RED BAND SOCIETY Trying to Heal Network Television

Article first published as RED BAND SOCIETY Review on Seat42F.

Red Band Society Cast : Octavia Spencer, Nolan Sotillo, Griffin Gluck, Zoe Levin, Charlie Rowe, Ciara Bravo, Brian Bradley, Dave Annable

It’s not often a broadcast network makes a show that feels totally different than just about everything else on television. FOX has done that with RED BAND SOCIETY. The dark dramedy about a group of sick teenagers who live in a hospital has shades of Degrassi, but the unique setting and challenges they face puts a different spin on the coming-of-age genre. Considering that films with similar themes have popped up recently (see: The Fault in Our Stars), it makes sense to explore these issues in a longer-run format.

A show such as RED BAND SOCIETY needs a good group of young actors, and six mostly-unknowns fit the Breakfast Club-esque bill well. Jordi (Nolan Sotillo, Prom) is the new kid on the block, forced to room with bad boy Leo (Charlie Rowe, Pirate Radio). Leo’s best friend is horny Dash (The X Factor contestant Astro). We’ve got the bitchy cheerleader, Kara (Zoe Levin, The Way Way Back), and the mousy girl with an eating disorder, Emma (Ciara Bravo, Big Time Rush). Charlie (Griffin Gluck, Private Practice) narrates the story from his coma bed, secretly visited by the father (Thomas Ian Nicholas, American Pie) who isn’t allowed to see him.

The mix of personalities is pretty good. A lot of boxes are checked, but the performers are all decent enough to sell the product, other than Astro, that is, who is nearly as unlikeable here as he was in the reality show in which he competed. But overall, while somewhat predictable, the relationships are compelling enough to keep the story going, as the kids individually pull the viewer’s heartstrings.

Of course, there are sappy scenes, even in hour one. A particular heart-to-heart between Jordi and Leo is obviously coming, and RED BAND SOCIETY delivers on that promise, asking for some pathos at the conclusion of a bit of fun. In this, it’s emotionally manipulative, but seemingly not in a malevolent way.

There is a staff watching over them, of course. Academy Award winner Octavia Spencer (The Help, Mom) plays the perfect “scary bitch” with a heart of gold, Nurse Jackson. She is offset by Rebecca Rittenhouse as bumbling, naïve Brittany. Surely the two of them will grow over time with one another’s help, much as the kids do. Rounding out the adult contingent is Dr. Jack McAndrew (Dave Annable, Brothers & Sisters), rocking the grey hair as he performers his duty with intelligence and compassion.

Maybe it’s a little simplistic to have such heroic healthcare providers, but RED BAND SOCIETY is a feel-good drama, and thus, needs characters to root for. The teens suffer enough from the viruses ravaging their bodies; they don’t require antagonistic grown-ups bringing them down, too. Instead, we get as cheery a picture as possible under the circumstances, which, while perhaps a tad realistic, makes the show quite watchable.

The wild card for me in this pilot is Ruben Garcia (Griffin Dunne, House of Lies, Dallas Buyers Club). Although not a main character, Ruben is the one adult shown as a patient. One of the kids mentions he’s a rich hypochondriac who will leave his fortune to the hospital, and we see him helping out the youngsters with their schemes. Clearly, the writers must put him here for a reason, so what is it? Will he help someone get through their emotional struggles, or provide an answer to a problem later on?

I’m sure RED BAND SOCIETY won’t be the best new series of the fall, but it is far from the worst, and at least it’s not just copying other series the way so many do. The message portrayed is one many viewers will connect to, or at least feel for, and since there’s no other optimistic drama like this running on the Big Four right now, it may find its niche. I certainly hope it does.

RED BAND SOCIETY airs Wednesdays beginning September 17th on FOX.

