WESTWORLD Expands Its Borders

Article first published as TV Review: WESTWORLD Season 3 on Seat42F.

WARNING: This review contains spoilers for the first two episodes.

HBO’s WESTWORLD returned last week after a very long hiatus. Season three likely has multiple timelines, so it’s hard to say how long it’s been in the world of the story, though at least one plot thread is a mere few months later. Then narrative seems more fragmented than ever, with fewer characters returning than did for season two, but with a lot of possibility, new faces, and futuristic worlds to explore. What is real and what is just a simulation? Who knows, but we’re definitely in for it in the eight-episode third season.

Delores Abernathy (Evan Rachel Wood) is arguably the lead, and she is now loose in the real world. After securing herself funding, she snuggles up to Liam Dempsey (John Gallagher Jr., The Newsroom), a rich man that controls a supercomputer that tracks everyone. But when things with Liam don’t go how Delores expects, she’s soon hanging out with Caleb Nichols (Aaron Paul, Breaking Bad), who has quite the different background. Caleb struggles just to make ends meet, and takes criminal activities on the side, though draws the line at murder and kidnapping. How might he be of assistance? Plus, Delores still has Charlotte Hale (Tessa Thompson) in her pocket, but who is now inhabiting Hale’s body?

In the meantime, we also catch up with Bernard Lowe (Jeffrey Wright), who has been blamed for the murders in the park. He’s in hiding, likely in an earlier time period than the Delores story, and trying to ride things out. When that proves impossible, he returns to the island to secure help, and finds Ashley Stubbs (Luke Hemsworth), who is, just as we all thought, a host.

And then there’s Maeve Millay (Thandie Newton), who is back in the games, this time in War World. At least she has Hector (Rodrigo Santoro) and Lee (Simon Quarterman) by her side. Or does she? New character Engerraund Serac (Vincent Cassel, Black Swan) has other plans for her.

A quarter of the way through the season, there are still more unanswered questions than known info. We haven’t even seen the Man in Black (Ed Harris) yet, though his name continues to grace the opening credits. And Quarterman also got a lead nod, meaning he’s likely to return, but how? While sadly, Santoro did not, meaning this could be the only time we see him this year.

The scale of WESTWORLD in season three has expanded greatly, as the adventure goes global. Several continents are covered, but the series thankfully has time to return to the park, at least a little bit. It looks like a bigger budget is probably in the offering, and the smaller scale of the second hour was surely to help balance just how immense the first one was.

The show is, at its heart, still the same series. It still raises questions of artificial intelligence and the danger of encroaching technology. It’s still very much a game that the rich play with hosts and common workers alike as pawns. Delores wants to tear down all of mankind, but perhaps she should consider connecting with Caleb’s peers instead, uniting in cause against their true enemy, the rich?

Season two was very different than season one, and not everyone liked that. Season three is different again. I appreciate the continued evolution of the piece, and think the core themes and characters provide a good through-line. The first two seasons were essentially loose expansions upon the 1973 film WESTWORLD (with a LOT more complexity added in). Season three seems to be picking up the sequel, FUTUREWORLD, but again, with many more angles and viewpoints. This might give us a hint as to where the show is going, though I expect it has more to say than can found in those movies.

I’m along for the ride and happy with the vehicle they’ve provided for us. In my opinion, WESTWORLD season 3 builds upon what’s come before it, and opens up a whole lot of new intriguing possibilities.

WESTWORLD airs Sunday evenings on HBO.

Welcome to WESTWORLD

Article first published as Blu-ray Review: 'Westworld: Season One' on Blogcritics.

Westworld is, in my opinion, the best new show of 2016. Based on the Michael Crichton film of the same name, it’s a high-concept series about an advanced theme park populated by super sophisticated robots. But as in Crichton’s classic Jurassic Park, the creators of the place can’t control what they’ve built and things go very wrong. That is only the start of the story, which explores sentience, humanity, morality, perception, and so much more.

Why do I bring up this show now, a year after it aired? Because with season two scheduled for 2018 on HBO, Westworld: Season One: The Maze is available now on 4K Ultra HD, Blu-ray, DVD, and digital, just in time for the holidays.

The Story

It’s hard to talk about too much without giving away the brilliant twists, so I’ll only describe the setup in the broadest of terms. The characters in Westworld can be divided into three categories: the robots, the park workers, and the guests. Right away, there is some blurring of the lines between the divisions. In general, though, the guests are interacting with the robots in the park (which shares a name with the show). The workers try to keep things running smoothly, and address any glitches that come up.

