GAMES doesn’t just have the makings of a good show, it already is one. It’s sort of like Scandal on a smaller scale with a little less soapiness. It’s intelligent and well produced, and I look forward to watching more.

MIND GAMES premieres this Tuesday at 10 p.m. ET on ABC.

Brothers & Sisters "Walker Down the Aisle" in season finale

ABC's Brothers & Sisters ended its fifth season with an eventful episode. Sarah (Rachel Griffiths) marries Luc (Gilles Marini). Kitty (Calista Flockhart) learns she is pregnant, and wants to keep the baby, despite the health risks. Saul (Ron Rifkin) accepts a proposal from Jonathan (Richard Chamberlain). Tommy (Balthazar Getty) puts in an appearance. And Sarah makes peace with her father, Brody (Beau Bridges).


     While season five has certainly been a weak season overall, there are some really great elements in this episode to remind viewers of how good the show used to be. The drama in "Walker Down the Aisle" is realistic, and none of it comes out of left field. The wedding actually goes off without any major hiccups. The characters mature and relate to each other in ways they haven't in awhile. And there is some real closure, as well as setup for new story, should the show get an abbreviated sixth and final season, which looks likely at this point.

     Sarah dealing with Brody is the biggest development in the episode. While she has only known for a short time who her biological father is, Sarah has been in denial, wanting to pretend Brody doesn't exist. Yet, like a real father, he stays near, not pushing, but giving her plenty of opportunities to open up to him. She finally does, just before the wedding, and he confesses to always keeping tabs on her over the years, having suspected the truth.

     While the Brody story did come out of nowhere, William Walker is established as a not-very-good husband early in the show. As such, it isn't totally out of line for this whole mess to pop up years later. While Sarah, especially, has trouble letting Brody in, her reactions are authentic and in character, as is her final acceptance of him. Now that Sarah is letting Brody in, he is free to finally be with Nora (Sally Field), his true love. Brody's story is sweet all around, and he's a wonderful addition to the cast. If anyone is promoted to series regular for season six, it should be him.

     Even when Brody's daughter, Lori Lynn (Trieste Kelly Dunn) crashes the wedding, she doesn't make too many waves. She doesn't ruin the day. While it has not been discussed that Sarah has new brothers and sisters, it makes sense, since after Nora married William, Brody would have been free to move on. Now that it has been revealed there are four more siblings out there, hopefully Sarah will get a chance to meet and bond with each of them before the show comes to an end.

     Which opens the door for an even larger family. The Walkers have welcomed in others before. They will accept these new brothers and sisters of Sarah's. Which would swell the cast too large to continue the series, if they are going to be in it in a large role, which is a good thing Brothers & Sisters is likely to end soon.

     It's fascinating that the show is choosing to bring back Tyler (Marika Dominczyk), Justin's (Dave Annable) season one girlfriend at this point. Yet, there is a sort of symmetry to it. Justin used to be a very different man, and clearly, Tyler was a different woman. They couldn't help each other get better, but now that they both have stabilized, they deserve love. While I miss Justin's wife greatly, it's nice he is heading towards a happy ending. He deserves one.

     Speaking of happy endings, it is thrilling that Saul and Jonathan are now engaged. Saul often doesn't get enough screen time, so hopefully this will provide a meaty story for him in the final season. Will Chamberlain join the cast full-time so close to the end, or just do a lot of episodes? It's possible their relationship won't last, but at this point in their lives, hopefully they have found what they want in each other, and the bond will not be broken.

    The wedding itself is great fun. Luc is the most consistently well written character, despite this year's rough patches, and he kills singing to his bride, backed up by the male Walker relations. He has become an integral part of the show, and it's nice to see it formalized. While other new additions didn't take (cough, Ryan Lafferty), it's hard to imagine Brothers & Sisters without Luc at this point.

