Showing posts with label Christopher Lloyd. Show all posts
Showing posts with label Christopher Lloyd. Show all posts

Monday, September 18, 2017

More BANG Ready For Your Bucks

Article first published as Blu-ray Review: 'The Big Bang Theory - The Complete Tenth Season' on Blogcritics.

CBS’s The Big Bang Theory completed a full decade on the air last spring. The 24-episode Complete Tenth Season, now out on Blu-ray, DVD, and digital, brought some changes to the sitcom. Relationships matured and deepened, the family expanded, and scientific advancement came with some challenges. While perhaps not as fresh as it once was, the series does remain entertaining, and this was a pretty good batch.

The biggest changes in The Complete Tenth Season revolved, predictably, around Sheldon (Jim Parsons) and Amy (Mayim Bialik). Early on, they move in together. Unsurprisingly, it takes an abnormal event to push such an overdue, big step in their union. And yet, Sheldon handles it a lot more gracefully and openly that he would have even a year or two ago. Which makes their subsequent coitus more genuine. Sheldon will always be the Sheldon we were first introduced to in many ways. More important than these steps are the ways in which we see Amy soften him in all aspects of his life, as well as how he has matured in handling disruption. This is key for a series that’s been on this long.

A little less groundbreaking is how the arrival of Howard (Simon Helberg) and Bernadette’s (Melissa Rauch) baby is dealt with. Yes, the inclusion of Raj (Kunal Nayyar) and Stuart (Kevin Sussman) in the plot make it a little more screwball. In general, though, there isn’t much difference in The Big Bang Theory‘s approach than how other situation comedies have done the same thing previously. The best parts are when we see Bernadette struggle with going back to work and Howard doubt his abilities as a father because of his own upbringing, and I’m glad they didn’t lean into either too melodramatically. Also, tying baby Hallie (Pamela Adlon, Better Things) to Howard’s departed mother is a great move. But I still wish they’d found a more original approach.

Rounding out the ensemble, Leonard (Johnny Galecki) and Penny (Kaley Cuoco) are feeling pretty solid and comfortable this year, especially after their second wedding. Raj slowly gets his love life and independent finances in order. These both show evolution, but like the above, they contribute to The Big Bang Theory‘s leveling out, with less departure from the typical fare in the genre every year. There are some truly funny bits, such as how the pregnancy is revealed to certain characters. But overall, it feels like it might be time to start looking for an end game. Or switch to shorter, more focused seasons like some of the revivals are doing these days.

As in the past, The Big Bang Theory – The Complete Tenth Season, has plenty of great guest stars. Besides the returns of Judd Hirsch, Laurie Metcalfe, Christine Baranski, Keith Carradine, Brian Posehn, Riki Lindhome, and the too-long-gone Brian Thomas Smith, we get Christopher Lloyd (Back to the Future), Jack McBrayer (30 Rock), Katey Sagal (Sons of Anarchy, Married… with Children), and Dean Norris (Breaking Bad). The show stays focused on its leads, as it should, but it has done a good job of filling in other key roles with terrific and appropriate performers, some of whom viewers anxiously await the return of.

As far as extras go, the series brings back the charming #JustAskBBT segment, where cast members answer fans’ questions. There’s a featurette on family, which makes total sense, given the role relations played in several of the stories this year. There’s another on some of the more interesting props, one on the baby, and a humorous gag reel.

The Comic Con panel from 2016 is also included, too late as in most releases. But what’s cool about this one is that it’s the writers and other behind-the-scenes people being interviewed, not the actors, and Rauch serving as a very energetic moderator. That makes it more fun than some of the other panels I’ve seen lately.

The Big Bang Theory – The Complete Tenth Season is on sale now.

Friday, March 29, 2013

Psych's 100th Clue

Article first published as Psych's 100th Clue on TheTVKing.


USA's Psych presents a special 100th episode tonight. Titled "100 Clues," the installment is a tribute to the cult-1980s comedy film, Clue. In that spirit, the hour has many references to the movie, and guest stars three Clue alumni: Christopher Lloyd, Martin Mull, and Lesley Ann Warren.

