BONES Conceals "The Secrets in the Proposal"

Article first published as BONES Review Season 9 Episode 1 The Secrets In The Proposal on Seat42F.

Fans of FOX’s BONES have had a very long summer. Last season ended with Booth (David Boreanaz) calling off his engagement to Brennan (Emily Deschanel) because of a threat made by Pelant (Andrew Leeds). Now, three months later for the characters, and even longer for the viewers, we finally get to see what the fallout from that is in “The Secrets in the Proposal.”

Surprisingly, Booth and Brennan are still living together. Yes, they have a daughter, Christine, and she is certainly a factor in that decision. However, the fact that Brennan hasn’t dumped Booth yet, sticking around even after he cancels their wedding, reveals the depth of the emotion between them. They are not just a couple casually dating; this is real love, the kind that cannot be killed off by a psycho’s manipulation.

At least, for now. Brennan is getting tired of waiting for an explanation, and feels like Booth has been pulling away from her. Booth has a good reason to be avoiding his home, feeling guilty for hurting Brennan, and pouring his energy into looking for Pelant so he can end this pain, but she doesn’t know that. As such, Brennan feels like he may be done with her, and as hard as that is for her to accept, she considers moving on.

Booth is isolated from everyone. Boreanaz does a terrific job of showing us just how much Booth wants to confess the truth to Ms. Julian (Patricia Belcher), Sweets (John Francis Daley), Angela (Michaela Conlin), Cam (Tamara Taylor), or especially Brennan herself. All of these people are judging Booth and are not happy with his behavior. He is basically shunned from his social circle, which has to compound his pain ever more.

So it’s not surprise that Booth turns to someone completely unconnected with the situation to spill his guts to. This person is Aldo Clemens (Mathew Zickel, Newsreaders, House of Lies), a former priest and army buddy who now owns a bar. Away from electronics that might be spying, Booth can tell Aldo the truth, something Booth desperately must get off his chest. And Aldo listens with a kind ear, giving Booth the outlet and support he needs to keep going.

It’s disappointing that Aldo is someone who comes out of nowhere; it would be nicer if he had been mentioned or we’d seen him before. But at the same time, the role he plays must be someone completely out of left field who has no connection to Brennan or the Jeffersonian. As a fan of Zickel already, I am pleased with the new character, who reminds me a little bit of Dr. Gordon Wyatt, for some reason, and look forward to how he will integrate with the rest of the cast as the season plays out.

I won’t spoil what happens with Booth and Brennan, or with Aldo, but suffice it to say, there is definite movement in the relationship story in “The Secrets in the Proposal.” Things are not just punted down the road, and fans won’t be made to suffer for weeks as they wait to see what will happen between the couple.

The end of the premiere is a big taunt to Pelant. While the slight at the madmen is not intentional or meant to provoke, it will certainly bring him out of hiding sooner, rather than later, promising a somewhat fast pace for this fall’s larger story arc.

Of course, this being BONES, there is a case of the week in “The Secrets in the Proposal.” A CIA agent is murdered, and despite their personal problems, Booth and Brennan must work together to solve the case. There isn’t anything super special about this investigation, nor would one expect there to be after so many seasons. But it succeeds in being somewhat interesting, and not distracting from the story most fans really care about, so the episode is a good one.

The case also introduces us to Danny Beck (Freddy Prinze Jr., 24, Scooby-Doo), a CIA agent whom Booth is familiar with, and who sort of helps out. Though he is only briefly in the episode, Danny is said to be potentially recurring, so this could be the beginning of another story larger than one hour, something BONES has got to deliver more frequently as it becomes an aging procedural. Even if he only makes this one appearance, though, it’s a treat for Sarah Michelle Gellar fanatics to see her current husband on screen with her one-time-TV-lover.

The reason I watch BONES, while detesting most other similar shows, is because of the chemistry of the cast, and the entertaining way the supporting players interact. “The Secrets in the Proposal” contains some wonderful examples of this draw, such as when Hogins (T.J. Thyne) tries his latest experiment, despite Cam’s protestations, or when Daisy (Carla Gallo) tries to assert that her own failed relationship with Sweets can serve as an example Brennan can aspire to. This is why the show works, even when ithe plot does become rote for weeks at a time, and when combined with the bigger stories in this premiere, it positively soars for most of the hour.

