Ending Far From AWKWARD.

Article first published as Ending Far From AWKWARD. on TheTVKing.

MTV's Awkward. has easily been, hands down, the best series the network has ever produced. This week, the third season ends with "Who I Want to Be," which also marks the last episode helmed by creator Lauren Iungerich. The hour-long installment, double the length of the typical episode (as was last week's penultimate), fittingly brings central character Jenna (Ashley Rickards), and others, full circle. It could easily have served as a series finale - though Awkward. will continue on with a new showrunner next year.

Awkward. begins with a letter. Jenna's mother, Lacey (Nikki Deloach), anonymously sends her daughter a list of things to change about herself. The author is the mystery of season one, and Jenna is quite effected by the words. When it comes out that Lacey is responsible, it almost ruins Jenna's parents' marriage, and fractures the relationship between mother and daughter.

The story has moved past that, but it's appropriate to bring it up again now. Jenna has undergone quite a few changes this year, going through a phase where she cheated on her boyfriend and fell out with her besties. In "Who I Want to Be," she has mostly succeeded in rebuilding what she destroyed and is trying to figure out the type of person she should be going forward. This letter is part of her growth, a catalyst really, and she considers it along with her answer, as she should.

Lacey finds Jenna reading the letter and the two have a moving heart-to-heart. They've suffered tribulations together and come out the other side stronger than ever, both individually and as a pair. It's a reflective scene which really tells us who the women are, how far they've come and what they mean to one another. Both actresses do a terrific job with this emotional stuff, and many viewers will likely be moved to tears by the result. I dare say this may be my favorite moment of the year, if not the show as a whole.

Jenna's introspection comes because of an assignment from Mr. Hart (Anthony Michael Hall). Although the teacher seems grumpy and abrasive, if not downright cruel, at the start, there's something really cool about the way he and Jenna connect, and how he pushes Jenna to do her best work. She has talent in the field of writing, and he knows how to manipulate her to bring out the best. That, combined with the experiences Jenna has had, allow her to figure out both what to put and how to act. I hope this dynamic continues, as Jenna still could take things much further.

A lot of Awkward. has concerned Jenna and boys, which is expected for a story about a teenage girl. First she was with Matty (Beau Mirchoff), then Jake (Brett Davern), then back with Matty, then Collin (Nolan Funk), the latter being a physical attraction only. And part of "Who I Want to Be" does find Jenna pining over Matty, who she has not gotten over. She wants him to ask her to prom and he doesn't.

But that's not all Jenna is. Some girls may pin themselves to a guy, however, there is more to Jenna. She gets to tell Collin off in a triumphant moment. She tells Matty the door is still open for him, but she also knows she's survive, even thrive, if he never comes back to her. Then, even better, she dances by herself at the prom, happy and confident, not needing anyone else. This doesn't mean she's lonely; in fact, she's never been more solid with her loved ones. It just shows that she's a full individual who has accepted herself and is ready to move on to the next chapter of her life, whatever that may be.

Jenna isn't the only one who's blossomed. Ming (Jessica Lu) has found her confidence and her place. Tamara (Jillian Rose Reed) and Jake have bliss. Lacey regrets mistakes she's made because she's learned not to make them again. Matty is able to heal and enjoy himself with Bailey (McKaley Miller), a worthy date. Even Sadie (Molly Tarlov) has to smile, in love with a boy named Austin (Shane Harper), who gets her in a way no one else ever has.

"Who I Want to Be" is mostly about Jenna, though, as it should be. She's the heart of the show and the reason why we tune in. There's only been one brief period I didn't like her and had trouble relating (during this year's destructive phase), but the finale of this season makes that other stuff worth it. A person is not created already fully-formed, and over three glorious seasons, we've witnessed the evolution of Jenna. Beautiful.

Awkward. will return for a fourth season sometime in 2014 on MTV.

An AWKWARD "Surprise!"

Article first published as An AWKWARD "Surprise!" on TheTVKing.

MTV's Awkward. resumed its third season this week with "Surprise!" Tamara (Jillian Rose Reed) catches Jenna (Ashley Rickards) and Collin (Nolan Funk) making out, angrily telling Jenna to knock it off. Jenna knows that her friend is right, she should not be cheating on Matty (Beau Mirchoff). Matty's attempts to make Jenna's birthday special only make her feel worse, and he's not the only one with plans for the day.

I love MTV's Awkward. and have always been a big supporter of the series, telling many friends about it and swaying lots of people I know to give it a try. That being said, I am really hating the Jenna-Collin storyline. It would be one thing if Jenna was torn between two guys; that's happened on the show before legitimately. But cheating, as she does, is just wrong.

Jenna is the main character. We want to like her and root for her. When she goes this far off course, though, doing things most viewers will agree is wrong, it hurts her character. It's OK to have a crisis of faith and struggle to do the right thing. It's not OK to have Jenna knowingly carry on a wrong affair.

