Article first published as THE CRAZY ONES Review on Seat42F.
THE CRAZY ONES is the new CBS sitcom
starring Robin Williams and Sarah Michelle Gellar. Given the caliber of
talent on the project, as well as the fact that Williams tends to go big
or go home, it seems like the project will either be absolutely
terrible, or terribly terrific. After viewing the “Pilot,” I am leaning
towards the latter.
Williams (Good Will Hunting, Night at
the Museum) plays Simon Roberts, an advertising executive who runs his
own firm along with his daughter, Sydney Roberts (Gellar, Buffy the
Vampire Slayer). He is going off the rails, losing his edge, but still
prone to jumping off a cliff without a net, taking the big risks that
made him successful. She, on the other hand, is sensible, and often able
to clean up her father’s messes, but soon sees that sometimes his
method is the one that’s needed.
The characters kind of are THE CRAZY
ONES compared to everyone else, but that doesn’t make this show just a
zany version of Mad Men. Instead, the title refers to an old Apple
commercial, in which brilliant minds are highlighted as having been
considered crazy by their peers. Are Simon and Sydney creative and smart
enough to be included in this group? Perhaps not, but it’s who they
aspire to be, and influences their attitudes towards work and life,
informing on their personalities.
Williams is allowed to do what he does
best, launching from manic bit to manic bit, swiftly rolling through his
impression index. However, he isn’t doing it only to be silly. It’s a
symptom of the insecurity he feels and the control he is losing. It
actually exposes a layer of vulnerability that nicely shows through, and
makes the character not only funny, but highly sympathetic.
We do feel Sydney’s frustration with her
father, worrying he is losing his marbles or his touch almost as much
as he is, but also putting on a brave face. She covers for him when she
has to, speaks her mind in private when she can, and basically tries to
roll with his punches, respecting who he is and what he has
accomplished, while still supporting him in her own way. It’s a great
complement to the other role.
Gellar and Williams have an unexpectedly
natural chemistry. Their every line radiates a shared history, both
loving and bumpy. They seem very familiar with one another, and while
they are quite a bit different in temperament, there is still a family
resemblance that bleeds through in the best, subtle ways.
Interestingly, THE CRAZY ONES feels more
like a drama or cable half hour than your typical network sitcom. This
may be the darker style, largely avoiding the slapstick except when it’s
couched in deep feeling. There’s a serious undercurrent. Unfortunately,
this may make it a little less accessible to some viewers, though this
makes it a better series.
Williams and Gellar are buoyed by a
strong supporting cast. James Wolk (Mad Men) stands out as Zach Cropper,
a buddy to Simon, perhaps being similar to Simon in his heyday. Zach is
smooth and magnetic, something needed in the world of advertising,
charming most and actually backing that up with a good work ethic. Wolk
is sure to become a fan-favorite here, the way he has in other efforts.
There’s also Hamish Linklater (The Newsroom) as a grumpy guy who works
closely with Sydney and Amanda Setton (The Mindy Project) as an
enthusiastic, though perhaps not overly bright, assistant.
Were the “Pilot” left up to only this
ensemble, I think I would have found it even more enjoyable than I did.
Unfortunately, the story soon veers into wooing Kelly Clarkson (herself)
for a McDonald’s commercial. This is where things falter, as Kelly does
not come across as a likable individual and engages in odd activities
that don’t quite match the other scenes. I’m not sure it’s Kelly fault,
but her part of the half hour just doesn’t rise up to the rest of it,
and isn’t in sync.
Of course, this is only a “Pilot.” If
THE CRAZY ONES can build upon its positive elements, which are
definitely plenty, it could end up being a serious contender on the fall
schedule. Hopefully, that’s what will happen.
THE CRAZY ONES premieres Thursday, September 26th and 9 p.m. ET.
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