CONTINUUM Makes You Think For a "Minute"

Article first written for Seat42F.

CONTINUUM, a Canadian import airing on SyFy, seems science fiction-light in the first two seasons. It centers on Kiera Cameron (Rachel Nichols), who is a cop from 2077 trapped back in our present day. The series follows larger plot arcs, rather than just case-of-the-week stories, most of the time, but it still limits itself by keeping the setting and story something familiar and not too far off the beaten path.

However, in the third season premiere, “Minute by Minute,” things only get more high-concept and twisty as the hour goes on. We’re now firmly into the genre, and this benefits the show, making it both harder to follow and more rewarding to do so.

As season two closes, Alec (Erik Knudsen) steals Kiera’s chance to return home because he wants to save Emily’s (Magda Apanowicz) life. This creates a separate time line in which there are two Alecs running around. Alec from the future wastes no time reaching out to Emily, and because he’s not shy about the truth when he encounters Kellog (Stephen Lobo), things begin to change rapidly.

How fragile is the time line? Well, that’s been debated in many different projects, but in the world of CONTINUUM, it seems quite fragile indeed. Alternate lines are created by certain actions, so infinite numbers of scenarios might be playing out all at once. What’s important to viewers is that the one the show sticks with play out as it should, so the future happens and Keira is born and sent back. Alec’s actions, and the actions of those he encounters, start to threaten that.

Meanwhile, Kiera is still in the original timeline, locked up by the Freelancers. This group has a number of secrets, some of which Kiera learns. Kiera is a resourceful woman, so don’t think she spends the whole episode locked in a cell. However, where her plot goes is a bit surprising, and she makes an unexpected ally in the midst of the crisis. Possibly several allies.

I really, really like “Minute by Minute.” It takes what CONTINUUM, already a good show, has built and expounds upon it in new, interesting, dramatic directions. There is nothing in this episode that doesn’t fit with what’s come before, but adding alternate time lines into the proceedings crank things up a notch and start to spin off numerous possibilities. If the show wants to jump over to another line, it can. If a character is killed and the writers regret it, they can bring them back.

Will this make the series harder to follow? Of course, because now you don’t just have to keep track of one set of players and their situation, but also different versions of them, and how what happens in the past might affect what we’ve already seen in the future. Yet, I’m not complaining because it takes a series that follows a relatively predictable course and spins it off into uncharted, high-tension territory, injecting a sense that anything could happen. Anything.

Another new element in CONTINUUM is the development of the Freelancers. Previously, they are shown as villains whose motivations are unclear. In “Minute by Minute,” we learn about the origin and mission of the group. Who they are makes for a potential game changer, and also adds another bunch of people whose purpose may or may not be contrary to what Kiera wants, and where they stand in relation to one another will almost certainly change as the story develops.

“Minute by Minute” is all about adding possibilities. It does nothing to limit CONTINUUM, and everything to expand it. From here, there’s no telling where exactly things will go. It also seems to indicate that this is the new normal for the show, and it won’t be going back to the steady, measured arcs it previously played out. Excellent.

It’s hard to really delve into the bones of this episode because I really don’t want to spoil all the great things it has in store. Just trust me, it’s well worth tuning in for.

CONTINUUM returns Friday at 10 p.m. ET on SyFy.

CONTINUUM Leaves Us Hanging "Second Time"

Article first published as CONTINUUM Leaves Us Hanging "Second Time" on TheTVKing.

The Canadian import Continuum, which U.S. viewers get to watch on SyFy, recently brought its second season to a close with "Second Time." It's an episode of big reveals, major developments, heartbreak, and cliffhangers. Thankfully, the show has been picked up for a third year, or it would be a really bad place to stop.

Right off the bat, we learn something new in the future scene at the beginning: Kiera's husband Greg (John Reardon) is involved in old Alec's (William B. Davis) plot to send Liber8 back in time. This is huge! It means Kiera's family isn't just wondering what happened to her. Why did Greg go along with this, and what has he done since to get Kiera back? This is now a plot I want to see.

