Article first published as TV Review: OZARK on Seat42F.
Netflix’s
newest series, OZARK, is a prime example of a streaming series that
takes more than one episode to make a true pilot. The first hour sets up
the lead character, Marty Byrde (Jason Bateman, who is also producing
the series and directing four episodes), who the man is and the
situation that drives him to desperation. But it won’t be until
subsequent installments for viewers to get to know much of the rest of
the cast and plot threads.
As OZARK begins, Marty has just found
out that his wife, Wendy (Laura Linney, The Big C), is cheating on him.
Before he decides what to do about it, his blowhard business partner,
Bruce (Josh Randall, Quarry), is caught skimming money by the drug
kingpin they launder for, Del (Esai Morales, Caprica). Del wants
revenge, but Marty thinks fast, saying Chicago is too hot to keep
working in, and proposes a move to the Ozarks
instead. Del accepts Marty’s offer, albeit on a sort of probation. So
Marty packs up his family and moves, which is when much of the ongoing
story will probably begin.
Despite realizing that much of what
unfolds over episode one is just set up, I found it a compelling,
intense hour of drama. Given that this is a streaming series, and that I
did not check cast list nor press release prior to viewing, the
installment contained many surprises, and I wasn’t quite sure what would
happen. Even a couple of familiar faces don’t survive the initial
offering, and so one can’t take for granted who the players of the show
are, or how things are going to shake out.
While Netflix
made more than one episode available, I wanted to write this review
before watching further. Knowledge colors perspective and what would be
said, and on a show like OZAK, I feel the fewer spoilers, the better. If
the other nine hours can come even close to reaching the
stress-inducing pace of the first, this will be a show people will binge
and talk about. I’d like to preserve the specialness of that status, as
I am hooked by the premiere.
Bateman and Linney are great, of course.
Linney is easy to hate right off the bat, and the ‘twists’ she is part
of, while predictable, are also necessary to get things rolling. I
assume there will be more to her. Bateman, on the other hand, seems like
such a good guy, the put-upon hero, that it’s hard to match that up
with the illegal activities we find out he’s been engaging in for some
time. Unless his quietness is guilt. OZARK doesn’t treat Marty as an
antihero or a shady character, not at first anyway, but we know he
absolutely is. Which is a testament to what Bateman can do with a role.
OZARK will be the kind of show to make
you question not only your own life choices, but wonder about the
friends and family you think you know. Who’s really out to make a quick
buck, and what moral lines will they cross (or not cross)? Who can you
trust, and at the end of the day, is everyone really just selfish? Can
love motivate people to set aside their own self-interests? These are
just some of the musings I’ve had after watching the first episode.
One of the creators, Bill Dubuque, is
the writer behind The Judge, The Accountant, and A Family Man. The
other, Mark Williams, produced two of those films. Which should tell you
the tone and type of plot to expect from OZARK. I certainly feel it
right away, and am excited to see a premise like this played out over
seasons, rather than a mere two hours. OZARK is not entirely different
than other series running right now, but has a specific take that makes
it worthy.
OZARK’s first season releases tomorrow for Netflix subscribers.
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