666 Park Avenue an address to avoid

Grade: 91%

ABC’s is sticking with the magic and supernatural that worked for Once Upon a Time last year in its new drama, 666 PARK AVENUE. Set in the Upper East Side of Manhattan, the series follows the residents of the Drake, a building that sits at 999 Park Avenue (the opening reveals the 999 on the wall casting a 666 shadow). It is a mysterious, old thirteen-story tower full of secrets and a dark power. It can make your dreams come true, if you’re only willing to give up everything.

As the “Pilot” begins, young, fresh, bright-eyed couple Henry Martin (Dave Annable, Brothers & Sisters) and Jane Van Veen (Rachael Taylor, Grey’s Anatomy) arrive in New York City, and soon land the job of building manager for the Drake. They are given this opportunity by the owner, Gavin Doran (Terry O’Quinn, Lost), who sees some potential in them. And also something he wants.

The rest of the hour is a seductive dance. Gavin and his wife, Olivia (Vanessa Williams, Desperate Housewives) shower Henry and Jane with gifts and invitations to status-making events, showing them a world they could live in, if only they were a little richer. It’s assumedly all part of a game, as Gavin is determined to take their souls. Will these Midwestern folks be able to resist the allure of what Gavin is offering?

This is an age-old tale, but just because the premise is a bit dusty, doesn’t mean that the execution isn’t fresh. Indeed, by casting four recognizable and very talented faces to play this out, 666 PARK AVENUE succeeds in making something creepy and intriguing, sensual enough to draw viewers in, helped along by the tone and beautiful setting. Yes, it will cost Henry and Jane dearly if they engage with Gavin, which they surely will continue to do, but mightn’t it be worth it?

No, it’s not. As we see in the opening, Gavin is most definitely bad, and normal people wouldn’t stand a chance against him. It’s unclear whether his power stems from himself or the building, which he bought decades ago, as the dragon symbol in the basement and cult-ish history reveal that these arrangements existed well before Gavin’s time. Unless he’s really, really old.

666 PARK AVENUE balances the fine line between giving away too much too soon, and stating the series’ purpose. There is plenty for viewers to wonder about after watching the first hour, but one may also feel like they know the general rules of the place. The overall package is delivered with the right level of danger, and just a handful of glimpses, some a little lingering, at the hidden majesty of the building. Is Gavin the devil? Does he work for him? Or is the Drake a seat of evil that whoever sits in it will have to obey?

While the four mentioned above are the leads of the piece, there are quite a few other people hanging around the address, and they will likely come into play more as the show goes on. Tony (Erik Palladino, ER) is the doorman who wishes he could be building manager, but claims to not hold a grudge against Jane and Henry for getting the job. Nona (Samantha Logan) likes to swipe small valuables, and seems to know more of what’s going on that she pretends to.

And then there’s wannabe playwright Brian Leonard (Robert Buckley, One Tree Hill), who loves his demanding wife, Louise (Mercedes Masohn, The Finder), but is tempted by the pretty young blonde across the street, Alexis  Blume (Helena Mattsson, Nikita). This is clearly going to be an example story for the audience, showing exactly what will happen to Henry and Jane if they give in to Gavin and the Drake. Brian is tempted by both professional success, which remains elusive, and a possible affair, especially after Alexis becomes Louise’s assistant, teasing Brian constantly. How much Gavin has set this up isn’t revealed, but it’s likely that Alexis showing up isn’t a coincidence. Brian seems exactly the type who will take the short cut and instant pleasure, and so he will make a good cautionary tale.

There are two others already in Gavin’s snare in the “Pilot,” and both of their stories play out and end tragically before the end of the episode. This hints at a possible procedural element, with new characters each week. But enough of the installment is given over to the main characters to make me think that it will be mainly serial, following a couple of stories over the course of a season or seasons. The latter is preferable, and ripe for this kind of good vs. evil tale.

The premise is strong, and the “Pilot” engaging. Viewers should not be disappointed if they choose to visit 666 PARK AVENUE, premiering September 30th.

