THE TICK Ticks On

Article first published as TV Review: THE TICK on Seat42F.

Before we get started with this review, I must confess, I’ve never seen any previous incarnation of The Tick. I’ve always meant to and I’m sure I would enjoy, but just never got around to it. So this article is purely about the new Amazon series.

Amazon launched a new THE TICK yesterday, a second live-action version of the comic superhero spoof. Centered around a big, blue man in a bug suit and his more timid butterfly-like chum, The Tick fights for justice and doesn’t condone killing. With cartoonish jokes and supermen and women whose names themselves are gags, this occasionally meta, delightful absurd, woefully inane series is just getting warmed up.

The lead character of THE TICK is not The Tick. No, that title, at least for these six episodes, should go to Arthur Everest (Griffin Newman, Vinyl). Arthur is arguably the unluckiest person alive, with a very traumatic childhood backstory. He does have mental health problems, but it’s a miracle that his problems aren’t crippling and he’s, more or less, leading a normal life, even if his nighttime activities are less than normal.

Enter The Tick (Peter Serafinowicz, Guardians of the Galaxy), who takes Arthur’s unfortunate hobby and makes it his life. The Tick seems to come out of nowhere. Yet, he’s clearly got history with Arthur and has been around awhile (and not just because all of the heroes and villains in the show don’t seem to age over years or even decades). But The Tick doesn’t know what he is or who he is, only that Arthur has a destiny and The Tick must help him. If anything, it’s almost like The Tick is Arthur’s sidekick, even if their personalities point to the other way around.

What follows are odd battles with people like Ms. Lint (Yara Martinez, Jane the Virgin), a woman who flows with electricity, making her a magnet for floating particles, and The Pyramid Gang. Everyone wants Arthur’s superhero suit, which isn’t really his, and there’s a bit of a comedy of errors as custody goes back and forth.

Yet, there’s also a grander story here. Very early on, we know there’s something off about the original superhero who came to this planet more than one hundred years ago, Superian (Brendan Hines, Lie to Me). There’s also a naked VLM (Very Large Man, played by Ryan Woodle) who keeps growing and walking towards population centers. There’s the question as to whether the great villain The Terror (Jackie Earle Haley, Watchmen) is still alive. All of these moving pieces don’t fully come together in the first six episodes, which seem like an extended pilot.

Normally in a show like this, I would assume there isn’t a great picture coming into focus, as this seems like a goofball comedy. Even without having seen the earlier versions, it seems unlikely they had such lofty goals. And yet, the more signs shown in each installment, the more it seems certain that THE TICK is going somewhere. Which makes it even better.

And if you’re just wanting to tune in for the humor, there’s plenty of that, too. For instance, Ms. Lint lives with her ex-husband, a weird hipster named Derek (Bryan Greenberg, How to Make It in America), Arthur’s stepdad is way, way too nice, and Ramses IV (Michael Cerveris, Fringe) keeps a sarcophagus full of power drinks. Those are just a few of bizarre things in these installments.

I’ve barely scratched the surface of what THE TICK contains. It mixes offbeat comedy with genuine superhero stories with deep mysteries with hyperreality with whatever the heck Overkill (Scott Speiser) is, plus the psychotic woman from The Following (Valorie Curry) plays Arthur’s sister. It defies easy explanation and is super addictive, as I quickly plowed through all six half hour installments in short order.

THE TICK’s first half of its first season is available now on Amazon Prime.

"Forgive" THE FOLLOWING Its Flaws

Article first published as TV Review: 'The Following' - Season 2 Finale on Blogcritics.
 
FOX’s The Following concluded its second season this week with “Forgive.” With the woman they love in danger, archenemies Ryan Hardy (Kevin Bacon) and Joe Carroll (James Purefoy) must join forces to rescue her. Will they succeed in saving their shared sweetheart from the scary psychos?

First off, The Following is cheesy. It’s more contrived than 24 ever was, and it asks the viewers to make some big leaps. For instance, the end of the penultimate installment paints the characters into a corner, with Ryan and Joe in a church surrounded by law enforcement, being watched on streaming video. Yet, somehow, they manage to get out, right past the cops, and are only noticed by the correct people? That’s quite a leap.

And yet, I still really enjoy the characters, especially Joe and Ryan. Joe is an evil man, but he can evoke sympathy from time to time, that is when he’s not actively murdering people. His earnestness in his affection for Ryan and Claire (Natalie Zea) is true, and Joe’s insistence that Ryan stay alive to continue their dynamic is almost touching. His true colors leak out occasionally, such as when he holds a knife at Claire’s throat and demands forgiveness this week, but there is still something magnetic about him.

