No DOUBT

Article first published as DOUBT Review on Seat42F.

CBS’s latest drama is DOUBT. It’s a legal procedural that follows a group of lawyers in a firm as they defend clients and undergo personal drama. That synopsis is not particularly memorable or distinctive, but neither is the show, which offers little to set it apart from a hundred other television series. Even when only taking into account this single network’s offerings, it’s one of the weaker ones.

Katherine Heigl (Grey’s Anatomy), polarizing as she can be, actually does a pretty decent job as Sadie Ellis, the main protagonist of DOUBT. I found her believable and capable, much as I have in previous work. While her inclusion had me unenthusiastic about this project, I can’t fairly or honestly blame her for my distaste of it.

However, Sadie herself is a large part of the problem with DOUBT. She is not only defending Billy Brennan (Steven Pasquale, Rescue Me), a charitable doctor, for a murder from two and a half decades ago, but she’s also sleeping with him. This is ridiculous in its blatant play for soapy melodrama, with little regard for realism. I’m not saying a lawyer never sleeps with a client, but she is risking being disbarred by doing so, and such a story would seldom end well in real life. This overshadows the more interesting parts of Sadie, her relationship with her parents in particular, and ruins things before they even get started.

That isn’t the only thing wrong with DOUBT, though I feel that alone sinks it. The dialogue is hokey and trite, and that’s even when it’s not super predictable. None of the characters feel like actual people, and much of what they say is inconsistent with even the little character development we get. Either the roles are miscast or the writers don’t understand the roles they’ve created. Too many times, it yanks the viewer right out of the moment.

That’s a shame because the show has a pretty strong ensemble. Then again, I could say the same for lots of bad shows these days, it being easier to find good talent than to utilize it.. This particular line up includes Elliott Gould (MASH, Ray Donovan), Dule Hill (Psych), Laverne Cox (Orange is the New Black), Dreama Walker (Don’t Trust the B—- in Apartment 23), and Kobi Libii (Alpha House). Each of them are great performers in other works, but if this was the only thing I had to judge them on, I wouldn’t know it. This is by far the worst series any of them have done, at least that I’m aware of, which leads me to believe it isn’t entirely, or at all, their fault.

The guest star line up is similarly over qualified and poorly utilized. Judith Light and Donna Murphy are among those in the pilot that I wish better for.

Now, while I often berate cop procedurals, I tend to find the ones focusing on lawyers much more interesting. There’s something about the court room drama that I find compelling, and it makes me more forgiving of the flaws. This, however, defies that trend by spending way more time on unimportant stories and failing to make any of the cases interesting. Instead, the series continuously focuses on the wrong things.

Unfortunately for DOUBT, the glow of The Good Wife, a far superior show of this genre, has not been away from CBS long enough to fade. With The Good Fight spin-off premiering later this week, even if it will be online-only after episode one, there’s an immediate replacement that is sure to be much better than this. As such, I don’t see any reason why anyone would want to tune into this program when the immediate comparisons will make it seem so poor by comparison.

DOUBT premieres this Wednesday at 10/9c on CBS.

PSYCH's "Breakup" With Us

Article first published as PSYCH's "Breakup" With Us on TheTVKing.

USA's Psych series finale, "The Breakup," is not what I was expecting at all, and yet feels completely perfect. This is a show that has its flaws, but also knows exactly what it is and satisfies both the characters and the viewers in its close. It keeps its story protected and gives the players about the happiest ending anyone could hope for.

A large part of the episode involves Shawn (James Roday) struggling to tell Gus (Dule Hill) that he's disbanding their detective agency and moving away to be with Juliet (Maggie Lawson). Shawn keeps talking to the camera, walking us through their final case together and all the times he almost manages to say the words, but can't. Then, two thirds of the way through the episode, we get the reveal - Shawn isn't talking to the viewers, he's making a goodbye DVD for Gus, and our "hero" slips away without confronting his best friend.

Shawn is emotionally stunted, but there are three people in his life he cares deeply for: his father, Henry (Corbin Bernsen), who will be fine if Shawn only visits sometimes, Juliet, the love of his life, and BFF Gus. Because Juliet takes a job in San Fransisco, Shawn is forced to make a choice: Gus or Juliet? It's an impossible task, but one can't stop romantic love, and so Shawn does what he has to do.

A lot of what Shawn says to Gus in the video makes sense. Maybe Shawn really has been holding Gus back, providing distractions from career and women and stopping Gus from reaching his potential. In Shawn's mind, he's actually doing right by Gus when he leaves, and one can understand that. In this way, Shawn's departure seems more like self-sacrifice than abandonment.

But Psych seeks to have it both ways. Gus, conflicted, and making a fool of himself with a woman one last time, decides to refuse "The Breakup" and moves to San Fran, too, so that he and Shawn can continue the life they've become accustomed to. Shawn gives Gus an out, and Gus says no, reaffirming their bond. That Gus doesn't make the decision lightly makes the outcome mean even more, Gus willing to sacrifice for Shawn, too. Their relationship, always the heart of the show, is served well.

This all culminates in an hilarious conversation over a dead body with Juliet and Vick (Kristen Nelson), a fine way to include the former and once again chief in the proceedings, and then Shawn and Gus's funny joint proposal to Juliet, which she gleefully accepts before her ring is stolen. This gets a little whacky and unrealistic, but only in the way Psych always has been. Things have changed a bit, Shawn has matured, but they've also stayed the same, the characters continuing what we've seen long after they leave our televisions.

There are many elements throughout the episode that also serve the plot well. Shawn finally calls his dad for help. The last murder case initially draws parallels to the ceasing of Gus and Shawn's partnership with their suspect (Billy Zane,  Back to the Future) having lost his childhood bestie. gus gets to work for Bud from The Cosby Show (Deon Richmond). New lead detective Brannigan (Mira Sorvino, Mimic) proves the department will be fine without our twosome. Woody (Kurt Fuller) has some nice bits, and Buzz (Sage Brocklebank) finally becomes a detective. We finally meet the oft-mentioned Dobson during the montage of Shawn's left-behind DVDs, and it's frequently referenced actor Val Kilmer (Top Gun, Batman Forever)! These are all excellent pay offs.

Psych would not be what it is without its resident stick in the mud, Carlton Lassiter (Timothy Omundson). Lassie has grown a lot, becoming a fine chief in Santa Barbara, now having a family. He's left without the rest of the cast, but in an awesome place. He also gets his own farewell from Shawn.

Shawn decides to confess that he's not a psychic to Lassiter in his DVD, but Lassie breaks the disc before Shawn can say it. It may be because Lassie would have to arrest Shawn for fraud if he heard the words, and Lassie has come to like Shawn. I think the policeman values the chaos Shawn brings into his life, helping to hone his skills and raise his game. They have a hug earlier, one Lassiter wants, as Lassie, brilliant detective that he is, knows that Shawn is leaving before Shawn says anything. This same skill set also implies that Lassiter already knew the truth about Shawn and chose to ignore it, cementing his likeability even more.