The premise looks familiar: Shawn (James Roday) and Gus (Dulé Hill) attend a mysterious dinner party at a spooky mansion. Once there, they learn they have been invited by a rock star named Billy Lipps (Steve Valentine, I'm in the Band), whom they helped put away for murder, and whom has recently been released from prison. Their fellow diners include others who testified against Billy: his manager (Mull), a groupie (Warren), and a biographer (Lloyd). Billy doesn't seem to be holding a grudge, but soon bodies begin piling up.

As a huge fan of Clue, there are plenty of fun references. We get a singing telegram girl, running back and forth as a theory is unspooled, a funny bit about adding numbers, a secret room, and more. It's nice to see some of the actors return, even if they are in entirely different roles, and the house has the right look to pull off a tribute. Plus, it's a dark and stormy night, of course.

But it's not a full-on Clue remake. In fact, the tone feels more like classic Psych than the movie. Shawn is still center stage, Shawn and Gus have their familiar banter, and when Juliet (Maggie Lawson) and Lassiter (Timothy Omundson) arrive to investigate a missing person, it becomes yet another crime the team must solve. For those who have never seen the movie, they will not be at all lost.

Which is a bit of a shame. I was really hoping for more Clue stuff. Obviously, the entire cast couldn't return. Madeline Kahn, my favorite of the troupe, sadly passed away in 1999. Michael McKean is still recovering from an injury last spring. There hasn't been any mention I could find about why Eileen Brennan isn't present, though she doesn't have many credits as of late. And while the original plan was to build "100 Clues" around Tim Curry's previous Psych guest character, the actor was ultimately unavailable when it was time to film. Twice. But a bit more of the dialogue style and camera shots would have made for a more faithful tribute.

"100 Clues" also fails to deliver as an awesome Psych episode. Part of this is a structural necessity. "100 Clues," like Clue, has filmed three alternate endings. Fans will vote during the East and West cost airings tonight, and two separate finales will likely air. (The third, unfortunately, is reportedly being held for the DVD release.) Because of this, the story must play out so that any one of the five main suspects could be culpable right up until the end, making for a twisty, impossible-to-predict criminal.

I really like the conceit of the film because "Who done it?" is not the point of the tale; it's a series of comedy sketches with zany characters that works incredibly well. With a less talented cast (I'm sorry, but it's true) and a cohesive murder investigation part of the Psych formula, it doesn't quite come together as it should.

Also, although "100 Clues" opens with a case from five years ago, during the time the series was on the air, the opening bits don't relate to any previous Psych episodes, which would have made for a better way to celebrate 100 episodes of the show. Should we blame Curry for this, too?

That being said, I did greatly enjoy Mull, Lloyd, Warren, Saturday Night Live alum Garrett Morris as the butler. They all have some terrific one-liners and some interesting character choices. Morris, in particular, has some witty repartee with Gus involving stereotypes. Of the four, Lloyd is the least used, but a couple of Back to the Future references should satisfy his fans, too.

Besides the structure, the second reason "100 Clues" doesn't quite do it for me is because of the lack of a real emotional stake. I dig the Shawn-torn-between-Gus-and-Jules conceit, which is a recurring theme, but other than that, there isn't much to grab onto. Last season, Psych deepened its characters, committing Shawn to being in a real romantic relationship, depressing Gus, expanding Lassie, and putting Henry's life at risk. This year, much effort has been made to return to the light-hearted, frothy procedural, which feels a little hollow now that we've seen that the actors can dig deeper. I know it keeps the series delivering what some fans want, but for those who see the potential for something greater, it's a disappointment.

Even the opening credits of the episode, which have new graphics that are a throwback to the Clue board game, aren't Psych's most original, keeping the regular, short version of the theme song.

Will I continue to watch Psych through to the end, likely after next season? Of course. I've enjoyed it this long, and will probably continue to do so, on some level. But it's not as good as it can be, nor the best show on USA, and so even "100 Clues," what should be a major triumph, is only middling in terms of quality.

At least we still have the upcoming musical episode to hold out hope for.

Psych airs Wednesdays at 10 p.m. ET on USA.