Brothers & Sisters "Walker Down the Aisle" in season finale

ABC's Brothers & Sisters ended its fifth season with an eventful episode. Sarah (Rachel Griffiths) marries Luc (Gilles Marini). Kitty (Calista Flockhart) learns she is pregnant, and wants to keep the baby, despite the health risks. Saul (Ron Rifkin) accepts a proposal from Jonathan (Richard Chamberlain). Tommy (Balthazar Getty) puts in an appearance. And Sarah makes peace with her father, Brody (Beau Bridges).


     While season five has certainly been a weak season overall, there are some really great elements in this episode to remind viewers of how good the show used to be. The drama in "Walker Down the Aisle" is realistic, and none of it comes out of left field. The wedding actually goes off without any major hiccups. The characters mature and relate to each other in ways they haven't in awhile. And there is some real closure, as well as setup for new story, should the show get an abbreviated sixth and final season, which looks likely at this point.

     Sarah dealing with Brody is the biggest development in the episode. While she has only known for a short time who her biological father is, Sarah has been in denial, wanting to pretend Brody doesn't exist. Yet, like a real father, he stays near, not pushing, but giving her plenty of opportunities to open up to him. She finally does, just before the wedding, and he confesses to always keeping tabs on her over the years, having suspected the truth.

     While the Brody story did come out of nowhere, William Walker is established as a not-very-good husband early in the show. As such, it isn't totally out of line for this whole mess to pop up years later. While Sarah, especially, has trouble letting Brody in, her reactions are authentic and in character, as is her final acceptance of him. Now that Sarah is letting Brody in, he is free to finally be with Nora (Sally Field), his true love. Brody's story is sweet all around, and he's a wonderful addition to the cast. If anyone is promoted to series regular for season six, it should be him.

     Even when Brody's daughter, Lori Lynn (Trieste Kelly Dunn) crashes the wedding, she doesn't make too many waves. She doesn't ruin the day. While it has not been discussed that Sarah has new brothers and sisters, it makes sense, since after Nora married William, Brody would have been free to move on. Now that it has been revealed there are four more siblings out there, hopefully Sarah will get a chance to meet and bond with each of them before the show comes to an end.

     Which opens the door for an even larger family. The Walkers have welcomed in others before. They will accept these new brothers and sisters of Sarah's. Which would swell the cast too large to continue the series, if they are going to be in it in a large role, which is a good thing Brothers & Sisters is likely to end soon.

     It's fascinating that the show is choosing to bring back Tyler (Marika Dominczyk), Justin's (Dave Annable) season one girlfriend at this point. Yet, there is a sort of symmetry to it. Justin used to be a very different man, and clearly, Tyler was a different woman. They couldn't help each other get better, but now that they both have stabilized, they deserve love. While I miss Justin's wife greatly, it's nice he is heading towards a happy ending. He deserves one.

     Speaking of happy endings, it is thrilling that Saul and Jonathan are now engaged. Saul often doesn't get enough screen time, so hopefully this will provide a meaty story for him in the final season. Will Chamberlain join the cast full-time so close to the end, or just do a lot of episodes? It's possible their relationship won't last, but at this point in their lives, hopefully they have found what they want in each other, and the bond will not be broken.

    The wedding itself is great fun. Luc is the most consistently well written character, despite this year's rough patches, and he kills singing to his bride, backed up by the male Walker relations. He has become an integral part of the show, and it's nice to see it formalized. While other new additions didn't take (cough, Ryan Lafferty), it's hard to imagine Brothers & Sisters without Luc at this point.

     The weakest part of the episode is Kitty's story. Once more, back to the baby drama. It's been done. Kitty already went through all the trouble, and ended up adopting a perfectly wonderful boy. It is not necessary to bring up the same bad stuff over and over again. Poor Seth (Ryan Devlin) is trapped in it this time. Devlin should escape back to Cougar Town! Flockhart's order of episodes next season, like this one, will likely be reduced, so thankfully every week won't be about Kitty.

