Take it EASY

Article first published as EASY Review on Seat42F.

NETFLIX is making your viewing decisions EASY this weekend (excuse the pun). It’s new eight-episode anthology series, EASY, which follows a diverse group of people in modern Chicago, dropped this morning. I’ve watched the first two half-hour installments, and my early impression is that it’s neat, authentic, well cast, and has something very relatable and very interesting to say.

The first episode is titled “The F**king Study,” which should tell you right away that the content is for mature audiences. Title stars aside, nudity and swearing are not bleeped in the show, though I will say the main characters are treated with dignity and realism, which means their bodies are only shown sparingly, not gratuitously. Usually, they are wearing something as they get it on.

Anyway, the plot of this first episode, to give you a taste of what EASY is, begins at a party where a study is being discussed. Apparently, it has been found that couples who stick to traditional gender norms have more and better sex. This greatly worries a husband (Michael Chernus, Orange Is the New Black) who stays home to write plays and take care of the kids. Although she plays it off, his wife (Elizabeth Reaser, Twilight), is also bothered, although she handles it differently.

What follows is a portrayal of two people who have been in a marriage a long time, do love each other, but aren’t sure what that means any more. We’ve seen couples struggle to maintain that intimacy and love before (HBO’s Togetherness springs to mind), and I won’t say EASY is entirely breaking new ground here. But what it does, it does very well. I fully believe these two actors, and can easily empathize with them, getting into their heads and understanding where they are coming from. Sure, it’s a bit depressing, especially for someone approaching who is that point in their own life (full disclosure: I am). However, as young people so often fail to understand, there’s no blueprint for any phase of life, and all we can do is figure it out as we go along, which is something that must be learned in of itself.

The second episode jumps to the very beginning of a relationship, as a woman (Kiersey Clemons, Transparent) questioning her sexuality (and everything else about herself) meets her “Vegan Cinderella” (Jacqueline Toboni, Grimm). It’s obviously quite a different take than the first episode, and yet it feels consistent in tone and style, even if the point of view shifts dramatically. Quality is maintained, and there are some fun little connections, the protagonist for installment two being the babysitter from episode one.

I’m not sure all the episodes will be so focused on love and sex, as the series description also mentions navigating technology and culture. In general, though, I think it’s safe to assume that it’s a brief circle through many perspectives, with an indie-movie feel and some genuine characters. Again, this is not a totally new concept, but it’s one that I dig when well executed, as it certainly is with EASY.

Television is entertainment, yes, but the best of it is meant to give us insight into our world and ourselves. That’s not as lofty a goal as it might sound, with the earliest examples of theatre seeking to do just that. EASY holds a mirror up, and maybe we don’t see our reflection every time, but it keeps turning that mirror until we do identify something looking back at us, or at a friend or family. It’s feel-good without being soapy, and drama without being dramatic. It’s comfortable, enjoyable, and I still come out of it feeling like I learned something about life. I can totally get behind this.

EASY is now available on Netflix streaming.

BILLIONS Well Worth It

Article first published as BILLIONS Review on Seat42F.

Showtime’s new series BILLIONS is seemingly about a hedge fund manager and a U.S. Attorney, a battle of the big guy versus the common man, and a way to express class frustration in this country. But what it really is, is a drama about two flawed, petty men going at one another for all they’re worth, a battle to the death (perhaps not literally, but definitely of life as they know it), that only one man can walk away from, at best. And honestly, that’s plenty for me.

WARNING: Spoilers are below, but nothing more spoiler-y than Wikipedia reveals.

BILLIONS stars Paul Giamatti (Sideways, John Adams) as the United States Attorney for the Southern District of New York, Chuck Rhoades. Chuck has a flawless record locking up those who deserve it, picking his cases carefully, and with a chip on his shoulder against the rich who think they’re above the rules. He is influenced by his successful father, and intimidated (sometimes positively) by his wife, Wendy (Maggie Siff, Sons of Anarchy, Mad Men), who makes far more money than he does.