There's a comfort in knowing that Psych goes on, even if it's not being filmed. Some shows need closure and a finite ending; this one does not. Psych is more about laughter than tears, and it finds a way to bring that through. My complaints about the show have been that it's too light and too procedural, and yet those same elements are used to great effect in this last episode, only possible because the writers have been committed to them all along. It's the perfect, fitting end.

Thank you to the cast and crew of Psych for an entertaining eight years. I won't say it wasn't time to go, but you will absolutely be missed, and if you ever go for a continuation or comeback, count me in.

PSYCH "Remake" Not Improvement

Article first published as PSYCH "Remake" Not Improvement on TheTVKing.

USA's Psych feels like its taking a victory lap as the series wraps up. I say this because, rather than delivering typical episodes, the writers are getting more creative more often and doing some zany things, from musicals to a European excursion. This week's latest installment, "Remake A.K.A. Cloudy... With a Chance of Improvement" is actually a redo of a season one episode, working off what is a very similar script and storyline, albeit with a different killer.

The original episode (which I re-watched this week) was the twelfth one that aired, "Cloudy... With a Chance of Murder," way back in February of 2007. It is a relatively normal entry in which Shawn (James Roday) and Gus (Dule Hill) help a bumbling defense attorney named Adam Hornstock (Michael Weston, House M.D.) clear his client of having murdered her lover, a newscaster. In the original version, the victim's jealous assistant (Keegan Connor Tracy, Once Upon a Time), is the culprit.

This time around, the defense attorney is still played by Weston, but now the suspects are a plethora of recognizable faces, rather than the relative unknowns used last time. The guest cast includes Ralph Macchio (Ugly Betty, Eight is Enough), Janet Varney (Burning Love), Katharine Isabelle (Being Human), Carlos Jacott (Big Love), Lindsay Sloane (Sabrina, the Teenage Witch), Alan Ruck (Spin City, Ferris Bueller's Day Off), Ray Wise (Twin Peaks, and a previous Psych guest star twice over), and Dana Ashbrook (also Twin Peaks and Psych). This roster lends the whiff of a stunt episode to the mix.

It isn't surprising Psych would finally get around to a tribute to itself. It has, after all, paid homage to many other shows and movies in the past. With its offbeat sense of humor, it makes total sense to go in this direction, especially if the end is nigh.

That being said, "Remake A.J.A. Cloudy... With a Chance of Improvement" adds little to the series portfolio, and it would be hard to argue it's even a bit better than the first, no matter what the title suggests. I believe part of this is because it picks a very run-of-the-mill entry to play off of, and the other part is that it doesn't do much to change things. The one thing the new one has over the old is that in the original, it's very clear the team hasn't figure out what the show is yet, exactly, whereas here, there's a welcome level of comfort and confidence.

In fact, the character dynamics are much closer to the current relationships that the original chemistry, despite the insistence of text on screen that this takes place years ago. While Jules (Maggie Lawson) says she isn't amused by Shawn, we know it's not true. Lawson doesn't do enough to convince us of that, which, as funny as it is when Shawn insists they will be together, something that can be added to the story in hindsight, is too bad. Lassiter (Timothy Omundson) also goes too soft on the boys.

A couple of things that are nice additions is that Henry (Corbin Bernsen) talks to a baby at the beginning, rather than a child, and Woody (Kurt Fuller), now an important part of the ensemble, is a witness in the case. But even in this, they waste Woody, not even setting him up to be a pal or have his current job.

Overall, "Remake A.K.A. Cloudy... With a Chance of Improvement" is a disappointment. Not because it's not entertaining; it's about as much so as a mediocre, typical Psych episode. Instead, it's the missed opportunities like the jokes that weren't done (such as using an old theme song) that keep it from being memorable. It's a good idea, not executed as well as it could have been, though it does have some good references.

Psych airs Wednesdays at 9 p.m. ET on USA.

PSYCH Uses "Goblet of Fire" to Ignite New Season

Article first published as PSYCH Uses "Goblet of Fire" to Ignite New Season on TheTVKing.

USA's Psych returned this week with "Lock, Stock, Some Smoking Barrels and Burton Guster's Goblet of Fire." That very long episode title finds Shawn (James Roday) and Gus (Dule Hill) called to Britain for undercover work by none other than Despereaux (Cary Elwes), who claims to have been working for INTERPOL the entire time they've known one another. But as the boys get involved in the case, they start to suspect INTERPOL is yet another clever cover for the cunning crook.

"Lock, Stock, Some Smoking Barrels and Burton Guster's Goblet of Fire" is fun because if brings back Despereaux and, for a time, paints him in a new light. He's a fan-favorite recurring player for a reason, though he seems more toned down this go 'round, having limited screen time and posing as an upstanding intelligence agent. At first, it's kind of cool to learn he might not be a bad guy, since he's very likeable, but that also takes away his edge, so in the end, viewers may be left a tad disappointment by his appearance.

It's also sad that we get only a couple of brief glimpses of Officer Lassiter (Timothy Omundson) back in Santa Barbara. Last year left us on quite the cliffhanger for his character, and not only is that not dealt with at all, but we don't even see any of the other main characters or how the police station is operating. Thus, while this premiere is an amusing little event episode, it doesn't deliver on those who love the serial arcs of the show.

The case itself is hokey. Shawn's antics usually get him into trouble, but that's OK because he has police protection. Here, not only is Shawn drawn into a dangerous gang run by Ronnie Ives (Vinnie Jones, Lock, Stock and Two Smoking Barrels), but he unnecessarily puts Gus in the line of fire, as well. There is nonsensical and then there is just plain stupid, and Shawn takes a huge risk putting both he and his best friend's lives in a delicate situation.

It's true that Ronnie is tickled by Shawn's outrageous personality, and that could make it OK to accept the premise. However, there are two others in the gang, 'Arry (Andrew Kavadas, Underworld: Evolution) and Dierdre (Olivia d'Abo, The Wonder Years), and these two aren't so easily fooled. Thus, the risks Shawn takes are unacceptable, even for Psych.

Psych has always straddled the line between comedy and crime drama, typically leaning more towards the former than the latter. But because there is death and peril in the series, the line walked has been a thin one, keeping things just a hair shy of overly campy in order to make it work. "Lock, Stock, Some Smoking Barrels and Burton Guster's Goblet of Fire" crosses that line into inane territory, pushing what should have been a great episode into a lesser category.

Now, the comedy parts of the installment still land. Gus' obsession with Harry Potter, being detained by the TSA for carrying a wand and walking around wearing wizard robes, is great. Shawn recklessly driving a car through an obstacle course and hitting every obstacle, trying to play it off as on purpose, it good, too. Plus, there are jokes to be had at Britain's expense involving meat pies and such, and a terrific one-liner quoting an unexpected source. But that isn't enough to save the hour.

Maybe next week, back in familiar settings with the entire cast returned, will be better. Or maybe, eight seasons in, the show has run its course and has now officially jumped the shark. My guess is, the answer lies somewhere between these two extremes, with the occasional emotionally hefty episodes landing, while other frivolous stinkers like this one making up the rest of the current run.

Psych airs Wednesdays at 9 p.m. ET on USA.

PSYCH Sings For Its Supper

Article first published as PSYCH The Musical Review on Seat42F.

