Article first published as GRACELAND Review on Seat42F.
Grade: 94%
Grade: 94%
In keeping with the trend begun by Suits
and Political Animals, USA’s latest drama, GRACELAND, features
fully-fleshed out characters in complex, compelling situations. Created
by White Collar brain Jeff Eastin, and based on a true story, this show
follows FBI, DEA, and Customs agents living together in a
government-seized beach house.
The setting is very pretty. The house is
impressive, with great views, and letting the characters spend time in
the sand and waves is fun for the viewer, too. It’s a good time based
solely on this, even if the series didn’t have much else going for it.
But it has plenty more.
There’s a dark edge to this location,
knowing that it was once the site of some bad dealings, and this tone
lives on today, underneath the surface of the friendly banter. While the
housemates seem to get along well enough, there are some secrets that
could unravel the whole thing. Perhaps keeping the name GRACELAND, which
came about because of the previous owner’s Elvis obsession, is an
intentional, constant reminder that everything is not as peaceful as it
seems.
The lead is Mike Warren (Aaron Tveit,
Gossip Girl), a recent graduate from Quantico who requested an
assignment in D.C., but was ordered to GRACELAND instead. The reason for
this is not immediately obvious, but is revealed by the end of the
“Pilot,” and should prove a driving force of the freshman year. Whatever
ulterior motives his bosses might have, though, it takes Mike no time
at all to prove he can hold his own against the veterans that he is now
living among.
Mike’s roommates include: Paul Briggs
(Daniel Sunjata, Rescue Me, Grey’s Anatomy), the leader of the dwelling
and grizzled FBI veteran, who is highly intelligent like Mike, but for
some unknown reason has been skewing outside the lines of late; Johnny
(Manny Montana, East L.A.), the class clown and friend to everyone, who
puts Mike through some affectionate hazing; Charlie (Vanessa Ferlito,
CSI: NY), who has been undercover as a junkie, and is good with the
makeup; and Dale (Brandon Jay McLaren, Falling Skies, The Killing), the
territorial customs agent.
This cast makes for quite a strong
ensemble. Dale isn’t really a part of the group, since he is the lone
person in the list that isn’t with the F.B.I., but the at-home scenes
are as entertaining as the crime fighting, providing a light-hearted
comic relief in between activities, much as a real home does, and he is
invaluable in that section. GRACELAND is where the characters can mostly
relax, and it’s refreshing for us and them to take a break from being
heroes from time to time.
In the “Pilot,” the plot involves Donnie
(Clayne Crawford, Rectify), a DEA agent who makes a mistake and blows
his cover, and his partner, Lauren (Scottie Thompson, NCIS). Mike takes
Donnie’s room, and Laura isn’t happy about it. But then Lauren’s quest
for revenge against the bad guys that shot Donnie ends up providing the
fodder for the FBI’s mission, tying the two organizations together.
It’s a shame that Donnie and Lauren
aren’t sticking around. Unlike Dale, they are central to this opening
story, and provide an example of how the different agencies work
together in GRACELAND. They have good chemistry with the others, and it
would be funny to see Mike have to find someplace else to sleep if
Donnie reclaims his room.
Instead, they will be replaced by DEA
operative Paige (Serinda Swan, Breakout Kings), whom we have not yet
been introduced to, and so it’s hard to know what she’ll bring to the
dynamic. Swan also replaced a lead from the “Pilot” in her previous
serious engagement, and so seems to be carving out her niche in the
genre.
Also of note are Gerry Silvo (Jay
Karnes, The Shield), the FBI agent in charge on the ground, though he
doesn’t live in the house, and Sam Campbell (Courtney B. Vance, Law
& Order: Criminal Intent), Mike’s boss from the East. These guys
aren’t as involved as the others, but will be pulling their strings, and
because they are played by fantastic actors who should be sticking
around for at least a bit, are worth noting.
But all of these people aside, and as
much as I like a terrific ensemble, GRACELAND’s success and draw lies
mainly in the relationship between Paul and Mike. There are lots of
layers to the interactions, and they are the two given the most
backstory. They both keep this first hour very interesting, and I’m
curious to see how this latest starring duo grows, which seems likely
have a similar vibe to Mike and Harvey on Suits.
The main action does feel a lot like
other USA shows, especially in the vein of Burn Notice. The main players
encounter someone they can’t help but feel sorry for, Felix (Mark
Adair-Rios, Love That Girl!), even though their job would be easier if
they didn’t assist him, and they probably aren’t strictly under an
obligation to do so. It’s the kind of thing designed to instantly endear
characters to viewers, and even though the attempt is transparent, it’s
done well and tied into larger arcs, and so works. The show also boasts
a more serious version of Psych’s humor, especially when a movie cover
story comes up.
GRACELAND has a lot going for it, from
sharp writing to terrific acting to an impressive production. It is the
total package, combining the best elements of other shows on the
network, so it still feels like a USA series, but also providing its own
spices to make it unique. I can tell after only a single hour that this
is a series to set a season pass for.
GRACELAND airs Thursdays at 10 p.m. ET on USA.
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