Wendy makes so much because she works for Bobby Axelrod (Damian Lewis, Homeland, Wolf Hall), an extremely successful player in the financial game. Wendy is his motivational coach, though one wonders how much she knows about Bobby’s dalliances on the wrong side of the law. Bobby’s own wife, Lara (Malin Akerman, Watchmen, Trophy Wife), is certainly aware and supportive, even when it includes milking 9/11 for the family’s monetary gain. This couple sometimes pushes things a little too far.

Admittedly, that premise is a bit far-fetched. The coincidence of Wendy’s employment alone, though existing long before Chuck rose to power, stretches believability. Yet, the characters are perfectly positioned for maximum conflict and drama, so I don’t find myself minding all that much.

The primary reason to watch BILLIONS is Giamatti and Lewis. Both accomplished, excellent performers, watching them take these complex men and engage in a person struggle is highly engrossing. Both have noble qualities and glaring flaws, and both do things from a calculating perspective. They are two titans at the top of their game (a description of both the characters and the actors), and it’s a privilege to see them compete with abandon.

That isn’t to say the story isn’t enjoyable. Any series on Showtime these days is pretty darn good, with the network having a high level of quality in their programming. There are layers and twists and plenty of detail to keep things interesting, and the topic is relevant and current. I’m just saying that is secondary to the main attraction, the fight where viewers will be unsure of who to side with from one scene to the next.

What I’d most like to see change as time goes on is for Wendy and Lara to play an equal role in the proceedings. Wendy certainly does more than Lara in the pilot, but is still supporting to the men. The lead actresses are perfectly capable of standing toe-to-toe with their on-screen husbands, so I hope BILLIONS is gender-equal over time.

There is also a top tier supporting cast, including David Costabile (Breaking Bad, Suits) and Toby Leonard Moore (Daredevil, The Pacific), who play the assistants to our antiheroes. The production itself is pretty, and the direction is appropriate to the scale of the conflict.

In short, BILLIONS is exactly on par with what I expect from Showtime, if not a notch or two above some of its peers. I am definitely committed to watching it, and recommend you check it out. Like I said, if nothing else, you’ll likely enjoy the leads.

BILLIONS premieres Sunday at 10 pm on Showtime.

"Me Gusta" SUBURGATORY

Article first written for Seat42F.

ABC’s SUBURGATORY, a charming little comedy about a father and daughter who move from the Big Apple to the suburbs, returns for a third season this week with “No Me Gusta, Mami.” Season two ended on quite the cliffhanger, with Dallas (Cheryl Hines) dumping George (Jeremy Sisto), her daughter, Dalia (Carly Chaikin), moving in with George, and George’s daughter, Tessa (Jane Levy), running off to stay with her mother in the city. Now we finally get to see how that all turns out.

Well, it’s a bit of a letdown because order is restored before the opening credits roll. Dalia is still mad at Dallas, but she’s back in her mansion. It takes no time at all for Tessa’s mom, Alex (Malin Akerman), to abandon her, leaving Tessa back with George. George and Dallas don’t get back together, but other than that, everything seems to be back to normal in Chatwin. That’s not the end of their story, but it is a quick reset, too quick in my opinion.

This isn’t a complete disappointment; the chemistry of the principal cast, especially these four, is great the way it is. Shaking it up too much could have hurt the series, and the efforts of three of the four players to make up with their relations are sweet and touching. Thus, it’s an emotionally satisfying story, even if one might wish for a bolder plot twist, such as waiting a few episodes before sending the girls home.

SUBURGATORY is, by and large, a comedy, but it’s also pretty good at portraying the interactions between parents and children. George and Tessa have a unique relationship, as do Dalia and Dallas, and these are a major draw for the show. Their chemistries do shift and grow over time, but love always underlies them.