I understand why Kiera (Rachel Nichols) doesn't suspect Greg is involved in sending her back, though, even though the panic in his face is what tips her off about the time travel device. She turns and sees Kagame (Tony Amendola) pull something from his pocket, and may think Greg has only witnessed the same thing. As such, this new reveal adds to the story, but does still fit in the continuity.

In the past, we recently see Kiera go selfish, abandoning Emily (Magda Apanowicz), who dies, while chasing her chance to get home. Up til now, Kiera is the hero of Continuum, and she makes sacrifices to save others. In a moment of weakness, and it really is just a moment, Kiera puts herself first and tragedy strikes. It's depressing because one cannot really blame Kiera for her actions, and yet we are shown there is a cost of not acting the hero.

Actually, one person may blame Kiera, and that's Alec (Erik Knudsen). It's hard to pinpoint Alec's shifting loyalties in "Second Time," as he seems to be manipulating multiple players in the game. In the end, though, he gets what he ultimately wants, which is the chance to go back in time and save his love, Emily, even though that leaves Kiera abandoned in the present. Alec is not an unselfish hero.

Many stories take their protagonists to a dark place during the journey, a time when they will make the wrong choice and do the wrong thing. Kiera and Alec both go through this at the end of season two, which is OK, because there will be a third season in which they can redeem themselves. Ultimately, they must live up to the unrealistically high standards fans of this type of drama expect them to be, but they can stumble along the way. Which is why "Second Time" doesn't feel like an ending.

That being said, I do hope Alec saves Emily. I absolutely adore Apanowicz in everything I've seen her in, and her passing is predictable and sad. If Alec can reverse this, Continuum will have a chance to bring her back and do something special with the actress, using her as she deserves to be used, rather than wasted in a small arc.

The thing that may end up saving Alec and put him back on the right path, besides Emily, is his family. We now know that Jason (Ian Tracey) is Alec's son, sent back by old Alec, though present-day Alec doesn't know this, believing Jason to be his father. Jason kind of hangs back, observing, but should step in when the time arises to fix things.

I am undecided about Escher (Hugh Dillon), who claims to be Alec's father. We have seen no proof of this, and it's not clear whether Alec believes Escher or just uses Escher to get back in time. As such, Escher remains a wild card, one that cannot be figured out yet.

Kiera's family may be in the future, but she has somebody in this time that cares about her, too, and that's Carlos (Victor Webster). Carlos gives up his life and his career to help Kiera, and then has to go on the run. This exposes a depth to Carlos's feelings about Kiera that was not obvious before. Might Carlos be a real love interest if Kiera decides she is never getting home? Or if she learns of Greg's hand in what befell her?

Carlos is on the run now, and instead of going to Kiera, whom he thinks is going home, he hides out at Julian's (Richard Harmon) house. This is brilliant, with no one ever suspecting Carlos would reach out to the person who has caused him so much trouble professionally. And Julian gets the chance to prove he isn't evil and stands by his peaceful posture by turning the other cheek. This is a really interesting twist, one that should have cool ramifications for both roles.

When season three begins, the most immediate issue will be for Kiera, Jason, and the other time travelers to escape. They are captured and locked up by the freelancers, taken to a secret prison. No one knows where they are, and unless Alec returns, no one may even know they are missing.

This gives all of the people from the future a commonality, which could be beneficial. Kiera has battled with Travis (Roger Cross), who has no love for Kellog (Stephen Lobo). Now, all three (if Travis is alive), along with the other members of Liber8 and Jason, may have to work together, or may just find time to bond in captivity. This could absolutely change the dynamics of the show.

And what of Dillon (Brian Markinson)? He appears to be one of the good guys for so long, but "Second Time" shows him using a new play book. Is he connected to some sinister people? Is he being manipulated? I don't know, but he's on the wrong side of the conflict for now, and looks to be in a position to cause some serious trouble.

