Article first published as FARGO Review on Seat42F.
FX’s new FARGO is the story of a pregnant police chief (Frances McDormand) tracking a pair of hit man (Steve Buscemi and Peter Stormare) near the town of Fargo. The guys have been hired by a local failure (William H. Macy) to kidnap his wife in order to extort money from the woman’s father. But during the abduction, she is accidentally killed, setting off a series of dangerous, somehow funny, events. And bodies get put into a wood chipper.
FX’s new FARGO is the story of a pregnant police chief (Frances McDormand) tracking a pair of hit man (Steve Buscemi and Peter Stormare) near the town of Fargo. The guys have been hired by a local failure (William H. Macy) to kidnap his wife in order to extort money from the woman’s father. But during the abduction, she is accidentally killed, setting off a series of dangerous, somehow funny, events. And bodies get put into a wood chipper.
No, wait a second. That’s the excellent
1996 film of the same name. Remarkably, pretty much none of what I said
in the preceding paragraph applies to the story of the series, which
goes in its own direction. I’m not saying that FX’s FARGO abandons the
premise entirely. Although none of the character names have been
changed, there are some very familiar character types.
Wimpy Lester Nygaard (Martin Freeman,
Sherlock, The Hobbit) encounters by chance a hit man named Lorne Malvo
(Billy Bob Thornton, Armageddon), who encourages Lester to find his
inner man. The local police chief (Shawn Doyle, Big Love), who has a
pregnant wife (Julie Ann Emery, Hitch), and his deputies, Molly (Allison
Tolman, Sordid Lives: The Series) and Bill (Bob Odenkirk, Breaking
Bad), are looking for Lorne, though they don’t yet know who he is.
By taking some characters that seem a
lot like the ones in the movie and keeping the setting and the accents,
FARGO ties itself to the earlier work enough to bring the fans of it in.
Yet, in making some very different choices with the story from the
first scene onward, it makes the action unpredictable, keeping viewers
guessing what might happen and who could die next.
This FARGO expertly maintains the
balance between blood and laughs that one might expect. Characters (yes,
plural) that might be considered important die in the very first
installment. At the same time, the dialogue and bumbling happenstances,
especially when Lester is around, make the proceedings enjoyable and
lighter than one may expect from a program with a high body count. There
are numerous occasions when I could not help but laugh out loud, a
distinction most sitcoms fails to reach on a weekly basis.
The pilot is titled “The Crocodile’s
Dilemma.” For those unfamiliar with the logic paradox, this refers to a
crocodile kidnapping a child. The croc promises the father that he can
have the kid back if and only if the father is able to accurately
predict whether the crocodile will give him back the boy. If the father
states that the crocodile will not give back the son, then he has
correctly predicted and the croc must hand over the boy, though then
that means the father didn’t correctly predict because the crocodile
didn’t keep him.
If that makes your brain hurt, I
understand. FARGO isn’t quite as complex as all that. What it is,
though, is a well-crafted series of events, some from cause and effect,
others arising by chance, that intermix in such a way that there doesn’t
seem to be an easy, logical way out for the main players. Since the
show has ten episodes to tell their story, it isn’t obvious yet how
unwinnable the scenario will be, but it does feel like this is the type
of situation set up in “The Crocodile’s Dilemma.”
The cast is truly fantastic. Freeman and
Thornton, of course, have a body of work that implies they can handle
themselves, and they do, beautifully. But so do the rest of those named
above, along with Kate Walsh (Private Practice), Colin Hanks (The Good
Guys), Keith Carradine (Dexter), and numerous other guest and recurring
roles, with a heck of a lot more famous folks signed to appear in later
hours. Whoever put together this crew deserves major credit, as FARGO
would not work without its cast.
Strangely, there are also a couple of
parts that are left wanting, mostly because they are not played by big
names, but seem like big names should have been obtained, meaning it
feels like FARGO failed to get its first choice and settled for a
replacement. The bully introduced in the first hour is definitely a “Tom
Wilson type,” but is not portrayed by Tom Wilson. We also meet a
“Stephen Merchant type” later on. I could be wrong about the
second-choice standings, but these parts feel just too close to those
performers to be played by anyone else.
Other than that, though, I have no
complaints. FARGO is a compelling, highly entertaining masterpieces,
crafted so intelligently, and executed in the best of methods. The tiny
touches, such as a message spelled out on Lester’s refrigerator, kick
the quality up yet another notch. I am already a firm fan of this
miniseries. FARGO airs Tuesdays at 10 p.m. ET on FX.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.