This may not completely carry over to the Shay household. With Ryan (Parker Young, now starring in Enlisted on FOX) off to college, Fred (Chris Parnell) and Sheila (Ana Gasteyer) are in full empty nest mode. That means Fred is on the couch reading magazines, but not an unhealthy amount of them, and Sheila is patrolling the neighborhood in camouflage, fervently hunting down an escaped dog. This might be a natural reaction for a couple to have, except their nest isn’t really empty, as daughter Lisa (Allie Grant) still resides at home.

Now, fans of SUBURGATORY will accept this as quite expected, but it’s a little sad. As loving as George and Dallas might be towards their offspring, the Shays have always treated their natural-born daughter far worse than their adopted son. It’s a shame, and explains many of Lisa’s neurosis, including her talent for emotional manipulation of her friends. Unfortunately for Lisa, her lot isn’t likely to improve anytime soon.

By and large, “No Me Gusta, Mami” is a funny episode. There are bits with a big pooch, a creepy baby, a tranquilizer gun, take-home accountants (Parenthood’s Phil Abrams, Better Off Ted’s Gary Rubenstein, and Arrested Development’s Bob Glouberman), a ditzy dog groomer (Natasha Leggero, Burning Love), a smoldering jersey, a tweaked theme song, and other vague references I won’t explain to avoid spoilers. Mostly, it’s quite good, and as amusing as ever.

There is a tense bit of “No Me Gusta, Mami” in which a couple of characters contemplate leaving the suburbs behind. But given the premise of the series, any such musings are purely hypothetical. The show may lose supporting characters like Noah (Alan Tudyk) and Mr. Wolfe (Rex Lee), who have been dropped from the main cast this year and will be missed, but the setting itself will remain, as will the core cast.

What would be the real shame, though, is if this series were canceled. It’s not highly rated, and the late start this year does not bode well for its long-term viability. Yet, the slightly hyper-realized world and charming, zany people that populate it would definitely leave a whole in the television landscape if it disappeared. So tune in and encourage your friends to do the same.

SUBURGATORY airs Wednesdays at 8:30 p.m. ET on ABC.

BURNING LOVE Burns Again

Article first published as BURNING LOVE Burns Again on TheTVKing.com

E! presents the second season of Burning Love beginning this week. Initially a web series, Burning Love is a parody of reality dating competitions, like a comedy version of The Bachelor or The Bachelorette, with what is a likely a similar scripted to improv ratio. Contestants of one gender compete for the love of a single person of the opposite sex.

Watching seasons one and two, a viewer would be forgiven for thinking there have been at least four cycles of Burning Love. Season one began by profiling the winner of the previous year (which wasn't actually filmed), and in the continuity of the show, another season takes place between one and two, subtitled Hot for Teacher, which again, was never made. This confuses things a little bit, and sent me running to the internet to make sure I hadn't missed anything. But it's hard to blame the writers for extending the mythology without wasting our time with filler.

In season two, the main woman whose affection men are competing for is Julie Gristlewhite (June Diane Raphael, NTSF:SD:SUV), a dental hygienist who was in season one, and was last seen in a lesbian relationship. Ditching her partner, Carly (Janet Varney, The Legend of Korra), Julie is ready to try the penis again, and the producers are happy to oblige.

Host Bill Tundle (Michael Ian Black, Ed) is back, as is the house and set up. While season two definitely has some differences in the way the initial premiere unfolds, there is also consistency in the structure of the show and some of the players. This provides a satisfying through-line for the series.

Many of the faces are familiar, too. Damien (Adam Scott) was a therapist in the first cycle and is now competing, but that's not exactly what I'm talking about. Basically, most of the actors are either stars or major guest stars in projects such as Childrens Hospital and NTSF:SD:SUV, two Cartoon Network shows that also trace their roots to the web. Raphael, Ken Marino, Rob Huebel, Martin Starr, Nick Kroll, Malin Akerman, Michael Cera, and others have that connection. Various other cast members have worked with this group in other projects, too, such as The League, Party Down, and The Greatest Event in Television History.