Continuum is exactly the type of science fiction show I love. It has an intriguing premise, wonderful characters, fantastic actors, and plot developments that are hard to see coming. It isn't afraid to switch up the rules, or completely change a character's trajectory. There are also multiple time lines and time periods, which makes the story more complex, and thus more rich. Plus, it takes time for awesome fight scenes, such as the one between Kiera and Travis. It has become a must-watch program.

"Second Time" is a pivotal, exciting installment. I look forward to Continuum's return in 2014.

Hellcats should know "Don't Make Promises (You Can't Keep)"

     Usually when a show is about to take a month or so off, they offer some kind of big finale, often ending with a cliffhanger. Not so this time with the CW's Hellcats. I won't say that last night's episode is bad, but it certainly isn't one of the best. In fact, the episode I would have wanted going into the hiatus aired two weeks ago. It's a shame they couldn't have switched those around. Ah, well.

     Savannah (Ashley Tisdale) gets the most interesting, juiciest plot this week. While at her house, Kathy (Magda Apanowicz, Caprica) lets slip that Savannah's little sis, Charlotte (Emma Lahana), is pregnant with Noah's (Tom Stevens) baby. Noah is Savannah's ex, and he hooked up with Charlotte the night Savannah last rejected him. Now Charlotte and Noah are engaged. Noah admits to Savannah that he really has feelings for her, and asks her what she wants him to do. Savannah breaks the news to Charlotte, who denies it, but breaks off the engagement.

     I have found the stories about Savannah's family fascinating. I like that they are uber-religious, and that causes them issues, including teen pregnancy. I firmly believe that parents who are too strict risk their children rebelling. It's a shame that Noah is such a slime ball; he had seemed like a decent guy up until now. But there aren't any better adjectives for a guy who impregnates the sister of the girl he likes.

     It's great to see Savannah strength here. Right from the beginning, there has always been a force within her, especially evident when she is around her mother. Her character is not rebellious for rebellion's sake, but she has an inner passion that benefits herself and those around her; she stands up for what she believes when necessary. Her character may possibly be my current favorite in what has become a very large cast.

     I think we are supposed to have our heartstrings tugged by Marti's (Aly Michalka) search for information on her long-gone father. I am not feeling it. As Dan (Matt Barr) points out, if Marti really wants to know, she would have demanded it a long time ago. Wanda's (Gail O'Grady) refusal to cooperate with her isn't really a good excuse; that doesn't usually stop Marti. Wanda may have gone into a downward spiral once Marti pressed her years ago, but that is nothing new either, and should not have been enough to make Marti give up for the next however-many years.

     The competition between the cheerleading squads is much more satisfying. Likely because of Savannah's history, there is obviously great rivalry between Memphis Christian, who doesn't have a cool nickname, and the Hellcats, who don't either, but act like they do. That last line was not intendied to insult, but "Hellcats" is teeming with corniness, trying to insert drama where none exists. Anyway, watching them square off is wonderful, and I enjoyed how many of their moves match up, emphasizing that both are very good.

     I also like the hint at something brewing between Lewis (Robbie Jones) and Kathy. We don't know enough about Kathy yet to know if she is a good match for him or not, but the scene we get of her away from cheerleader feuds make her seem sweet. Lewis has been hurt by multiple girls, and doesn't deserve to have to put up with a high maintenance woman. Plus, I adore the actress who plays Kathy, so the more she is involved in the show, the better.

     The chemistry between Vanessa (Sharon Leal) and Derrick (D.B. Woodside, 24, Buffy the Vampire Slayer) has been off for awhile, so it's no surprise that they broke up last week. I admire Woodside greatly, and hope the series sees fit to keep him coming around. That being said, Vanessa isn't having any better luck with Red (Jeff Hephner). Perhaps it is because she is sneaking around, ashamed of tossing aside Derrick, but so far, I'm not seeing this spark they supposedly have. Either go for it or don't, but if there isn't anything there, don't force or fake it.


     Overall, Hellcats is having a pretty good first season. I hope it hasn't peaked too early, with that wonderful take down of Bill Marsh (Aaron Douglas - also great) already having happened. A new major arc is needed fast to fill out the rest of the season when the show returns next month.

