The Possibilities are LIMITLESS, But the Reality Isn't

Article originally published as LIMITLESS Review on Seat42F.

There are a lot of shows right now popping up to offer continuations of past shows or movies. My review of the disappointing Minority Report posted earlier this week, and now I tackle LIMITLESS, a sequel to the 2011 film of the same name, which starred Bradley Cooper. The show LIMITLESS picks up a few years later with a new young man who finds the NZT drug that allows you access to all of your brain, and other than that, progresses in roughly the same way the big version did.

LIMITLESS stars the excellent Jake McDorman (Greek, Shameless, Live Free or Die Hard) as Brian Sinclair. A failed musician, he receives a pill from his former bandmate and is suddenly able to help his ill father (Ron Rifkin, Alias). The problem is, when Brian goes to find more, he gets pulled into a murder investigation and an illegal drug ring, which soon finds him on the run from the law and worse.

I enjoyed the pilot of LIMITLESS. It does repeat the plot of the movie a tad bit more than I’d like, but it offers a more sympathetic hero than the film; Brian wants to help others, not himself, and it takes us back into the conspiracy presented. Adding Brian’s family as a major element makes the show more than a crime drama, and the really cool return of Eddie Morra (Cooper reprising his role) works in seamlessly for a nice set up.

What I’m concerned about is that LIMITLESS, instead of exploring this deep, rich tapestry, will confine itself to tracking down one lead every week, Brian working with the FBI agents to do so. The reason I think this is the direction that the show will take is because, a.) LIMITLESS airs on CBS, home of the crime procedural, and b.) all of the main characters, save Brian himself, are FBI agents. His terrific family are merely guest stars, and not likely to be the focus of most future installments.

Now, the ensemble assembled is not one to complain about. Brian’s ‘partner,’ Rebecca, is played by Dexter’s Jennifer Carpenter. Along with Hill Harper’s (Covert Affairs) Boyle, she works for Nasreen Awad (Mary Elizabeth Mastrantonio, Grimm). These are enjoyable enough actors, and are interesting to watch in the initial installment.

It’s just, how many of these carbon copy shows do we need? I just wrote a review wherein I laid out the premise of a quirky oddball with a special skill who inexplicably is allowed to work cases with the authorities. And that description applies to what feels like half of the scripted dramas on the broadcast networks right now. Do CBS, NBC, and the rest feel like this is a good recipe for long-term success? Because it’s not. A few of these will pop and provide short-term gains, but none will see a long shelf life, nor find passionate fans binge watching for years to come.

LIMITLESS is counting on the movie ‘prequel’ to bring in an existing audience, potentially giving it an edge over a completely original show since there will already be fans out there before the pilot even makes it on air. But if that premise is just going to be contorted into a clone of other works, why is it necessary? And will that audience stick around for very occasional cameos from Cooper? I am inclined to think not, though I could be wrong.

I really wish CBS would get itself on track and make more quality content, like The Good Wife. But it seems like the network is content to help drive the nails into its own coffin, while cable and streaming platforms like AMC and Netflix continue to kick their butt in creativity. Oh, well. CBS has had a good run. Everything must end. LIMITLESS will probably help them reach that finish line.

LIMITLESS premieres September 22^nd on CBS, and CBS All-Access subscribers can watch the pilot online now.

COVERT AFFAIRS Fools the World

Article first published as COVERT AFFAIRS Fools the World on TheTVKing.

USA's Covert Affairs recently ended its fourth season. This year has been one of big change and high stakes, climaxing in a very important showdown. The finale, "Trompe Le Monde," which roughly translates as "fool the world," is a satisfying conclusion to that story, ending a major chapter for the series.

Annie (Piper Perabo) underwent much growth in seasons one through three, and she needed all of that development in order to be prepared for her ultimate mission in year four. Trapped in China, Annie is captured by Henry Wilcox (Gregory Itzin), who sells her to the Chinese in exchange for his own escape. But it isn't long before Annie breaks loose and heads after Henry, solo, with little support.

This is a huge test for Annie. In a foreign country with no easy exit route, she's cut off from not only her loved ones, but the help the CIA can usually provide. She does this for an extended period of time, letting the world think she is dead. Not many people have the emotional strength or the intellectual cunning to stay isolated and carry through a complex, long-running feat as Annie does.

The final scene between Annie and Henry is intense! Both the actors involved give amazing performances. They really do seem like great enemies, even as Henry doesn't really hate Annie, at least not fully. There's a real spark between them, not at all romantic in nature, but still a compelling chemistry. Very well done.

The China trip has taken its toll. Even as Annie shoots Henry dead, there is no look of relief or satisfaction on her face. She takes no pleasure in killing, even someone who deserves it as much as Henry. Instead, she appears exhausted, ready to rest. She's certainly earned a break, and after Auggie (Christopher Gorham), who never abandoned her, secures her passage, she sets off for home.

Which begs the question, what is next for Annie? By the end of "Trompe Le Monde," as every viewer knew would be the case, Annie makes it away from Asia, her goal accomplished. After such a trying journey, she can't possibly be expected to jump right back in at work, nor will she collapse into Auggie's arms, even if he did prove his love and worth. She needs time to recuperate.

Even after the healing takes effect, which will likely occur between seasons, one wonders what Annie might have to face. It's hard to imagine a more exciting, nail-biting arc than this one, and having gone so big, Covert Affairs has no choice but to reign it in a little. Perhaps there might be some lighter, fun installments to give everyone a chance to take a breath before launching into another epic tale?

Annie isn't the only one whose story is depressing in "Trompe Le Monde." One CIA leader, Braithwaite (Craig Eldridge), hangs himself in his office when he realizes he made a big mistake. While Covert Affairs does not shy away from action and death, it's still startling to see something happen in the government offices that is so tragic and depressing. Whether you cared about the character or not, and most won't, as even though he appeared in twelve episodes, he wasn't a big player, the sight of the dangling legs is still an effective picture.

In the short-term, there is much to be worked out at the CIA, besides removing bodies. Presumably Henry's misdeeds will now be brought to light, which should reset a few things, clearing the name of good people who didn't deserve to be punished. Arthur (Peter Gallagher) may have the opportunity to go back to work. Joan (Kari Matchett) has a baby to tend to, but also possibly an office to re-occupy. That is, if Calder (Hill Harper) steps back, which he seems willing to do, but politics could conspire against him.

It's likely Covert Affairs will work these machinations into the story, while still keeping the focus on Annie. This would be nice, as sometimes the supporting characters don't get enough story; Joan and Peter were barely in "Trompe Le Monde." If Annie can be involved in this game of musical chairs, it might be a fresh direction to go in, at least for a few episodes.

Covert Affairs will return to USA in 2014.