CONVICTION Vague Title for Messy Show

Article first published as CONVICTION Review on Seat42F.

ABC has a new series coming out called CONVICTION (the third show this millennium to go by the name, by the way). In case that vague title doesn’t tell you anything, although it’s perfectly in keeping with the trend of not-really-descriptive single-word dramas on the alphabet network, this one involves a team in New York City called the Conviction Integrity Unit. Basically, they investigate people who are in jail and claim to be innocent, which would be a daunting task for anyone, given that most prisoners claim they didn’t do the crime. Can they right the world and find justice?

In short, I don’t think so. CONVICTION has one of the weakest pilots I’ve seen this year. Besides being more of a cop show than lawyer show (the difference is the focus is more on gathering evidence than battling it out in a court room, and in my opinion, lawyer shows are almost always better), it’s also a very weak cop show.

The initial installment finds the team gathering evidence on an eight-year-old case. Yet, the experiments they do and the questions they ask are at such a basic level one wonders why they couldn’t just look at the notes from the original file to get their answers. The case is ridiculously fresh and well-remembered for everyone involved, including the detective who screwed it up in the first place. And when our heroes close in on the truth, there is a very clumsy attempt to cover it up.

Look, I know and expect that the CIU people are going to find innocence more often than not; that’s the type of show this is. But they should at least have to work for it. Given the format, how little time they have to pick new cases in the huge stacks of paperwork they receive, and their five-day timeline on all investigations, the premise is hokey, completely unrealistic, and it’s handled in a very elementary way. The last pilot I remember being structured this badly was CSI: Cyber, which thankfully was put out of its misery relatively quickly.

Adding insult to injury is that there are some really great actors in the show. Shawn Ashmore from The X-Men films and The Following plays Sam, the man who should be running the crew but who has been forced to take a back seat. Emily Kinney, a veteran of the excellent series The Walking Dead, is the fresh-faced newbie, Tess, who doesn’t shy away from pig corpses. Manny Montana, who was great in Graceland, is a former prisoner fighting for those locked up because he knows how bad jail can be. Eddie Cahill (CSI: NY) is great as the slimy politician, Conner Wallace, who puts together the team and flirts with the lead. And Merrin Dungey (Alias) is in it, too.

Leading the group is Hayley Atwell, fresh off her brilliant run as Agent Carter, stuck in the confusing role of Hayes Morrison. She is blackmailed by Wallace into taking this job she doesn’t want, but then seems to enjoy with little shown to change her mind. Is she a party girl who wants to keep living a wild life? Or is she a brilliant legal mind who really gets into helping people? I can’t tell, and I don’t think the show can, either. There’s also a convoluted backstory between Hayes and her no-longer-together parents, one of whom used to be the President of the United States. Yeah.

The one good thing I can say about CONVICTION is that the exterior shots in the streets of New York are cool. They may get One World Trade Center in the background a little too often, but at least we can feel the city in the presentation. Well, for those shots anyway. Most of the series is filmed in Toronto, but I give them credit for getting in those key city views.

Anyway, CONVICTION premieres Monday, October 3^rd at 10/9c, and if quality counts, it’ll be off the air before Christmas.

"New" THE FOLLOWING

Article originally written for Seat42F.

Ryan Hardy (Kevin Bacon) is back as THE FOLLOWING returns this week on FOX. It’s been some time since season two ended, of course, and almost all of the characters seem to be in good places in their lives, relatively happy. What that means is that chaos is about to hit again, more murders will be committed, and the question as to who will survive is raised week after week.

As the season premiere, “New Blood,” begins, Ryan is happily seeing Gwen (Zuleikha Robinson, Homeland, Lost). Ryan doesn’t have the best track record with women, and so he’s taking things slow with Gwen, but the question remains: is she secretly evil? On almost any other series, this wouldn’t even be a consideration, but on THE FOLLOWING, there’s probably at least a fifty/fifty chance of it, with the other option being that she’ll soon become a victim. Though how cool would it be if neither occurs?

As mentioned, things start out peacefully enough, but that doesn’t last long, and the body count rises quite significantly in the first hour alone. The main perpetrator this time around is not Joe Carroll, who is on Death Row, less than a month away from execution (what are the chances he’ll actually die?). Instead, the new cult leader is Mark (Sam Underwood), whose mother, twin brother, and adopted sister were killed by our heroes last year. Mark is not mentally stable and he is bent on revenge, a dastardly combination.