USA’s PSYCH has been off the air for far too long, and returns this weekend with “Psych the Musical.” In the two hour special, Shawn (James Roday) and the others attempt to bring to justice an escaped mental patient named Z (Anthony Rapp, Rent) who has a grudge against a certain theater company. An old foe returns to help, and demands singing and dancing as her price for information. Is all as it seems?

NOTICE: What follows contains some plot spoilers. I won’t ruin anything too big or what happens at the end (so nothing much more revealing than what’s already on IMDB), but if you’d rather not know anything ahead of time, you may want to wait to read this.

The biggest foe in PSYCH’s past is Yang (Ally Sheedy), the serial killer with a personal interest in Shawn. She is brought back out for “Psych the Musical,” allowing her to participate in a big episode. I feel like this is a pretty appropriate use of her. She should only return sparingly and with effect, and although she is not exactly the center of this story, she still plays a sizeable role, making her appearance worth it.

Mary Lightly (Jimmi Simpson) also comes back, but since he died during his last guest spot, I won’t go any further than to say he sings well and is brought in through a creative twist most should appreciate.

The premise of why PSYCH is doing a musical is thin. Yes, Yang demands that Shawn sing for her, but before that, the characters have already been crooning away, so it’s not just at Yang’s behest that the songs pour forth. Unlike Scrubs, which featured a patient who imagined her doctors singing, or Buffy the Vampire Slayer, where a demon cursed the cast to speak melodically, or Grey’s Anatomy, which had a story of hallucinations (all three terrific efforts), “Psych the Musical” is not so well thought out.

However, that’s kind of par for PSYCH. I love the series and all its references to pop culture, but it’s always been a series that doesn’t go deep. It’s much more focused on being funny than developing characters, and even though some wonderful arcs have snuck in, they are not the mission, making the show more enjoyable than high-quality. Believability has been stretched before to match a genre, so it’s in keeping with the usual tone that it happens again here.

“Psych the Musical” concerns a pretty typical case. While the run-time is two hours (including commercials), which allows space for musical breaks, the story itself is only an hour’s worth of mystery. The clues are typical, at best, and nothing particularly monumental happens. One wishes, especially with the inclusion of Yang and Mary, the writers had stretched themselves a little further, but oh, well, too late now.

The music itself is not bad. It’s campy and not particularly original, but that’s kind of the charm PSYCH seems to be going for. Although it was released that sixteen numbers were produced, many are repeats of an already-used tune, just with different lyrics. This isn’t necessarily a bad thing, just an observation that there truly isn’t as much variety as one might think.

Roday proves to be a more than capable singer, as does Dule Hill (Gus), who is light on his feet, as well, leading to a great, big opening. Gus also gets the finale to himself, which is a bit understated for my taste, not ending nearly as big as the episode starts. Lassiter (Timothy Omundson) is good on the base lines, and his harmonious sparring with Sharn are among the best moments of “Psych the Musical.” Juliet (Maggie Lawson) doesn’t seem particularly talented in this arena, but does a passable job when needed, and Vick’s (Kirsten Nelson) solo is brief, but effective. Woody (Kurt Fuller) is fantastic in his simple piece.

Henry (Corbin Bernsen) absolutely refuses to participate, which is in keeping with his character, so it works. Buzz (Sage Brocklebank) seems like he would really like to join in, but Lassie shuts him down repeatedly, again something that is appropriate for the part.

Z only has one number, which is disappointing, given Rapp’s resume. I understand the focus is on the main players, but when one casts a guest star of this pedigree for a musical, one should use him much more than PSYCH does. Even worse, Barry Bostwick (The Rocky Horror Picture Show) doesn’t get to sing at all. If that’s how “Psych the Musical” wants to use its guest stars, fine, but don’t bring in people viewers expect to hear if they’re going to be wasted.

Overall, I found “Psych the Musical” a middling effort. I was entertained, but wasn’t left desiring to download the music or listen to the songs again, as I have been after other shows’ attempts. I love musicals in general, so it’s a bit sad. But, the style of this installment is consistent with the rest of PSYCH, so on that count, it is decent.

“Psych the Musical” airs Sunday at 9 p.m. ET on USA.

Rather Not Get BACK IN THE GAME

Article first published as BACK IN THE GAME Review on Seat42F.

When it was announced that Maggie Lawson would miss multiple episodes of USA’s Psych, possibly in its final season, to star in a new sitcom for ABC, the hope was that it would be as good as the show she was leaving, worth the sacrifice fans would have to make to lose her, similar to her co-star Dule Hill’s early departure from The West Wing for Psych, which was a step down, but not an indigestible one.

Sadly, despite all of her charm, Maggie’s new series, BACK IN THE GAME, is the worst new fall series I’ve watched so far this year, and in the past few years, too.

Maggie stars as Terry Gannon, Jr., the daughter of former baseball player and current drinker Terry “The Cannon” Gannon, Sr. (James Caan, Las Vegas, The Godfather). Terry is forced to move back home with a father she thinks doesn’t love her for financial reasons after a messy divorce from a husband who cheated on her. When her son, Danny (Griffin Gluck, Private Practice), wants to play the detested game, Terry is forced to confront her childhood miseries and coach a team of misfits.

That’s right, a team of misfits. Just like The Bad News Bears, Ladybugs, The Mighty Ducks, and oh so many other sports films. Terry’s group consists of a bunch of kids who will never, ever be good, and one wonders how these boys ever even though about trying out in the first place. The only thing missing is an out-of-place girl, though I guess that’s Terry herself. If the show decides to let the team improve, it will do the same disservice those fondly remembered, but not very good, movies did to viewers.

They do have a rival team, the one the kids were cut from, which is run by an aptly named man, Dick (Ben Koldyke, How I Met Your Mother). Dick is a jerk straight out of an early nineteen-nineties stereotype who thinks that girls can’t play (or coach) baseball, insults soccer for doing the same thing baseball does, and has no talent to back up his boasting. It’s the epitome of a poorly written character in a poorly written scenario. Surely, Dick must be a love interest for Terry, after she fixes him.

As you might have guessed, Dick has a son named David (Copper Roth) who is just as much of a bully as his father. Completely independent of Dick and Terry’s rivalry, David picks on Danny. It’s a shame that the story is so lazy, but that’s the way it is.

Danny deals with his tormentor by kissing him full on the lips to scare David off. It’s a move that seems smart and impresses David’s girlfriend, Danny’s crush, Vanessa (Kennedy Waite). Instead of celebrating the one thing in the “Pilot” that stands out, though, the show plays it off as a dated gay joke. Very disappointing.

Of course, Terry coaching and fighting with these other people is really just an excuse for her to work things out with The Cannon. The same writers who created Dick might think they are clever by switching genders and making it be a daughter who has to make peace with her dad, but it’s just as stale as if Terry had been a son.

What I can’t figure out is who The Cannon is. He’s a guy who never showed up to a single one of his daughter’s college baseball games and can’t remember his own grandson’s name, but also will bust a car window to protect his family and has lots of games Terry played in secretly videotaped. I think the point is to show he loves Terry but doesn’t know how to communicate it. However, this makes no sense in considering other things The Cannon does or says, unfortunately putting a very black mark on Caan’s otherwise impressive resume.