Perhaps I'm wrong, but seeing all these people pop up alongside one another over and over again makes me think they're an extremely talented troupe who weren't getting enough work and so starting creating some of their own, inviting friends they made along the way to participate, constantly expanding their call sheet. Honestly, I think of them as doing their own, both more and less cohesive, multi-platform version of Saturday Night Live, and I'm loving it.

Burning Love, like all of those I've mentioned in the past couple of episodes is hilarious! From Bill mispronouncing Julie's name and the word 'gentlemen,' to Julie throwing herself all over a disinterested Blaze (Ryan Hansen, Veronica Mars), to Teddy (Nick Thune, Knocked Up) repeating the same song lyrics, to Khris (Nick Kroll) getting tossed out for being drunk, to Allison (Colin Hanks, The Good Guys) defending his name, there is a constant string of laughs packed into the half hour. The best bit may have even been the show-within-a-show's last minute minimal effort to add diversity to the cast. I can't wait to see more.

Burning Love airs Wednesdays at 10:30 p.m. ET on E!, and more webisodes are available through Yahoo.

CHILDRENS HOSPITAL "Going" Away Again

Article first published as CHILDRENS HOSPITAL "Going" Away Again on TheTVKing.

Cartoon Network's Adult Swim's Childrens Hospital brings their fifth season to a close this week with "Coming and Going." Feelings are in the air. Or rather, lack of feelings, as the cast splits into twosomes to deal with their issues. Owen (Rob Huebel) has never had an orgasm and has the urge to feel what that's like, so Lola (Erinn Hayes) reluctantly agrees to help. Glenn can't experience emotional feeling at all, so Blake (Rob Corddry) makes it his mission to fix Glenn. And Sy (Henry Winkler) tricks Chief (Megan Mullally) into going out with him in the hopes of sparking some romantic feelings from her, meaning they miss the war zone at the hospital, but their opera provides a beautiful soundtrack for the disaster.

Each episode of Childrens Hospital completely stands on its own, with almost no continuity from each week to the next, except in the vaguest of terms. For instance, in the fourth main plot this week, the one that doesn't fit into the theme mentioned above, Cat (Lake Bell) helps Valerie (Malin Akerman) give birth, even though we've never seen Valerie pregnant until now, and it's been well established in multiple installments that Valerie is actually Derrick Childrens (Jon Hamm), a man in disguise. Doesn't quite add up, does it?

Yet, that has never stopped the show from being funny. Instead of worring about continuity, it frees up the characters and writers to do whatever they find amusing in the moment. This has led to a lot of strange, stand-alone episodes, like the Shakespeare-esque entry a couple of weeks ago, yet never a shortage of laughs. Each episode is like a mini play or sketch put on by an extremely talented group. The ensemble is excellent across the board, and they only let in the best guest stars, which this week included Jack McBrayer and one of the show's writer/producers David Wain, who plays Rabbi Jewy McJewJew.

There are some connecting threads through most (not all) of the episodes. Season five finds the cast shipped off to Japan to work a hospital on an army base. This has been a recurring setting, and so informs the stories. It has made this season a little different overall from the first four, in terms that there have been new things that didn't necessarily lend themselves to the old set, but quality and tone have been maintained.

"Coming and Going" fully takes advantage of the place in a big way when, due to a series of unfortunate mishaps, the base is attacked by the American military. Yes, the base is made up of American military already, but somehow those outside of the base think that terrorists have taken over. It's kind of a loose premise, not at all believable, but one that works for the bits.

This means that each of the four main plots unfold as bombs explode around them. Maybe giving birth or having sex near a battle isn't completely unheard of for a TV drama, but who dares use such set ups for a comedy? Even as men go down, there isn't anything serious about the proceedings, with raising a flag being the way to stop the fighting, as bizarre as anything else.