     Considering the at times painfully bad fifth season, Brothers & Sisters ends on a high note. Let's hope they can keep that great spirit going that used to make the show so fantastic as they approach the end.

UPDATE: Brothers & Sisters has been canceled, and this episode serves as a series finale.

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Article first published as TV Review: Brothers & Sisters - "Walker Down the Aisle" on Blogcritics.

Brothers & Sisters Two Hour Return Mostly Weak, Signs of Life

     Last night, ABC's Brothers & Sisters returned for a two hour special broadcast. Like much of this uneven season, there were good scenes and bad scenes, with the second hour definitely being much stronger than the first. Still, both were better than a lot of other episodes, and hopefully they continue to improve. Especially if this is their last season, which is a possibility, as the show has not been renewed for next year yet.

 

      First, the weak points, since most of them happened first. Just as Olivia (Isabella Rae Thomas) is getting settled into her new home, her biological brother Brian (Douglas Spain, Band of Brothers) shows up and wants custody of her. She hasn't seen him in years and barely remembers him, but he is determined to have her in his home. This elicits a groan, and a thought of, is this really necessary? Scotty (Luke Macfarlane) and Kevin (Matthew Rhys) have been struggling to get a child for what seems like a very long time at this point, and now she'll be taken away? After all, the court will likely rule for the blood relative over the adopted parents, right? It is easy to assume this is the end of the Olivia story.

 

     Happily, because we don't need more Scotty and Kevin pining over a child drama, it is not. Unhappily, this is accomplished by introduing Brian as a homophobic bigot.

     The second this fact came to light, soon after we meet him, all tension goes away. Brothers & Sisters has been honored by gay rights organizations for good reason, and they cannot possibly slap their fans in the face by allowing a sweet little girl, who has had such a rough life, to end up in this idiot's home. Once Brian tells Olivia he wants her to have no further contact with Kevin and Scotty, even though the Walkers are willing to include him in their family, despite his obvious flaws, for Olivia's sake, Olivia's decision is an easy one. She tells the judge, and Kevin and Scott get to keep their child.

     Yes, this is a drama program, and so, by definition, there must be constant drama. But the show didn't have to resort to such ugly, corny, unrealistic measures to keep things interesting before. The best dramas don't let things seemed forced, as much of this season of Brothers & Sisters has. Making Olivia choose when things are almost finalized for her dads, and making the choice such an easy one, is an example of just how far the show has fallen.

     Almost equally ridiculous is Sarah's (Rachel Griffiths) attempts to get Seth (Ryan Devlin) back with Kitty (Calista Flockhart). Presumably, the characters on this show are smart. Sarah has run a business, and Kitty has been a pundit and a writer. They also have had to show great social skills in their jobs, so it's more than just book smarts. Yet, neither seems to realize that Kitty should just come clean to Ryan, apologize, and see if he's still interested in her. Instead, Sarah makes Kitty go to outrageous lengths to discredit Ryan's new girlfriend, Berklee (Stephanie Lemelin, Young Justice, The Whole Truth), which makes as much a fool out of Kitty as it does Berklee.

     An essential element of the show has always been that the Walkers get involved in each other's lives, so that is not the complaint. It just seems like the writers are more willing to make the adults in the family childish in ways they didn't used to be. It rings hollow, and makes them less likable and relatable. Instead of enjoying the story, it's rough to get through. To save this series, take the characters back to who they used to be.

     Berklee, herself, is ridiculous. The name, and its spelling, tell you everything you need to know about her. Considering that Seth was so recently with a woman like Kitty, it doesn't seem at all in line with who he is that he would even waste time with Berklee. She is completely wrong for him, and Seth should have lost patience with her pretty quickly. True, he comes around by the end of the episode, but there, again, isn't any tension that that's what will happen. It would have been better to put Seth with a girl that he actually would have dated, and then there would be some threat to Kitty.

