"Mercenary" for VIKINGS

Article originally published as VIKINGS Review Season 3 Episode 1 Mercenary on Seat42F.

The History channel’s VIKINGS returns for a third season tonight, and boy does it start off on a high note! Ragnar’s (Travis Fimmel) people are anxious to get back to England, and as spring approaches, their King sets sail for the more civilized land. Upon arrival, King Ecbert (Linus Roache) does give them the farmland promised, but he also has a favor to ask, and his eye is on one of the savages.

The season premiere, titled “Mercenary,” really highlights the differences between the English and the Vikings. The English naturally think they are better than the non-Christians, assuming that since the Vikings don’t pray to the same savior, they are unevolved. We can see at a dinner held that these Englishmen consider themselves above the others, and feel they are manipulating them to their advantage. The Vikings, for their part, have their own gods and beliefs, as we see when Lagertha (Katheryn Winnick) consults The Seer (John Kavanagh) at the start of the hour, and think the English ways are stuffy and ridiculous. The warriors feel they know better, and are only willing to help the English in as much as it suits them.

This is obviously heading for a serious split, but that doesn’t come in “Mercenary.” Instead, Ecbert’s people are united with Ragnar’s in helping Princess Kwenthrith (Amy Bailey) win back her crown. Thus, Ecbert’s English benefit from the Vikings’ tactics when the large battle late in the episode comes to a head, the Vikings showing a different stripe than either group of English, who operate by tradition and ceremony, expect.

The battle is probably my favorite part of “Mercenary.” It’s intriguing to examine the differences in the people and the personal drama going on, but sometimes bloody sword battles are most welcome. After a slow burn through much of the episode, it feels earned when the forces finally engage.

There is an interesting moment at the end where Ragnar’s face turns unexpectedly. If you haven’t watched the episode yet, you’ll see what I mean when you get to it. It makes me wonder how happy he is. He clearly isn’t well-suited to be King; he likes the power, but not necessarily the responsibility or airs. But there’s a bit where he might finally see himself as the English do, he always being particularly empathetic towards others, and it begs the question, how much will Ragnar change? In the past, he’s only been willing to go so far, but as VIKINGS pushes on, that could shift, for better or for worse.

Ragnar isn’t the only restless one in “Mercenary.” Athelstan (George Blagden) might not be satisfied with his position. He gets quite chummy with Ecbert, and while he expresses continued loyalty to Ragnar, his interests are starting to seem divided. It makes sense for him to want to go back to his people, especially when he’s made to feel needed and accepted by the king.

And there are others feeling off. Floki (Gustaf Skarsgard) is much displeased to be with wife (Maude Hirst) and child at home, feeling things are too peaceful and happy, thus luring him into getting too comfortable. Bjorn (Alexander Ludwig) isn’t too pleased that his woman of choice, Porunn (Gaia Weiss), takes after his mother, not content to stay at home, instead riding into battle alongside him. Aslaug (Alyssa Sutherland) doesn’t look too happy to see Ragnar sailing off with his ex, Lagertha, as she stays behind with a crippled child that is a source of discord in their marriage.

Aslaug needn’t worry, as Lagertha stays behind when Ragnar goes to war, and seems to have a new love interest in King Ecbert. Ecbert likely doesn’t understand the shield maiden, no matter what he thinks, and I don’t see any lasting union between them. But it’s a fun little side story, and it likely will be enough to distract her as a turncoat, Kalf (Ben Robson, Dracula: The Dark Price), prepares to betray her.

“Mercenary” has a lot going on, and while there are slow parts, especially early in the hour, overall this installment holds up to the quality storytelling one expects from Vikings. It may not be historically accurate, not surprising, given how few formal records were kept of these people, but it is entertaining. The world of the show is ever-changing and expanding, and that only draws viewers deeper into the action.

Vikings airs Thursdays at 10 p.m. ET on History.

"Prayer" for VIKINGS

Article first published TV Review: 'Vikings' - 'The Lord's Prayer' on Blogcritics.