Ryan is soon drawn in to stop Mark, which makes sense, given Mark is purposely targeting Ryan, Max (Jessica Stroup), and Mike (Shawn Ashmore) with his games, the three that have wronged him, in his eyes. These three lied about some of the deaths they committed last year, and Mark wants the truth exposed. Will they be able to stop him before the truth comes out?

Ryan isn’t the only one in a different place in “New Blood.” Max and Mike have also followed their paths forward, and while I won’t spoil what that means, I will say flashbacks in the season premiere help fill in the gaps to get them to their current place. THE FOLLOWING is a very serial story, and while the action may take place months or years apart, hence the time jumps during hiatus, the writers do a pretty good job connecting the dots so viewers are not lost. These leaps also make logical sense to the plot.

A lot happens in “New Blood,” both fresh and following up from previously. A major character gets married. Another contemplates a big step in his relationship. Exes come back together and see how the other is doing. Mistakes are brought back up. Most importantly, though, is that THE FOLLOWING gives its characters time to dwell on past wrongs in order to see how they influence moving forward.

Early in the first episode back, Ryan is reminded of the collateral damage left in his wake. It may not be his intention to kill anyone, but even those cult members who die along the way have families and loved ones who care about them. If Ryan captures the bad guy but lives are lost in the process, is that worth it? Should he have done something differently? Is he too careless about others in his pursuit of justice? These fascinating questions are raised in “New Blood,” and that dramatically raises the quality of the episode.

THE FOLLOWING is by and large an action mystery, and it does that well. More interesting to me is that it is taking the steps to address the emotional toll on the characters. Ryan Hardy is not made of steel like 24’s Jack Bauer. Self-examination is part and parcel of who he is, and the fact that the show is re-focusing on that is exciting. I hope there will be plenty of time for it to continue as the season unfolds.

THE FOLLOWING airs Mondays at 9 p.m. ET on FOX.

"Forgive" THE FOLLOWING Its Flaws

Article first published as TV Review: 'The Following' - Season 2 Finale on Blogcritics.
 
FOX’s The Following concluded its second season this week with “Forgive.” With the woman they love in danger, archenemies Ryan Hardy (Kevin Bacon) and Joe Carroll (James Purefoy) must join forces to rescue her. Will they succeed in saving their shared sweetheart from the scary psychos?

First off, The Following is cheesy. It’s more contrived than 24 ever was, and it asks the viewers to make some big leaps. For instance, the end of the penultimate installment paints the characters into a corner, with Ryan and Joe in a church surrounded by law enforcement, being watched on streaming video. Yet, somehow, they manage to get out, right past the cops, and are only noticed by the correct people? That’s quite a leap.

And yet, I still really enjoy the characters, especially Joe and Ryan. Joe is an evil man, but he can evoke sympathy from time to time, that is when he’s not actively murdering people. His earnestness in his affection for Ryan and Claire (Natalie Zea) is true, and Joe’s insistence that Ryan stay alive to continue their dynamic is almost touching. His true colors leak out occasionally, such as when he holds a knife at Claire’s throat and demands forgiveness this week, but there is still something magnetic about him.

Purefoy gets many chances to shine in “Forgive:” when he learns of Emma’s (Valorie Curry) death, as he manipulates twin abductors Luke and Mark (both Sam Underwood), and as he turns on his own follower to save Ryan. These are all moments of moving emotional developments for the cult leader, and it’s what makes him a rich character who is enjoyable to watch.

Ryan also has his moments to shine. Most of them involve how he interacts with Joe, forced to put his trust in a guy he doesn’t have any faith in at all to save Claire. But there’s also a moment, as Joe baits Luke and Mark, where we see the pain in Ryan’s eyes over (justifiably) killing his own father. It’s an important bit of back story for the role, and it’s well handled here.

In fact, once one gets past the silly escape from the church, “Forgive” is pretty good. All of the scenes in the boys’ house are intense and moving. The dialogue is well written and the actors are superb. I wanted to stay forever in the dinner scene, just watching the interaction of some masterful performers in a charged sequence.

Alas, it all must come to an end, though, so Max (Jessica Stroup) and Mike (Shawn Ashmore) burst in and start the guns blazing. One of the twins is killed, the other escapes with his brother’s body, Mike and Ryan both get moments to find out who they really are and pass the test, and Mike and Max finally kiss, something that has been building for some time. The kiss itself isn’t overly dramatic, but it has to happen to satisfy fans.