     Hellcats airs Tuesday nights at 9 p.m. ET on the CW.

Article first published as TV Review: Hellcats - "Don't Make Promises (You Can't Keep)" on Blogcritics.

 

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Caprica Ends Run Brilliantly

For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.

***SPOILER ALERT: This article contains details of the end of Caprica, including the series finale.***

     When SyFy's critically beloved Battlestar Galactica went off the air after only four seasons, I was depressed. It was one of the best TV shows ever made, in my opinion, combining religion and politics with morality and space battles. When a prequel series was announced, called Caprica, I was elated. Set fifty-eight years prior, it also took a lot of those same elements (except space battles), and leaned heavily on family and terrorism. It was brilliant, a worthy addition to the Galactia universe, but also it's own thing entirely. Then came news of its cancellation, and depression has set in again.

     Why was it canceled? The popular opinion is that it was too cerebral. People missed the space battles. AMC, you want to pick this one up? I promise you, I will watch, and so will many other people. I can't guarantee you any solid numbers, but the show would probably fit better with AMC's lineup than SyFy's.

     Last night marked the premiere on SyFy of the final five (Ha! Final Five!) episodes of Caprica. They were already released on DVD. Expecting unanswered cliffhangers and incomplete arcs, I was very pleasantly surprised to find that was not the case at all. Every single one of the plots began in the two hour pilot last year concluded naturally, and while I would have liked to see more development on some fronts, it was a full story. A look at future scenes capped the final episode, providing some idea of where the show would have gone, but more importantly, some events that came out of this year's plots. Despite only one season, Caprica joins my list of Best Shows Ever, made even better by no cliffhangers.

     I will miss the Graystones the most: Daniel (Eric Stoltz), Amanda (Paula Malcomson), and Zoe (Alessandra Torresani). They were the heart of Caprica, and often the characters with the most screen time. They were not in Galactica, and likely will not be in any other incarnation of the universe, as their story was concluded. Two grieving parents fought for the life of their daughter, who lived on in a virtual world. Their struggle was what birthed the greatest threat to humanity ever seen, and how the Cylons came to be what they were. It was the ultimate prequel, a fantastic and unexpected set up to what the original series featured. The rising of the 'skinjob' Zoe out of the bath in the future scenes was the ending of their journey, but the effects they had on the rest of the world will live on for far longer.

     I loved the Graystones, but they also provided the only inconsistency with Galactica. We learned in the previous show that the Cylons had been created before this era and will be again. The 'skinjobs' had only twelve models, and none of them were Zoe. Given more time, I'm sure this could have been addressed. In the next show, though the Graystones aren't expected to be featured, I hope it is dealt with in some way. While I think the family was given enough, there is still that one unanswered question left in the universe. However, surely practically no one but the Graystones ever found out about Zoe's new body, so if they are not part of the new story, it makes it hard to foresee the answer I seek.

     Lacy (Magda Apanowicz) was the most cheated by the finale. We saw her defeat the leaders at the STO camp and take control of their Cylon army in the previous episode, but she did not appear in the finale until the future scenes, when it was shown that she became the new Mother to the STO. Sure, that was perfect, fitting plot, but I would have expected, if the show hadn't taken time for the future stuff, a scene where Lacy and the Cylons take down Mother and her minions. Oh, well. Perhaps on the DVD.

     I like that Sister Clarice (Polly Walker) lost her organization, but lives to fight another day. In future spin-offs, I would really like to see what happened to Clarice, after she became preacher-to-the-toasters. Clarice was truly the Big Bad of the series, though that label was not apparent at first. Her fanatical beliefs were outdone by her oversize ego. She should have perished with her followers, but she didn't, because her will to survive is too strong. There are few characters on television played with such a mix of warring, and often hidden, agendas, and Walker was one of the best elements in an amazing show.