History’s Vikings tied up its second season recently with “The Lord’s Prayer.” Ragnar Lothbrok (Travis Fimmel) is finally home, surrounded by his loved ones, the raiding and wars taking a pause. However, it’s in his own village, the place where he feels most safe and comfortable, in which the most deadly danger may lie. His ally, King Horik (Donal Logue) has grown jealous of Ragnar’s expanding power, and working with a couple of those closest to Ragnar, decides to remove a potential rival for good.

King Horik’s turn is disappointing, but not unexpected. Horik is always weary of those who threaten his position, and Ragnar, a lowly earl, is respected and listened to more than Horik. Horik has become the junior partner in their arrangement, and that’s not a position Horik wants to be in. Viking society is brutal and bloody, a structure built on strength, and Horik does what any viking king would in his position – he tries to murder Ragnar and all his heirs (to prevent anyone seeking revenge or rallying people around a martyr in the future).

Unfortunately for Horik, he underestimates Ragnar, and it’s Horik and his family who end up slaughtered. Horik should know better, having spent extended amounts of time with Ragnar. While Horik doesn’t understand Ragnar very well, he has seen what Ragnar can accomplish, and what happens to those who don’t grant Ragnar the respect he has earned. It is understandable that Horik makes this fatal mistake, but it’s also one that, in retrospect, he should have been prepared for.

The one character that has been feeling inconsistent to me lately is Floki (Gustaf Skarsgård). Floki is a most loyal friend to Ragnar in season one, but in the second year, he inexplicably pulls away, cozying up to Horik instead. As I watched “The Lord’s Prayer,” I was already writing the review paragraph in my head arguing that Floki’s turn could be explainable, but without his motivations explored, feels weak. And then, Vikings reveals that Floki has never shifted loyalties, simply acting as a spy for Ragnar, which explains why Ragnar has not moved to save or severe his ties to Floki.

This does succeed at truly surprising, as does the fake death of Torstein (Jefferson Hall) and the loyalty of Siggy (Jessalyn Gilsig). Siggy will sway whichever way the wind blows, or so I surmised, so she either knows about Ragnar’s plans to stop Horik, or she has more moral fiber than I give her credit for, staying true to her people rather than taking Horik’s bribe. Either way,  I appreciate the writing and plot structure Vikings delivers in its finale, as well as keeping the tale at home, among the major players, rather than abroad.

One of the best scenes in this adrelaine-charged episode is when Ragnar quietly prays with Athelstan (George Blagden). Ragnar’s curiosity for all things outside of his frame of reference is one of his greatest assets, and his friendship with Athelstan, a foreigner himself, is touching. Seeing the two of them together here, after Athelstan finally returns to the fold, is a moving moment.

It also must be said that the strange dynamic between Ragnar, his current wife, Aslaug (Alyssa Sutherland), and his ex-wife, now an earl herself, Lagertha (Katheryn Winnick), is somehow working. Lagertha is right to go away initially, not being the type of share her man quietly. But after some bad experiences in the outside world, she returns to the man who is (mostly) good to her. She may not share Ragnar’s bed any longer, but is as important to him as ever. I’ll bet there will be some more development for her next season, and it could go any number of different ways.

One thing that may be lacking in season two is the death of a main character. Vikings is a very action-intensive show, and people are frequently killed. Season one is full of that, including when Ragnar unseats his predecessor. Season two dances around it, with Torstein’s fake and Rollo’s (Clive Standen) grievous injuries, but never goes there. In a series of this nature, it feels inauthentic that all of the major parts should continue year after year, and if no one perishes in season three (Siggy and Rollo probably being the most expendable at this point), the danger of the series may start to bleed away.

Still, for a show that teaches loose history loosely, Vikings continues to deliver as a compelling, interesting, informative adventure week after week. I am surprised that History Channel’s first foray into scripted programming is doing so well, but I admit really getting into this show, even forgetting about the uneven accents in most installments. I look forward not only to the further telling of Ragnar’s story, but also the next project History launches.