Behind-the-scenes, founder Dr. Robert Ford (Anthony Hopkins) is nearing retirement. The board that runs Westworld would like to see him pushed out. His protege, Bernard Lowe (Jeffrey Wright), supports him, but has his own concerns to deal with.  Namely, that some of the robots are beginning to have memories they shouldn’t, and act in ways contrary to their programming. The park has been around for decades, and there are hints that this isn’t the first time something like this has happened.

At the same time, things within the park are just as chaotic. The Man in Black (Ed Harris), a frequent guest over a long period of time, is looking for the entrance to the fabled Maze. He believes this will allow him to enter a higher level of the game, and he is obsessed with finding everything the park has to offer. Is he right? And if he is, what does this mean for those that dwell within the programmed scenarios?

The Production

Westworld is full of fantastic actors. Hopkins and Wright are terrific, of course. Luke Hemsworth, Sidse Babett Knudsen, and Shannon Woodward also play employees with varying motivations for their presence. Jimmi Simpson and Ben Barnes are guests, which provide an entry point for the audience.  This is especially true of Jimmy, whose William is there for the first time. To the credit of all of the above, they can compete with the robots for attention. The humans also are just as complex as the non-humans, which makes for a busy show.

While the guests may be relatable, the artificial constructs are probably more interesting to most viewers. Evan Rachel Wood outdoes herself in her intricate portrayal of Delores. She is the oldest robot in the place, and one who begins experiencing issues. She is joined by Thandie Newton, James Marsden, Ingrid Bolso Berdal, and Angela Sarafyan, among others playing artificial life forms. Their task is not an easy one, finding a way to portray life awaking within machine. Yet, across the board, they deliver impressive performances.

Quality is maintained in every aspect of the production, from the writing to the set design to the location shoots to the scoring. Just as great care for attention to detail would be taken in the real Westworld, it is on this show. Breathtaking vistas mixed with unique sci-fi elements make for a really interesting overall world. It is a pretty immersive experience to watch.

The Extras

For some releases, featurettes dispel a bit of the magic. Showing us the nuts and bolts behind the creation is interesting, but can demystify. Westworld: Season One provides that, but somehow, pulling back the curtain only makes what’s been done more impressive. As we hear about the creation of the look, the title sequences, and filming in those sweeping landscapes, it hits home just how much went into this program. Combined with some bits on the premise and actors, as well as a light gag reel, there’s a lot here, most of it solid.

Westworld: Season One also includes “The Big Moment” featurettes that often air right after the episodes. This is a good idea because it breaks down key moments in the series one at a time. Spreading them across the discs is smart, too, because they appear where they will be easiest to access. In fact, where all the extras are spread is well thought out, making for a nice, enhanced viewing experience.

Conclusion

It will come as no surprise to you that I recommend this set. Everything about it is neat, and rewatching it only builds anticipation for the show’s return. This is a series that begs repeat viewings to fully grasp it, so owning the set is helpful for that purpose. With solid bonus material, it makes it worth going beyond just rewatching the streaming episodes. This is a great release, and one I am happy to add to my shelf. My only regret is that I don’t yet have the capacity to watch it in 4K Ultra HD, which I will definitely do in the future.

Westworld: Season One: The Maze is available now.

Welcome to WESTWORLD Park

Article first published as WESTWORLD Review on Seat42F.

HBO’s latest big-budget, high-concept series, mentioned by many as intended to hang onto the Game of Thrones audience at the conclusion of that show, is WESTWORLD. Set in a future time, scientists have created an amusement park full of highly realistic robots that live out stories in an old American West setting, and guests can pay to visit and interact within it. The adventure is completely safe, as while the guests can “kill” the robots (which are back to work the next day), the visitors themselves cannot be harmed. But will something go wrong?

My first thought after watching this was that this is Jurassic Park in the Old West, sans the dinosaurs. That’s funny because, while I didn’t realize at it at the time, HBO’s WESTWORLD is based on the first film written and directed by Jurassic Park author Michael Crichton. And yes, they are essentially the same story, a fantastic theme park that is supposed to be very safe, but turns out not to be. I won’t say all hell breaks loose in the pilot, but the seeds are planted and it’s certain that’s exactly where this is going. Which I feel comfortable spoiling because not only is that the plot of the well-reviewed 1973 film of the same name, but that is the entire premise of the show.

Of course, this raises all sorts of questions. Does Chaos Theory mean that everything must go wrong? Or is there someone behind the problems? Is it right to keep robots as essentially unaware slaves, or once they reach a certain level of sophistication, should they be considered individuals with their own rights and freedoms? What kind of societal changes might you bring about if you allow people to murder and steal in a theme park? Have humans reached the end of their evolution?

