Showing posts with label Sean Astin. Show all posts
Showing posts with label Sean Astin. Show all posts

Friday, November 3, 2017

STRANGER THINGS 2 REVIEW

Article first published as TV Review: STRANGER THINGS 2 on Seat42F.

 Caution: This review contains light spoilers from the first three episodes of season two.

Netflix’s 1980s-set sci-fi horror Spielberg-esque hit, STRANGER THINGS, is back for a second round! Similar to a movie series, it’s being titled STRANGER THINGS 2, which seems appropriate, given the feel of the program. Like before, it features a scant number of episodes (nine this time). But also like before, this makes for a concentrated, intense story about weird occurrences in a small town. All of your favorite players have returned, plus a few new faces, and the quality seems to have been maintained. The stakes have even risen a bit.

The action picks up roughly one year after the events of the first season. Will Byers (Noah Schnapp) is still haunted by his time in the Upside Down. Mother Joyce (Winona Ryder) hopes these are just flashbacks, as Dr. Owens (Paul Reiser, Married) seems to indicate. Will’s brother, Jonathan (Charlie Heaton), is there to help his brother through. But Owens may have ulterior motives, working with the government agency that has kept a tight lid on the alternate dimension, forcing all who know of it not to tell anyone, and it soon becomes clear that Will is being warned of a new, bigger threat.

Meanwhile, Will’s friends all have their own things going on. Lucas (Caleb McLaughlin) is interested in the new girl in town, video game master Max (Sadie Sink, American Odyssey). Dustin (Gaten Matarazzo) has an odd pet. Mike (Finn Wolfhard) has some serious emotional issues. Nancy (Natalia Dyer) isn’t sure she’s made the right choice in staying with Steve (Joe Keery). Even Joyce has a new steady, Bob (Sean Astin, The Goonies).

These are all interesting stories, some more than others, but they do an important thing. As much as I liked season one, the story was concentrated on a few members of the large ensemble, with others regulated to supporting status. In STRANGER THINGS 2, the plot is more balanced, incorporating more of the cast on a regular basis. There are more moving pieces of note, which makes for a denser story. This isn’t a knock on season one, which made the right choice for the initial outing. However, it’s a satisfying development for the sequel, now that the world is more established.

It’s also nice that Barb figures into STRANGER THINGS 2. Yes, she’s still dead, and I don’t think it likely that she undergoes resurrection. She was the also-missing in season one, someone who caught audience attention, but didn’t have much traction on screen. A subplot involving her parents, who have still not been told of her death, is moving and heart-breaking, giving more meaning to everyone’s favorite redhead downer.

Many fans tuning in are probably most curious about Eleven (Millie Bobby Brown), who we last assumed was hiding out in the woods. She is, courtesy of Jim Hopper (David Harbour), protected and hidden from friends and foes alike. While I don’t mind this in of itself, it is made better by the flashbacks to show what happened and how it happened between Eleven and Hopper in between seasons. This better informs the relationship between the cop and his sort-of-adopted-daughter, as well as the motivations both are facing now.

I think STRANGER THINGS 2 totally lives up to year one. It’s enticing, well-made, beautifully produced, and has fine performances, including the newcomers, who easily slide right in. It deepens a complex mystery, and both scares and touches you at the same time. The wonder and charm have been retained, even while what is terrifying has gotten more so. As important, it remains grounded. There are plenty of places for this show to go, and I’m happy to be along for the ride.

STRANGER THINGS 2 is available now on Netflix.

Tuesday, July 15, 2014

THE STRAIN Is Contagious

Article originally published as THE STRAIN Review on Seat42F.

The Strain Corey Stoll FX

FX has done it again with THE STRAIN. What I mean by that is they’ve got yet another well-developed series full of fascinating characters, engaging stories, and an original premise. THE STRAIN does feel like many vampire movies of a certain vein (think: Blade), but there is absolutely nothing like it currently on TV, meaning there is no pattern for it to follow as it unfurls. This makes for a rich, unpredictable mix of ingredients which already feel special before they’re fully cooked.

THE STRAIN is based on a trilogy of novels co-written by Guillermo del Toro (Pan’s Labyrinth, Hellboy), who is working on the show, too, having directed the first episode and writing screenplays for it. His style, creepy and dark, is prevalent throughout the pilot, “Night Zero,” which takes place in a single night. There is definitely a clear voice behind the narrative, one infused with talent and flair, and that comes through right away. If this quality can be maintained, the series should easily find its audience.

THE STRAIN begins on a plane. Something is lurking in the cargo hold that should not be, and by the time the machine touches down on the tarmac, all is silent on board. The CDC, led by Dr. Ephraim Goodweather (Corey Stoll, House of Cards), among other agencies, swarm to investigate. What they find is a horrific situation that baffles their greatest minds and has no clear cause or prevention. Will they be able to start to unravel the mysteries before the situation spirals out of hand? Hard to tell, since the plot rockets away in the first hour, already moving quite rapidly.

They may get some help from a seasoned veteran of the ancient battle, Abraham Setrakian (David Bradley, Harry Potter, Broadchurch). Abraham appears to be a Holocaust survivor who has known his war isn’t over, but has been satisfied with the long cease-fire. He is compelled to come out of retirement when he senses the game is once more afoot, but since he is a grizzled old man with a thick accent, it might be hard for him to get the attention of anyone that cares.

Ephraim and Abraham seem to be our two primary heroes, and they could not be any more different, making it unlikely they’ll become fast partners, but that’s OK. This isn’t your typical two-people-stop-a-baddie formula. Instead, it appears a massive war is being teed up in the heart of New York City, a very populous place, making Abraham and Ephraim but two players in a larger plot, the focus in a vast scope. They may not even spend all that much time together, though both will probably be needed in whatever solution emerges in the end.

Both men are introduced in very telling scenes, showing different sides of their personas. We first see Ephraim rushing, perpetually late, to a custody meeting with his wife, Kelly (Natalie Brown, Bitten), whom he doesn’t want to let go, but whom he’s already lost. Abraham, meanwhile, takes down two thugs (one of whom is played by Veronica Mars’ Francis Capra, a recurring player here) who seek to rob him. Both of these show the men in ways we probably won’t always see them throughout the series, but tell us something inherent to their personalities, so is a cool way to begin with them.

The villains are complex, too, though less fleshed out from the start. Eldritch Palmer (Jonathan Hyde, Titanic) is the wealthy benefactor who lures the danger towards the Big Apple. He is assisted by the cold Thomas Eichhorst (Richard Sammel, Inglorious Basterds) and, strangely enough, a Latino street gang. They have a plan and have had time to carefully enact it, meaning the good guys are starting a few steps behind, so it may just be too late to stop Palmer.

With a terrific cast that also includes Sean Astin (The Lord of the Rings), Mia Maestro (Alias), Kevin Durand (Lost), Ben Hyland (House of Cards), Jack Kesy (Morgan), and Miguel Gomez, it’s one of the most intriguing pilots I’ve seen this summer. The mythology is obviously carefully mapped out and it is genuinely scary, with major characters and countless extras sure to die in the coming weeks in this incredibly dangerous world. Watching THE STRAIN feels like viewing a grand film, rather than a TV show, with great visual effects and a large sense of purpose and drive. The story is finite and it’s going somewhere. I’m excited to see what that destination is.

THE STRAIN airs Sundays at 10 p.m. ET on FX beginning July 13th.