Vikings has been renewed and will return in 2015.

"Brother's War" on VIKINGS

Article first published as "Brother's War" on VIKINGS on TheTVKing.com

History's VIKINGS begins its second season this week with "Brother's War." Ragnar Lothbrok (Travis Fimmel) faces much upheaval as members of his own family turn away from him. But at least his career as a raider is going well, as both King Horik (Donal Logue) and Jarl Borg (Thorbjørn Harr), both powerful leaders themselves, get on board with Ragnar's plan to sail to new lands.

I have to wonder how good a leader Ragnar will end up being. He can inspire loyalty in his friends and foes, to be sure, but has a major blind spot when it comes to family. He refuses to even consider that his brother, Rollo (Clive Standen), might betray him until Rollo shows up with an army. Ragnare doesn't believe his wife, Lagertha (Katheryn Winnick), is leaving him, even after he catches her packing and she says she's going, until she rides away. His son, Bjorn (Nathan O'Toole), is disgusted by Ragnar's treatment of Lagertha and chooses to go with his mother. If Ragnar can't get his relations in line, what hope does he have with anyone else?

It is a bit odd that no one seems to question Ragnar regarding these desertions. The other vikings all still trust him and follow him. Could it be that, in this time and place, the culture is so different from our current frame of reference that this doesn't matter? I mean, if a political leader these days had falling outs with his family, it would impact his or her career. For Ragnar, this doesn't seem to be the case at all. He doesn't fight their leaving, and I guess because no one sees him losing something he wants to hang onto, he doesn't come across as pathetic.

Not that Ragnar doesn't have a few things going for him. For one, he has been very successful with his missions, winning soldiers because he keeps bringing his men wealth. For another, he seems to have won the heart of the beautiful Princess Aslaug (Alyssa Sutherland), who hails from legendary stock, and is now carrying his baby. Aslaug even seems willing to share Ragnar, though Lagertha will have no part of it. So Ragnar isn't without strength.

There are moments, though, when he truly shines. Witnessing Ragnar's goodbye to his little girl, who died while he was away, is heartbreaking. Unlike in other moments, it doesn't make Ragnar soft to show emotion, finding power in his feelings. The aforementioned blind spot comes from a place of great love, and Ragnar will use that love to drive him forward. 

I guess one thing that bothers me a bit about Vikings is that the character of Ragnar seems a little unrealistic and half-formed. Is he a warrior of legend, or someone who has a rocky personal life? It's not that he can't be both, it's just that Rangar's faults are weaknesses that it's hard to understand his fellows looking past, so it makes the character seem poorly constructed.

Rollo has a similar issue, first turning on Ragnar, then begging his forgiveness. He's willing to die for his sins, but also ready to serve again. Some characters briefly complain about Rollo's pardon, and since Ragnar is not the one who gives it, the sentence being commuted by The Lawgiver (Morgan C. Jones), one is left wondering why Rollo isn't executed and how he can be accepted back into the group?

Unless both of these are just a matter of a race of people living by such different laws and codes that it's hard for a modern mindset to understand. I admit finding many of the motivations and attitudes of the players strange, and that contribute to an overall lack of comprehension. Ragnar couldn't act like this today, but maybe, for the vikings of old, his behavior is perfectly acceptable.

The installment itself is pretty good. I like the battle scenes, appropriately long and action-packed, with real, deadly consequences. The sets and costumes still look cool, and the pacing is quick enough. I'm interested to see how things will play out. Even when I don't think some of the characters are developed well enough, the narrative is still intriguing and entertaining.

Vikings airs Thursdays at 10 p.m. ET on History.

Invaded By VIKINGS

Article first published as Blu-ray Review: 'Vikings - The Complete First Season' on Blogcritics.