Rounding out the cast is Terry’s instant new best friend Lulu, played by respected British actress Lenora Crichlow (Being Human). Why Crichlow would hitch her wagon to such a forgettable effort is baffling, and one wishes better for her in the near future.

BACK IN THE GAME doesn’t have to be as bad as it is, but it is truly bad. Might it improve with time? There’s always a slim possibility. There just seems to be no shred of promise in the entire first half hour.

BACK IN THE GAME’s “Pilot” is available on Hulu now and will premiere on ABC Wednesday, September 25^th at 8:30 p.m. ET.

PSYCH Fights "Trout" Invasion

Article first published as PSYCH Fights "Trout" Invasion on TheTVKing.

USA's Psych concludes its seventh season (possible the penultimate) with "No Trout About It." At first, this installment seems like a typical episode, albeit with much of the action told in flashback as the four central investigators tell the story of the case. But then, the hour takes an unexpected turn with some major department shakeups.

The flashback conceit has been pretty done to death on television in the past decade or so. That being said, it's used so often because it can work well, and "No Trout About It" is a decent example of that. The opening is enticing, and the story unfolds in a fun way, with the reactions of those in the room as the tale unspools adding to the enjoyment of the proceedings. Thus, it's fine here.

I really like how on the same page Lassiter (Timothy Omundson) has gotten with Shawn (James Roday), Gus (Dulé Hill), and Juliet (Maggie Lawson). When Psych begins it is sort of the two cops squared off against the two consultants. As Juliet warms to Shawn and Gus, Lassiter sometimes begins to feel like an outsider. However, now, as evidenced in this episode, he does have affection for Shawn and Gus, even if he gets annoyed by them. The character hasn't abandoned who he is, but he's grown in a satisfying way.

Which is why Lassiter doesn't sell out Shawn and Gus for not following procedure to the man grilling them, Harris Trout (Anthony Michael Hall, Dead Zone). Not so long ago, Lassiter would only be too happy to get the pair out of his hair. Now, when an outsider comes in and judges the work this particular police department does, Lassiter closes ranks. At least, he does once he realizes that ranks need closed.

Trout's purpose and goal is unclear in "No Trout About It," but hopefully it is an arc that will extend into next season. Is he there to clean things up? Their case closure rate appears to be good, even if their city still has high crime. Is he looking for ways to improve things, or is he just trying to be a hero, or teach them something? I don't know, but I like the mysterious, interesting way Hall tackles the character, and am anxious to explore this further.

At the end of the episode, Trout fires McNab (Sage Brocklebank), cancels Shawn and Gus's deal, and suspends Karen (Kirsten Nelson) for six months, naming himself the new interim chief. Psych could easily pick up six months later and just show us the end of Trout's tenure, skipping over what happens while Trout is in charge of the department. But it would be much better to have Karen earn her place back, hopefully with the help of Shawn, Gus, Juliet, and Lassiter. They are a team, and maybe Trout just wants to see them come together. Or, if not, they can prove to him why they should be allowed to continue as they have been.

And McNab must return. He's never been a central part of the Psych story, but he is a familiar fixture who deserves some payoff before the end. I want to see his value acknowledged by the team, and the other characters work to help him. We'll see if McNab gets this deserved resolution.

Psych is on hiatus, and will return this fall to USA.

Psych's 100th Clue

Article first published as Psych's 100th Clue on TheTVKing.


USA's Psych presents a special 100th episode tonight. Titled "100 Clues," the installment is a tribute to the cult-1980s comedy film, Clue. In that spirit, the hour has many references to the movie, and guest stars three Clue alumni: Christopher Lloyd, Martin Mull, and Lesley Ann Warren.

The premise looks familiar: Shawn (James Roday) and Gus (Dulé Hill) attend a mysterious dinner party at a spooky mansion. Once there, they learn they have been invited by a rock star named Billy Lipps (Steve Valentine, I'm in the Band), whom they helped put away for murder, and whom has recently been released from prison. Their fellow diners include others who testified against Billy: his manager (Mull), a groupie (Warren), and a biographer (Lloyd). Billy doesn't seem to be holding a grudge, but soon bodies begin piling up.

As a huge fan of Clue, there are plenty of fun references. We get a singing telegram girl, running back and forth as a theory is unspooled, a funny bit about adding numbers, a secret room, and more. It's nice to see some of the actors return, even if they are in entirely different roles, and the house has the right look to pull off a tribute. Plus, it's a dark and stormy night, of course.

But it's not a full-on Clue remake. In fact, the tone feels more like classic Psych than the movie. Shawn is still center stage, Shawn and Gus have their familiar banter, and when Juliet (Maggie Lawson) and Lassiter (Timothy Omundson) arrive to investigate a missing person, it becomes yet another crime the team must solve. For those who have never seen the movie, they will not be at all lost.

Which is a bit of a shame. I was really hoping for more Clue stuff. Obviously, the entire cast couldn't return. Madeline Kahn, my favorite of the troupe, sadly passed away in 1999. Michael McKean is still recovering from an injury last spring. There hasn't been any mention I could find about why Eileen Brennan isn't present, though she doesn't have many credits as of late. And while the original plan was to build "100 Clues" around Tim Curry's previous Psych guest character, the actor was ultimately unavailable when it was time to film. Twice. But a bit more of the dialogue style and camera shots would have made for a more faithful tribute.

"100 Clues" also fails to deliver as an awesome Psych episode. Part of this is a structural necessity. "100 Clues," like Clue, has filmed three alternate endings. Fans will vote during the East and West cost airings tonight, and two separate finales will likely air. (The third, unfortunately, is reportedly being held for the DVD release.) Because of this, the story must play out so that any one of the five main suspects could be culpable right up until the end, making for a twisty, impossible-to-predict criminal.

I really like the conceit of the film because "Who done it?" is not the point of the tale; it's a series of comedy sketches with zany characters that works incredibly well. With a less talented cast (I'm sorry, but it's true) and a cohesive murder investigation part of the Psych formula, it doesn't quite come together as it should.

Also, although "100 Clues" opens with a case from five years ago, during the time the series was on the air, the opening bits don't relate to any previous Psych episodes, which would have made for a better way to celebrate 100 episodes of the show. Should we blame Curry for this, too?

That being said, I did greatly enjoy Mull, Lloyd, Warren, Saturday Night Live alum Garrett Morris as the butler. They all have some terrific one-liners and some interesting character choices. Morris, in particular, has some witty repartee with Gus involving stereotypes. Of the four, Lloyd is the least used, but a couple of Back to the Future references should satisfy his fans, too.

Besides the structure, the second reason "100 Clues" doesn't quite do it for me is because of the lack of a real emotional stake. I dig the Shawn-torn-between-Gus-and-Jules conceit, which is a recurring theme, but other than that, there isn't much to grab onto. Last season, Psych deepened its characters, committing Shawn to being in a real romantic relationship, depressing Gus, expanding Lassie, and putting Henry's life at risk. This year, much effort has been made to return to the light-hearted, frothy procedural, which feels a little hollow now that we've seen that the actors can dig deeper. I know it keeps the series delivering what some fans want, but for those who see the potential for something greater, it's a disappointment.