I also liked the cross promotion for new FOX drama Sleepy Hollow, less intrusive than most of BONES’ implanted marketing.

Though, I do not really understand the title of this episode, or how it applies.

BONES returns Monday, September 16^th at 8 p.m.

Bones is the future and the past

Grade: 94%

BONES is back! Not just the series, which returns to FOX this week, but also the character affectionately nicknamed Bones by her partner, Dr. Temperance Brennan (Emily Deschanel).

The eighth season premiere, “The Future in the Past,” begins months after last spring’s finale. Brennan is still on the run with her baby, Christine, and father, Max (Ryan O’Neal), and she has been replaced at the Jeffersonian. But she hasn’t just been hiding. Instead, she has found one of Pelant’s (Andrew Leeds) early victims. She leaves clues for her old gang to find, and works discretely to help them in the goal of clearing her name and taking down a true monster.

As sad as it is to see Brennan’s office redecorated, it’s cool that one of her own interns, Clark (Eugene Byrd), gets the promotion. Sure, there is some push back by the rest of the staff, who don’t want to adopt his binder system. But at least he’s one of their own. It could have been some selfish outsider who wants to do things their own way, and would resist giving up the job if Brennan re-emerges. This would have been predictable and boring. With Clark, he takes his more experienced co-workers’ flack with grace, and works diligently to help Brennan, even if that means losing his prime spot. I’m not sure every squintern could have done as well in this situation.

Everyone on the team helps in their own way. The one who is the most fun to watch this week is Cam (Tamara Taylor). As the boss, she can’t act as openly in Brennan’s interests as everyone else. That doesn’t mean that she is an obstacle, though. She gets out of their way, even when she knows they are blatantly going against the rules and the law, and even stirs up a bit of mischief when she thinks she can get away with it. She’s really come a long way since joining the cast, and this attitude cements her as a humorous and important character.

These two character shifts, more than anything else, change the dynamics in the group. With Brennan in command, everyone is focused on a specific goal, and while they have quite a bit of freedom, their activities are pretty structured. Since Brennan is gone, Cam can’t lay the hammer down, and Clark has no desire to make friends into enemies, there is a wildness in this episode not usually present in the series. Characters keep secrets from one another in order to protect everyone, but it also strains relationships as loyalty and trust are tested. It’s a great, solid way to build a story, and it keeps things interesting eight seasons in. Better yet, we finally get to see just how smart and capable these people are individually!

It’s too bad as it’s not going to last. I won’t spoil the ending of the episode by revealing if Brennan’s name is cleared yet, or if things return to normal. But as a formulaic procedural, every fan knows that this is exactly what will happen, sooner rather than later. BONES is allowed to stray a bit from the weekly structure because its long tenure and high ratings have earned it the right to do something bold every once in awhile. But it refuses to change the foundation of the series because that could drive away long-time viewers, so status quo will be restored.

That being said, it’s still entertaining to explore various changes. Booth (David Boreanaz) is not only is missing his family, he’s been demoted. Flynn (Reed Diamond) is an intriguing new element, taking Booth’s spot, and proves to be a person whose motivations are hard to pinpoint. Ms. Julian (Patricia Belcher) is still suspended, which might make her a tad grumpier than usual. Angela (Michaela Conlin) is more determined than we’ve probably ever seen her. All of these things add up to make “The Future in the Past” special.

In “The Future in the Past,” we discover something very shocking about Hodgins (T.J. Thyne). Hodgins is many things, but a dangerous or violent man is not one of them. How much can a person take before being pushed to their breaking point? What is a good man capable of when people he cares about are threatened? This episode not only opens the door on a fresh side of the character, but also asks some tough questions, and exposes who Hodgins is at his core.

Another plot point of note is when Booth needs someone he can trust to offer protection when he can’t, he calls Sweets (John Francis Daley). The mind doctor has often lived up to his last name, and the relationship he has built with Booth is touching. The season premiere really tosses that in a different light, stripping away the goofiness and the ribbing to reveal what Booth really thinks of Sweets. Moments like these define a series, and this is merely one example of the strong emotions that bond the entire central cast.

Also, it must be said that BONES picks fantastic music! When a perfect song is needed for just the right moment, the series delivers, and this episode is no different.