The History Channel is not known for doing scripted fare, having barely aired any, so it was with hesitance I checked out its first drama series, Vikings, last spring. The show, which follows real-life legend Ragnar Lodbrok (Travis Fimmel, The Beast) and his family and friends, exaggerated for both effect and because the Vikings didn’t keep good records, so the actual events are somewhat disputed, is quite good. It has action and violence, sure, but also character development, questions of morality in a different time and place, and some really surprising twists. The Complete First Season was recently released on Blu-ray and DVD.


Ragnar himself is a hero, loyal to his friends, but with a bit of a selfish, caddish quality to him, disobeying the orders of his leader Earl Haraldson (Gabriel Byrne, In Treatment). The Earl would like Ragnar to continue to sail west, as their people have done for awhile now, but Ragnar complains that the west has been stripped barren and would like to go east, into the unknown. Ragnar secretly commissions his eccentric pal Floki (Gustaf Skarsgard, Evil) to build a boat, gathers some followers, and heads east, anyway.

There are repercussions for Ragnar’s actions; he isn’t allowed to just go ahead and defy Earl Haraldson. Yet, Ragnar is also right, the kingdoms of England are ripe for looting, which we see when Ragnar lands in King Aelle’s (Ivan Kaye, The Borgias) territory. And so, an epic showdown is set for the two great men, Ragnar and Haraldson, which comes to a head even before the end of the season.

Vikings is very fast-paced. Besides the struggles with Haraldson and the battles with Aelle, we are also introduced to King Horik (Donal Logue), who rules over the various Earls, and Ragnar travels to the land of another Earl, as well as his people’s religious temples. This, in only nine episodes.

All of this travel means lots of settings, which makes the show feel very big. The landscapes, filmed in Ireland, are absolutely gorgeous and timeless, with the buildings detailed and perfectly fitting into the wilderness. Add to this elaborate costumes and Vikings is a visually amazing production.

Which is why I recommend going for the Blu-ray version. In the dark, rainy scenes, or the murky halls lit only by fire, you’re going to want that extra crispness to really see what’s going on. Plus, it allows you to be impressed with all of the work that went into fully realizing this world. Sound is not as vital, with the soundtrack appropriate, but not itself usually stand-out. However, it’s well mixed, and hearing dialogue amidst the cacophony of other noises is not difficult.

There is also a lot of personal and family exploration. Ragnar is married to a warrior named (Katheryn Winnick, Bones), with whom he squabbles, but loves deeply. They have two children, Bjorn (Nathan O’Toole, The Borgias) and Gyda (Ruby O’Leary), the latter of which is a gentle soul, and the former wants to take after his parents. Ragnar also has a brother, Rollo (Clive Standen, Camelot), who sticks by his sibling, but also may not be entirely satisfied in a subservient role. Further complicating matters, Rollo is in love with Earl Haraldson’s wife, Siggy (Jessalyn Gilsig, Glee).

Perhaps the most interesting part in the show is that of Athelstan (George Blagden). A priest Ragnar captures on a raid, Athelstan becomes part of Ragnar’s family as a slave who begins to question his own faith. Athelstan is the window into this strange world; will he be able to make a life among the savages?

The acting isn’t bad. At times it gets a little flat and cheesy, and there is never a consistent accent for the Vikings themselves, even sometimes among the same character. Yet, for the most part, I found it a thoroughly enjoyable, engrossing world. Vikings isn’t a completely realistic take on things, anyway, with supernatural elements, mostly involving The Seer (John Kavanagh, The Tudors), and this allows a little leeway in the believability of the players, too.

The three-disc set has the sort of special features you might expect for a series television Blu-ray. There are deleted scenes and commentaries on some of the episodes, of course. Every episode offers an extended version, but don’t seem to be much longer than the aired versions. There are also a few featurettes. My favorite is “Birth of the Vikings,”  a 20-minute look at the making of the show. It includes interviews with many of the key people in the production, and a discussion on how the show came together.

Vikings: The Complete First Season is available now.

Vikings has arrived

Article first published as VIKINGS Review on Seat42F.