     The weakest part of the episode is Kitty's story. Once more, back to the baby drama. It's been done. Kitty already went through all the trouble, and ended up adopting a perfectly wonderful boy. It is not necessary to bring up the same bad stuff over and over again. Poor Seth (Ryan Devlin) is trapped in it this time. Devlin should escape back to Cougar Town! Flockhart's order of episodes next season, like this one, will likely be reduced, so thankfully every week won't be about Kitty.

     Considering the at times painfully bad fifth season, Brothers & Sisters ends on a high note. Let's hope they can keep that great spirit going that used to make the show so fantastic as they approach the end.

UPDATE: Brothers & Sisters has been canceled, and this episode serves as a series finale.

     If you like my reviews, please follow me on Twitter! Click here for all of my Current Season Reviews.

     For Brothers & Sisters DVDs and instant streaming episodes, visit Amazon.com.

Article first published as TV Review: Brothers & Sisters - "Walker Down the Aisle" on Blogcritics.

Brothers & Sisters Two Hour Return Mostly Weak, Signs of Life

     Last night, ABC's Brothers & Sisters returned for a two hour special broadcast. Like much of this uneven season, there were good scenes and bad scenes, with the second hour definitely being much stronger than the first. Still, both were better than a lot of other episodes, and hopefully they continue to improve. Especially if this is their last season, which is a possibility, as the show has not been renewed for next year yet.

 

      First, the weak points, since most of them happened first. Just as Olivia (Isabella Rae Thomas) is getting settled into her new home, her biological brother Brian (Douglas Spain, Band of Brothers) shows up and wants custody of her. She hasn't seen him in years and barely remembers him, but he is determined to have her in his home. This elicits a groan, and a thought of, is this really necessary? Scotty (Luke Macfarlane) and Kevin (Matthew Rhys) have been struggling to get a child for what seems like a very long time at this point, and now she'll be taken away? After all, the court will likely rule for the blood relative over the adopted parents, right? It is easy to assume this is the end of the Olivia story.

 

     Happily, because we don't need more Scotty and Kevin pining over a child drama, it is not. Unhappily, this is accomplished by introduing Brian as a homophobic bigot.

     The second this fact came to light, soon after we meet him, all tension goes away. Brothers & Sisters has been honored by gay rights organizations for good reason, and they cannot possibly slap their fans in the face by allowing a sweet little girl, who has had such a rough life, to end up in this idiot's home. Once Brian tells Olivia he wants her to have no further contact with Kevin and Scotty, even though the Walkers are willing to include him in their family, despite his obvious flaws, for Olivia's sake, Olivia's decision is an easy one. She tells the judge, and Kevin and Scott get to keep their child.

     Yes, this is a drama program, and so, by definition, there must be constant drama. But the show didn't have to resort to such ugly, corny, unrealistic measures to keep things interesting before. The best dramas don't let things seemed forced, as much of this season of Brothers & Sisters has. Making Olivia choose when things are almost finalized for her dads, and making the choice such an easy one, is an example of just how far the show has fallen.

     Almost equally ridiculous is Sarah's (Rachel Griffiths) attempts to get Seth (Ryan Devlin) back with Kitty (Calista Flockhart). Presumably, the characters on this show are smart. Sarah has run a business, and Kitty has been a pundit and a writer. They also have had to show great social skills in their jobs, so it's more than just book smarts. Yet, neither seems to realize that Kitty should just come clean to Ryan, apologize, and see if he's still interested in her. Instead, Sarah makes Kitty go to outrageous lengths to discredit Ryan's new girlfriend, Berklee (Stephanie Lemelin, Young Justice, The Whole Truth), which makes as much a fool out of Kitty as it does Berklee.

     An essential element of the show has always been that the Walkers get involved in each other's lives, so that is not the complaint. It just seems like the writers are more willing to make the adults in the family childish in ways they didn't used to be. It rings hollow, and makes them less likable and relatable. Instead of enjoying the story, it's rough to get through. To save this series, take the characters back to who they used to be.

