Article first published as WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP Review on Seat42F.
I
love that we live in the modern age where television can be done in
many different models, not just the strict, twenty-some episodes per
year for an indeterminate number of years commitment. If things had not
been shifting as they are, we would never get a gem like WET HOT
AMERICAN SUMMER: FIRST DAY OF CAMP (premiering this week on Netflix)
due to actor availability alone. Just look at the cast list, which
includes Janeane Garofalo, Jason Schwartzman, Paul Rudd, Chris Pine,
Elizabeth Banks, Christopher Meloni, Amy Poehler, Bradley Cooper, H. Jon
Benjamin, John Slattery, Josh Charles, and many more. It would not have
been possible to get them all together in a longer-format series.
WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP is actually a prequel to the 2001 film, Wet Hot American Summer.
Whereas the movie covers the last day of the year at Camp Firewood, the
eight-episode series is set eight weeks earlier, to the first day of
the season. Practically all of the adult actors from the original, both
major and minor characters, reprise their roles, with a new batch of
kids tossed in, and a ton of guest stars who are often as famous, if not
more so, than the central cast.
The question might occur to you, as it
did me, is this necessary? The movie is terrific; I just re-watched it
last night and laughed frequently. But it’s also irreverent, with a
loose plot and relatively under-developed characters. It succeeds
because of the jokes and the performances, not because of its depth.
Well, if the new version were an exact
copy, I’m not sure it would work. Sure, we could enjoy a goofy sitcom
over a longer period of time, but it would certainly get tiring if binge
watching, as many Netflix
subscribers prefer to digest their shows. Instead, WET HOT AMERICAN
SUMMER: FIRST DAY OF CAMP builds a much more complex story (i.e. can of
vegetables), interweaving a number of running subplots, intriguing
mysteries, and origin stories fans may not have known they even wanted.
Lest you worry that will take away from the style of humor that worked for Wet Hot American Summer,
it does not. The silly gags are still present, Arty (recast) still the
radio station, and the characters are the same as they ever were. They
just have a little more to do, and what they do sometimes (but not
always) has a little more importance. Continuity remains intact, as much
as it ever was.
Given the short bits this four-hour
comedy is broken up into, not everyone can show up right away. Most of
the biggest stars are back in episodes one and two, with a lot of the
smaller ones joining in episode three. The original ensemble is
supplemented mostly by cast members from writer David Wain’s other TV
show, Childrens Hospital (which also has Wet Hot American Summer stars),
and Mad Men alum, along with Wain himself, so it takes even longer to
get around to everyone.
Yet, it doesn’t feel crowded. Sure,
Michael Ian Black, for one, doesn’t have a lot to do in the first few
installments, but I’m optimistic that will change as the season goes on.
Like the movie, WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP jumps around
a lot, and that allows for lots of subplots.
Most importantly, though, it just feels
like the magic is back. True, the actors don’t pass for
sixteen-year-olds, but they didn’t in 2001, either, and the only adds to
the conceit. I was enjoying the show so much, I couldn’t stop to write
this after one or two episodes, and barely tore myself away after the
third. As someone who loves the film, I think this iteration adds to,
not takes away from, the work. I hope we eventually get to see even more
of this terrific summer of 1981.
WET HOT AMERICAN SUMMER: FIRST DAY OF CAMP was released last Friday on Netflix.
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