     It's worth wondering if the second hour is much better because of the absence of Olivia's brother and Kitty, both weak primary stories in the first hour. Flockhart is on a reduced schedule this year, so she only does a certain number of episodes, and apparently the second part is one of her weeks to sit out. Olivia appears, but with no mention of her brother.

     What is really frustrating is seeing Patricia Wettig's name in the opening credits, and then not seeing her. It's not hard to be a fan of Holly Harper, and she left the series recently. When her name ran across the screen, I hoped she'd returned, at least temporarily, but sadly, she has not. Just cleanup not yet done on the credits.

     Now, the good story. It's really nice to see Nora (Sally Field) have a love interest again. She's had a number of great actors come in and out of her life, but none end up staying very long. Hopefully, that will not be the case with her latest, Brody (Beau Bridges). A high school sweetheart, he is the one that drifted away when her life went down another path. Brody really showed his feelings, sticking around to try to find ways to help Nora through the death of her mother.

     The whole plot involving Ida's (Marion Ross, not seen in this episode) death is handled very well. Each member of the family has different reactions owing to who they are and their relationship with the deceased. Appropriately, Nora and Saul (Ron Rifkin), Ida's children, are affectected more stongly than her grandchildren. Both have major issues with their critical mother, yet, losing a parent is never easy. Nora copes by throwing herself into planning an event, the way she always does. Saul pulls away, regretting never telling his mother he is gay.

     It seems like Saul has been held back by this secret for some time. Perhaps he cannot fully accept who he is until everyone in his life knows. While he never told Ida, a note she leaves him reveals she knew his secret, and accepted him. Soon after, Saul is able to more fully embrace his relationship with Jonathan (Richard Chamberlain), even talking about buying a house together. Saul's acknowledgement of who he is has been a gradual process, but it seems like now that he is fully out, even his dead mother knowing, he can move forward a bit faster.

     Justin (Dave Annable) is the lone grandchild that takes Ida's death hard, but that is because he is in a retrospective mood about his own life. About to turn thirty, divorced, Justin is seeking direction. While his career is going well, he feels lacking. As Ida never remarried, despite long out living her husband, Justin worries he won't be able to move on either. It's easy to overread into things in such a situation, and Justin does. Luckily, Justin has siblings to get him back on track. In this instance, their involvement is a good thing.

     The show also stars Gilles Marini as Luc, who is consistently the best written character currently on the show. He feels real, and doesn't manufacture drama where there shouldn't be any.

     Brothers & Sisters continues, through at least the rest of this year, and airs Sunday nights at 10 p.m. ET on ABC.

 

 

Article first published as TV Review: Brothers & Sisters - "Olivia's Choice; Never Say Never" on Blogcritics.

 

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Brothers & Sisters Season 5 So Far

     This season of ABC's Brothers & Sisters began rough, with the loss of cast member Rob Lowe, and the reduction of some of the others' parts, including the departure of Emily VanCamp. I am most upset about VanCamp, as I took her breakup personally, and am most unhappy about it. Happily, Ryan (Luke Grimes) was finally booted as well, having been rarely seen last spring. I figured the necessary shakeup due to actors wanting to leave created the uneasiness I felt, and eventually things would settle down into the show I've loved for years.

     Sadly, that has not been the case. The last two episodes of the fall run in particular demonstrated just how downhill this series has rolled. In "Get a Room", all of the Walkers (who appeared in the episode) ended up in the same hotel and ran into each other in a comedy of errors. The show has done similar things before, but apparently they're running out of ideas on how to make this massive collision of their lives happen. I can tell you, sending them all coincidentally to the same hotel was not it. It lost all believability, even as I tried to tell myself, as they said in the episodes, "well, the rooms were half off".