     Berklee, herself, is ridiculous. The name, and its spelling, tell you everything you need to know about her. Considering that Seth was so recently with a woman like Kitty, it doesn't seem at all in line with who he is that he would even waste time with Berklee. She is completely wrong for him, and Seth should have lost patience with her pretty quickly. True, he comes around by the end of the episode, but there, again, isn't any tension that that's what will happen. It would have been better to put Seth with a girl that he actually would have dated, and then there would be some threat to Kitty.

     It's worth wondering if the second hour is much better because of the absence of Olivia's brother and Kitty, both weak primary stories in the first hour. Flockhart is on a reduced schedule this year, so she only does a certain number of episodes, and apparently the second part is one of her weeks to sit out. Olivia appears, but with no mention of her brother.

     What is really frustrating is seeing Patricia Wettig's name in the opening credits, and then not seeing her. It's not hard to be a fan of Holly Harper, and she left the series recently. When her name ran across the screen, I hoped she'd returned, at least temporarily, but sadly, she has not. Just cleanup not yet done on the credits.

     Now, the good story. It's really nice to see Nora (Sally Field) have a love interest again. She's had a number of great actors come in and out of her life, but none end up staying very long. Hopefully, that will not be the case with her latest, Brody (Beau Bridges). A high school sweetheart, he is the one that drifted away when her life went down another path. Brody really showed his feelings, sticking around to try to find ways to help Nora through the death of her mother.

     The whole plot involving Ida's (Marion Ross, not seen in this episode) death is handled very well. Each member of the family has different reactions owing to who they are and their relationship with the deceased. Appropriately, Nora and Saul (Ron Rifkin), Ida's children, are affectected more stongly than her grandchildren. Both have major issues with their critical mother, yet, losing a parent is never easy. Nora copes by throwing herself into planning an event, the way she always does. Saul pulls away, regretting never telling his mother he is gay.

     It seems like Saul has been held back by this secret for some time. Perhaps he cannot fully accept who he is until everyone in his life knows. While he never told Ida, a note she leaves him reveals she knew his secret, and accepted him. Soon after, Saul is able to more fully embrace his relationship with Jonathan (Richard Chamberlain), even talking about buying a house together. Saul's acknowledgement of who he is has been a gradual process, but it seems like now that he is fully out, even his dead mother knowing, he can move forward a bit faster.

     Justin (Dave Annable) is the lone grandchild that takes Ida's death hard, but that is because he is in a retrospective mood about his own life. About to turn thirty, divorced, Justin is seeking direction. While his career is going well, he feels lacking. As Ida never remarried, despite long out living her husband, Justin worries he won't be able to move on either. It's easy to overread into things in such a situation, and Justin does. Luckily, Justin has siblings to get him back on track. In this instance, their involvement is a good thing.

     The show also stars Gilles Marini as Luc, who is consistently the best written character currently on the show. He feels real, and doesn't manufacture drama where there shouldn't be any.

     Brothers & Sisters continues, through at least the rest of this year, and airs Sunday nights at 10 p.m. ET on ABC.

 

 

Article first published as TV Review: Brothers & Sisters - "Olivia's Choice; Never Say Never" on Blogcritics.

 

For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

Click here for an alphabetical list of all of Jerome's Current Season Reviews.

Brothers & Sisters Season 5 So Far

     This season of ABC's Brothers & Sisters began rough, with the loss of cast member Rob Lowe, and the reduction of some of the others' parts, including the departure of Emily VanCamp. I am most upset about VanCamp, as I took her breakup personally, and am most unhappy about it. Happily, Ryan (Luke Grimes) was finally booted as well, having been rarely seen last spring. I figured the necessary shakeup due to actors wanting to leave created the uneasiness I felt, and eventually things would settle down into the show I've loved for years.