Grade: 92%

History Channel enters the foray of original series with VIKINGS, premiering this Sunday, March 3rd at 10 p.m. ET. Set in Scandinavia during medieval times, around 800 A.D., the show follows real-life Viking, and subject of myth and lore, Ragnar Lodbrok (Travis Fimmel, The Beast), as he challenges what he considers an unfit ruler and expands the reach of his people.

The show opens at the end of a great battle, with Ragnar and his brother, Rollo (Clive Standen, Camelot), surveying the bodies on the battlefield. I do think it’s a little unrealistic when a thrown spear easily impales one would-be escapee. However, this scenes does a good job setting a tone of the series, and showcasing its hero in a great light.

In fact, this first episode is a lot of setup. Ragnar sits in council with his fellow Vikings, argues with his lord, consults a seer, visits a shipbuilder, and has sex with his wife, all to demonstrate what type of person he is, presenting various facets of his life. A good pilot introduces us to the protagonist, and over the course of the hour, viewers will get a real measure of what kind of man Ragnar is, a smart, ambitious, brave one, and what he has set his sights on.

Which is not to say that the episode is boring; quite the opposite. It may be a setup, but it’s also well made, and extremely interesting. The world the Vikings inhabit, as well as their morals and values, are quite a bit different than those of modern society. We are given a crash course, seeing the power struggles and their version of justice in action. Yet, there is movement enough in the plot to stay interesting.

Lest anyone worry these strange people will feel unrelatable to modern audiences, Ragnar’s family is given central standing, too. His wife, Lagertha (Katheryn Winnick, Bones) is a fierce shield maiden, unafraid to show her husband affection, fend off two would-be rapists, and use a loom. But when she overrules Ragnar and makes their son, Bjorn (Nathan O’Toole, The Borgias), go to bed, even though Bjorn has just been made a man at the tender age of twelve by their people, it demonstrates that as much as things change, they also stay the same.

I am not familiar with Viking culture, so I cannot say how historically accurate VIKINGS is, but it certainly looks good. Filmed in Ireland, the sweeping scenery is impressive, and the buildings, costumes, and tools used look like they are from an earlier time period. It’s a little like Game of Thrones, and while maybe not at the same level of quality, not to mention comprising a much smaller cast, it’s similar enough that it’s likely to pick up some of the same audience, as long as they can be made aware that it’s airing.

Ragnar himself is the stuff of conflicting legend, and because of that, we can only guess at where the story is going. Sure, he and Rollo will sail east on a ship built for them by the odd and brilliant Floki (Gustaf Skarsgard, Evil), off to raid England and other new lands. And the current lord, Earl Haraldson (Gabriel Byrne, In Treatment), will clash with our hero, proving to be a dangerous foe. But will see Ragnar eventually become king? Will we see his sons grow up to be warriors in their own right? Will we see his eventual death? Until more episodes air, it’ll be difficult to judge what kind of pacing the series’ writers intend to go for in these first nine episodes, let alone over the span of years, should the series prove to be a success.

VIKINGS not only looks good, but it’s also well written. As stated, the pilot really gives us a feel for the time period, locale, and the primary characters, but I also feel that even the supporting players give off a sense of completeness, rounding out the world, making it seem authentic. Haraldson may be evil, but we see his sweet wife, Siggy (Jessalyn Gilsig, Glee), and a flashback to the death of his sons, and realize that there’s a story behind every action and motivation. The acting excellently conveys this mission, and I am already eager to watch the next installment.

My only real complaint is about the accents affected by the various characters. The episode begins with subtitles, with is cool, but I’m glad they fade away relatively quickly. However, each performer has a different take on what a Viking’s English should sound like, and even among each individual, looked at separately, that take does not seem to be consistent throughout the episode. Ah, well. Nothing can be perfect, and accents aren’t so important, especially when the thing wouldn’t have unfolded in English in the real world, anyway.

I have to be honest, I was skeptical to hear History Channel was dipping its toe into historical fiction. But if this is an example of what they have in store, teaching us about a culture and lesser-known hero in such a high quality way, I hope VIKINGS is only the first of many such tales.

