"Thanks" GRIMM!

Article first published as GRIMM Review Season 4 Episode 1 Thanks for the Memories on Seat42F.

GRIMM returns to NBC with its fourth season premiere, “Thanks for the Memories.” A Wesen that can suck memories out of a person’s brain comes to Portland. Nick (David Giuntoli) begins investigating the case, made more difficult by the fact that he no longer has his Grimm powers. Luckily, he still has friends, and they are all willing to help him out.

Nick has quite a few things to overcome. For one, his job as a detective is harder. He is a fine policeman before he becomes a Grimm, sure, but now he’s used to operating a certain way and can’t any longer. With his captain, Renard (Sasha Roiz), fighting for his life in the hospital, Nick doesn’t have that automatic backing from above, and “Thanks for the Memories” doesn’t reveal what the new hierarchy may be in the department. Even if Renard lives, which I cannot say if that will happen or not, it seems certain it would be quite awhile before he could be back on the job, and GRIMM will have to figure out how to handle that.

Another complication at work is Wu (Reggie Lee), who is looking into the death at Nick’s house. Nick’s dwelling has plenty of Wesen documentation, which revives Wu’s suspicions about monsters. Personally, I feel it is time he is brought into the loop, allowing Lee a deserved larger role on the series. But if the writers decide to keep him in the dark, they must keep the characters dancing circles around Wu to confused and distract him, which is becoming harder and harder to do.

What’s more, because the deceased is an FBI agent, there is now federal involvement in the investigation. Since everything went down at Nick’s house, there is no way he can avoid getting involved. He has to deflect this unwanted attention and may have to keep coming up with plausible explanations as more and more things pile up against him. What we learn of the lead FBI agent in “Thanks for the Memories” only adds to the challenges GRIMM is throwing at its lead.

If that’s not enough, Nick still has Trubel (Jacqueline Toboni) to look out for. Trubel is plenty happy to help by stepping up and taking on Nick’s Grimm duties, the first time she’s really been around people who count on her. Nick allows her to do some of this because, after all, someone has to, and he’s not up to it right now. But she’s a kid and she’s not a cop; he has to be careful around her. Trubel still isn’t a main character, which worries me about her continued survival, and she is liable to throw herself too quickly into a situation, endangering herself and others. Trubel could cause more trouble than she already has.

The one benefit of Nick no longer being a Grimm is in his relationship with Juliette (Bitsie Tulloch). She is complaining about what his destiny does to their relationship, and she’s definitely still not over Nick sleeping with Adalind (Claire Coffee), no matter how cleverly Adalind tricks Nick. But will Juliette soon come to regret her wish? If Nick is no longer a Grimm, he may not bring threats around as often, but he’s also less prepared to protect her in a world they’ve already, irreversibly gotten involved in. I have faith their bond can survive, once Juliette has time to get over Nick’s ‘betrayal,’ but I’m not so sure a Grimm-less life is good for them.

Add to this more Viktor (Alexis Denisof) machinations, newlyweds skipping their honeymoon to help out a friend, and the aforementioned case-of-the-week, and GRIMM’s season premiere is incredibly jam-packed with all kinds of drama and going-ons, much of which cannot be answered in a single hour. Thankfully, GRIMM is smart enough to realize that and take its time in letting the involved tale come to fruition.

“Thanks for the Memories” isn’t as exciting as many of the other installments of the series, but it is solid in its storytelling and deals with the aftermath of last spring’s finale in an entertaining and appropriate way. That’s good enough for me. It doesn’t stand strongly on its own, but I prefer the serial style, anyway.

GRIMM airs Fridays at 9 p.m. ET on NBC.

Caprica is risen again

One may not expect SyFy's Caprica to be the most religious show on television. It's set in the very distant past in another part of space, fifty-eight years before another recent SyFy show, Battlestar Galactica. According to Galactica's finale, our ancestors came from Caprica and the other eleven worlds, which we remember through the signs of the zodiac. Caprica was sold to Galactica's audience as the origin of the robots known as Cylons. By the end of Galactica, we knew that it had to be about more, but it's exceeded my expectations.

Caprica is world at the brink of civil war, torn between monotheistic and polytheistic beliefs. The tone is one of Ancient Greece, or perhaps Rome, not long before it's fall. Fans of the previous series know how it will end, but this show is so different that it is easy to forget what's coming. The monos, represented most prominently in the series by terrorist organization STO, seek to discredit and destroy the polys, whom they blame for the corruption of their world.