     Sadly, that has not been the case. The last two episodes of the fall run in particular demonstrated just how downhill this series has rolled. In "Get a Room", all of the Walkers (who appeared in the episode) ended up in the same hotel and ran into each other in a comedy of errors. The show has done similar things before, but apparently they're running out of ideas on how to make this massive collision of their lives happen. I can tell you, sending them all coincidentally to the same hotel was not it. It lost all believability, even as I tried to tell myself, as they said in the episodes, "well, the rooms were half off".

     Even worse was the fall finale, "Cold Turkey". Nora (Sally Field) decided to go away for Christmas with her new boyfriend, Karl (John Terry, Lost). First of all, the Nora Walker we all know would never, and I mean never, abandon her family on Christmas. I don't care how they tried to explain it away, and gave her a huge guilt trip for going. She would not have left in the first place. Second of all, the dream sequence she had, where her kids had grown up evil and colluded with stepmother Holly (Patricia Wettig) to kill Nora was ridiculous. I don't care where Nora's brain was, it was way too bizarre. I sat very uncomfortably through the entire scene.

     Speaking of Holly, she has been MIA for most of the season. Yes, she suffered serious amnesia from the car wreck, forgetting a lot of her life. Her arc where Justin (Dave Annable) helped her was sweet. But I was very disappointed when Holly asked Justin to move on, and he did. Why is Holly even still in the cast? That dream scene was the most we'd seen of her in weeks. She's a wonderful character, developed so beautifully over four seasons, and now she's being completely wasted. Please, writers, get her back into the story fast.

     On the other hand, the one character having a good year is Saul (Ron Rifkin). Dealing with HIV is not 'good', of course, but Saul has already had more story this fall than all of last season. As a fan of Rifkin from his days on Alias I'm delighted to see the better treatment.

     I also have been fairly satisfied with Kevin (Matthew Rhys) and Scotty (Luke Macfarlane). Although I was heartbroken and sickened to see Scotty do the unthinkable and cheat on Kevin, that flashback actually justified it, showing the bad place the two had grown to, and what motivated him to do it. Scotty's intense regret helped, and they came out of it without going overboard. If the couple ever split up, proving definitively that no Walker can have a good relationship, I would likely be done with the show. Kudos for the one plot that is working among many.
 
     The relationship merry-go-round of the Walkers this season has been horrendous. Kitty (Calista Flockhart) is by far the worst offender, who, after just unplugging her husband, has bounced to a couple of different guys, none of which really clicked with her. Sure, the writers 'dealt' with her feelings on that issue, but they still went ahead with these dumb stories. Her latest is twenty-seven year old Seth (Ryan Devlin), who happens to be her boss's son. The whole thing is just wrong. The way-younger guy thing for a conservative republican mourning her husband? No, not in character at all. I love Devlin, but he needs to get off the sinking ship and back over to Cougar Town, where he was fantastic. And just where was Kitty's young son last week while she was in the hotel?
 

     Sarah (Rachel Griffiths) has fared little better. Sure, she's in a very stable relationship with Luc (Gilles Marini), whose addition to the cast I celebrated. But from the underwear modeling to the zany mishaps in the hotel, they have not been in a good place. And I don't mean their love hasn't been solid, it has, but crappy story telling has led them to some bizarre twists that were as unappealing as they were unnecessary.

     Honestly, if this is how it's going to be, the series needs to end. Not as many episodes were ordered this year, so plenty of people think it's a sign of the writing on the wall. I have adored this series since it's premiere, and never missed an episode, but the beloved characters are just being ruined at this point. I don't think I've ever seen a show I loved so much go to such a bad place. Please, please, just do a series finale this year and put the Walkers out of their misery. Unless they can fix the show, and then at least one more year is needed to wash the bad taste of fall '05 out of our mouths.

     It's been an entire week since Brothers & Sisters aired their last new episodes, but they will return to their Sunday night slot on January 2nd.

For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.


Article first published as TV Review: Brothers & Sisters Season 5 So Far on Blogcritics.