Blu-ray Review: Bones The Complete Sixth Season

     Now out on Blu-ray and DVD is Bones The Complete Sixth Season. Year six begins with "The Mastodon in the Room," in which the team comes back together, after many months apart, to help Cam (Tamara Taylor). The absence has made Brennan (Emily Deschanel) realize that she wants to be with Booth (David Boreanaz), but in the interim, he has moved on with Hannah (Katheryn Winnick). Similarly, Daisy (Carlo Gallo) tries to reconnect with a jilted Sweets (John Francis Daley). But back together again, they all understand they are strongest together, no matter what personal woes plague them.

     The sixth season of Bones is an excellent one, with many fun highlights. In "The Maggots in the Meathead," Brennan visits the Jersey Shore to interact with Guidos, a cultural group she is very interested in. "The Body and the Bounty" finds Professor Bunsen Jude, The Science Dude (David Alan Grier), coming to the Jeffersonian to shoot an episode of his popular series. "The Bikini in the Soup" is an amusing Valentine's Day case. Many pairs of dismembered feet wash to shore in "The Feet on the Beach." Also, Angela (Michaela Conlin) and Hodgins (T.J. Thyne) welcome a child.

     But season six isn't all fun and games. "The Bullet in the Brain" brings with it the assassination of longtime foe, the Gravedigger (Deirdre Lovejoy), and kicks off Booth's hunting down of the shooter, his former friend Jacob (Arnold Vosloo). Even worse, before Booth can stop Jacob, the bad guy kills beloved squintern Vincent Nigel Murray (Ryan Cartwright), a tragedy that hits the entire team pretty hard. In the aftermath, taking comfort in Booth's arms, Brennan ends up (SHOCKER!) pregnant with his baby, a fact that will surely lead to all new chemistry between the leads in season seven.

     Among the other milestones in The Complete Sixth Season, Bones presents a backdoor pilot in "The Finder," introducing a couple of characters who will be headlining their own spinoff later this year or early next. It's a decent episode with an interesting concept. Because Bones will be doing a reduced number of episodes to accommodate Deschanel's real-life pregnancy in season seven, several Bones characters will appear in episodes of The Finder, further tying the two together. As such, this is a very important episode, in the universe of the series.

     Bones belongs on Blu-ray. With its special effects and detailed settings, HD is the best way to enjoy the series. Bones The Complete Sixth Season's Blu-ray release is in 1.78:1 widescreen high definition with English 5.1 DTS-HD Master Audio. Which means things look and sound crystal clear. I'm supposed to talk about just how good the picture quality is with any Blu-ray release, but to be honest, if you've seen one recent television show on Blu-ray, you've know exactly what this looks like. That isn't the point, though. Why would you want to watch Bones in anything but the best quality available?

     Extras are a little sparse, but the ones included are chosen well. Two episodes, "The Bikini in the Soup" and "The Daredevil in the Mold," are extended slightly. Audio commentaries are available on two other installments, "The Doctor in the Photo" and "The Blackout in the Blizzard," both heavily emotional entries for the character of Brennan. Additionally, "The Blackout in the Blizzard" has an eight plus minute behind the scenes look at the making of the hour, as the actors talk about doing a bottle episode, and the great elevator set.

     There is a twelve minute featurette on the visual effects of Bones, which will open fans' eyes to just how much goes into the show. After all, it is filmed in Los Angeles, but familiar Washington D.C. landmarks frequently appear in exterior backgrounds. On top of that, the special delves into adding sky and extras in "The Maggots in the Meathead," creating an underwater experience for "The Finder," and making a body explode in a visually stunning way. This will make you appreciate just how much technology and effort goes into each and every episode of the series.

     Plus, there's a four and a half minute gag reel. Those are always fun. And the pilot of AMC's remake of The Killing is included, presumably to entice customers to purchase that series on Blu-ray or DVD as well. If you haven't seen The Killing, it's great, and you really should check it out. Though it is a completely different series than Bones, so not sure about the wisdom of the pairing.