     The Tauron story concluded nicely, with the assassination of the Guatrau (Jorge Montesi) by Joseph (Esai Morales) and Sam (Sasha Roiz) Adama. It was almost a plot written into a corner, where the Adams faced certain death, or at least, having to flee the planet Caprica, which we know to be the homeworld of young Bill Adama, Joseph's son. Joseph had been anything but heroic yet in the series, and given Bill's later disagreements with the man, as told in Galactica, it wasn't surprising. What this plot twist sets up is a Joseph far more involved in the gang wars of his homeworld, though hopefully with a less villainous syndicate boss. Joseph always walked a fine line between noble and patsy; this development makes that balance even more complicated.

     Many people were surely shocked at the death of young William Adama (Sina Najafi) in the penultimate episode, widely believed to be the younger version of Commander William Adama, played by Edward James Olmos in Battlestar Galactica. Considering the young Bill introduced in the future scenes is at least ten years younger than Willie, this should have been something fans had already suspected, but I don't think it was.

     In October 2011, a new two hour TV movie called Battlestar Galactica: Blood and Chrome will air on SyFy, with the possibility of a series pickup. Nico Cortez will reprise his version of Bill Adama from the Razor flashbacks. It will feature a new cast of characters, and is set ten years into the first Cylon war, with Adama in his twenties, so at least twenty-some years after Caprica. Ensign Adama is newly assigned to Galactica. A press release proclaims: "The talented but hot-headed risk-taker soon finds himself leading a dangerous top secret mission that, if successful, will turn the tide of the decade long war in favor of the desperate fleet." Exciting, no?

     While I am excited about this newest prequel, which will attempt to add more action, something some people (not myself, especially after the finale) thought Caprica was lacking, Ideally, I want to see Lacy Rand return, and possibly Sister Clarice. I also want Esai Morales to reprise his role, obviously with aging makeup, as well as other members of his family. I love the actress who played Lacy, but she's probably too young, even with a makeup job. None of this will happen in the pilot, but if the series is picked up, I surely hope it will pay homage to Caprica, as well as being its own thing.

     Until then, so say we all.

Article first published as TV Review: Caprica Ends Run Brilliantly on Blogcritics.

Caprica is risen again

One may not expect SyFy's Caprica to be the most religious show on television. It's set in the very distant past in another part of space, fifty-eight years before another recent SyFy show, Battlestar Galactica. According to Galactica's finale, our ancestors came from Caprica and the other eleven worlds, which we remember through the signs of the zodiac. Caprica was sold to Galactica's audience as the origin of the robots known as Cylons. By the end of Galactica, we knew that it had to be about more, but it's exceeded my expectations.

Caprica is world at the brink of civil war, torn between monotheistic and polytheistic beliefs. The tone is one of Ancient Greece, or perhaps Rome, not long before it's fall. Fans of the previous series know how it will end, but this show is so different that it is easy to forget what's coming. The monos, represented most prominently in the series by terrorist organization STO, seek to discredit and destroy the polys, whom they blame for the corruption of their world.

The world in question is in sorry shape, indeed. Teenagers escape to virtual reality, where they populate clubs bent on human sacrifice and orgies. A mob from nearby planet Tauron thrives. Suicide bombers blow up crowded trains. Which is, in fact, how Zoe Graystone (Alessandra Torresani) perished in the pilot, though her foray into virtual worlds, and mixing avatars with reality, has allowed her to still be a main character. Whether the existing Zoe, who lives only in computers, is real is a questions to be debated among the various religions.

Sister Clarice Willow (Polly Walker) seeks to be the voice to lead the Capricans into the next golden era. Last night's season premiere began with Clarice overseeing a group of people, some of them children, as they smuggled explosives into a crowded sports arena. The stadium and everyone in it spectacularly were leveled. But it wasn't real. Clarice has developed a recruiting technique for her organization. She wants to promise believers reality post-death, in a virtual world, like the one where she showed the destruction. Her group's leaders are wary, and order her assassination. But her support is strong, and her friends kill the messenger. Seeing little choice, the leader of them all, known as Mother (Meg Tilly, The Big Chill), asks Clarice what she needs to fulfill her plan.

