Article first published as A TO Z Review on Seat42F.
2014
is shaping up to be the fall of rom-com sitcoms. NBC joins the party
with A TO Z, which I mistakenly hoped to be the long-awaited original
Star Trek spin-off following librarian Mr. Atoz, but is instead a
charming tale of two people destined to be together, saddled with a
slightly clunky premise.
In the
pilot, we meet Andrew (Ben Feldman, Mad Men), a hopeless romantic who
works for an online dating website because he actually believes in
helping people find love. Unfortunately, his choice of companies may be
misguided because his boss, Big Bird (Christina Kirk, Along Came Polly),
would prefer her employees help people hook up, not find a spouse,
since the latter costs them customers. Before Andrew’s spirit is killed,
though, he meets the one he’s been searching for, Zelda (Cristin
Milioti, How I Met Your Mother), a lawyer who works in the next building
over who doesn’t exactly believe in dating.
A
TO Z is the most obvious heir-apparent to the recently ended, popular
How I Met Your Mother. It features a narrator, Katey Sagal (Sons of
Anarchy, Futurama), telling a finite tale (she says in the pilot that
Andrew and Zelda date for a little over eight months and this series is
the story of that relationship) about a guy’s search for “the one” and
some kooky friends.
But there are
differences. I mean, could A TO Z really make nine seasons our of an
eight-month timeframe? Well, admittedly, HIMYM stretched one weekend
into an entire year. More likely, though, the narration refers only to
the first season of the show, and then the couple will go from there in
one of several different directions. Those could be a break up and
restart in a seconding dating run or an engagement. Probably the former,
knowing how network television likes to stretch things out.
I’m
glad to see Milioti back on the small screen so soon. She really made
an impression in HIMYM, and is pretty much the perfect girl for a sitcom
such as this. Feldman is equally well-cast, not being as creepily
obsessive as his Mad Men character, but still exhibiting some of the
same traits that seem natural to the actor. Their parts are the more
modern version of a couple, the emotional guy and the trust-troubled
girl, the type I find relatable, even if the fact that they are together
is a tad unrealistic.
So far, the
other cast members are more punchlines than complex individuals. There
is little impression made by Andrew’s co-workers, Dinesh (Parvesh
Cheena, Outsourced) and Lora (Hong Chau, Treme), hopefully not in place
just to make the group diverse, though that is certainly a benefit of
their casting. Zelda’s friend, Stephie (Lenora Crichlow, the UK’s Being
Human), and Andrew’s pal, Stu (Henry Zebrowski, Your Prety Face Is Going
to Hell), have an unlikely history that is mined for laughs and forced
drama. But presumably they will have to become full-fledged
personalities if the show goes on for long.
Yes,
destiny and coincidence are linchpins of A TO Z, which is what
stretches believability more than anything else. In episode one, Andrew
claims to have once seen Zelda across the room at a bad concert and fell
head over heels at first glance, picturing a future together including
children. It only temporarily sends Zelda scrambling for the hills, but
it should do more than that. It’s a nice story if true, but whether or
not it is, the fact that Andrew fixates on it so immediately and
strongly seems more warning sign that sweet gesture.
Perhaps
that’s the cynic in me, having once been like Andrew, but finding the
world a little less idealistic. Ridiculous as some twists are, they
don’t totally ruin my enjoyment of a show that is sure to be
entertaining and heartwarming, if nothing else, and will probably get a
season pass on my TiVo.
A TO Z premieres Thursday, October 2nd at 9:30 p.m. ET on NBC.
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