What "Surprise!" shows us is that Jenna and Collin's relationship is all about hormones. They can't keep their hands off one another long enough to have a talk. This isn't the basis of a healthy relationship, anyway, only the start of a hot tryst that will cool off as quickly as it is fired up. Knowing Collin isn't Jenna's true love, at least not without a lot of growth and change, makes Jenna's actions even more inexcusable.

Awkward. is a very authentic story of a teenage girl, and that's why I've always loved it. Yes, it's natural to think anyone in such a situation, all of the sudden having become popular and beloved because she has come out of her shell, could let it all go to her head and screw up big. That's probably why "Surprise!" takes us down this path, in keeping with what has come before it.

Yet, we also want our television leads to be heroic, even if only in small, common ways. Jenna having the sense to keep her hands off Collin, or to break things off with Matty first, are what we're looking for her to do, and as much as this other version does have lots of drama, a must for a series to stay interesting, it's the wrong kind of drama. It will take a lot for Jenna to come back from this.

Thankfully, her friends feel the same way in the little bits we've seen of them reacting to it. At the end of "Surprise!", everyone important now knows about the affair, so we'll probably see even more of this in the weeks to come. By allowing Tamara and the others to condemn Jenna, Awkward. may just provide itself a path through this dark stuff and onto better things. If nothing else, at least Jenna's behavior isn't glamorized or celebrated, so it's not like the writers are trying to convince us to think something we're opposed to.

Awkward. is still authentic and enjoyable. It's just really hard to watch Jenna act this way, making "Surprise!" squirm-worthy, too. It reminds me of why I can't watch the film Mean Girls because sometimes teenage girls just become completely terrible people for awhile. It's a phase many go through; I'd just hoped Jenna might be an exception.

Meanwhile, Ming (Jessica Lu) is undergoing a similar transformation, the power of being head of the Asian Mafia threatening to derail her being with Fred Wu (Kelly Sry). She doesn't really cross any lines, though, which I am most grateful for. Having two characters screw up royally right off the bat would not be a good way to start a run.

I must say I am still really, really enjoying Mr. Hart (Anthony Michael Hall). His crabby, witty lines definitely add some good humor to the proceedings. He's a terrific recurring addition to the cast.

Awkward. airs Tuesdays at 10:30 p.m. ET on MTV.

PSYCH Fights "Trout" Invasion

Article first published as PSYCH Fights "Trout" Invasion on TheTVKing.

USA's Psych concludes its seventh season (possible the penultimate) with "No Trout About It." At first, this installment seems like a typical episode, albeit with much of the action told in flashback as the four central investigators tell the story of the case. But then, the hour takes an unexpected turn with some major department shakeups.

The flashback conceit has been pretty done to death on television in the past decade or so. That being said, it's used so often because it can work well, and "No Trout About It" is a decent example of that. The opening is enticing, and the story unfolds in a fun way, with the reactions of those in the room as the tale unspools adding to the enjoyment of the proceedings. Thus, it's fine here.

I really like how on the same page Lassiter (Timothy Omundson) has gotten with Shawn (James Roday), Gus (Dulé Hill), and Juliet (Maggie Lawson). When Psych begins it is sort of the two cops squared off against the two consultants. As Juliet warms to Shawn and Gus, Lassiter sometimes begins to feel like an outsider. However, now, as evidenced in this episode, he does have affection for Shawn and Gus, even if he gets annoyed by them. The character hasn't abandoned who he is, but he's grown in a satisfying way.

Which is why Lassiter doesn't sell out Shawn and Gus for not following procedure to the man grilling them, Harris Trout (Anthony Michael Hall, Dead Zone). Not so long ago, Lassiter would only be too happy to get the pair out of his hair. Now, when an outsider comes in and judges the work this particular police department does, Lassiter closes ranks. At least, he does once he realizes that ranks need closed.

Trout's purpose and goal is unclear in "No Trout About It," but hopefully it is an arc that will extend into next season. Is he there to clean things up? Their case closure rate appears to be good, even if their city still has high crime. Is he looking for ways to improve things, or is he just trying to be a hero, or teach them something? I don't know, but I like the mysterious, interesting way Hall tackles the character, and am anxious to explore this further.

At the end of the episode, Trout fires McNab (Sage Brocklebank), cancels Shawn and Gus's deal, and suspends Karen (Kirsten Nelson) for six months, naming himself the new interim chief. Psych could easily pick up six months later and just show us the end of Trout's tenure, skipping over what happens while Trout is in charge of the department. But it would be much better to have Karen earn her place back, hopefully with the help of Shawn, Gus, Juliet, and Lassiter. They are a team, and maybe Trout just wants to see them come together. Or, if not, they can prove to him why they should be allowed to continue as they have been.