All of this praise might make one think that the episode is perfect. It isn’t quite there, of course. The most glaringly obvious mistake is the wig that Emily Deschanel is forced to wear in this episode. Yes, it’s supposed to be hair dye, but it’s pretty obviously a fake, and an unattractive, poorly made one at that. Surely BONES could have spared a little budget to give its lead some decent hair?

Overall, BONES remains arguably the best procedural on television. The smart writing and brilliant ensemble raise it a notch above other case-of-the-week shows, and at times even put it up as a valid contender among those series that don’t stick to a formula. Eight seasons in, not only has the show lost nothing, it continues to grow better, adding more complicated situations, relationships, and villains. It won’t likely run for another eight seasons, but if it bows out anytime soon, it will do so at the top of its game, rather than just being put out of its misery.

BONES returns to FOX Monday at 8 p.m. ET.

Broken Bones

FOX's Bones does something unexpected with "The Past in the Present," this spring's season finale: it does not solve the case in one hour! As enjoyable as Bones is, mostly due to the colorful, talented cast of characters, it is still a procedural. Recently familial developments keep things moving along from week to week, but each episode still makes time to solve a murder. Except in "The Past in the Present."

Christopher Pelant (Andrew Leeds, Major Payne), whom viewers might remember from this year's mid-season finale, returns. Pelant previously matched wits with the Jeffersonian team, still managing to mess with them and control the investigation while under house arrest. For those hoping for Pelant's return after that first, brilliant installment, "The Past in the Present" comes a little late, almost after he is forgotten. But being set up as such a formidable foe, Pelant will surely return again at least once, hopefully several times, more.

In "The Past in the Present," Pelant murders Brenna's (Emily Deschanel) friend, Dr. Ethan Sawyer (Darin Toonder), then pins the killing on her. Evidence begins stacking up, first circumstantial, then concrete. The F.B.I. even finds Ethan's hair in Brennan's trunk! Due to Pelant's manipulations, Brennan is soon thrown off the case, followed closely by Booth (David Boreanaz), Sweets (John Francis Daley), and Ms. Julian (Patricia Belcher). Max (Ryan O'Neal) encourages his daughter to flee, but she hesitates, knowing that Booth would not approve, as he trusts the system that he devotes his life to working for.

In the end, Brennan makes a run for it with Max's help, taking her infant daughter, Christine, with her. Booth is furious, having been kept out of the loop, and knowing that it makes Brennan look guilty. Yet, as Booth refrains from punching Max, there's also a sense that he knows this is what Brennan has to do, and an understanding the Max is helping to protect the woman they both love. The case against her is too strong, and there have not been any breaks. Brennan would be found guilty and locked up if she stays. So running is her only choice.

This will be a huge disappointment to Cam (Tamara Taylor). She insists on working this investigation by the book, following every rule, even when it leads to casting more suspicion on Brennan. Hodgins (T.J. Thyne), Wendell (Michael Grant Terry), and especially Angela (Michaela Conlin) are bothered by this, wrestling with the moral dilemma. But Cam's actions are what keeps them on the case, when everyone else is removed, and her tears prove that it's not easy for her to betray her employee and friend. The only way they can help Brennan is by doing their jobs as thoroughly as possible. Brennan running away will not make the task of proving her innocent any easier.

There is an interesting moment in "The Past in the Present" where Brennan insists on Christine being christened before she is arrested. One might assume that her friends' unwavering faith in her innocence sparks a little bit of belief within Brennan as well. But as the episode ends, this does not seem to be the case. Maybe Brennan just wants to do right for the baby by Booth before she takes Christine away from her father.

But why does Brennan run with Christine? Couldn't Booth protect her more comfortably, not being on the lam? It's not like Booth would have to leave Christine with someone else while he looks for clues. Booth is off the case. Surely, taking the baby along is not a smart decision. Which is another sign of Brennan acting more irrationally, more human, since she has become a mother.

Brennan's feelings for Booth are confirmed fully in "The Past in the Present" when she tells Booth that she isn't with him just because of Christine. It's something fans are pretty sure of anyway, but one can see how Booth might have doubts, especially considering what Brennan is about to do. As such, this is a fantastic moment that really sells their relationship in a very real way, and shows Brennan's growth as a character, as she thinks of Booth's feelings. Great job!