It's also the small touches that make the episode. From Owen later admitting that he has had orgasms before, and was just confused by what the term 'orgasm' meant, to Glenn being killed, only to find out it was the hospital's previously never-seen "other Jewish doctor" who dies, despite it being obvious that Marino is the one going down, there are quirky, weird, unexpected touches all over the place. Valerie asks a little girl to deliver her baby, whom Cat immediately accepts as "Doctor Littlegirl." It's all as bizarre and wonderful as that.

What's impressive about this episode, over the rest of the fantastic weekly episodes, is, given a double-length running time of half an hour, there is not only time to run more stories simultaneously, but also they are all expertly interwoven. Normally, several of the cast sit out for many episodes per year so that a cohesive plot can emerge in less than fifteen minutes. Here, that is not the case, all of the principals present, and their stories are connected by synchronized occurrences and a great soundtrack.

In all, "Coming and Going" is an awesome example of a top-notch series. Childrens Hospital is gone for now, but hopefully a sixth season won't be too far away.

Take Home a TROPHY WIFE

Article first published as TROPHY WIFE Review on Seat42F.

One of ABC’s new sitcoms is called TROPHY WIFE. Young-acting party girl Kate (Malin Akerman, Watchmen, Childrens Hospital) meets the guy of her dreams after falling off the stage while singing karaoke. But she soon learns that marrying him means taking on three children and two ex-wives, giving her an instant family.

The name of the show may be TROPHY WIFE, but Kate is anything but that negative label. She is a warm-hearted individual who puts her all into everything she does, including being a wife and stepmother. Kate wants to be the best parent she can be for the kids, plays nice with the exes, and truly seems to love Pete (Bradley Whitford, The West Wing, The Cabin in the Woods), her new man.

We see this when Kate eagerly takes a parent-teacher conference with stepson Warren’s teacher (Phyllis Smith, The Office), and as she covers for Warren’s twin sister, Hillary (listed as Once Upon a Time’s Bailee Madison on the show’s official website, though played by someone else in the “Pilot”). Even when Kate is mad at Hillary for bringing vodka to school or uncomfortable about Warren’s (Ryan Scott Lee, Super 8) seeming lust for her, Kate tries to make the situation right without judgment or anger.

Not that Kate’s best is good enough for Warren and Hillary’s mother, stuffy Doctor Diane (Marcia Gay Harden, The Newsroom, Mystic River). Diane is icy from the start, definitely not approving of Pete’s latest relationship skewing younger, or having her children around such an influence.

Still, Diane is preferable to Pete’s second wife, Jackie (Michaela Watkins, Enlightened, Wanderlust), a flighty, sneaky, liar who has no trouble hiding the death of her son, Bert’s (Albert Tsai), hamster from him, or hiding a key to get into Pete’s house. Jackie is trouble, especially when she considers herself still part of the family, clearly having nothing else of significance going on in her life.

Now, as I recently complained about in another review, there are a lot of family sitcoms out there, so we don’t necessarily need any more. Yet, TROPHY WIFE doesn’t feel like most others. It’s sort of a mix between Modern Family and The New Normal in tone, showing a more blended clan much more common today in the world, though underrepresented on television, than in years past. As such, it’s another type of family series, not the same old thing over again.

It also helps that Akerman is a capable leading lady, playing both the emotionally charged scenes and the over-the-top physical comedy with great acumen. In the presence of Whitford, Watkins, and Harden, all very talented in their own right, this group delivers a very funny premiere episode.

Kate is a very likeable character who seems authentic, even if she isn’t relatable. She is still in touch with the things that make up her personality, maintaining a great relationship with drinking buddy and bartender Meg (another wonderful performer, White Collar’s Natalie Morales). Yet, as Meg takes Kate’s developments in stride, it helps the viewers understand that Kate hasn’t changed and isn’t trying to, just moving into the next phase of a full life.

One does begin to wonder what kind of man Pete is. We see him as the calming influence when everyone is together, but there are definitely some different facets to him to marry three so very different women. He seems to be totally committed to Kate, and one assumes he was equally so to Jackie and Diane during their tenures, though I’m curious to see why those pairings feel apart. He’s a loving father, but one with flaws, such as having trouble being honest with a child about a dead pet. I look forward to learning more about him.

