THE STRAIN Is Contagious

Article originally published as THE STRAIN Review on Seat42F.

FX has done it again with THE STRAIN. What I mean by that is they’ve got yet another well-developed series full of fascinating characters, engaging stories, and an original premise. THE STRAIN does feel like many vampire movies of a certain vein (think: Blade), but there is absolutely nothing like it currently on TV, meaning there is no pattern for it to follow as it unfurls. This makes for a rich, unpredictable mix of ingredients which already feel special before they’re fully cooked.

THE STRAIN is based on a trilogy of novels co-written by Guillermo del Toro (Pan’s Labyrinth, Hellboy), who is working on the show, too, having directed the first episode and writing screenplays for it. His style, creepy and dark, is prevalent throughout the pilot, “Night Zero,” which takes place in a single night. There is definitely a clear voice behind the narrative, one infused with talent and flair, and that comes through right away. If this quality can be maintained, the series should easily find its audience.

THE STRAIN begins on a plane. Something is lurking in the cargo hold that should not be, and by the time the machine touches down on the tarmac, all is silent on board. The CDC, led by Dr. Ephraim Goodweather (Corey Stoll, House of Cards), among other agencies, swarm to investigate. What they find is a horrific situation that baffles their greatest minds and has no clear cause or prevention. Will they be able to start to unravel the mysteries before the situation spirals out of hand? Hard to tell, since the plot rockets away in the first hour, already moving quite rapidly.

They may get some help from a seasoned veteran of the ancient battle, Abraham Setrakian (David Bradley, Harry Potter, Broadchurch). Abraham appears to be a Holocaust survivor who has known his war isn’t over, but has been satisfied with the long cease-fire. He is compelled to come out of retirement when he senses the game is once more afoot, but since he is a grizzled old man with a thick accent, it might be hard for him to get the attention of anyone that cares.

Ephraim and Abraham seem to be our two primary heroes, and they could not be any more different, making it unlikely they’ll become fast partners, but that’s OK. This isn’t your typical two-people-stop-a-baddie formula. Instead, it appears a massive war is being teed up in the heart of New York City, a very populous place, making Abraham and Ephraim but two players in a larger plot, the focus in a vast scope. They may not even spend all that much time together, though both will probably be needed in whatever solution emerges in the end.

Both men are introduced in very telling scenes, showing different sides of their personas. We first see Ephraim rushing, perpetually late, to a custody meeting with his wife, Kelly (Natalie Brown, Bitten), whom he doesn’t want to let go, but whom he’s already lost. Abraham, meanwhile, takes down two thugs (one of whom is played by Veronica Mars’ Francis Capra, a recurring player here) who seek to rob him. Both of these show the men in ways we probably won’t always see them throughout the series, but tell us something inherent to their personalities, so is a cool way to begin with them.

The villains are complex, too, though less fleshed out from the start. Eldritch Palmer (Jonathan Hyde, Titanic) is the wealthy benefactor who lures the danger towards the Big Apple. He is assisted by the cold Thomas Eichhorst (Richard Sammel, Inglorious Basterds) and, strangely enough, a Latino street gang. They have a plan and have had time to carefully enact it, meaning the good guys are starting a few steps behind, so it may just be too late to stop Palmer.

With a terrific cast that also includes Sean Astin (The Lord of the Rings), Mia Maestro (Alias), Kevin Durand (Lost), Ben Hyland (House of Cards), Jack Kesy (Morgan), and Miguel Gomez, it’s one of the most intriguing pilots I’ve seen this summer. The mythology is obviously carefully mapped out and it is genuinely scary, with major characters and countless extras sure to die in the coming weeks in this incredibly dangerous world. Watching THE STRAIN feels like viewing a grand film, rather than a TV show, with great visual effects and a large sense of purpose and drive. The story is finite and it’s going somewhere. I’m excited to see what that destination is.

THE STRAIN airs Sundays at 10 p.m. ET on FX beginning July 13^th.

White Collar is most definitely "Wanted"

GRADE: 79%

USA’s WHITE COLLAR is back! In the season premiere, “Wanted,” Agent Collins (Mekhi Phifer, Torchwood, ER), a ruthless man who doesn’t care if Neal (Matt Bomer) is caught dead or alive, begins the hunt. Collins’ big break, of course, comes when he searches Peter’s (Tim DeKay) house, as Peter has already found where Neal is hiding out. Collins flies to the island hideaway with Peter on his heels. Will Peter be too late?

“Wanted” begins a little slow for Neal. He is comfortably ensconced in his new home, hanging out on the beach with best friend, Mozzie (Willie Garson), and wooing a beautiful coffee house proprietor (Mia Maestro, Alias). He struggles with being honest towards the new people in his life, a lesson he learned he must do to make real connections during these past couple of years in New York, while maintaining the secrecy that will keep him a free man. There isn’t a lot of action, but I think that’s kind of the point, showing Neal finally relaxing in a peaceful environment.

In fact, even after Neal gets the call from Peter that Collins is on his tail, Neal doesn’t seem particularly worried or upset. Why should he be? Peter is the only man who has managed to catch Neal before, Peter isn’t actively looking for him now, as far as Neal knows, and his tracks are well covered. There is no reason for Neal to think that he can’t just enjoy his new existence.

In the meantime, Peter is anything but at ease. While he’d like to bring Neal back legally, resuming their partnership, the more immediate concern is Collins, whom Peter believes will hurt Neal. This is something Peter can’t allow to happen. So, with the help of Jones (Sharif Atkins) and Diana (Marsha Thomason), Peter begins yet another hunt for Neal, this time with the goal of protection, rather than capture.

Neal’s fatal flaw is making the call to Peter. This would not have been a mistake he would have made in the past. But then again, Peter was the threat in the past, so Neal wouldn’t have let anything slip to him. Believing he can trust Peter, Neal doesn’t disguise anything on the call, not perceiving a threat. This makes it easy for Peter and company to find him, but that’s not a concern for Neal.

Neal is partially right, as Peter has no intention of capturing his ex-partner to send him back to jail. However, Peter also makes a mistake by leaving evidence in his home, making it easy for Collins to gets his hands on Peter’s findings. Was there any way that Peter could, or should, have predicted this turn of events? Not really, even if viewers can see it coming from a mile away.

Thus, Peter and Neal are both too trusting in their relationship. It may be what makes them strong when the goal is to catch criminals, but it weakens them when they are trying to avoid other law enforcement. This isn’t a bad thing, per se, as Collins is working for the good guys, as bad as he might be. The problem is, there are other bad guys besides Collins corrupting the powers that be, and trusting the system may not work in the name of justice this time.

“Wanted” ends on a heck of a cliffhanger! Again, it’s something that isn’t hard to see coming as a fan, but might be understandable that the characters don’t think about or plan for it. The twist keeps this story from being a one episode adventure before reverting back to formula, so that’s always a welcome development, no matter how sad the situation is left.

USA shows have been getting braver and braver in recent years, no longer confined with cases of the week. “Wanted” is a good episode that isn’t forced to follow the typical path. Based on the ending of “Wanted,” it appears that next week’s episode will be the same. The longer WHITE COLLAR avoids going back to the status quo, the more respect it will earn as a drama series. Not that the earlier seasons of WHITE COLLAR are not good television, because they definitely are. This is just the natural next step, showing a welcome evolution of story and characters.

Besides Maestro and Phifer, “Wanted” features Gregg Henry (Hung, Bunheads) as the man protecting Neal and Mozzie on the island. It’s an exciting premiere, and one fans will not want to miss.

Catch the WHITE COLLAR season premiere, “Wanted,” tonight at 10 p.m. ET on USA.