Even the opening credits of the episode, which have new graphics that are a throwback to the Clue board game, aren't Psych's most original, keeping the regular, short version of the theme song.

Will I continue to watch Psych through to the end, likely after next season? Of course. I've enjoyed it this long, and will probably continue to do so, on some level. But it's not as good as it can be, nor the best show on USA, and so even "100 Clues," what should be a major triumph, is only middling in terms of quality.

At least we still have the upcoming musical episode to hold out hope for.

Psych airs Wednesdays at 10 p.m. ET on USA.

Psych returns to "Santabarbaratown 2"

Review first published as PSYCH Review Season 7 Episode 1 Santabarbaratown 2 on Seat42F.

Grade: 86%

Warning: This review contains spoilers. 

USA’s PSYCH picks up right where last year left off in the new season premiere, “Santabarbaratown 2.” Shawn (James Roday) vows to find Henry’s (Corbin Bernsen) shooter, even though Jules (Maggie Lawson) warns him that he’s too emotional to be part of the investigation. Emotional, he is, but he’s also still Shawn, which means he is the best chance of bringing the bad guy to justice.

Most of the time, on television, when the cops are after a perp, anyone who is too close to the case is promptly taken off the job. Sure, it’s practically a cliché at this point that the detective will still pursue whatever leads they can, and most likely catch the villain. But they are usually ordered to stay away, and they sometimes get in trouble for refusing to do so.

PSYCH breaks this streak when Karen (Kirsten Nelson) tells Shawn to go after Jerry (Max Gail), as the police don’t know where to look for him. From a storytelling perspective, this is great because it doesn’t do what everyone else does, and makes it a bit easier for Shawn to stay focused. From a realistic point of view, though, this may be campy, stretching things too far, as Karen couldn’t actually condone Shawn’s actions, even in the roundabout way that she does, and still be considered a smart boss. She has to know she’s setting up a potential disaster waiting to happen. She’s supposed to be a professional!

Henry, too, does the wrong thing, giving Shawn clues from his hospital bed. In Henry’s case, it’s a little more understandable because he has limited contact with the outside world, and Shawn may be the only person that he can pass what he knows onto. But why would Henry want to put his son in danger? Shawn may routinely work with law enforcement, but he doesn’t carry a gun, and he can’t be prepared for this.

Gus (Dule Hill) is worried about him, of course, but Gus also tries to beg out of helping Shawn with his task. Gus can be a wimp, but at a time when his friend really needs him, and this is that time, he should be able to man up. The fact that he does so only reluctantly, with the rules of an out being brought up repeatedly, is disappointing.

PSYCH is a comedy, so we know right from the start that “Santabarbaratown 2” won’t verge too darkly. Yet, we also see Shawn act in a manner he never has before. His jokes have a biting bitterness behind them, not usually present. He acts shaken, and his heart isn’t in being funny. He barely pretends to be a psychic when finding a secret room in Jerry’s house. He seems to crack the one-liners out of habit, or to ground himself, rather than to try to be funny for others, as he usually does. It’s a whole different way to see the character.

For a second, at the very beginning, Shawn really gets raw. Thinking his father might die, he says some deep words. Roday handles the moment fantastically, balancing Shawn’s personality with how anyone would feel in this situation. It’s weird for the role to go in this direction, but also satisfying when we see how much Henry’s injury affects Shawn.

Which is promptly ruined by Woody (Kurt Fuller), entering prematurely with a body bag. And it’s not the last time Woody, whom I normally love, screws up a scene this week.

This continues throughout the episode. For every time Shawn lets his anger out and wrecks Jerry’s house, he also sneaks into a gun club wearing half a fake beard. I understand the desire to keep the tone of the series faithful to the rest of the installments, but shooting Henry in the manner they did breaks that rule. While Shawn shows signs of being changed a bit, no one and nothing else matches this shift. I really wish they embraced the drama in “Santabarbaratown 2,” even if for only one hour.

The worst offense along these lines is bringing back Chelsea (Arden Myrin), Henry’s stalker ex-girlfriend, who stays by his side in the hospital. Even Henry can’t be allowed to wallow and reflect upon what has happened, being dragged into unnecessary punch lines.

The best part of the episode is when Lassiter (Timothy Omundson) helps Shawn. It’s not entirely unexpected, from glimpses we’ve been given of Lassiter’s depth before, and based on the circumstances, but it does make for some very enjoyable moments and terrific dialogue between the characters.

Though, why Lassiter only goes as far as he does, instead of helping finish the job, is confusing, and a bit of a plot hole, even if it gives Shawn the opportunity to confront Jerry himself.

As a PSYCH episode, “Santabarbaratown 2” is good, and ranks as average when held up against other installments. But compared to what it could have been, a brave, new choice that would let the actors and writers try something new, it’s a bit of a disappointment.

PSYCH airs Wednesdays at 10 p.m. ET on USA.

- See more at: http://www.seat42f.com/tv/psych-review-season-7-episode-1-santabarbaratown-2#sthash.k5T5U3s4.dpuf

USA’s PSYCH picks up right where last year left off in the new season premiere, “Santabarbaratown 2.” Shawn (James Roday) vows to find Henry’s (Corbin Bernsen) shooter, even though Jules (Maggie Lawson) warns him that he’s too emotional to be part of the investigation. Emotional, he is, but he’s also still Shawn, which means he is the best chance of bringing the bad guy to justice.

Most of the time, on television, when the cops are after a perp, anyone who is too close to the case is promptly taken off the job. Sure, it’s practically a cliché at this point that the detective will still pursue whatever leads they can, and most likely catch the villain. But they are usually ordered to stay away, and they sometimes get in trouble for refusing to do so.

PSYCH breaks this streak when Karen (Kirsten Nelson) tells Shawn to go after Jerry (Max Gail), as the police don’t know where to look for him. From a storytelling perspective, this is great because it doesn’t do what everyone else does, and makes it a bit easier for Shawn to stay focused. From a realistic point of view, though, this may be campy, stretching things too far, as Karen couldn’t actually condone Shawn’s actions, even in the roundabout way that she does, and still be considered a smart boss. She has to know she’s setting up a potential disaster waiting to happen. She’s supposed to be a professional!

Henry, too, does the wrong thing, giving Shawn clues from his hospital bed. In Henry’s case, it’s a little more understandable because he has limited contact with the outside world, and Shawn may be the only person that he can pass what he knows onto. But why would Henry want to put his son in danger? Shawn may routinely work with law enforcement, but he doesn’t carry a gun, and he can’t be prepared for this.

Gus (Dule Hill) is worried about him, of course, but Gus also tries to beg out of helping Shawn with his task. Gus can be a wimp, but at a time when his friend really needs him, and this is that time, he should be able to man up. The fact that he does so only reluctantly, with the rules of an out being brought up repeatedly, is disappointing.