The one thing that doesn't gel with this episode is why Booth is so hostile towards Agent Flynn (Reed Diamond, Dollhouse, Franklin & Bash), who takes over the case. If the two have a past, it's not been seen by fans, since this is Flynn's first appearance on Bones. Flynn is just doing his job, and surely Booth knows this. Brennan doesn't blame Cam and the others for continuing to work, so why does Booth blame his colleague? This could be chalked up to the stress of the situation, but it doesn't really seem in character for Booth to act this way.

Finally, what of the alarm clock that Pelant replaces in Booth and Brennan's home? Is it a bomb? Will the writers really destroy this new home that the couple have just built? So soon? Certainly, Booth will not be killed off, but taking away this sanctuary would be regrettable. Please don't!

Any way you slice it, "The Past in the Present" makes an exciting cliffhanger for Bones! Anticipation will be extremely high for next fall's premiere.

In the meantime, there is also the question of what to do with the extra, "stand-alone" episodes that were filmed this year. It wouldn't really make sense to air them this summer. Might next season be even longer than fans are accustomed to? Because that would be awesome!

Bones will return to FOX next fall.

Click here for every Bones review I've ever written. If you like my reviews, please follow me on Twitter! Please click here to purchase DVDs and streaming episodes of Bones. Article first published as Broken Bones on TheTVKing.com

Bones Handles Two Major Arcs Awesomely

     This week's episode of Bones, "The Bullet in the Brain", was one of the best they've ever made. For longtime viewers, the infamous Gravedigger (Deirdre Lovejoy), a serial killer who once buried Brennan (Emily Deschanel) and Hodgins (T.J. Thyne) alive, made her fourth and final appearance. Her screen time in her final episodes was brief (she was gone before the opening credits), but more than memorable. In fact, she not only had a profound effect on some of the cast, but also kicked off a brand new ongoing arc that will play out this winter and spring.

     The most effected by the whole incident, in which the Gravedigger's head was graphically blown off, was probably Sweets (John Francis Daley), who was shaken inside and out. His suit was a mess from the splatter, but the biggest problem was what the Gravedigger had said to him before she was killed. Sweets replayed those words over and over again to himself, though, as a trained mental health professional, he should have known it was a bad idea. Her words seeped into his brain and took root, shaking his confidence in himself and his abilities. Thankfully, Ms. Julian (Patricia Belcher) was able to get him out of his funk.

     It makes me wonder, though, how much of the effect she had was multiplied by her sudden death. Did the traumatic experience of standing a few feet from her during the assassination make Sweets more vulnerable? Brennan and Booth (David Boreanaz) have criticized him on plenty of occasions, especially when he first joined the team, though that has lightened up over time. He had to have had a thick skin then to not be wounded. Now, after his talents have proved invaluable over and over again, he was so deeply moved. There was obviously more going on in his head than just some mean comments. I was worrying he might do something drastic, but am so happy it didn't come to that.

     I mentioned Ms. Julian above, and she is one character I can never get enough of. I hope this new arc provides her with plenty of episodes to be in. But another character I love is Max (Ryan O'Neal), Brennen's father. Initially a suspect, until it became apparent just how skilled the assassin was, Max rushed to town to reassure Brennan of his innocence. He was first introduced as such a scoundrel, I'm always touched at how he has evolved into a decent dad. His stint in jail helped that, and now a visit from him is welcome. Though he was on the suspect list, I doubt any of the main characters really considered him the most likely to have done it.

     This was a spectacular Booth episode, as this whole arc apparently will be. We know some things about Booth's past, but his expert sniper skills were driven home when a very short list was made of everyone that could have made the kill, and he was on it. I'm relieved that the writers saw fit to put Booth near the Gravedigger, so that he wasn't seriously suspected for the entire episode. However, some of Booth's past remains a mystery, and while surely the entire team will be involved in hunting the killer, Jacob (Arnold Vosloo, The Mummy, 24), who escaped, this is clearly a showdown between Jacob and Booth. They have a complicated past, as Jacob is someone Booth clearly admires, and Booth resisted even considering him in the crime for awhile. It's nice to see Boreanaz keep getting material worthy of his time and talent, as Bones has so often provided him.

     Another interesting story going on was Angela's (Michaela Conlin) disgust with Hodgins's reaction to the assassination. Hodgins, who was almost killed by the Gravedigger, was genuinely happy that she died. He explored those emotions with both Angela and Sweets. It was a look at another side of the issue, that of a victim who feels justice has been served, and that sometimes murder is acceptable. In a society where the morality of the death penalty is debated, it was a poignant, relevant line of inquiry.