Purefoy gets many chances to shine in “Forgive:” when he learns of Emma’s (Valorie Curry) death, as he manipulates twin abductors Luke and Mark (both Sam Underwood), and as he turns on his own follower to save Ryan. These are all moments of moving emotional developments for the cult leader, and it’s what makes him a rich character who is enjoyable to watch.

Ryan also has his moments to shine. Most of them involve how he interacts with Joe, forced to put his trust in a guy he doesn’t have any faith in at all to save Claire. But there’s also a moment, as Joe baits Luke and Mark, where we see the pain in Ryan’s eyes over (justifiably) killing his own father. It’s an important bit of back story for the role, and it’s well handled here.

In fact, once one gets past the silly escape from the church, “Forgive” is pretty good. All of the scenes in the boys’ house are intense and moving. The dialogue is well written and the actors are superb. I wanted to stay forever in the dinner scene, just watching the interaction of some masterful performers in a charged sequence.

Alas, it all must come to an end, though, so Max (Jessica Stroup) and Mike (Shawn Ashmore) burst in and start the guns blazing. One of the twins is killed, the other escapes with his brother’s body, Mike and Ryan both get moments to find out who they really are and pass the test, and Mike and Max finally kiss, something that has been building for some time. The kiss itself isn’t overly dramatic, but it has to happen to satisfy fans.

It’s an odd show where one is slightly disappointed when the action begins. The time before the showdown, though, is just so good, I want it to continue. What unfolds after is fine enough, and it ties up the season as it must. I just want more of what works best, and Ryan telling Joe they are done is very, very sad, even though it’s also untrue, as the series couldn’t continue without the two in one another’s orbits.

Ryan and Claire’s dissolution is less powerful. Sure, Ryan loves Claire and it’s painful for him to lose her, but before the climax, he is with someone else and he can just go back to her. Claire is kind of a boring character, more interesting for the things that surround her than the part itself (though I am a fan of Zea overall), and, to be honest, The Following will not suffer if she now disappears for good. Though, most likely she will be brought back at some point, given her importance to both Ryan and Joe.

The ending of “Forgive” is well-crafted to evoke tension. Ryan seemingly goes home to peace and quiet, but remembering the twists of last year, these calm bits actually ratchet up the suspense. The fake-out with the dream, where Ryan thinks the twins are in his room, is a terrific way to pay off that mood, as well as surprise the audience by not going there.

The Following leaves us with a mystery: who picks up Mark and Luke and drives them away? This is a good thread to start with for the already-ordered season three, and it’s nice that Underwood should return, as he is entertaining in the current run.

Still Following THE FOLLOWING

Article first published as THE FOLLOWING Review on Seat42F.

FOX’S THE FOLLOWING returns at a special night and time tonight with “Resurrection.” It’s been a year since Joe Carroll’s (James Purefoy) death, as well as Claire Matthews’ (Natalie Zea) and Debra Parker’s (Annie Parisse). Ryan Hardy (Kevin Bacon) has moved on, settling in to a teaching job, going through AA with the help of a sponsor (Keith Carradine, Dexter), and spending time with his niece, Max (Jessica Stroup, 90210), who is a cop. It seems the nightmare is over.

It’s nice to see Ryan happy and building a life for himself. He’s self-destructive by nature, and the Joe Carroll case did a number on him. He killed in cold blood and lost people he cared about. It will give fans hope for the future to see Ryan in a good place, not drinking, not dwelling on the past, finally finding an existence that he can be at peace with.

Of course, this lasts a scant ten minutes before the sinister happenings begin again. THE FOLLOWING is not a happy-ending show, and until the series finale’s credits role, no one has a chance at bliss. Followers of Carroll’s re-emerge on the anniversary of his death, beginning a new killing spree in New York City, where Ryan lives. They must be stopped.

Ryan is reluctant to get pulled back in, of course, and who can blame him? The damage done to his psyche won’t ever heal, and why would one want to put oneself back in those circumstances? Law enforcement pulls inactive agent Mike Weston (Shawn Ashmore) in to consult, so Ryan may not be technically needed, and while Mike certainly thinks Ryan could help, he won’t force the man.

But all is not as it seems. Much of what appears known about a couple of the main characters early in “Resurrection” simply isn’t true, and there are some cool twists in the premiere. Without giving anything away, it’s safe to say that Ryan will be back on the case quite soon, some people are just putting on a face, and at least one death may have been faked.

THE FOLLOWING continues to be scary and magnetic. A cult of serial killers who can hide among us and strike at any time is a frightening thought, and this show serves up a huge conspiracy of such. The danger lurks everywhere from many bodies, and there doesn’t seem to be any clear way to stop it. Every time one branch is dealt with, another takes its place.