PSYCH is a comedy, so we know right from the start that “Santabarbaratown 2” won’t verge too darkly. Yet, we also see Shawn act in a manner he never has before. His jokes have a biting bitterness behind them, not usually present. He acts shaken, and his heart isn’t in being funny. He barely pretends to be a psychic when finding a secret room in Jerry’s house. He seems to crack the one-liners out of habit, or to ground himself, rather than to try to be funny for others, as he usually does. It’s a whole different way to see the character.

For a second, at the very beginning, Shawn really gets raw. Thinking his father might die, he says some deep words. Roday handles the moment fantastically, balancing Shawn’s personality with how anyone would feel in this situation. It’s weird for the role to go in this direction, but also satisfying when we see how much Henry’s injury affects Shawn.

Which is promptly ruined by Woody (Kurt Fuller), entering prematurely with a body bag. And it’s not the last time Woody, whom I normally love, screws up a scene this week.

This continues throughout the episode. For every time Shawn lets his anger out and wrecks Jerry’s house, he also sneaks into a gun club wearing half a fake beard. I understand the desire to keep the tone of the series faithful to the rest of the installments, but shooting Henry in the manner they did breaks that rule. While Shawn shows signs of being changed a bit, no one and nothing else matches this shift. I really wish they embraced the drama in “Santabarbaratown 2,” even if for only one hour.

The worst offense along these lines is bringing back Chelsea (Arden Myrin), Henry’s stalker ex-girlfriend, who stays by his side in the hospital. Even Henry can’t be allowed to wallow and reflect upon what has happened, being dragged into unnecessary punch lines.

The best part of the episode is when Lassiter (Timothy Omundson) helps Shawn. It’s not entirely unexpected, from glimpses we’ve been given of Lassiter’s depth before, and based on the circumstances, but it does make for some very enjoyable moments and terrific dialogue between the characters.

Though, why Lassiter only goes as far as he does, instead of helping finish the job, is confusing, and a bit of a plot hole, even if it gives Shawn the opportunity to confront Jerry himself.

As a PSYCH episode, “Santabarbaratown 2” is good, and ranks as average when held up against other installments. But compared to what it could have been, a brave, new choice that would let the actors and writers try something new, it’s a bit of a disappointment.

PSYCH airs Wednesdays at 10 p.m. ET on USA.

- See more at: http://www.seat42f.com/tv/psych-review-season-7-episode-1-santabarbaratown-2#sthash.k5T5U3s4.dpuf

USA’s PSYCH picks up right where last year left off in the new season premiere, “Santabarbaratown 2.” Shawn (James Roday) vows to find Henry’s (Corbin Bernsen) shooter, even though Jules (Maggie Lawson) warns him that he’s too emotional to be part of the investigation. Emotional, he is, but he’s also still Shawn, which means he is the best chance of bringing the bad guy to justice.

Most of the time, on television, when the cops are after a perp, anyone who is too close to the case is promptly taken off the job. Sure, it’s practically a cliché at this point that the detective will still pursue whatever leads they can, and most likely catch the villain. But they are usually ordered to stay away, and they sometimes get in trouble for refusing to do so.

PSYCH breaks this streak when Karen (Kirsten Nelson) tells Shawn to go after Jerry (Max Gail), as the police don’t know where to look for him. From a storytelling perspective, this is great because it doesn’t do what everyone else does, and makes it a bit easier for Shawn to stay focused. From a realistic point of view, though, this may be campy, stretching things too far, as Karen couldn’t actually condone Shawn’s actions, even in the roundabout way that she does, and still be considered a smart boss. She has to know she’s setting up a potential disaster waiting to happen. She’s supposed to be a professional!

Henry, too, does the wrong thing, giving Shawn clues from his hospital bed. In Henry’s case, it’s a little more understandable because he has limited contact with the outside world, and Shawn may be the only person that he can pass what he knows onto. But why would Henry want to put his son in danger? Shawn may routinely work with law enforcement, but he doesn’t carry a gun, and he can’t be prepared for this.

Gus (Dule Hill) is worried about him, of course, but Gus also tries to beg out of helping Shawn with his task. Gus can be a wimp, but at a time when his friend really needs him, and this is that time, he should be able to man up. The fact that he does so only reluctantly, with the rules of an out being brought up repeatedly, is disappointing.

PSYCH is a comedy, so we know right from the start that “Santabarbaratown 2” won’t verge too darkly. Yet, we also see Shawn act in a manner he never has before. His jokes have a biting bitterness behind them, not usually present. He acts shaken, and his heart isn’t in being funny. He barely pretends to be a psychic when finding a secret room in Jerry’s house. He seems to crack the one-liners out of habit, or to ground himself, rather than to try to be funny for others, as he usually does. It’s a whole different way to see the character.

For a second, at the very beginning, Shawn really gets raw. Thinking his father might die, he says some deep words. Roday handles the moment fantastically, balancing Shawn’s personality with how anyone would feel in this situation. It’s weird for the role to go in this direction, but also satisfying when we see how much Henry’s injury affects Shawn.

Which is promptly ruined by Woody (Kurt Fuller), entering prematurely with a body bag. And it’s not the last time Woody, whom I normally love, screws up a scene this week.

This continues throughout the episode. For every time Shawn lets his anger out and wrecks Jerry’s house, he also sneaks into a gun club wearing half a fake beard. I understand the desire to keep the tone of the series faithful to the rest of the installments, but shooting Henry in the manner they did breaks that rule. While Shawn shows signs of being changed a bit, no one and nothing else matches this shift. I really wish they embraced the drama in “Santabarbaratown 2,” even if for only one hour.

The worst offense along these lines is bringing back Chelsea (Arden Myrin), Henry’s stalker ex-girlfriend, who stays by his side in the hospital. Even Henry can’t be allowed to wallow and reflect upon what has happened, being dragged into unnecessary punch lines.

The best part of the episode is when Lassiter (Timothy Omundson) helps Shawn. It’s not entirely unexpected, from glimpses we’ve been given of Lassiter’s depth before, and based on the circumstances, but it does make for some very enjoyable moments and terrific dialogue between the characters.

Though, why Lassiter only goes as far as he does, instead of helping finish the job, is confusing, and a bit of a plot hole, even if it gives Shawn the opportunity to confront Jerry himself.

As a PSYCH episode, “Santabarbaratown 2” is good, and ranks as average when held up against other installments. But compared to what it could have been, a brave, new choice that would let the actors and writers try something new, it’s a bit of a disappointment.

PSYCH airs Wednesdays at 10 p.m. ET on USA.

- See more at: http://www.seat42f.com/tv/psych-review-season-7-episode-1-santabarbaratown-2#sthash.k5T5U3s4.dpuf

'Psych' flirts with greatness in season finale

USA's Psych season finale this week is called "Santabarbaratown." Playing with the plot of the movie Chinatown, "Santabarbaratown" finds Henry (Corbin Bernsen) going back on active duty as a detective when a cold case he worked years ago reopens. What may have kept the case from being solved before is a conspiracy involving Henry's old co-workers. Through it all, Henry's son, Shawn (James Roday), struggles with the relationship between father and son. And then Henry is shot, changing everything.