And McNab must return. He's never been a central part of the Psych story, but he is a familiar fixture who deserves some payoff before the end. I want to see his value acknowledged by the team, and the other characters work to help him. We'll see if McNab gets this deserved resolution.

Psych is on hiatus, and will return this fall to USA.

Awkward. "Cha-Cha-Cha-Changes"

Article first published as Awkward. "Cha-Cha-Cha-Changes" on TheTVKing.

As MTV's Awkward. moves into its third season, changes are afoot. Jenna (Ashley Rickards) is now a junior and has been happy for months in her relationship with Matty (Beau Mirchoff). But upon returning to school, she finds herself out of step with both her friends and her new studies. And a death among the student body forces everyone to re-evaluate their priorities and feelings.


Jenna is faced with a pregnancy scare, and confides in her mother, Lacey (Nikki Deloach). I love the scene where the two make the pregnancy seem like a good thing, psyching themselves up in case this is a reality, Lacey being very supportive. They are both relieved when the test comes back negative, but the way that they interact is nice, and I'm glad to see their relationship returning to normal after the strain of last season. Deloach is rocking this role.

There are rumors going around that Sadie (Molly Tarlov) could be knocked up, and Jenna makes friendly overtures. The episode is written in such a way that we don't realize Jena is going through her own scare, painted as a kind act, rather than a plea from a kindred spirit. I really like the way this unfolds, keeping the truth a surprise. Plus, I like Sadie as character, no matter how terrible she is as a person, and am glad she doesn't seem to be going anywhere.

Jenna's father, Kevin (Mike Faiola), who has never been really central to the show, is completely absent from both half hours. I do wonder if he will be back in the picture in a large way anytime soon, or if he has been permanently reduced to a recurring role. I also wonder if he is necessary, as his chemistry with Jenna has never been explored as much as her bond with Lacey, and so he hasn't established himself as someone that has to be full-time in Jenna's story. It doesn't seem like it hurts the tale that he's less in the picture right now, as long as he doesn't disappear entirely.

Ming (Jessica Lu) is also pushed to the background quite a bit, but I'm excited to see her get some plot right out of the gate this year, playing a long game against the Asian Mafia. She may still be pushed to the side in some episodes, but hopefully this is a sign that she will be a bigger player, finally taking her place alongside the more central cast members, and promoted to the main cast.

Lissa (Greer Grammer), too, feels a bit more played up in the season premiere. I noticed that her name now also graces the opening credits, and even though she doesn't have much story of her own this week, she's seen more often and has more dialogue. I like her character, and if we're lucky, she'll be someone we see around on a consistently larger basis.

Jenna feels right with Matty. I liked her with Jake (Brett Davern) a lot last season, but she seems more comfortable with this boyfriend. It's great that Awkward. can paint both boys as viable romantic partners, and make their relationships feel so different. I think that Jenna is with the right guy, and hope that she doesn't go back to Jake.

Which is not to say that I am completely on board with the Jake / Tamara (Jillian Rose Reed) pairing. It's cool for now, but they don't seem like they'll be long-term. I guess that's something we'll have to wait to see play out.

With Jake and Matty as their guys, Tamara and Jenna have officially and fully moved out of geek status. They definitely seem more involved with the rest of the student body as a whole, especially at Ricky's wake. It's less that they aren't nerdy any more and more that they are opening up and getting out of their shells, and their classmates accept them. I appreciate the changing perspective without ruining the characters. Well done.

The other major challenge that Jenna faces this week is that Valerie (Desi Lydic) signs her up for a creative writing course with the abrasive Mr. Hart (Anthony Michael Hall, Dead Zone, The Breakfast Club). Jenna doesn't want to take the class, despite her love of writing, as we've seen with her blog. Why not? Is it because she hesitates to share herself? Does she just see writing as a hobby, not something to get serious about?

I do think Valerie does the right thing here, even if she might go about it the wrong way, going behind Jenna's back. Jenna is bound to learn some good lessons from Mr. Hart, as much of a jerk as he seems at the start. Maybe Jenna will end up thanking Valerie in the end.

I admit, I did not see the death of Ricky Schwartz (Matthew Fahey) coming. He is a comic relief character, and while he isn't much liked, I didn't think he would be killed off. He's present to stir up trouble, and his unexpected passing actually stirs up less than he did in life, closing a chapter of rockiness for some characters who have plenty of it. Tamara gets some peace, and despite a strong emotional reaction, it doesn't destroy her relationship with Jake, as it look for a moment that it might.

It is surprising that the cause of death is exposure to a peanut, which Ricky is allergic to. Did someone do it on purpose? I don't think so, as that would be much darker than Awkward. has dared to tread. Death is not outside of their tone, but only when it is handled in an irreverent way. That's why suicide couldn't be an actual possibility here. But it seems odd that Ricky would consume something he has had to be on the lookout for his whole life.