Because this is HBO, and because this is a long-form television show, I expect many of those questions and more will be dealt with as we go forward. While the pilot is mainly focused on more immediate action, there is enough of that stuff present that one expects it to be a part of the foundation. That, and the first installment is just great storytelling, which a compelling, intense introduction to the world. Plus there’s nudity. If it’s on HBO, there will be lots of nudity, and WESTWORLD seems to have more than most programs on the network.

The cast is also terrific. It includes Anthony Hopkins (Hannibal) as the creator of Westworld, Ed Harris (Gravity) as a guest that seems to be testing the park’s limits, Sidse Babett Knudsen (Borgen) as the manager of the attraction, Jeffrey Wright (Boardwalk Empire) and Shannon Woodward (Raising Hope) as scientists, James Marsden (X-Men) as a classic hero-type, and Evan Rachel Wood (True Blood), Thandie Newton (Rogue), Rodrigo Santoro (Lost), and Angela Sarafyan (Paranoia), among others, as robots. This is not a complete listing, by any means, but gives you a taste of the talent present, and most of those above get really neat moments early on that prove they deserve to be here.

The production is terrific. The town feels real, and while it’s revealed very early on that it is a construct, extended scenes in the park can leave you immersed in that world-within-a-world almost completely. The design, both in and out of Westworld, is spectacular, which lots of cool detail and a fully-realized setting. It is also clear that the writing is smart, a metaphor with a player piano being used perhaps a bit too often, but certainly apt in the situation.

I think WESTWORLD is just terrific, and immediately want to keep watching. I don’t know if it will satisfy Game of Thrones fans, with its lack of deaths (I assume, since they can build new robots at any time) and sci-fi, rather than fantasy bend, but I can’t imagine it won’t have a passionate audience. Let’s hope it’s a sizeable one.

WESTWORLD premieres October 2^nd at 9/8c.

JWTV Quickie: Mildred Pierce - "Part Three" through "Part Five"

    Sunday night brought the last two segments of the new HBO five hour miniseries, Mildred Pierce. Rather than writing out paragraphs of detailed review, here's a list of ten things, both good and bad, of note within the last three hours, in no particular order. There's a similar list for the first two parts, which you can see by clicking here. Please feel free to add to the list if you think something important was missed, or debate why something is included.

1. Same as the previous list. Kate Winslet, who plays the title character, will win the Emmy. She just will, sorry, no contest. She is doing a fantastic job in a miniseries that is attracting attention and praise. There will be other actresses as good this year, but you would be hard pressed to find one better, and she will win.

2. The whole miniseries is a palindrome. Mildred begins married to Bert (Brian F. O'Byrne), divorces, loses a daughter (Ray, who dies), takes a lover, starts a business, find success, loses the business, loses the lover, loses a daughter (Veda runs out on her), divorces, marries Bert again. Ah, symmetry!

3. I thought I would like Evan Rachel Wood better as Veda than Morgan Turner, the younger version. I was wrong. While Wood did fine, she had less to work with than Turner, who played Veda for a longer period of time. Wood got the juicy finale, but Turner deserves to get a supporting actress Emmy nomination.

4. Veda screws everything up. Veda ruins Mildred's relationships and her chain of restaurants. Veda distracts Mildred from what she should be focusing on. If Mildred had had an abortion, or given Veda up for adoption, none of the bad things in her life would have ever happened. The story would have a happy ending.

5. Almost none of the characters are likeable. In fact, they are downright creeps. Bert is the best part of the family, almost worth rooting for, and even he cheated on his wife and ran off with the girl. No wonder Veda grew up to be such a psycho!

6. Mildred is a terrible mother. You spoil a kid, she takes advantage and feels entitled. Again, no wonder Veda grew up to be a psycho!

7. Monty (Guy Pearce) should be locked up as a sexual predator. Yes, his intercourse with Veda is consensual, and she is an adult by that point. However, sleeping with your wife's daughter is more than taboo. It is wrong under any circumstances, and it is disappointing that Monty and Veda end up together. Surely, should there have ever been a sequel, they would be split within months. He is only with her for the same reasons he was with Mildred - money and sex.

8. Ida (Mare Winningham) is the sole sane character. She is kind and generous. She takes over the business, but only reluctantly, and remains friends with Mildred. It's easy to see why Ida is included in the restaurants, and giving her her own location is both a stroke of genius, from a fianancial standpoint, and also plants the seeds of Mildred's eventual removal.

9. Lucy (Melissa Leo) actually ends up saner than Mildred. She is first introduced as a flighty weirdo, but grows into quite a sensible person. She had heart and intelligence. I guess some people really do mature nicely.