     While I'm writing about the show, I'd like to mention that I am fascinated by just how well adjusted Brennan has become by this seventh season. She has admitted her romantic feelings for Booth, though he is currently involved with someone else. She allows herself to trust her father. She is starting to be able to relate to her friends. Her social skills have improved markedly, as evidenced by how quickly she bonded with new friend Hannah (Katheryn Winnick). She is so much more of a person than the odd bird we first met. The other main characters have grown, too, but as Brennan is the title character, and half of the central heart of the show (along with Booth), her maturation cannot be understated. Seeing how she's gotten better brings pleasure and satisfaction to me as a fan of her and of the show.

     The series also stars Tamara Taylor, who, despite a very limited presence this week, is a very valuable part of the series.

     The rest of this season of Bones will surely have cases of the week, which is the main format of the series, but also a really exciting story as Booth and Jacob face off. Be sure to tune in Thursday nights at 9 p.m. on FOX. That's right after American Idol, in case you're curious, which has given it a welcome ratings boost.

Article first published as TV Review: Bones Handles Two Major Arcs Awesomely on Blogcritics.

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Bones enjoying stride

     FOX's Bones, now in it's sixth season, has solidified its formula and now is luxuriating in its success. Is that a good thing? Bones has always been one of the best case-of-the-week crime shows, owing to an amazing cast of characters. Lately, owing to a long-growing formation of tight social bonds and relationship developments, the show is able to spend just as much time on the personal stories as the case, which I view as a boon. Yet, the cases stay interesting and fun, and actually add to the personal drama, rather than detract from it.

     For example, this week David Alan Grier guest starred as Bunson Jude the Science Dude, and his assistance to Dr. Brennan (Emily Deschanel) was as comical as it was helpful. Last week, Brennan and Booth (David Boreanaz) investigated a murder at the Jersey Shore. Brennan was fascinated by the culture, which she had been studying in the "documentary series" Jersey Shore. She got to explain creeping and GTL to Booth. Great plots, very entertaining, and showcasing the main characters as well as the murder.

     But why wasn't Bones able to score any big casting gets? An attempt to get some of the Jersey Shore cast members to appear in the episode fell through, and did they even approach Bill Nye the Science Guy about guesting this week? Those types of things are, indeed, stunt casting. But for a long running, semi-popular, well-made show such as Bones, shouldn't they have been achievable gets? Maybe the people behind the show didn't want that, thinking it veered too much into cheese. Yet, they did the plots anyway, with imitations of the real thing, so why not go all out?

     That aside, the series has never been better. Temperance Brennan has lightened up so much that she's almost a normal person. This is due to not only her growing feelings for her partner, but also the real friendships she has forged in the workplace. Hodgins (T.J. Thyne) has gotten markedly happier since he found love, even when he wasn't with her. Angela (Michaela Conlin) has allowed herself to be tied down and start a family. And Sweets (John Francis Daley) and Cam (Tamara Taylor) have been fully accepted into the group that was already established before the arrived.

     And that's not all. Somewhere along the way, the Bones cast has expanded greatly, with a whole host of new characters considered part of the little Jeffersonian family. The rotating cast of interns has been an absolute joy. I miss those that are gone each week, and get excited to see who will come back next. Ms. Julian (Patricia Belcher) has been an important presence in half the season so far. Booth's new love interest, Hannah (Katheryn Winnick), is already making friends with and inviting Cam, Brennan, and Angela over to hang out. One big, happy group.

     That is what worries me; everyone is so happy, gets along so well. Don't get me wrong. Despite the love I had for the clashing between the characters early on, I am pleased to see the maturation. Now, though, the series gets to the point where it may be in danger of floundering. I have no complaints about the plot of sending everyone away at the end of last year, nor the solid premiere that brought them all back together. It punted the point of needing another shakeup down the field a bit. But only a bit. I predict that the next major twist will be when Brennan makes a play for Booth, and the inevitable breakup of Booth and Hannah. I'm not sure that's enough to fill a whole season, though.

     Don't get me wrong. I'm not pessimistic. I love Bones. I'm curious to see where the show will go from here. Just a word of caution to the people that make it: even though the current comfort is a delight, don't get too comfortable.

     Bones airs Thursday nights at 8pm on FOX.


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Article first published as TV Review: Bones Enjoying Stride on Blogcritics.