Psych is a great as a comedy version of the crime procedural, that often throws in some really neat, creative stories. But "Santabarbaratown" is different. Movie parody aside, the stakes are higher here. Shawn wrestles with his self-identity, and the image he has of his father. He also faces a maturing romantic relationship. In short, it's a much-delayed coming of age episode for the central character of the series.

Is it time for Shawn to grow up? One could argue that without Shawn and Gus's (Dulé Hill) zany antics, Psych wouldn't be Psych. And that's true. There is a level of humor here not found in the many other similar shows on television, and the comedy is done very well. But verging into dramatic territory has never been a bad thing for the series, and taking itself a little more seriously could lead to some welcome growth.

Shawn's arrested development has been wearing off for a few seasons. One cannot be a full-grown man-child forever, and still be happy and successful in life. Shawn's romance with Juliet (Maggie Lawson) can be credited for much of this shift. Shawn has to really deal with emotions, and look inside himself. And it's working. He's slowly growing up. He's fun, but that's not all there is to him. At the end of "Santabarbaratown," as Shawn and Juliet agree to an arrangement that sounds like moving in together, or the first step towards it, viewers may be struck by how far Shawn has come, even if he still has a ways to go.

Even more importantly, "Santabarbaratown" forces Shawn to look at his father as a person. Shawn has long idolized Henry, as hard a time as he gives him, and his hero worship is called into question when the naughty activities of Henry's friends are exposed. Henry emerges unscathed because he really is the man that Shawn has built him up to be. But, perhaps surprisingly, Henry gives Shawn credit for what he has made of himself. As Shawn remembers how he always wanted to be a cop like his father, it's suddenly clear that Henry might see Shawn as such now, and not without good reason.

Henry being shot at the end of "Santabarbaratown" is a potential game changer. Henry will probably be fine, and Psych will resume the inane formula that makes it so good. But ponder a second path. What if Henry dies? Wouldn't that make a heck of a final season, with Shawn struggling to live up to the image of his father, and really facing mortality for the first time? Not that Bernsen wouldn't be missed greatly; he's an essential element of the show. But he could also play a vital role without being on screen much, and the commonly used flashbacks would mean so much more knowing that Henry only lives on in them now.

This would really only be effective should next season be announced as the last one for Psych. But it would raise the series to a whole new level, and make for a truly memorable arc. Too bad it's so unlikely to happen. Psych is always entertaining. Might it consider being something more than that?

Psych will return to USA next fall.

If you like my reviews, please follow me on Twitter! Please click here to get DVDs and streaming episodes of Psych.

Psych plays at Indiana Jones in mid-season premiere

USA's Psych resumes its sixth season with the episode "Indiana Shawn and the Temple of the Kinda Crappy, Rusty Old Dagger." Shawn (James Roday) and Gus (Dulé Hill) fail to safeguard the art they are tasked with protecting. To get it back, Shawn calls old friend and art thief Pierre Despereaux (Cary Elwes) in to help. Despereaux has a break in his trial, and so accepts. But during the case, Despereaux is blown up by the real crook (Mädchen Amick, Damages, Californication). Can Shawn and Gus finish solving the mystery by themselves? And will Shawn ever learn to deal with death? 

Psych is a comedy series, and thus, Despereaux's death is unexpected. When Shawn hangs onto the notion that Despereaux somehow fakes his demise, it's easy to believe him. Until Henry (Corbin Bernsen) presents Shawn with a positive DNA match. Of course, Despereaux really is alive, but kudos to Psych for creating such a wonderfully played fake out.

The tale of Despereaux's death is meaningful because it address how Shawn cannot deal with losing anyone. In flashback, viewers see this begins with pets in Shawn's childhood. In the present day, he has a very difficult time accepting grief. It's a character element not played up until this episode, and an interesting one. It can be extrapolated that much of Shawn's cavalier attitude springs from his resistance to real emotion, and is a coping mechanism to avoid pain. Faced with the possibility that Despereaux is actually dead, Shawn flounders.

Psych is big on referencing pop culture in its episodes, and "Indiana Shawn and the Temple of the Kinda Crappy, Rusty Old Dagger" continues that proud tradition. Obviously, the big reference here is to Indiana Jones. Some famous scenes and props are recreated, at least partially, in the episode. Also, the great John Rhys-Davies (Lord of the Rings, Sliders), who plays Sallah in two of the Indiana Jones films, guest stars this week in Psych as a museum curator.

The only real complaint to be had with the latest Psych adventure is that it, once again, skirts around the larger character arcs. There is a short scene at the beginning of the episode in which Gus confronts Shawn about an engagement ring. Shawn deflects, per usual, and while Gus seems annoyed at the time, he doesn't bring it up for the rest of the hour. Fans want to know the meaning of the ring! Does Shawn intend to propose to Juliet (Maggie Lawson)? Is he discouraged because she isn't ready yet? Sure, cases of the week can be fun, but for goodness sakes, get to the meat of the character relations more than twice a season, Psych!

A more minor gripe is Lassiter's (Timothy Omundson) utter disregard for Shawn's feelings at losing his friend, Despereaux. Sure, Lassie can be callous at times. But when things get dark, he tends to be human and sympathetic. That is not evident in this episode at all, as he continues to jibe at Shawn and say cold things about Despereaux's death. It's a little too much, even for Lassie.

All in all, a decent return for Psych, though one wishes this installment took a touch that was a little less light. Watch Psych Wednesdays at 10 p.m. ET on USA.

MORE: If you like my reviews, please follow me on Twitter! Please click here to get DVDs and streaming episodes of Psych. Article first published as TV Review: Psych - "Indiana Shawn and the Temple of the Kinda Crappy, Rusty Old Dagger" on Blogcritics.

Psych takes "Neil Simon's Lover's Retreat"

     In the mid-season finale of USA's Psych, Shawn (James Roday) tries to get romantic with Juliet (Maggie Lawson) on a retreat, hence the title, "Neil Simon's Lover's Retreat." But their room is robbed by a con artist couple, Clive and Barbie, (Jason Priestley, Call Me Fitz, and Jennifer Finnigan, Better With You) that they befriend, and then a dead body turns up. Meanwhile, Gus (Dulé Hill), Lassiter (Timothy Omundson), and Henry (Corbin Bernsen) grow tired of being alone, and soon end up helping to solve the case. Except, Henry is pursued by a crazy chick named Chelsea (Arden Myrin, MADtv, Suburgatory), whose digits he got in a bar.

     Cool fact: "Neil Simon's Lover's Retreat" is written by actor Carlos Jacott (Big Love), who guest starred in last week's episode. Also, Tony Hale (Arrested Development, Chuck) guest stars as the real murdered, bringing the total of significant guest stars in this episode to an astounding four. Great job!

    "Neil Simon's Lover's Retreat is a fun spin on a normal Psych episode, which plays with relationships. The pairing of Lassiter, Henry, and Gus is unexpected, yet enjoyable. Shawn is a main focus in both Henry and Gus's lives, so with him out of town, it seems natural that the two might come together somewhat. Lassiter is generally less social, but his character is softening over time, and wanting to hang out with his co-workers socially, especially when his least favorite, Shawn, is out of the picture, makes sense. Plus all three are somewhat inept with their interpersonal skills, so they make a sensible grouping.