I have to admit, I wasn't thrilled with Clarice's character when the show began. Somehow, though, in just ten hours, I've decided that she is my favorite character. She certainly had the strongest held belief-system, her morals are unique, and she has dangerous layers that have yet to be peeled back. She's more powerful than I think we as an audience realize, and she's highly intelligent. I don't know how much of her success is due to actress Polly Walker, but I am certainly a fan.

Back on Caprica, Clarice's one-time student, Lacy Rand (Magda Apanowicz) has stayed with terrorist leader Barnabas Greeley (Buffy the Vampire Slayer's James Marsters). Barnaby made Lacy blow up Clarice's car in last spring's mid-season finale in exchange for helping her get Cylon Zoe off the planet. Both missions failed, but Lacy seems drawn to Barnabas. She's still an impressionable teen, rocked by recent tragedy. She's perfect prey for a leader such as Greeley.

Daniel Graystone (Eric Stoltz) is grieving, too. For most of this week's episode, Daniel had us assuming that both daughter Zoe and his wife, Amanda (Paula Malcomson), last seen jumping from a bridge, perished. More on them in a moment. Daniel is sleeping on his couch and getting drunk at all hours. But he has a plan to get back on top, and it centers on taking back his company, which he recently lost to a rival. To do that, he approaches Tauron mobsters Sam (Sasha Roiz) and Joseph (Esai Morales) Adama. Joseph wants no part in Daniel's immoral science, but their boss orders them to help Daniel. What Daniel's exact plan is, and how the Taurons expect to use him, is still a mystery.

Zoe spent the first nine episodes of the series in the body of the first metallic Cylon that the current population of the Twelve Worlds has seen (in Galactica we learned that there were Cylons before, as "all of this has happened before, and all of it will happen again"). The Cylon was severely damaged when Zoe tried to drive it in a van through a roadblock. Daniel, who figured out that his late daughter was in his metal creation, believes her lost. But late in the first hour, we discover Zoe's consciousness (spirit?) alive and well in the virtual world. Although Zoe's appearance was brief, we do now know that she is trying to track down the other dead-girl-avatar in existence, Joseph's daughter, Tamara Adama (Genevieve Buechner). What she wants with her is anyone's guess.

The biggest surprise was to find Amanda Graystone alive and well, now sharing a cabin with Sister Clarice. I don't think they exactly appeared romantic, though Clarice comes across as bi-sexual. Instead, Amanda may have sought Clarice's spiritual guidance after the tragic death of her daughter and her own attempted suicide. What is clear is that Amanda has left Daniel, at least for now.

Somehow, Caprica manages to pack more plot into each episode than most shows, and yet delves into greater depths. I'm relieved none of the main characters (except Zoe, of course) is dead... yet. The second half of season one, airing six months after the first half, has much to get through. But the first nine episodes did a fine job painting a vivid world. It's like nothing else on television, and so worth the watch. It will challenge your mind and your beliefs, and quite a bit of action gets through, too. I can't possibly fairly compare it to Galactica, as the two are so very different, but that means you don't have to have seen the first series to understand what's going on in this one. If you haven't been watching Caprica, I highly recommend you catch up on what you missed (the first half of the season was recently released on DVD) and join the party.

Caprica airs Tuesdays at 10pm on SyFy.

For frequent mini-reviews and occasional tv news, follow Jerome on Twitter.



Article first published as TV Review: Caprica Is Risen Again on Blogcritics.

Caprica ends mid-season finale with much up in the air

     ...literally.  Amanda Graystone (Paula Malcomson) was still in the air the last we saw her, as she jumped from the bridge in an attempted suicide.  How ever knew how crazy that woman was?  The Zoe Graystone Cylon (Alessandra Torresani) was also careening through the air as the van she had stolen slammed into the police barricade and was tossed up.  Also, pieces of Sister Clarice's (Polly Walker) car were in the air, as Lacy (Magda Apanowicz) detonated the bomb.  Is that enough for you?

     After a long, long wait, SyFy chose to only give us nine episodes, counting the pilot that was put out on DVD nearly a year ago, before taking six months off.  There are eight more scheduled to air beginning September 17th.  SyFy is notorious for making fans of the franchise wait way too long for new installments.  Remember the nine month wait for the second half of the finale season of Battlestar Galactica?  It just proves that the network has no idea how to handle a good thing.