     Buy Bones: The Complete Sixth Season today, and don't miss the Season Seven premiere on November 3rd!

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     Click here for all of my Bones reviews.

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Article first published as Blu-ray Review: Bones - The Complete Sixth Season on Blogcritics.

Bones Handles Two Major Arcs Awesomely

     This week's episode of Bones, "The Bullet in the Brain", was one of the best they've ever made. For longtime viewers, the infamous Gravedigger (Deirdre Lovejoy), a serial killer who once buried Brennan (Emily Deschanel) and Hodgins (T.J. Thyne) alive, made her fourth and final appearance. Her screen time in her final episodes was brief (she was gone before the opening credits), but more than memorable. In fact, she not only had a profound effect on some of the cast, but also kicked off a brand new ongoing arc that will play out this winter and spring.

     The most effected by the whole incident, in which the Gravedigger's head was graphically blown off, was probably Sweets (John Francis Daley), who was shaken inside and out. His suit was a mess from the splatter, but the biggest problem was what the Gravedigger had said to him before she was killed. Sweets replayed those words over and over again to himself, though, as a trained mental health professional, he should have known it was a bad idea. Her words seeped into his brain and took root, shaking his confidence in himself and his abilities. Thankfully, Ms. Julian (Patricia Belcher) was able to get him out of his funk.

     It makes me wonder, though, how much of the effect she had was multiplied by her sudden death. Did the traumatic experience of standing a few feet from her during the assassination make Sweets more vulnerable? Brennan and Booth (David Boreanaz) have criticized him on plenty of occasions, especially when he first joined the team, though that has lightened up over time. He had to have had a thick skin then to not be wounded. Now, after his talents have proved invaluable over and over again, he was so deeply moved. There was obviously more going on in his head than just some mean comments. I was worrying he might do something drastic, but am so happy it didn't come to that.

     I mentioned Ms. Julian above, and she is one character I can never get enough of. I hope this new arc provides her with plenty of episodes to be in. But another character I love is Max (Ryan O'Neal), Brennen's father. Initially a suspect, until it became apparent just how skilled the assassin was, Max rushed to town to reassure Brennan of his innocence. He was first introduced as such a scoundrel, I'm always touched at how he has evolved into a decent dad. His stint in jail helped that, and now a visit from him is welcome. Though he was on the suspect list, I doubt any of the main characters really considered him the most likely to have done it.

     This was a spectacular Booth episode, as this whole arc apparently will be. We know some things about Booth's past, but his expert sniper skills were driven home when a very short list was made of everyone that could have made the kill, and he was on it. I'm relieved that the writers saw fit to put Booth near the Gravedigger, so that he wasn't seriously suspected for the entire episode. However, some of Booth's past remains a mystery, and while surely the entire team will be involved in hunting the killer, Jacob (Arnold Vosloo, The Mummy, 24), who escaped, this is clearly a showdown between Jacob and Booth. They have a complicated past, as Jacob is someone Booth clearly admires, and Booth resisted even considering him in the crime for awhile. It's nice to see Boreanaz keep getting material worthy of his time and talent, as Bones has so often provided him.

     Another interesting story going on was Angela's (Michaela Conlin) disgust with Hodgins's reaction to the assassination. Hodgins, who was almost killed by the Gravedigger, was genuinely happy that she died. He explored those emotions with both Angela and Sweets. It was a look at another side of the issue, that of a victim who feels justice has been served, and that sometimes murder is acceptable. In a society where the morality of the death penalty is debated, it was a poignant, relevant line of inquiry.

     While I'm writing about the show, I'd like to mention that I am fascinated by just how well adjusted Brennan has become by this seventh season. She has admitted her romantic feelings for Booth, though he is currently involved with someone else. She allows herself to trust her father. She is starting to be able to relate to her friends. Her social skills have improved markedly, as evidenced by how quickly she bonded with new friend Hannah (Katheryn Winnick). She is so much more of a person than the odd bird we first met. The other main characters have grown, too, but as Brennan is the title character, and half of the central heart of the show (along with Booth), her maturation cannot be understated. Seeing how she's gotten better brings pleasure and satisfaction to me as a fan of her and of the show.