The world in question is in sorry shape, indeed. Teenagers escape to virtual reality, where they populate clubs bent on human sacrifice and orgies. A mob from nearby planet Tauron thrives. Suicide bombers blow up crowded trains. Which is, in fact, how Zoe Graystone (Alessandra Torresani) perished in the pilot, though her foray into virtual worlds, and mixing avatars with reality, has allowed her to still be a main character. Whether the existing Zoe, who lives only in computers, is real is a questions to be debated among the various religions.

Sister Clarice Willow (Polly Walker) seeks to be the voice to lead the Capricans into the next golden era. Last night's season premiere began with Clarice overseeing a group of people, some of them children, as they smuggled explosives into a crowded sports arena. The stadium and everyone in it spectacularly were leveled. But it wasn't real. Clarice has developed a recruiting technique for her organization. She wants to promise believers reality post-death, in a virtual world, like the one where she showed the destruction. Her group's leaders are wary, and order her assassination. But her support is strong, and her friends kill the messenger. Seeing little choice, the leader of them all, known as Mother (Meg Tilly, The Big Chill), asks Clarice what she needs to fulfill her plan.

I have to admit, I wasn't thrilled with Clarice's character when the show began. Somehow, though, in just ten hours, I've decided that she is my favorite character. She certainly had the strongest held belief-system, her morals are unique, and she has dangerous layers that have yet to be peeled back. She's more powerful than I think we as an audience realize, and she's highly intelligent. I don't know how much of her success is due to actress Polly Walker, but I am certainly a fan.

Back on Caprica, Clarice's one-time student, Lacy Rand (Magda Apanowicz) has stayed with terrorist leader Barnabas Greeley (Buffy the Vampire Slayer's James Marsters). Barnaby made Lacy blow up Clarice's car in last spring's mid-season finale in exchange for helping her get Cylon Zoe off the planet. Both missions failed, but Lacy seems drawn to Barnabas. She's still an impressionable teen, rocked by recent tragedy. She's perfect prey for a leader such as Greeley.

Daniel Graystone (Eric Stoltz) is grieving, too. For most of this week's episode, Daniel had us assuming that both daughter Zoe and his wife, Amanda (Paula Malcomson), last seen jumping from a bridge, perished. More on them in a moment. Daniel is sleeping on his couch and getting drunk at all hours. But he has a plan to get back on top, and it centers on taking back his company, which he recently lost to a rival. To do that, he approaches Tauron mobsters Sam (Sasha Roiz) and Joseph (Esai Morales) Adama. Joseph wants no part in Daniel's immoral science, but their boss orders them to help Daniel. What Daniel's exact plan is, and how the Taurons expect to use him, is still a mystery.

Zoe spent the first nine episodes of the series in the body of the first metallic Cylon that the current population of the Twelve Worlds has seen (in Galactica we learned that there were Cylons before, as "all of this has happened before, and all of it will happen again"). The Cylon was severely damaged when Zoe tried to drive it in a van through a roadblock. Daniel, who figured out that his late daughter was in his metal creation, believes her lost. But late in the first hour, we discover Zoe's consciousness (spirit?) alive and well in the virtual world. Although Zoe's appearance was brief, we do now know that she is trying to track down the other dead-girl-avatar in existence, Joseph's daughter, Tamara Adama (Genevieve Buechner). What she wants with her is anyone's guess.

The biggest surprise was to find Amanda Graystone alive and well, now sharing a cabin with Sister Clarice. I don't think they exactly appeared romantic, though Clarice comes across as bi-sexual. Instead, Amanda may have sought Clarice's spiritual guidance after the tragic death of her daughter and her own attempted suicide. What is clear is that Amanda has left Daniel, at least for now.

Somehow, Caprica manages to pack more plot into each episode than most shows, and yet delves into greater depths. I'm relieved none of the main characters (except Zoe, of course) is dead... yet. The second half of season one, airing six months after the first half, has much to get through. But the first nine episodes did a fine job painting a vivid world. It's like nothing else on television, and so worth the watch. It will challenge your mind and your beliefs, and quite a bit of action gets through, too. I can't possibly fairly compare it to Galactica, as the two are so very different, but that means you don't have to have seen the first series to understand what's going on in this one. If you haven't been watching Caprica, I highly recommend you catch up on what you missed (the first half of the season was recently released on DVD) and join the party.

Caprica airs Tuesdays at 10pm on SyFy.

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Article first published as TV Review: Caprica Is Risen Again on Blogcritics.