     Even worse was the fall finale, "Cold Turkey". Nora (Sally Field) decided to go away for Christmas with her new boyfriend, Karl (John Terry, Lost). First of all, the Nora Walker we all know would never, and I mean never, abandon her family on Christmas. I don't care how they tried to explain it away, and gave her a huge guilt trip for going. She would not have left in the first place. Second of all, the dream sequence she had, where her kids had grown up evil and colluded with stepmother Holly (Patricia Wettig) to kill Nora was ridiculous. I don't care where Nora's brain was, it was way too bizarre. I sat very uncomfortably through the entire scene.

     Speaking of Holly, she has been MIA for most of the season. Yes, she suffered serious amnesia from the car wreck, forgetting a lot of her life. Her arc where Justin (Dave Annable) helped her was sweet. But I was very disappointed when Holly asked Justin to move on, and he did. Why is Holly even still in the cast? That dream scene was the most we'd seen of her in weeks. She's a wonderful character, developed so beautifully over four seasons, and now she's being completely wasted. Please, writers, get her back into the story fast.

     On the other hand, the one character having a good year is Saul (Ron Rifkin). Dealing with HIV is not 'good', of course, but Saul has already had more story this fall than all of last season. As a fan of Rifkin from his days on Alias I'm delighted to see the better treatment.

     I also have been fairly satisfied with Kevin (Matthew Rhys) and Scotty (Luke Macfarlane). Although I was heartbroken and sickened to see Scotty do the unthinkable and cheat on Kevin, that flashback actually justified it, showing the bad place the two had grown to, and what motivated him to do it. Scotty's intense regret helped, and they came out of it without going overboard. If the couple ever split up, proving definitively that no Walker can have a good relationship, I would likely be done with the show. Kudos for the one plot that is working among many.
 
     The relationship merry-go-round of the Walkers this season has been horrendous. Kitty (Calista Flockhart) is by far the worst offender, who, after just unplugging her husband, has bounced to a couple of different guys, none of which really clicked with her. Sure, the writers 'dealt' with her feelings on that issue, but they still went ahead with these dumb stories. Her latest is twenty-seven year old Seth (Ryan Devlin), who happens to be her boss's son. The whole thing is just wrong. The way-younger guy thing for a conservative republican mourning her husband? No, not in character at all. I love Devlin, but he needs to get off the sinking ship and back over to Cougar Town, where he was fantastic. And just where was Kitty's young son last week while she was in the hotel?
 

     Sarah (Rachel Griffiths) has fared little better. Sure, she's in a very stable relationship with Luc (Gilles Marini), whose addition to the cast I celebrated. But from the underwear modeling to the zany mishaps in the hotel, they have not been in a good place. And I don't mean their love hasn't been solid, it has, but crappy story telling has led them to some bizarre twists that were as unappealing as they were unnecessary.

     Honestly, if this is how it's going to be, the series needs to end. Not as many episodes were ordered this year, so plenty of people think it's a sign of the writing on the wall. I have adored this series since it's premiere, and never missed an episode, but the beloved characters are just being ruined at this point. I don't think I've ever seen a show I loved so much go to such a bad place. Please, please, just do a series finale this year and put the Walkers out of their misery. Unless they can fix the show, and then at least one more year is needed to wash the bad taste of fall '05 out of our mouths.

     It's been an entire week since Brothers & Sisters aired their last new episodes, but they will return to their Sunday night slot on January 2nd.

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Article first published as TV Review: Brothers & Sisters Season 5 So Far on Blogcritics.

TV Reviews: Brothers & Sisters

     I put off watching ABC's Brothers & Sisters when it first returned to the air this fall. I didn't do that because I don't like the show. On the contrary, I love it. But the events that unfolded at the end of last season, combined with known casting changes, made the thought of what the new episodes would be tough to stomach. I finally watched the first four hours, and it was as hard as I thought it would be.

