Article originally published as LIMITLESS Review on Seat42F.
There
are a lot of shows right now popping up to offer continuations of past
shows or movies. My review of the disappointing Minority Report posted
earlier this week, and now I tackle LIMITLESS, a sequel to the 2011 film
of the same name, which starred Bradley Cooper. The show LIMITLESS
picks up a few years later with a new young man who finds the NZT drug
that allows you access to all of your brain, and other than that,
progresses in roughly the same way the big version did.
LIMITLESS stars the excellent Jake
McDorman (Greek, Shameless, Live Free or Die Hard) as Brian Sinclair. A
failed musician, he receives a pill from his former bandmate and is
suddenly able to help his ill father (Ron Rifkin, Alias). The problem
is, when Brian goes to find more, he gets pulled into a murder
investigation and an illegal drug ring, which soon finds him on the run
from the law and worse.
I enjoyed the pilot of LIMITLESS. It
does repeat the plot of the movie a tad bit more than I’d like, but it
offers a more sympathetic hero than the film; Brian wants to help
others, not himself, and it takes us back into the conspiracy presented.
Adding Brian’s family as a major element makes the show more than a
crime drama, and the really cool return of Eddie Morra (Cooper reprising
his role) works in seamlessly for a nice set up.
What I’m concerned about is that
LIMITLESS, instead of exploring this deep, rich tapestry, will confine
itself to tracking down one lead every week, Brian working with the FBI
agents to do so. The reason I think this is the direction that the show
will take is because, a.) LIMITLESS airs on CBS, home of the crime
procedural, and b.) all of the main characters, save Brian himself, are
FBI agents. His terrific family are merely guest stars, and not likely
to be the focus of most future installments.
Now, the ensemble assembled is not one
to complain about. Brian’s ‘partner,’ Rebecca, is played by Dexter’s
Jennifer Carpenter. Along with Hill Harper’s (Covert Affairs) Boyle, she
works for Nasreen Awad (Mary Elizabeth Mastrantonio, Grimm). These are
enjoyable enough actors, and are interesting to watch in the initial
installment.
It’s just, how many of these carbon copy
shows do we need? I just wrote a review wherein I laid out the premise
of a quirky oddball with a special skill who inexplicably is allowed to
work cases with the authorities. And that description applies to what
feels like half of the scripted dramas on the broadcast networks right
now. Do CBS, NBC, and the rest feel like this is a good recipe for
long-term success? Because it’s not. A few of these will pop and provide
short-term gains, but none will see a long shelf life, nor find
passionate fans binge watching for years to come.
LIMITLESS is counting on the movie
‘prequel’ to bring in an existing audience, potentially giving it an
edge over a completely original show since there will already be fans
out there before the pilot even makes it on air. But if that premise is
just going to be contorted into a clone of other works, why is it
necessary? And will that audience stick around for very occasional
cameos from Cooper? I am inclined to think not, though I could be wrong.
I really wish CBS would get itself on
track and make more quality content, like The Good Wife. But it seems
like the network is content to help drive the nails into its own coffin,
while cable and streaming platforms like AMC and Netflix continue to
kick their butt in creativity. Oh, well. CBS has had a good run.
Everything must end. LIMITLESS will probably help them reach that finish
line.
LIMITLESS premieres September 22nd on CBS, and CBS All-Access subscribers can watch the pilot online now.
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