It’s an odd show where one is slightly disappointed when the action begins. The time before the showdown, though, is just so good, I want it to continue. What unfolds after is fine enough, and it ties up the season as it must. I just want more of what works best, and Ryan telling Joe they are done is very, very sad, even though it’s also untrue, as the series couldn’t continue without the two in one another’s orbits.

Ryan and Claire’s dissolution is less powerful. Sure, Ryan loves Claire and it’s painful for him to lose her, but before the climax, he is with someone else and he can just go back to her. Claire is kind of a boring character, more interesting for the things that surround her than the part itself (though I am a fan of Zea overall), and, to be honest, The Following will not suffer if she now disappears for good. Though, most likely she will be brought back at some point, given her importance to both Ryan and Joe.

The ending of “Forgive” is well-crafted to evoke tension. Ryan seemingly goes home to peace and quiet, but remembering the twists of last year, these calm bits actually ratchet up the suspense. The fake-out with the dream, where Ryan thinks the twins are in his room, is a terrific way to pay off that mood, as well as surprise the audience by not going there.

The Following leaves us with a mystery: who picks up Mark and Luke and drives them away? This is a good thread to start with for the already-ordered season three, and it’s nice that Underwood should return, as he is entertaining in the current run.

Still Following THE FOLLOWING

Article first published as THE FOLLOWING Review on Seat42F.

FOX’S THE FOLLOWING returns at a special night and time tonight with “Resurrection.” It’s been a year since Joe Carroll’s (James Purefoy) death, as well as Claire Matthews’ (Natalie Zea) and Debra Parker’s (Annie Parisse). Ryan Hardy (Kevin Bacon) has moved on, settling in to a teaching job, going through AA with the help of a sponsor (Keith Carradine, Dexter), and spending time with his niece, Max (Jessica Stroup, 90210), who is a cop. It seems the nightmare is over.

It’s nice to see Ryan happy and building a life for himself. He’s self-destructive by nature, and the Joe Carroll case did a number on him. He killed in cold blood and lost people he cared about. It will give fans hope for the future to see Ryan in a good place, not drinking, not dwelling on the past, finally finding an existence that he can be at peace with.

Of course, this lasts a scant ten minutes before the sinister happenings begin again. THE FOLLOWING is not a happy-ending show, and until the series finale’s credits role, no one has a chance at bliss. Followers of Carroll’s re-emerge on the anniversary of his death, beginning a new killing spree in New York City, where Ryan lives. They must be stopped.

Ryan is reluctant to get pulled back in, of course, and who can blame him? The damage done to his psyche won’t ever heal, and why would one want to put oneself back in those circumstances? Law enforcement pulls inactive agent Mike Weston (Shawn Ashmore) in to consult, so Ryan may not be technically needed, and while Mike certainly thinks Ryan could help, he won’t force the man.

But all is not as it seems. Much of what appears known about a couple of the main characters early in “Resurrection” simply isn’t true, and there are some cool twists in the premiere. Without giving anything away, it’s safe to say that Ryan will be back on the case quite soon, some people are just putting on a face, and at least one death may have been faked.

THE FOLLOWING continues to be scary and magnetic. A cult of serial killers who can hide among us and strike at any time is a frightening thought, and this show serves up a huge conspiracy of such. The danger lurks everywhere from many bodies, and there doesn’t seem to be any clear way to stop it. Every time one branch is dealt with, another takes its place.

This series is anything but boring. There’s action almost immediately, with an exciting chase, a number of victims killed, creepy masks, and someone gets hit by a car. The pacing is as break-neck as ever, with no one seeming safe, and a guarantee of much more blood as the season plays out. In short, year two promises to be just as good as year one, if this episode is consistent with the ones that follow.

“Resurrection” introduces us to some new murderers, the ranks of Carrollers (love that name!) having been depleted in season one. The most fascinating thus far are a pair of identical twins (Sam Underwood, Homeland), one of whom is very mentally unstable. The hideous things he’s responsible for in this first hour alone will make your skin crawl.

Of course, Emma (Valorie Curry) is still around, too. She isn’t involved in the events that play out in “Resurrection,” but if Carroll or his followers poke their heads up, she’s quickly drawn back to them like a moth to a flame. One never knows whether she will fall in line or slice the throat of the leader, taking over, but Emma is a compelling character, and an essential part of the show, so she’ll make her presence felt. At least until they decide to kill her off.

“Resurrection” is everything I was hoping for from the return of THE FOLLOWING, easily one of last year’s best network programs, and meets all expectations. It is back tonight after the NFC game, approximately 10:30 p.m. EST, and will take over its normal Mondays-at-9 p.m. timeslot starting next week.

