WESTWORLD Expands Its Borders

Article first published as TV Review: WESTWORLD Season 3 on Seat42F.

WARNING: This review contains spoilers for the first two episodes.

HBO’s WESTWORLD returned last week after a very long hiatus. Season three likely has multiple timelines, so it’s hard to say how long it’s been in the world of the story, though at least one plot thread is a mere few months later. Then narrative seems more fragmented than ever, with fewer characters returning than did for season two, but with a lot of possibility, new faces, and futuristic worlds to explore. What is real and what is just a simulation? Who knows, but we’re definitely in for it in the eight-episode third season.

Delores Abernathy (Evan Rachel Wood) is arguably the lead, and she is now loose in the real world. After securing herself funding, she snuggles up to Liam Dempsey (John Gallagher Jr., The Newsroom), a rich man that controls a supercomputer that tracks everyone. But when things with Liam don’t go how Delores expects, she’s soon hanging out with Caleb Nichols (Aaron Paul, Breaking Bad), who has quite the different background. Caleb struggles just to make ends meet, and takes criminal activities on the side, though draws the line at murder and kidnapping. How might he be of assistance? Plus, Delores still has Charlotte Hale (Tessa Thompson) in her pocket, but who is now inhabiting Hale’s body?

In the meantime, we also catch up with Bernard Lowe (Jeffrey Wright), who has been blamed for the murders in the park. He’s in hiding, likely in an earlier time period than the Delores story, and trying to ride things out. When that proves impossible, he returns to the island to secure help, and finds Ashley Stubbs (Luke Hemsworth), who is, just as we all thought, a host.

And then there’s Maeve Millay (Thandie Newton), who is back in the games, this time in War World. At least she has Hector (Rodrigo Santoro) and Lee (Simon Quarterman) by her side. Or does she? New character Engerraund Serac (Vincent Cassel, Black Swan) has other plans for her.

A quarter of the way through the season, there are still more unanswered questions than known info. We haven’t even seen the Man in Black (Ed Harris) yet, though his name continues to grace the opening credits. And Quarterman also got a lead nod, meaning he’s likely to return, but how? While sadly, Santoro did not, meaning this could be the only time we see him this year.

The scale of WESTWORLD in season three has expanded greatly, as the adventure goes global. Several continents are covered, but the series thankfully has time to return to the park, at least a little bit. It looks like a bigger budget is probably in the offering, and the smaller scale of the second hour was surely to help balance just how immense the first one was.

The show is, at its heart, still the same series. It still raises questions of artificial intelligence and the danger of encroaching technology. It’s still very much a game that the rich play with hosts and common workers alike as pawns. Delores wants to tear down all of mankind, but perhaps she should consider connecting with Caleb’s peers instead, uniting in cause against their true enemy, the rich?

Season two was very different than season one, and not everyone liked that. Season three is different again. I appreciate the continued evolution of the piece, and think the core themes and characters provide a good through-line. The first two seasons were essentially loose expansions upon the 1973 film WESTWORLD (with a LOT more complexity added in). Season three seems to be picking up the sequel, FUTUREWORLD, but again, with many more angles and viewpoints. This might give us a hint as to where the show is going, though I expect it has more to say than can found in those movies.

I’m along for the ride and happy with the vehicle they’ve provided for us. In my opinion, WESTWORLD season 3 builds upon what’s come before it, and opens up a whole lot of new intriguing possibilities.

WESTWORLD airs Sunday evenings on HBO.

Welcome to WESTWORLD Park

Article first published as WESTWORLD Review on Seat42F.

HBO’s latest big-budget, high-concept series, mentioned by many as intended to hang onto the Game of Thrones audience at the conclusion of that show, is WESTWORLD. Set in a future time, scientists have created an amusement park full of highly realistic robots that live out stories in an old American West setting, and guests can pay to visit and interact within it. The adventure is completely safe, as while the guests can “kill” the robots (which are back to work the next day), the visitors themselves cannot be harmed. But will something go wrong?

My first thought after watching this was that this is Jurassic Park in the Old West, sans the dinosaurs. That’s funny because, while I didn’t realize at it at the time, HBO’s WESTWORLD is based on the first film written and directed by Jurassic Park author Michael Crichton. And yes, they are essentially the same story, a fantastic theme park that is supposed to be very safe, but turns out not to be. I won’t say all hell breaks loose in the pilot, but the seeds are planted and it’s certain that’s exactly where this is going. Which I feel comfortable spoiling because not only is that the plot of the well-reviewed 1973 film of the same name, but that is the entire premise of the show.

Of course, this raises all sorts of questions. Does Chaos Theory mean that everything must go wrong? Or is there someone behind the problems? Is it right to keep robots as essentially unaware slaves, or once they reach a certain level of sophistication, should they be considered individuals with their own rights and freedoms? What kind of societal changes might you bring about if you allow people to murder and steal in a theme park? Have humans reached the end of their evolution?

Because this is HBO, and because this is a long-form television show, I expect many of those questions and more will be dealt with as we go forward. While the pilot is mainly focused on more immediate action, there is enough of that stuff present that one expects it to be a part of the foundation. That, and the first installment is just great storytelling, which a compelling, intense introduction to the world. Plus there’s nudity. If it’s on HBO, there will be lots of nudity, and WESTWORLD seems to have more than most programs on the network.

The cast is also terrific. It includes Anthony Hopkins (Hannibal) as the creator of Westworld, Ed Harris (Gravity) as a guest that seems to be testing the park’s limits, Sidse Babett Knudsen (Borgen) as the manager of the attraction, Jeffrey Wright (Boardwalk Empire) and Shannon Woodward (Raising Hope) as scientists, James Marsden (X-Men) as a classic hero-type, and Evan Rachel Wood (True Blood), Thandie Newton (Rogue), Rodrigo Santoro (Lost), and Angela Sarafyan (Paranoia), among others, as robots. This is not a complete listing, by any means, but gives you a taste of the talent present, and most of those above get really neat moments early on that prove they deserve to be here.

The production is terrific. The town feels real, and while it’s revealed very early on that it is a construct, extended scenes in the park can leave you immersed in that world-within-a-world almost completely. The design, both in and out of Westworld, is spectacular, which lots of cool detail and a fully-realized setting. It is also clear that the writing is smart, a metaphor with a player piano being used perhaps a bit too often, but certainly apt in the situation.

I think WESTWORLD is just terrific, and immediately want to keep watching. I don’t know if it will satisfy Game of Thrones fans, with its lack of deaths (I assume, since they can build new robots at any time) and sci-fi, rather than fantasy bend, but I can’t imagine it won’t have a passionate audience. Let’s hope it’s a sizeable one.

WESTWORLD premieres October 2^nd at 9/8c.