    And another good thing is what they have with this series.  Despite a few fun references from time to time, the show has certainly set itself apart from the series it is technically a prequel to.  Everything we thought we know from watching Galactica has been turned on it's head, and the political and personal drama is even deeper than expected.  Aside from one or two episodes in the middle, the show has really delivered.
     Besides the Graystone saga, which has also included the slow slip of Daniel Graystone's (Eric Stoltz) morality and sanity, the Adama story isn't quite as intriguing.  Perhaps in an effort to not exclusively tie themselves into a family already established in the universe, though they are main characters, the balance has been a little heavy on the Graystones.  However, things heated up in the past few weeks as Joseph (Esai Morales) battled a V-world addiction while searching for his daughter's avatar (Genevieve Buechner).

    When Caprica returns this fall, I do expect to see the Adamas and Graystones get further intertwined, and the fallout from all the bad things the main characters did.  I also want better closure on the Tamara plot.  But assuming James Marsters (Buffy the Vampire Slayer) sticks around, I'm sure it will deliver.

     Caprica airs on SyFy channel Friday nights at 9pm.

Caprica different from Galactica, in a good way

     For fans of Battlestar Galactica, it was a sad, though very satisfying, day when the series when dark for good last spring.  Four years, a wonderful story, and a heck of a conclusion.  It wasn't about space.  It was about the characters.  Now, we have a replacement, in the same world, but with a totally different concept.  Well, not totally different.  It's still about the characters.  It is important to note that viewers should be able to start watching this show with no prior knowledge of Galactica, as it takes place many years before, and is clearly it's own thing.  But for fans, we get to see a barely-heard-about chapter unfurl in full life, a real treat.

     While Caprica premieres tonight on SyFy, the pilot has been available on DVD since last April.  The show already has fans, before it even launches.  I can report that it is an intriguing, exciting, and dark pilot, scratching the surface of grief that will surely be delved into.  I won't spoil any major twists, in case you still haven't seen the episode, but I can tell you that one of the main characters, (yes, one of the ones mentioned below) dies early in the episode, and it launches what will be a hell of an adventure.  This person's death has far reaching repercussions, and after the twist at the end of the two hours, fans of Galactica will be surprised, hopefully in a good way, about a connection between the character and the previous series.  Viewers will see the 'invention' of the Cylons, though we know that Cylons have been around much longer than the humans in this show will think they have.

     Set fifty eight years before the events of Battlestar Galactica, it doesn't feature humans running for their lives.  Instead, two families are brought together by the deaths of their loved ones, from a suicide bomber.  There are heavy religious tones to this series, even more so than Galactica.  It is a world on the brink of sin, with teenagers escaping into virtual clubs that feature group sex and human sacrifice.  Technology is god, and Daniel Graystone (Eric Stoltz), a genius, is at the forefront.  He works so hard that he practically ignores his equally inventive daughter, Zoe (Alessandra Torresani).  He does, however, seem to spend time with his wife, Amanda (Paula Malcomson, Deadwood).  Zoe doesn't get along with her mother, either.

     The other family is immediately recognizable.  We have heard about Joseph Adama (Esai Morales, NYPD Blue) and his eleven year old son, William, (Sina Najafi) who was of course the commander of Galactica, portrayed by Edward James Olmos.  While not obvious in the pilot, the other important Adama in this series is Joseph's brother, Sam (Sasha Roiz).  The Adamas are from Tauron, and are only working on Caprica.  They are looked down on for that, although Joseph, a.k.a. Yosef, seems to often reject his heritage to fit in on the world, even publicly using the last name Adams instead of Adama.  At this point, the Twelve Colonies do not have one united government.

     The show also stars Polly Walker (Rome) and my personal favorite, Magda Apanowicz (Kyle XY).  Nineteen episodes, not including the pilot, have been made.  It airs on SyFy Friday nights at 9pm.