The Following Reaches "The Final Chapter" (For Now)

Article first published as The Following Reaches "The Final Chapter" (For Now) on TheTVKing.

FOX's The Following ends its freshman run this week with "The Final Chapter." Ryan (Kevin Bacon) is lured to a lighthouse by Joe (James Purefoy) for a final showdown. Of course, Claire's (Natalie Zea) life hangs in the balance, and of course, Ryan doesn't take anyone with him to the confrontation, including Mike (Shawn Ashmore). There, the two men have it out with one another once and for all.

I am a bit disappointed with the end of The Following's showdown between Ryan and Joe. I really feel like Ryan should have learned his lesson and trusted a few people. "The Final Chapter"'s plot only makes sense if we believe that Joe knows Ryan so well that he can predict his every move. And maybe he does. But, as a viewer who has watched all fifteen installments thus far, I feel like Ryan should have learned to out-think Joe, at least on some level, and brought along back up.

The climax where Ryan kills Joe, sort of, in an exploding building also feels a bit contrived. The moment we don't positively see Joe catch on fire or blow up is the one where fans of the genre will absolutely know, deep down, that no matter how it looks, Joe has survived. How he would think far enough ahead to plant a body there, or could fake dental records after a body is discovered, is stretching believability. But Joe has got to live on.

With those complaints out of the way, though, I must say that the hour is mostly excellent. I really like how we get to see bits of Ryan's soul. We understand how he and Mike can torture Alex (Charlie Semine), as Parker's (Annie Parisse) life hangs in the balance, and even why the other FBI agents can look away. When Ryan coldly murders Alex, one worries about Ryan's stability, but Alex's death is deserved, and Ryan doesn't put him in the coffin, which would be poetic justice, but not at all hero-like.

Despite Ryan's flaws, he is the hero. Joe casts him as such, and the moral compass Ryan displays backs that up. He crosses some legal lines, to be sure, but his motives are always pure, and his goals are noble. He doesn't unnecessary cause anyone harm, even the bad guys, as he kills Alex quickly once he's used all Alex knows to try to save the day, rather than continue to mess with him.

I'm sad that Ryan and Mike are too late to save Parker. I really like her, and like many of The Following's character, she dies too soon. However, part of the draw of the series is its unpredictability, and the way people can perish without warning. It appropriately builds suspense when it should, and as regrettable as it is to lose Parisse from the cast, and as false as it may feel to have them find her just barely too late, it is a shock that she is dead, and an example of surprising and engaging storytelling.

I do hope Mike and Ryan can work out their friendship. Ryan shuts Mike out a bit because, as close as they've grown, Ryan is a loner. He trusts Mike more than he trusts most people, but Mike still doesn't get to come to the light house because Ryan feels he must take on the burden himself. I don't think Ryan would have shot Mike in the foot to get him not to follow, though Mike must think it's a possibility, so I hope that isn't what keeps them from working together again.

The final moments of "The Final Chapter," in which Molly (Jennifer Ferrin) attacks Ryan, are a great cliffhanger. This installment makes pretty clear, whether Joe is dead or not, there are still threats out there, such as Molly and Emma (Valorie Curry). Some may have been brought out by Joe, but some of the threats Ryan will eventually face, as the show has been renewed for season two (and stands a good chance of living longer), won't be Joe-centric. This is a series about a man fighting evil, and evil will always exist, no matter how often it is stopped.

Now, does The Following go a bit too far, having too many people being stabbed and surviving, then bouncing back to their jobs too quickly? Yes, that can certainly be argued. But some grade-A acting and tight plot work keeps the flow going and the series enticing. I really like The Following, and look forward to its return.

Follow The Following

Article first published as The Following Series Premiere Review on Seat42F.

Grade: 97%

FOX is known for high-octane action dramas that are also about good storytelling. In THE FOLLOWING, premiering this Monday at 9 p.m. ET, not only does it follow in this proud traditional, but it uses a well-known group of actors and a seasoned creator, Kevin Williamson (Scream, Dawson’s Creek, The Vampire Diaries), to deliver one of the best network series in the genre to date.

As the story opens, after a suitably intense first scene, we meet agent Ryan Hardy (Kevin Bacon, Mystic River, Apollo 13), an alcoholic, washed-up fed who once captured a notorious serial killer named Joe Carroll (James Purefoy, Rome, Resident Evil). Joe is on the loose, and with some new agents by his side (X-Men’s Shawn Ashmore, not to be confused with twin Aaron, and Law & Order’s Annie Parisse), Ryan has to track down Joe all over again.