TV Reviews: Brothers & Sisters

     I put off watching ABC's Brothers & Sisters when it first returned to the air this fall. I didn't do that because I don't like the show. On the contrary, I love it. But the events that unfolded at the end of last season, combined with known casting changes, made the thought of what the new episodes would be tough to stomach. I finally watched the first four hours, and it was as hard as I thought it would be.

     I was fully invested in Rebecca (Emily VanCamp) and Justin (Dave Annable) as a couple. They thought they were siblings for awhile, but ever since then, I didn't understand why their romantic plot had to be so rocky. They were perfect for each other, the attraction was obvious, and it took far too long for them to walk down the aisle. I was mad as hell that VanCamp decided to quit the show then, effectively forcing the writers to end something that had been so long in building. Rebecca's recent two-episode return helped with some closure, and certainly, her leaving for a job in New York to help her grow that way that Justin had makes sense. It was tied up as nicely as possible. However, I would feel much better about the whole thing if VanCamp remained in the cast, with a promise that she would return and they would end up together. I won't rule it out, especially if the show ends in the next season or two, but it is far from a sure thing.

     Similarly, I loved Kitty (Calista Flockhart) and Robert (Rob Lowe) as a couple. Between his heart attack, her cancer, and her emotional affair, I was livid with all of the troubles their marriage kept going through. Yes, I know to keep TV interesting, things have to happen. But for the McCallisters, it just seemed so much more than necessary. Lowe's decision to leave the series, coming after Flockhart's desire for a limited number of episodes this year, pushed them apart permanently. In this case, the writers chose death. Why, I do not know, as if Kitty would only appear every so often anyway, Robert could appear even less. He could leave the show, but still be her husband. I'm happy that Lowe has already signed on full-time for the upcoming season of Parks and Recreation, but he couldn't even come back and lie in the bed for the first episode, until Kitty pulled the plug? It left his death a much-less emotionally moving thing than it should have been. Not to mention, with both of their prior health problems, death felt like a huge cheat.

     Also, Tommy Walker (Balthazar Getty), who had appeared so infrequently, was dropped from the cast. I wish I could say that his gradual fading out made it easier, but it didn't. It's not the same to have the Walker family down a sibling. Sure, plenty of families have their black sheep, but the Walkers would want to keep theirs close, not let him leave.

 

     Can the show recover from such monumental shifts? I'm sure it can, if these past weeks are any indication. I found it physically painful to watch, especially the season premiere. My gut ached. However, the characters that remain still shine. I remember how furious I was that Sarah's (Rachel Griffiths) husband Joe (John Pyper-Ferguson) was gone after season one, but I'm glad that she is now in a long-term relationship with Luc (Gilles Marini, the only new full-time cast member). It will be an adjustment, and I can't remember a show that dropped such a heavy burden on the viewer all at once before. That may have been why a shortened season was ordered this year. But additional episodes have already been picked up, as the Walkers slowly go back to normal, so will the show.

 

     As I mentioned, Luc is now a main character. I wish they would do the same for David (Ken Olin). Obviously he is going to be in the picture for awhile to come with his position as Holly's (Patricia Wettig) condition. I hoped awfully hard all summer that Holly would return full-time, and I am gratified to see that it is so, though she's worse for the wear. I understand why Rebecca leaving might help her, but hopefully Justin will maintain what he is building with his now ex-mother-in-law, as it's such a moving story. I think that he will, based on the characters.
 

     The silver lining I see in all of this is perhaps Saul (Ron Rifkin) will finally get more screen time. As the uncle, he was always pushed into the background, and for four years hasn't had a great deal to do. He'd get expanded plot for a few weeks, and then fade into the background again. His dating life has been front and center lately, though I'm still just waiting for that to be it from him for awhile. I sincerely hope it is not, and his opening a restaurant with Scotty (Luke Macfarlane) may be a sign that the producers are also leaning in that direction.

     Brothers & Sisters airs Sunday nights on ABC at 10pm.
For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.


Article first published as TV Review: Brothers & Sisters on Blogcritics.