Now, this being a pilot, there are a few things the show can improve on. For one, it would be nice if it was a little more consistent with its tone. I’d also like to see more cohesive, focused stories, as this episode meanders around a lot among the various characters. But I dig the energy and the cast quite a bit, so I think it will be something worth keeping an eye on. As long as it allows Akerman the opportunity to continue on Childrens Hospital.

TROPHY WIFE premieres Tuesday, September 24^th at 9:30 p.m. ET on ABC, and the “Pilot” is available on Hulu now.

Don't forget Childrens Hospital

Adult Swim's Childrens Hospital returns for season four with "The Boy with the Pancakes Tattoo." A young boy comes into the hospital with the word 'pancakes' tattooed on his arm. The doctors quickly realize that this boy has also brought a form of airborne amnesia with him, and then they forget. Soon Glenn (Ken Marino) is left alone to figure out a cure before he, too, succumbs to the virus.

Even though Childrens Hospital is only a ten minute show, a lot is crammed into "The Boy with the Pancakes Tattoo," including a ton of non-specific movie references. Glenn wakes up in a supply closet with no memory of what has happened, but his name written on his hands. A virus takes down the staff one by one. There is a twist ending, revealed through flashback. The world descends into chaos.

It is also a supremely funny episode. One-liners zing one after the other in a constantly flood of humor. Some of the best moments: Lola (Erinn Hayes) talking her way through the process of losing her memory; Glenn asserting than an eleven year old is too young to be douchey; Nurse Dori (Zandy Hartig) figuring out her name through the context of Glenn's question; the brain scans being different only in color; the amnesia virus being defeated by being given amnesia; Lola's line about this being one of the craziest Tuesdays she's had all week; sound effects of a door being sealed, even when it's clear that it's still open a crack; Chief (Megan Mullally), Owen (Rob Huebel), AND Lola all thinking they are at a restaurant after losing their memories; Sy (Henry Winkler) randomly fingering a 'code' into the keypad behind him as he slips into his panic room; the fact that clowns can't catch amnesia.

Yes, that is right. For some strange, unexplained reason, clowns are immune. Which means that Glenn isn't the only one who doesn't immediately go down. Blake (Rob Corddry) also remains sane. But rather than helping Glenn, he crowns himself King and tricks Val (Malin Akerman) into believing she is his girlfriend.

And with only a ten minute running time, these are only some of the wonderful jokes. Wow.

Now there are inconsistencies and flubs in "The Boy with the Pancakes Tattoo." Some of them are listed above as the best parts of the episode. In a show like Childrens Hospital, continuity doesn't matter, as long as the actors play their parts well, and this bunch does, better than just about anyone else out there. The only thing that bothered me about the episode was that the virus is airborne, yet Glenn removes his mask when talking to Blake, and it takes Blake shoving Val's spit into Glenn's mouth to infect him.

But that can be overlooked, especially considering how many dots are connected in this episode. There are so many little things, like the pancake through line, or Val's arc, or the guest stars popping up in multiple places that lend such credibility to what they're doing here. It's like someone realized this 'mistake,' and decides the sight of Blake fingering mouths was silly enough to override any concerns. And that person or persons is right.

The point is, Childrens Hospital is crammed with very, very funny jokes and site gags pulled off by amazing comedic actors, an ensemble without exception, all at the top of their games. "The Boy with the Pancakes Tattoo" is a non-stop riot, and it amused greatly. Really, what more can you ask from a show like this? Absolutely nothing.

Childrens Hospital (not a cartoon) airs Thursdays at midnight on Cartoon Network.