While the hunt is on, THE FOLLOWING takes time to show us some of the previous events in a series of flashbacks. We are introduced to Sarah (Maggie Grace, Lost, Taken), the victim Ryan saved from Joe’s killing spree, and Claire Matthews (Natalie Zea, Justified, The Other Guys), Joe’s wife, whom Ryan previously had a sexual relationship with, during the first go-round with Joe. Ryan checks in on them both in the present day, concerned, and hoping that they can lead him to Joe.

Other than that, it’s hard to tell you much. FOX would like me not to spoil the various plot twists that make up the hour, and after thoroughly enjoying the story, I agree that everyone should watch the episode for themselves. It’s a thrilling ride, with plenty of the unexpected happening, and it would be pretty rude to give you a heads up about those things.

This also makes it hard to talk about the series going forward, or what it will be. The story is significantly different at the end from what it appears to be at the beginning. so I can’t write about the premise very much without spoiling. So I won’t.

What THE FOLLOWING does well is set up an intense situation. As publicly released materials on the show’s official website have already revealed, the show will deal a lot with what would happen if serial killers in many different areas formed a network, rallying around a central figure. It takes an element of society that it already dangerous, and heightens the threat, with a support network helping the bad guys complete their evil missions. This is exactly what is happening.

There is also the Battlestar Galactica element of the enemy hiding among us. On that sci-fi show, the villains are Cylons, robots that look like humans, live as humans, and may not even know they aren’t humans. In THE FOLLOWING, serial killers masquerade as normal people, and like in BG, they could be anybody. This makes for a high-stakes guessing game sure to engage viewers.

Of course, we have the flawed hero in Ryan, a familiar enough trope at this point. Bacon brings something fresh to the table, though, as the latest in a string of well-respected, highly talented film stars that are transitioning to the small screen for the great roles offered. Bacon takes Ryan, and immediately sets up someone fans will get behind and root for, even as we wish we could help him through the internal and external traumas he is dealing with, forgiving him his slipups because of what he has endured.

There is a simmering tension in the air, as THE FOLLOWING makes us wonder what a person is capable of. We get both sides of the spectrum, hero and villain, both intelligent and capable, and both ripe for exploring humanity through the prism of. Obviously, Joe’s actions are heinous, but the show seeks to get into his head a bit. At the same time, Ryan has clearly taken almost all he can possibly take, but, somehow, he has to find a way to overcome his failings and be the man the public need him to be to protect them.

Ryan is starting a step behind, Joe, of course, not knowing the game is already afoot. But the chemistry between these leads is great, and surely the upper hand will go back and forth between them repeatedly over the run of the program.

What makes THE FOLLOWING even better than the typical series are the literary and artistic references. Edgar Allen Poe plays a huge role in influence, with a thumping heart beat even accompanying one scene in a brilliant way. Joe thinks that there is a beauty in the murders he commits, and while THE FOLLOWING will not glamorize or agree with Joe, we see the elements in his act that he attributes to the more noble pursuits.

In short, THE FOLLOWING works on many levels, and is extremely well put together in every category. It takes what FOX did with Prison Break and 24, testosterone-fueled dramas, and pumps it up with some braininess that elevates the game. This is a fascinating story with plenty of mystery and suspense. It should become a much-watch for many very quickly.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter!

Fringe "Amber 31422"

    Five episodes into the third season of FOX's Fringe, and it's already been spectacular. The major game changing play this year, alternating each week which universe the episode takes place in, has been wonderfully successful. While Fringe toyed with the alternate world in the first two seasons, seeing those other versions of our favorite characters in major arcs is incredibly rewarding. I love the red theme song for alternate weeks, and the cast of characters that appear over there, but not (yet) back here. Plus, seeing John Noble as Walternate is very satisfying.
     Last Thursday was an alternate week, however, aspects of it were a call back to previous episodes on our side of the universe. Olivia (Anna Torv) was once again drugged up and put in the sensory-deprivation tank, although this time it was Walternate's much more sophisticated version. Her powers have been dealt with on and off for years, and this episode confirmed that whatever Walter did to Olivia as a child plays a huge role in what she can do. It's sort of been a question of mine if Olivia is special because Walter did experiments on her, or if Walter's experiments were so interesting because she was special. This episode seemed to confirm that Walter was responsible for many of her gifts. Plus, now Olivia is not only realizing that she's in the wrong universe, but also that she can travel back and forth under the right circumstances. As Olivia continues to grow as a person, and gains knowledge and confidence of her abilities, this particular talent is sure to play a substantial role in the story.