This series is anything but boring. There’s action almost immediately, with an exciting chase, a number of victims killed, creepy masks, and someone gets hit by a car. The pacing is as break-neck as ever, with no one seeming safe, and a guarantee of much more blood as the season plays out. In short, year two promises to be just as good as year one, if this episode is consistent with the ones that follow.

“Resurrection” introduces us to some new murderers, the ranks of Carrollers (love that name!) having been depleted in season one. The most fascinating thus far are a pair of identical twins (Sam Underwood, Homeland), one of whom is very mentally unstable. The hideous things he’s responsible for in this first hour alone will make your skin crawl.

Of course, Emma (Valorie Curry) is still around, too. She isn’t involved in the events that play out in “Resurrection,” but if Carroll or his followers poke their heads up, she’s quickly drawn back to them like a moth to a flame. One never knows whether she will fall in line or slice the throat of the leader, taking over, but Emma is a compelling character, and an essential part of the show, so she’ll make her presence felt. At least until they decide to kill her off.

“Resurrection” is everything I was hoping for from the return of THE FOLLOWING, easily one of last year’s best network programs, and meets all expectations. It is back tonight after the NFC game, approximately 10:30 p.m. EST, and will take over its normal Mondays-at-9 p.m. timeslot starting next week.

The Following Reaches "The Final Chapter" (For Now)

Article first published as The Following Reaches "The Final Chapter" (For Now) on TheTVKing.

FOX's The Following ends its freshman run this week with "The Final Chapter." Ryan (Kevin Bacon) is lured to a lighthouse by Joe (James Purefoy) for a final showdown. Of course, Claire's (Natalie Zea) life hangs in the balance, and of course, Ryan doesn't take anyone with him to the confrontation, including Mike (Shawn Ashmore). There, the two men have it out with one another once and for all.

I am a bit disappointed with the end of The Following's showdown between Ryan and Joe. I really feel like Ryan should have learned his lesson and trusted a few people. "The Final Chapter"'s plot only makes sense if we believe that Joe knows Ryan so well that he can predict his every move. And maybe he does. But, as a viewer who has watched all fifteen installments thus far, I feel like Ryan should have learned to out-think Joe, at least on some level, and brought along back up.

The climax where Ryan kills Joe, sort of, in an exploding building also feels a bit contrived. The moment we don't positively see Joe catch on fire or blow up is the one where fans of the genre will absolutely know, deep down, that no matter how it looks, Joe has survived. How he would think far enough ahead to plant a body there, or could fake dental records after a body is discovered, is stretching believability. But Joe has got to live on.

With those complaints out of the way, though, I must say that the hour is mostly excellent. I really like how we get to see bits of Ryan's soul. We understand how he and Mike can torture Alex (Charlie Semine), as Parker's (Annie Parisse) life hangs in the balance, and even why the other FBI agents can look away. When Ryan coldly murders Alex, one worries about Ryan's stability, but Alex's death is deserved, and Ryan doesn't put him in the coffin, which would be poetic justice, but not at all hero-like.

Despite Ryan's flaws, he is the hero. Joe casts him as such, and the moral compass Ryan displays backs that up. He crosses some legal lines, to be sure, but his motives are always pure, and his goals are noble. He doesn't unnecessary cause anyone harm, even the bad guys, as he kills Alex quickly once he's used all Alex knows to try to save the day, rather than continue to mess with him.

I'm sad that Ryan and Mike are too late to save Parker. I really like her, and like many of The Following's character, she dies too soon. However, part of the draw of the series is its unpredictability, and the way people can perish without warning. It appropriately builds suspense when it should, and as regrettable as it is to lose Parisse from the cast, and as false as it may feel to have them find her just barely too late, it is a shock that she is dead, and an example of surprising and engaging storytelling.

I do hope Mike and Ryan can work out their friendship. Ryan shuts Mike out a bit because, as close as they've grown, Ryan is a loner. He trusts Mike more than he trusts most people, but Mike still doesn't get to come to the light house because Ryan feels he must take on the burden himself. I don't think Ryan would have shot Mike in the foot to get him not to follow, though Mike must think it's a possibility, so I hope that isn't what keeps them from working together again.

The final moments of "The Final Chapter," in which Molly (Jennifer Ferrin) attacks Ryan, are a great cliffhanger. This installment makes pretty clear, whether Joe is dead or not, there are still threats out there, such as Molly and Emma (Valorie Curry). Some may have been brought out by Joe, but some of the threats Ryan will eventually face, as the show has been renewed for season two (and stands a good chance of living longer), won't be Joe-centric. This is a series about a man fighting evil, and evil will always exist, no matter how often it is stopped.

Now, does The Following go a bit too far, having too many people being stabbed and surviving, then bouncing back to their jobs too quickly? Yes, that can certainly be argued. But some grade-A acting and tight plot work keeps the flow going and the series enticing. I really like The Following, and look forward to its return.