If you like my reviews, please follow me on Twitter! Check out my new website, JeromeWetzel.com! Article first posted on TheTVKing

Childrens Hospital The Complete Third Season checks in to DVD

Cartoon Network's Adult Swim isn't just for animated shows anymore. One of their best live action shows is Childrens Hospital. Originally a webseries doctored to deliver episodes running around 10 minutes each, The Complete Third Season, includes 14 installments from the first season created just for television.

Childrens Hospital is a unique, odd comedy. Although all the doctors and patients are white and speak English without an accent, the setting is Brazil. The story revolves around a staff of health care professionals who heal sick people and sleep with each other. But despite being as good looking as the more serious shows of the same description, these performers double as comedians. One doctor only heals through the power of laughter. Another is the owner of the facility in disguise.

Sometimes episodes build upon previous installments, and sometimes they are stand alone artistic pieces. The only constant in the Childrens Hospital universe is that viewers never know what to expect when tuning in, and no matter what it is, it will be funny.

The show's strength comes from its extremely strong ensemble. From creator Rob Corddry (The Daily Show), to Henry Winkler (Happy Days, Royal Pains), to Megan Mullally (Will & Grace), to Malin Akerman (Watchmen), each star has serious acting chops and plenty of screen experience. Also in the cast are Lake Bell (How to Make It in America), Erinn Hayes (Worst Week), Rob Huebel (Human Giant), and Ken Marino (Party Down). These people know what they're doing, and how to really sell their parts, rolling with whatever twists each new script throws at them.


Of course, when the playground looks as fun as Childrens Hospital, everyone else wants in on the action. Which means that the show has an unusually high number of familiar faces popping in for recurring roles and guest spots. Among those featured on this DVD are Jon Hamm (Mad Men), Tom Lennon (Reno 911!), Nick Offerman (Parks & Recreation), Sarah Silverman (The Sarah Silverman Program), Kate Walsh (Private Practice), Paul Scheer (The League), Jordan Peele (Key & Peele), as well as many other veterans of Ken Marino's previous shows, The State and Party Down. Plus, Michael Cera (Juno, Superbad) gives voice to the hospital PA.

Honestly, the list above of people involved in Childrens Hospital is far from comprehensive. That alone should tell you what kind of quality you're getting. But if famously talented people aren't enough to entice, the show has great, sharp writing covered, too. Medical cases range from a boy stuck in a box of quicksand, whom only Lola (Hayes), who is not at the hospital, can save, to Blake (Corddry) needing to transplant an executed killer's heart into a boy before he turns 18 at midnight.

Watching the characters be doctors is cool, but it's the special episodes that really kick Childrens Hospital up a notch. Season three has several that qualify. "The 70's Episode" is a "lost" episode from the 1970's, still featuring the same cast "way back when." "Childrens Hospital: A Play in Three Acts" is a piece in the style of Thornton Wilder. "Party Down" has the cast of canceled series Party Down catering a bar mitzvah. And "Newsreaders" is a "what if?" that gives almost all of the characters their own spin-offs.


I understand that a lot of this review sounds like gushing. There is a good reason for that. This show deserves great things said about it and a much bigger audience than it currently has. However, it's also hard to break down in detail what makes it so good because each episode is so different, and the writers seem to reinvent the characters constantly. It's an ever-shifting universe that defies pinning down. However, the overall tone and extremely high quality serve the show well.

As awesome as the episodes are, the special features on this single disc DVD set are lacking. The special features include more than 30 minutes of deleted scenes, bloopers, and gags, but they are very oddly organized. And without the context of the episode they belong in, they just aren't as funny. The extras also include six minisode promos in which Dr. Owen Maestro (Huebel) shrinks and goes inside of a body to teach kids about medicine, but these, too, lack much of the show's magic, likely because only one actor from the series appears.

Overall, this DVD set is definitely worth the buy, despite the lack of satisfying extras. Whether you're a loyal fan or a newbie, this is a great batch of episodes to purchase and watch over and over again. It is clever, creative, and fresh in a way few comedies ever achieve. Childrens Hospital The Complete Third Season is available now.