     If you'll indulge, a quick side trip here. Unlike Walternate, whose alternate name has been widely accepted very quickly, there is much argument over what to call the alternate version of Olivia, currently carrying out some secret mission in our world. I firmly fall into the camp of Fauxlivia (sometimes seen with a dash, as Faux-livia), as it makes the most sense to me, and I will refer to her as such in my tweets and reviews. Other popular suggestions have been Alter-Olivia or Altlivia, which seem clumsy. Bolivia is how she is referred to in the script, because she was called B-Olivia (as opposed to A-Olivia, our Olivia). However, while I guess I understand how that would work on paper (though shouldn't it be Olivia-B, instead of B-Olivia?), Fauxlivia just sounds better.

     Whatever you call her, Torv is doing a bang up job capturing the subtle differences between the two characters, making Fauxlivia a bit dumber (she doesn't have the photographic memory or chemically-enhanced abilities). Fauxlivia is tough, but seems to value muscle more than science. Clearly both versions have potential, but without the same experiences shaping them, they became two different people.

     I have found it sort of odd that Peter (Joshua Jackson) keeps appearing to Olivia. Yeah, I get the explanation that he represents her true self, and that he is the part of her figuring our what's really happening after Walternate brainwashed her into believing she belong in the alternate universe. But honestly, to me it seems like a ploy to keep the third leading character, the one who doesn't have a living counterpart, in each episode week after week. I'm not exactly complaining, as I'm quite fond of Peter, and Olivia has to externalize the conflict somehow. However, let's just admit that it's been done to benefit the actor more than the story.

     This week's guest stars were also fantastic, as they played out a fascinating self-contained story. Aaron Ashmore (Smallville) and his real-life twin Shawn (the X-Men movies) played twins, one of whom was a bank robber and one was an accountant. The accountant was frozen in amber (that's how the alternate universe tries to contain disturbances in the fabric of their existence), but the authorities believed that the victim was his brother. Four years later, the criminal brother rescues his innocent brother, and the Fringe team try to contain the implications. If society at large found out their loved ones could be revived from the amber, they would want to rescue everyone. Ultimately, Olivia's true nature asserts itself, and after the bad brother is re-ambered, she allowed the good brother to live his life in peace.

     Walternate claims that rescuing people from amber threatens the stabilization of the effort. As the Secretary of Defense he is more concerned with security that innocent lives. He has been shaped by a tough existence, though, losing his son, and dealing with a series of disasters caused by Walter's original cross over. I don't excuse his callous nature, but he is more than a two-dimensional villain. What's unclear is if there is any science to support his hesitation to un-amber people, or if he just doesn't want to take any risk at all that might come back to bite him and the people he is trying to protect. It's obvious that he doesn't care about lives in our universe, but at least some of his motivation is to help the people in his world.

     I'm also loving the alternate universe Fringe team. It's so good to have Charlie (Kirk Acevedo) back on a regular basis. I don't think he will be promoted back to main character, as his part has been handled in a reduced role. But the third member of the team, Lee (Seth Gabel, Dirty Sexy Money, United States of Tara), has also been enjoyable. It would be great if our-universe Lee popped up, or if Olivia found him when she returned, and he could be added to the cast. My only hesitance in supporting this move is that Astrid (Jasika Nicole), who is one of my favorite characters, and already gets too little screen time in both universes, would likely lose her precious moments by the addition of other cast members. The screen time surely won't be cut for Jackson, Torv, or Noble.

     I'm content to wait for most of the plot to pay out this season, because although it's been a tad slow unfolding, the writing and acting has been incredibly strong, as is consistent with this great series. However, there are two burning questions that I don't know if the writers ever plan to address, and I'd really like to know the answers: Where is the alternate universe Nina Sharp (Blair Brown), the only main character we haven't seen a second version of? And what happened to F.B.I. Agent Jessup (Meghan Markle), who was sort of put up as Charlie's replacement in season two, but only appeared in two episodes last fall? I'm sure most fans don't care about my second question, if they even remember Jessup, but I liked her, and I'm curious. Even if I'd rather have Lee.

     Fringe airs Thursday nights at 9pm on FOX.

For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.

Article first published as TV Review: Fringe - "Amber 31422" on Blogcritics.