Grade: 94%
Some who have heard the premise of
AMERICAN HORROR STORY ASYLUM might be surprised when the story begins in
present day. Leo (Maroon 5′s Adam Levine) and Teresa (Jenna
Dewan-Tatum, The Playboy Club) are a fear-addicted couple on their honey
moon, intent on having sex in the scariest of places. Their travels
bring them to Briarcliff, a former mental hospital. While there,
something attacks Leo, making their good times turn to bad.
This glimpse into the present day, while
one hell of an opening scene, is not just that. Some scary movies may
have a stand-alone tease before getting to the main story, but the fact
that Leo and Teresa are visited later in the episode, “Welcome to
Briarcliff,” points to a different agenda. Like season one, time is
fluid, and what has happened influences what will happen and vice versa.
The two are not main characters, but it is very likely we will see them
again.
Thus, AMERICAN HORROR STORY ASLYUM
establishes right off the bat that it is going to be as good and complex
as the first season. The actors are fantastic, the setting is rich and
detailed (and even more creepy), and the story is just as interwoven
with itself as ever. Little tidbits are teased out, with many things
remaining a mystery. The characters are written in such a way that feel
authentic, and yet, remain unpredictable. Viewers cannot possibly see
where this is going from one episode alone, but the first installment is
so tantalizing, they should want to keep coming back.
The main plot, as advertised, happens in
1964, when Briarcliff is still a functioning facility. The institution
is run by Monsignor Timothy O’Hara (Joseph Fiennes, Camelot,
FlashForward). His favorite nun, Sister Jude (Jessica Lange, American
Horror Story), is quick to judge and likes to whip people, considering
sin a horrible thing, but not hypocritically above engaging in it
herself. She has plans for Briarcliff, and O’Hara has plans for her. She
just wishes that they included sex.
Jude is definitely the most interesting,
right out of the gate. Played with a strange accent that doesn’t quite
define itself, she has an iron fist, and even her compassionate acts
come across as trying to force what her narrow mind thinks of as god’s
will, rather than to help people. She wants to cleanse the place, making
it her own. It would not be surprising if she gets her way, at least
for a time, but it won’t help the patients interned there any more than
playing the same cheery song on loop, which she insists happen in the
common room, does now.
Jude is challenged by Dr. Arden (James
Cromwell, The Artist, Six Feet Under), a man of science. Or so he says.
His “advanced” techniques include removing brains from still living
patients, and he doesn’t use anesthetic because it messes with his
tests. As cruel as Jude can be, and make no mistake about it, Jude is
cruel, Arden, with whom she clashes, does not present a better option.
And then there’s poor Sister Eunice
(Lily Rabe, also AHS), who is torn between Jude and Arden. A pathetic
soul, she may just turn out to be a hero of the piece. At least, that’s
my initial guess. Or she may remain too weak to do anything of note.
There’s also another doctor played by
Zachary Quinto, the lone main character billed who does not appear in
the season premiere. I wonder what role he’ll play in this dynamic?
The hospital’s entire world is
threatened by a reporter named Lana (Sarah Paulson, AHS again), who
wants to know what is really going on in Briarcliff. Jude tries to shut
her out, but Lana is determined, which leads her into serious trouble.
Unfortunately for her, Jude is not at all above resorting to blackmail
to protect her work, and Lana, being a homosexual in 1964, is ripe for
the picking.
AMERICAN HORROR STORY ASLYUM deals with
bigotry in an interesting way. Jude, the only obvious hater from the
start, is, of course, a detestable character. But it’s interesting there
is both a lesbian (Paulson and Clea DuVall, Carnivale) and a
interracial couple in this episode, given the time period. It’s not that
this sort of thing didn’t exist back then, it’s just that both are
living as openly as can be expected, given the societal norms, and both
are part of this story, which has only a limited view of the world.
Credit Murphy and Falchuk for their continued themes of inclusion in the
unlikeliest of circumstances.
The black and white pairing are Kit
(Evan Peters, AHS) and Alma (Britne Oldford, Skins). When Alma is found
dead, skinned alive, Kit is assumed to be the serial killer behind it,
and it placed in Briarcliff. Yet, Kit thinks he was abducted by aliens
that night, an occurrence backed up when Dr. Arden examines him. So it
Kit real, or crazy? And is Dr. Arden’s involvement in the story
imagined, or does it actually happen? My instincts tell me that Kit is
not the killer, because that was Peters’ character’s secret in the first
season. And having aliens actually be a part of this story doesn’t seem
likely. But you never know.
It’s this blurring of reality that is
bound to make AMERICAN HORROR STORY ASYLUM great. In a mental hospital,
who’s to say what is real or not? It is a place stocked with crazies
(including Lizzie Brochere, R.I.S. Police scientifique, and Chloe
Sevigny, Big Love), and depending on the perspective of the scene,
things might be seen that don’t really happen. Add to that, visual
fantasies and an actual monster, and this is a very strange, terrifying
place.
Let’s be honest. What viewers really
want to get out of this series is a good scare in a vivid world. Like
season one, maybe even more so, the latest installment delivers this in
spades, and with a large, talented cast that will provide plenty of
tangents to keep the plot moving at an acceptable intensity. If you
liked the first season, season two should not disappoint.
AMERICAN HORROR STORY premieres Wednesday at 10 p.m. ET on FX.
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