     I was fully invested in Rebecca (Emily VanCamp) and Justin (Dave Annable) as a couple. They thought they were siblings for awhile, but ever since then, I didn't understand why their romantic plot had to be so rocky. They were perfect for each other, the attraction was obvious, and it took far too long for them to walk down the aisle. I was mad as hell that VanCamp decided to quit the show then, effectively forcing the writers to end something that had been so long in building. Rebecca's recent two-episode return helped with some closure, and certainly, her leaving for a job in New York to help her grow that way that Justin had makes sense. It was tied up as nicely as possible. However, I would feel much better about the whole thing if VanCamp remained in the cast, with a promise that she would return and they would end up together. I won't rule it out, especially if the show ends in the next season or two, but it is far from a sure thing.

     Similarly, I loved Kitty (Calista Flockhart) and Robert (Rob Lowe) as a couple. Between his heart attack, her cancer, and her emotional affair, I was livid with all of the troubles their marriage kept going through. Yes, I know to keep TV interesting, things have to happen. But for the McCallisters, it just seemed so much more than necessary. Lowe's decision to leave the series, coming after Flockhart's desire for a limited number of episodes this year, pushed them apart permanently. In this case, the writers chose death. Why, I do not know, as if Kitty would only appear every so often anyway, Robert could appear even less. He could leave the show, but still be her husband. I'm happy that Lowe has already signed on full-time for the upcoming season of Parks and Recreation, but he couldn't even come back and lie in the bed for the first episode, until Kitty pulled the plug? It left his death a much-less emotionally moving thing than it should have been. Not to mention, with both of their prior health problems, death felt like a huge cheat.

     Also, Tommy Walker (Balthazar Getty), who had appeared so infrequently, was dropped from the cast. I wish I could say that his gradual fading out made it easier, but it didn't. It's not the same to have the Walker family down a sibling. Sure, plenty of families have their black sheep, but the Walkers would want to keep theirs close, not let him leave.

 

     Can the show recover from such monumental shifts? I'm sure it can, if these past weeks are any indication. I found it physically painful to watch, especially the season premiere. My gut ached. However, the characters that remain still shine. I remember how furious I was that Sarah's (Rachel Griffiths) husband Joe (John Pyper-Ferguson) was gone after season one, but I'm glad that she is now in a long-term relationship with Luc (Gilles Marini, the only new full-time cast member). It will be an adjustment, and I can't remember a show that dropped such a heavy burden on the viewer all at once before. That may have been why a shortened season was ordered this year. But additional episodes have already been picked up, as the Walkers slowly go back to normal, so will the show.

 

     As I mentioned, Luc is now a main character. I wish they would do the same for David (Ken Olin). Obviously he is going to be in the picture for awhile to come with his position as Holly's (Patricia Wettig) condition. I hoped awfully hard all summer that Holly would return full-time, and I am gratified to see that it is so, though she's worse for the wear. I understand why Rebecca leaving might help her, but hopefully Justin will maintain what he is building with his now ex-mother-in-law, as it's such a moving story. I think that he will, based on the characters.
 

     The silver lining I see in all of this is perhaps Saul (Ron Rifkin) will finally get more screen time. As the uncle, he was always pushed into the background, and for four years hasn't had a great deal to do. He'd get expanded plot for a few weeks, and then fade into the background again. His dating life has been front and center lately, though I'm still just waiting for that to be it from him for awhile. I sincerely hope it is not, and his opening a restaurant with Scotty (Luke Macfarlane) may be a sign that the producers are also leaning in that direction.

     Brothers & Sisters airs Sunday nights on ABC at 10pm.
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Article first published as TV Review: Brothers & Sisters on Blogcritics.