     The series also stars Tamara Taylor, who, despite a very limited presence this week, is a very valuable part of the series.

     The rest of this season of Bones will surely have cases of the week, which is the main format of the series, but also a really exciting story as Booth and Jacob face off. Be sure to tune in Thursday nights at 9 p.m. on FOX. That's right after American Idol, in case you're curious, which has given it a welcome ratings boost.

Article first published as TV Review: Bones Handles Two Major Arcs Awesomely on Blogcritics.

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Bones enjoying stride

     FOX's Bones, now in it's sixth season, has solidified its formula and now is luxuriating in its success. Is that a good thing? Bones has always been one of the best case-of-the-week crime shows, owing to an amazing cast of characters. Lately, owing to a long-growing formation of tight social bonds and relationship developments, the show is able to spend just as much time on the personal stories as the case, which I view as a boon. Yet, the cases stay interesting and fun, and actually add to the personal drama, rather than detract from it.

     For example, this week David Alan Grier guest starred as Bunson Jude the Science Dude, and his assistance to Dr. Brennan (Emily Deschanel) was as comical as it was helpful. Last week, Brennan and Booth (David Boreanaz) investigated a murder at the Jersey Shore. Brennan was fascinated by the culture, which she had been studying in the "documentary series" Jersey Shore. She got to explain creeping and GTL to Booth. Great plots, very entertaining, and showcasing the main characters as well as the murder.

     But why wasn't Bones able to score any big casting gets? An attempt to get some of the Jersey Shore cast members to appear in the episode fell through, and did they even approach Bill Nye the Science Guy about guesting this week? Those types of things are, indeed, stunt casting. But for a long running, semi-popular, well-made show such as Bones, shouldn't they have been achievable gets? Maybe the people behind the show didn't want that, thinking it veered too much into cheese. Yet, they did the plots anyway, with imitations of the real thing, so why not go all out?

     That aside, the series has never been better. Temperance Brennan has lightened up so much that she's almost a normal person. This is due to not only her growing feelings for her partner, but also the real friendships she has forged in the workplace. Hodgins (T.J. Thyne) has gotten markedly happier since he found love, even when he wasn't with her. Angela (Michaela Conlin) has allowed herself to be tied down and start a family. And Sweets (John Francis Daley) and Cam (Tamara Taylor) have been fully accepted into the group that was already established before the arrived.

     And that's not all. Somewhere along the way, the Bones cast has expanded greatly, with a whole host of new characters considered part of the little Jeffersonian family. The rotating cast of interns has been an absolute joy. I miss those that are gone each week, and get excited to see who will come back next. Ms. Julian (Patricia Belcher) has been an important presence in half the season so far. Booth's new love interest, Hannah (Katheryn Winnick), is already making friends with and inviting Cam, Brennan, and Angela over to hang out. One big, happy group.

     That is what worries me; everyone is so happy, gets along so well. Don't get me wrong. Despite the love I had for the clashing between the characters early on, I am pleased to see the maturation. Now, though, the series gets to the point where it may be in danger of floundering. I have no complaints about the plot of sending everyone away at the end of last year, nor the solid premiere that brought them all back together. It punted the point of needing another shakeup down the field a bit. But only a bit. I predict that the next major twist will be when Brennan makes a play for Booth, and the inevitable breakup of Booth and Hannah. I'm not sure that's enough to fill a whole season, though.

     Don't get me wrong. I'm not pessimistic. I love Bones. I'm curious to see where the show will go from here. Just a word of caution to the people that make it: even though the current comfort is a delight, don't get too comfortable.

     Bones airs Thursday nights at 8pm on FOX.


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Article first published as TV Review: Bones Enjoying Stride on Blogcritics.