     Even bigger is Juliet and Shawn's romantic relationship, which gets some rare time to breathe in "Neil Simon's Lover's Retreat." The two have been together for a little while now, and their relationship is progressing slowly. Usually, each episode of Psych contains only a small amount of their chemistry, with the main mystery being the central storyline. This week, that is thankfully more balanced.

     Interestingly, commit-phobic Shawn brings a ring with the intent to propose. Juliet never finds this out, and when the subject of their relationship is broached, she says she isn't ready. Is she covering because she doesn't want to pressure Shawn, the same way he babbles his agreement with her feelings? Or are they both on the same page, but aren't quite ready to speak it out loud? Hopefully, it's the latter, because a marriage between the two would really shake things up.

     Even better, the ring is discovered by Gus. Will he give it back to Shawn? It has taken Gus some time to be all right with Shawn and Juliet as a couple. He certainly feels lonely, and often like the odd man out. Is Gus ready to share his best friend in such an important way? Or might he hide the ring for awhile, hoping that will prevent Shawn from making the huge step before Gus can come to terms with it? Sadly, Psych ends without answering any of these questions, and will probably take their time (a.k.a. the rest of the reason) before settling anything for anxious viewers.

     Psych will return in late February on USA.

     If you like my reviews, please follow me on Twitter!

     Please click here to get DVDs and streaming episodes of Psych.

"Shawn rescues Darth Vader" in Psych

     In the sixth season premiere of USA's Psych, "Shawn Rescues Darth Vader," Shawn (James Roday) rescues Darth Vader. Or, more accurately, Shawn breaks into a diplomat's house to steal back a rare Darth Vader action figure for a kid. While there, Shawn encounters a dead body, and soon he's in over his head. With Lassiter (Timothy Omundson) close to finding proof that Shawn is not a psychic, as well as digging for the truth about Shawn and Juliet (Maggie Lawson), Shawn must solve the case and maintain his cover. 

     Psych often attracts good guest stars, and "Shawn Rescues Darth Vader" continues that trend. The ambassador whose house the murder takes place in is played by Malcolm McDowell (Franklin & Bash, Entourage), and his assistant is Polly Walker (Caprica, Rome). Neither performer distracts from the main plot, nor upstage the lead characters. However, their professionalism and excellence enhances the story, keeping viewers from being taken out what is going on.

     The murder is merely one of the plots going on in this episode, and certainly not the most important. As stated, one big event is Lassiter closing the noose around Shawn. After Lassie suspects that Shawn and Juliet are dating, he gets Shawn hooked up to a lie detector. The motivation here is his feeling betrayed by his partner, but Lassiter also takes the opportunity to question the legitimacy of Shawn's psychic abilities. Thank goodness Henry (Corbin Bernsen) taught Shawn how to beat a lie detector as a child, and Shawn makes it through unscathed.

      Lassiter overreacts, of course, to the news that Jules is secretly with Shawn. Juliet has good reason for hiding this tryst from her partner, and she can still be trusted by him about everything else. Without good reason, Juliet would not lie to Lassie. On the other hand, there's a great throwback to the "Pilot" of the series, when Lassie mentions Shawn getting his previous partner, Lucinda (Anne Dudek, Covert Affairs, House), transferred. Interestingly, Lassie is / was in love with Lucinda, which draws a sort of parallel between Shawn and Juliet, and may explain why Lassiter takes trust so seriously. Hopefully, Lassie's platonic affection for Juliet will prevent him from seeking revenge on Shawn.

     This relationship could effect Juliet's job if Chief Vick (Kirsten Nelson) decides to pursue it — she learns about it when Shawn admits to being in love with Juliet while hooked up to the lie detector. Vick seems to let Juliet off the hook, but we'll see if that continues next week.

     Also, it's worth noting that Shawn confesses his feelings before steeling himself to beat the machine, so he's most likely sincere. Whether Juliet may call this into question when she inevitably finds out that Shawn is lying this whole time about being a psychic remains to be seen, but it probably won't be an issue. It seems like Juliet may already know the truth about her guy, but allows him the fib as long as Shawn helps them solve their cases. After all, without the psychic gimmick, Shawn wouldn't get all of his consulting gigs with the police.

     The real problem with "Shawn Rescues Darth Vader," if there is one, is that Psych sticks with the shortened version of its theme song this week. The short cut is quite mediocre, though updating the images does excite this viewer slightly. Sometimes Psych runs a longer, extended version of the tune, which is truly amazing. Any episode without the longer cut is disappointing, and after going without a fresh episode for nearly the last 10 months, a fix of the good stuff is needed. Perhaps next week?

     Psych also stars the very funny Dulé Hill. Watch it Wednesdays at 10 p.m. ET on USA.

     If you like my reviews, please follow me on Twitter!

     Please click here to get DVDs and streaming episodes of Psych.

Article first published as TV Review: Psych - "Shawn Rescues Darth Vader" on Blogcritics.

Psych climbs Twin Peaks

     I wish I had watched Twin Peaks back in the day. Of course, I was seven years old when the show premiered, and nine when it was canceled, so I certainly missed the boat, age wise. Still, watching this week's episode of USA's Psych, I can't help but long to see the series that was once wildly popular, and then was pulled after only two seasons. As a non-fan of Peaks, I only caught some of the many, many references I am told were packed into last night's episode. And most of the things I did catch, I assumed were there to be caught, without really getting where they came from. The cinnamon pie, the Log Lady, a burned down mill, Ray Wise's suddenly white hair, the owl, Lodge Blackman, crazy dancing, donuts, a redone theme song. They were all obviously supposed to mean something, and I hope they did for the legions of former Peaks fans out there.

     The episode was called, appropriately enough, "Dual Spires", and is widely reported to be a James Roday passion project. Roday stars in the show as faux-psychic detective Shawn Spencer. In this week's episode, he gets a mysterious e-mail that leads him to a town where a young girl's body is found in the water and wrapped in plastic, a homage to Peaks. The hour (plus eight minutes) also featured seven of Peaks's former stars, including the aformentioned Wise (returning as a character he played on Psych last year), Sheryl Lee, Sherilyn Fenn, Dana Ashbrook, Catherine Coulson, Lenny Von Dohlen, and Robyn Lively. A huge number, that easily explains why the episode ran longer than in normal weeks.

     As a Psych episode, it was fairly standard. Good movie references, Shawn referring to Gus (Dule Hill) by a name that wasn't his, a murder that must be solved. There were no big developments for the regular Psych characters. It was a love letter to a show from long ago, and that was the entire point. In that regard, I believe it succeeded, although, again, I'm probably not the best person to make that call.

     This is not the first time Psych has done a themed episode, or deviated from the normal season arc. It may be the entry that required the most work, though, with everything that went into it.  Watching the episode, it's impossible not to be impressed with everyone involved, and how such a fine episode came together, staying true to Psych, but honoring a television legend such as Twin Peaks.

     Even though the Twin Peaks references are done, there is still plenty of Psych.  The show airs new episodes of its fifth season Wednesdays at 10pm on USA.

For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.