Brothers & Sisters was riding smoothly until the crash

     I have some complaints about ABC's Brothers & Sisters finale, "On the Road Again", but first, let's start with the good stuff.  The Walker family mostly worked out their issues.  Justin (Dave Annable) and Rebecca (Emily VanCamp) seemed to be in a good place.  They have decided to spend a year apart, but, based on interviews I've read with the people that make the show, they'll be all right.  Sarah (Rachel Griffiths) was taking the dissolution of the family business pretty hard, but I'm sure that she'll recover.  Though are her kids ever on the show anymore?  Scotty (Luke Macfarlane) and Saul's (Ron Rifkin) restaurant looks to be the new business venture for the family, and I'm hopeful.

     Sadly, though, Saul has HIV.  I understand the explanation that he could have had it for decades without symptoms, but it seems to be stretching some already stretched believability.  When the series began, there was no hint of Saul's homosexuality, and it seemed to come from nowhere.  I am glad to see plot for Saul, when he is often left out, so I will forgive those mistakes.  I will also forgive the finding of water at Narrow Lake, though again, it seems very convenient, and a little cheap.

     Killing off Robert (Rob Lowe) was the best way to go, if he had to leave the show, though I'm still bitter about his departure.  It was also nice that it was done in an unexpected way.  However, the multi-car pileup, with so much of the family involved, was not handled all that way, and I am unsatisfied with it.  If Holly (Patricia Wettig) dies, I will be furious.  She is easily one of the most interesting characters on the show, and sorely needed.  I was sad to see her get so little screen time this week, but the series has been fairly good to her lately, so it can have a pass, for now.

     I am being this tough on Brothers & Sisters because it is usually such a good show, and I was not happy with the finale.  I don't feel it lived up to the show's usual standards.  I am not sure about how the reduced role next season of Kitty (Calista Flockhart) will bode, nor is it a good sign that only eighteen episodes have been ordered.  By contrast, this year saw twenty-four hours, and most drama series deliver twenty-two currently.  Next year will also pick a year after the events of this season, so perhaps that may give it a new injection of life.  I am simply concerned, and really hope that I one of my favorite shows bounces back soon.

Brothers & Sisters does the time warp

     ABC's Brothers & Sisters returned from a short hiatus for a two hour episode this week, and there were plenty of surprises.  The episode was called "Time After Time", and for the first hour and twenty minutes or so, we got flashes of the siblings in their younger days.  Specifically, when most were in their teens, on a night that rocked the family and changed their lives.  The thing is, none of the kids knew what really happened that night until this episode, and the really big twist was not obvious.  Unfortunately, most of the casting of their younger selves felt false and pretty off base, the one exception being Sarah (usually played by Rachel Griffiths).  And those long ago scenes were far from the best ones in the episode, though some of them were slightly fun.

     The story changed Kevin (Matthew Rhys), as he was the one that did the very bad thing.  Accidentally, he pushed a guy, and paralyzed him for life.  Nora (Sally Field) covered up the entire thing, providing for the boy, but lying to her children.  Now we know what the mysterious Dennis York (Peter Gerety) was holding over Nora to try to force her family to sell their shares in the family business, though we still don't know why he wanted them so badly.

     On the topic of this season's mystery, much was developed in that, as well.  The budding friendship between Nora and Holly (Patricia Wettig) is fun and sweet, and was taken to whole new levels as they teamed up to break the law and figure out what their deceased mutual lover was up to back in 1973.  Instead, they did discover what their two children were up to.

     The show's couple who has faced the most obstacles also found time in the jam-packed two hours to take a huge leap forward themselves.  Poor Justin (Dave Annable) and Rebecca (Emily VanCamp), after having their beach wedding interrupted months earlier, eloped, only to find their mothers bust in on their secret honeymoon.  To make matters worst, moments later other family, and then the police, showed up, and the aforementioned women were carted to jail.  That has to go down as one of the worst honeymoon's ever.  And they took it in such good humor.

     It was a wonderful episode, with all the best elements of Brothers & Sisters, a fast pace, and plenty of story development.  Brothers & Sisters regularly airs Sunday nights at 10pm on ABC.