The effects of Ricky's death are not sadness, as Awkward. is a comedy. It doesn't change who the series is, nor cross into territory too far outside of its established patterns. I do think, considering that the biggest strength Awkward. possesses is its authenticity, that a little more grief should have crept in. Yet, that would strayed away from the series' mood. So it's really a no-win scenario, meaning I wish this plot had been skipped, as it forces an inconsistency one way or the other.

That being said, I have few complaints about the rest of the two episode premiere. The plots continue along the courses charted, and while some changes have occurred, they feel natural and mostly earned. The characters continue to act like teenagers would act, which means screwing up when we think they should be responsible, especially when it comes to relationships, and the jokes still land. Overall, it's a fitting return for a great show.

Awkward. airs Tuesdays at 10 p.m. ET on MTV.

Warehouse 13 makes a "Stand" with "Emily Lake"

    SyFy's Warehouse 13 did a special, two hour season finale this week. The episodes were titled "Emily Lake" and "Stand," and featured a major showdown with Walter Sykes (Anthony Michael Hall, Dead Zone, The Breakfast Club). The team discover that Skyes is going after H.G. Wells (Jaime Murray), and try to beat him to the punch. They do, but Sykes's guys take H.G. from them before they get very far. One of those guys is Jinks (Aaron Ashmore), who is secretly undercover for the Regents. H.G. is living under a different identity, but soon her memory is restored. Sykes kills Jinks, blows up Warehouse 13, and Mrs. Frederic (CCH Pounder) dies as a result. Only time will tell if Artie (Saul Rubinek) has the power to put things back together.

     "Emily Lake" and "Stand" are the two best episode of Warehouse 13 yet. Abandoning the case of the week format, these two hours concentrate on this season's larger arcs, including a showdown with a major villain. There is some heavy emotional stuff, and some really moving deaths. The stakes are high, and the writers aren't afraid to rain destruction down upon this wonderful world. As such, throwing convention out the window, the series manages to be more exciting and unpredictable than ever before!

     Well, not completely unpredictable. Anyone could see Jinks being a double agent coming from a mile away. It was an obvious move for viewers, so it's a little surprising that Pete (Eddie McClintock), Myka (Joanne Kelly), and especially Claudia (Allison Scagliotti) lose faith in him. In fact, that one part does destroy the credibility a little bit. But perhaps they are just too close to it all to see the bigger picture, so it can be overlooked. Sykes doesn't overlook it though, or he's just a very bad dude. Again, Jinks's death doesn't come out of nowhere, but the rest of the showdown, including the Warehouse being blown up and Mrs. Frederic dying, and completely surprising!

     Moving on from here, it's hard to say where the series will go. As "Stand" ends, Artie holds a watch and says that it might not be too late. Fans of Warehouse 13 may remember that Artie blew up at the end of season one, and an artifact allowed him to survive. Let's hope that this clock will not set everything back to status quo, but may be used to prevent such a total, devastating fall out. Like, the destruction of the Warehouse. Even though morphing into Warehouse 13 would be mighty cool, allowing a new setting and lots of fresh ideas.

     As far as who will stay dead, that's uncertain. Sykes's guy, Marcus (Sasha Roiz, Caprica, Grimm), was able to stay alive through anything, until Claudia stopped his metronome. She intends to use it to bring back Jinks, and she should. Not only will that keep Ashmore around, a welcome addition to the cast, but give Warehouse 13 a character with a very special ability - he cannot die. As long as the metronome stays safely locked in the Warehouse.

     But might Claudia feel pressure to use the artifact instead for Mrs. Frederic? After all, she is a more vital member of the team, as far as hierarchy goes. However, it is also possible that Mrs. Frederic perishes because the Warehouse does, and only stopping that will save her. Or she could be reborn, in the same body or with a different performer, when Warehouse 14 goes into operation. Pounder is fantastic, but a new boss could also be pretty cool.

     Wells proves herself a hero once and for all with a heroic self-sacrifice. Her survival could go either way. A planned spin-off is in the works for her. If said second series takes place in her past, when she was a Warehouse agent, than she can stay dead with no consequence, and fans won't mourn too heavily because they will still get their fix of a terrific character. but should the spin-off take place in the present day, she must be saved somehow. Either way, at least she dies a hero, redeeming her completely.

     Finally, Jane's (Kate Mulgrew, Star Trek: Voyager, NTSF:SD:SUV) ending is very open ended. It certainly seems like something more will happen there, but there aren't any clues as to what. Awesome!

     Warehouse 13 will present a special Christmas episode, likely outside of the current story arcs, like last year, and then will return for season four later in 2012.

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