If you like my reviews, please follow me on Twitter! Please click here to buy the first two seasons of Childrens' Hospital on DVD.  Check out my new website, JeromeWetzel.com! Article first published as DVD Review: Childrens Hospital The Complete Third Season on Blogcritics.

Childrens' Hospital returns for a third hilarious season

     Cartoon Network's Childrens' Hospital began its third season this week with "Run, Dr. Lola Sprat, Run." At the Brazilian-set hospital, though clearly the show is filmed in Los Angeles at the same place where Scrubs was shot, with no attempt to make anyone or anything seem South American, a boy comes in trapped in quicksand. The rescue workers managed to put part of the quicksand in a trough, and that's what they bring in. Because it is Saturday, no one is working at the hospital, so administrator Sy (Henry Winkler) must call the team in to save the boy's life. Dr. Childrens is revealed. None of the doctors can figure out what to do, until Dr. Lola Spratt (Erinn Hayes), who has been delayed, arrives. Meanwhile, Dr. Owen Maestro (Rob Huebel) and Valerie (Malin Akerman), also a doctor, attempt to figure out why Nurse Dori (Zandy Hartig) has suddenly been getting fat these past nine months.

     The opening credit sequence this week is goofy, as it has fake actor names for all of the people playing the main characters, except Rob Huebel. Why Huebel didn't get a psuedonym, too, is a mystery, but it's funny for some reason.

     Even better, we get to see what all the doctors are up to un the weekend, since they certainly wouldn't be practicing medicine. The Chief (Megan Mullally), who can barely walk with her ailments, is a super hero, flying around town, saving lives. Owen is an airplane pilot who doesn't wear pants or underwear. Glenn (Ken Marino) is dating Lisa Edelstein from House (herself) in a hilarious cameo. And Valerie is actually Dr. Childrens (Mad Men's Jon Hamm reprising the bit from last season's finale), the hospital's namesake in disguise. And those are only a few of the beginning scenes. Fantastic cameos really make this bizarre set up work, as Edelstein and Hamm commit fully to the parts.

     Which is why Childrens' Hospital works. Sure, it's just a parody of ER, Grey's Anatomy, House, etc., but it's also one that is so extremely funny because of series star, writer, and creator Rob Corddry. Who else would name the loudspeaker guy after the man who did it on M*A*S*H, and get Michael Cera to voice it?

     One sequence that works a bit slyly is Lola Spratt is taking voice over lessons as the episode begins. There are three main female doctors on the show. Dr. Cat Black (Lake Bell) narrated the first season. Because of other acting commitments, Bell dropped to part time in season two, so Valeria replaced her in both the hospital and the narration, though both work together well enough now. Perhaps season three is Lola's turn, as she is featured in this first episode, the title of which bears her name, and she can do the voice over work. That only leaves one question. Who's turn will it be for season four? Sy?

     Other gags this week include Blake (Corddry) slapping blood on his scrubs purposely before he even goes on shift, giving him the trademark red stains, as well as Glenn adjusting his yarmulke. Valerie only discovers Dori is pregnant because she reads an article in a magazine, not because Dori offhandedly mentions she likes to get high and have sex in opium dens. Of course, the magazine says nothing on if the baby might be a karate instructor, a fear shared by Dori and Glenn.

     The only thing that fell flat in this season premiere is Lola's extended encounter with an ex, who she has to behead. It drags the story down, slowing the pacing and the boyfriend is more dumb than silly.

     Childrens' Hospital works so well because not only is the humor strong, but the performers also commit fully. Despite the ridiculous things they say and do, the characters appears to take everything completely seriously. They freak out, worrying the boy might drown in quicksand, even though all it takes is Lola smashing the trough with an axe (complete with spoken sound effects). It's a show very hard to review, other than to say it will make you laugh more than virtually anything else on television, and you absolutely must watch it.

     Childrens' Hospital airs Thursday nights at midnight.

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     Please click here to buy the first two seasons of Childrens' Hospital on DVD.