10. This miniseries is wonderful for an artistic perspective, and because of the talent behind it. The story is horrible, in that the characters are not relatable and terrible people. Perhaps it isn't unrealistic, but it is hard to look past such repulsive behavior. It will get accolades, as it should, but it will never be something people gleefully watch on a Friday night,

Click here for an alphabetical list of all of Jerome's Current Season Reviews.

For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

JWTV Quickie: Mildred Pierce - "Part One and Part Two"

     Sunday night, we got to see the first two hours of the new HBO's five hour miniseries, Mildred Pierce. Rather than writing out paragraphs of detailed review, which I will reserve for after the entire run is complete in three weeks, I want to list ten things, both good and bad, of note within the first two hours, in no particular order. Please feel free to add to the list if you think I missed something important, or debate why something is included.

1. Kate Winslet, who plays the title character, will win the Emmy. She just will, sorry, no contest. She is doing a fantastic job in a miniseries that is attracting attention and praise. There will be other actresses as good this year, but you would be hard pressed to find one better, and she will win.

2. I thought Mildred was supposed to be unlikable. Why hasn't she been unlikable yet? Am I under a false impression? She has been shown with pluck and determinating, struggling to support her family, with only a trace of enabling her bratty daughter. Speaking of...

3. Young Veda (Morgan Turner) and the older Veda that will be showing up later (Evan Rachel Wood) are a perfectly cast pair. While Wood has not yet made an appearance, just thinking back to her run on True Blood last year will point to the fact that people are about to be blown away by just how similar the two are in looks and mannerisms. PERFECT!

4. Why is Melissa Leo talking in that annoying voice as Lucy? She just won an Oscar, and she already blew away HBO audiences with her fantastic turn in Treme. All she has been on MP is annoying.

5. Other than cheating on his wife, Bert (Brian F. O'Byrne) seems to be the perfect father, and he's become a fine friend to Mildred post-split. I am having trouble reconciling those two different aspects. Which is kind of neat, because life is complicated, and this way he's presented as a full man, rather than a charicature.

6. The scenes between Mildred and Monty (Guy Pearce) are hot. They'd be even hotter with better looking performers, but the chemistry between the two is very sexy. Don't get me wrong. There's nothing wrong with Pearce other than that terrible hair piece and moustache, which is in period, but Winslet has never been all that attractive, in my opinion. I'm sure others may disagree.

7. The new restaurant Mildred is opening is gorgeous! How can it not succeed? Plus, location, location, location. Why don't more businesses open randomly in the middle of neighborhoods instead of in strips with other businesses? It may be harder to find for the general populace, but the people living within walking distance will surely become loyal patrons.

8. Why doesn't Mildred move into the restaurant? It's a house, right? Persumably, she is only using the main living areas. There will still be bedrooms free. If she will be spending most of her time there anyway, it just makes sense.

9. Why doesn't Mildred hire Ida (Mare Winningham) as her waitress? Mildred will be doing all the cooking, so she's going to need at least one server. I can see why Ida may want to wait and see how the new restaurant goes before deciding, but Mildred should at least offer Ida the first and top spot.

10. Ray's (Quinn McColgan) death - heartbreaking. Simply heartbreaking. She was such a cute little kid! Add to that the unwarranted guilt Mildred will feel by not being there the one time her daughter needed her, and you have some real pathos going on.

Click here for an alphabetical list of all of Jerome's Current Season Reviews.

For frequent mini-reviews and occasional TV news, follow Jerome on Twitter.

True Blood goes bump in the night

     Two weeks ago, HBO's True Blood returned for it's third season.  I didn't get around to posting a season premiere review right away, but since the show is taking next Sunday off (I guess even vampires celebrate Independence Day), it seemed like the perfect time.  This week's episode was called "It Hurts Me Too", and it only served to deepen this season's already forming plots.

     The vampires are the meat of the series thus far, and season three is no exception.  Bill (Stephen Moyer) was kidnapped at the end of season two by the King of Mississippi's (Denis O'Hare, Brothers & Sisters) V-fed werewolf minions.  The point, apparently, was to get Bill to turn against his own ruler, the Queen of Louisiana, Sophie-Anne (Evan Rachel Wood, Thirteen, One and Again), as the King would like to marry her.  But the King already seems to have a companion, and a male one at that.  Who is really playing who here?  I have not read them yet, but in the book series Bill apparently has been working for Sophie-Anne the entire time, leading to the dissolution of his romance with Sookie (Anna Paquin).  Given the television show's made-for-each-other treatment of Bill and Sookie, it seems likely that the story has been rewritten, but the producers are mum.  Adding to the secrets, Sophie-Anne has had Eric Northman (Alexander Skarsgard) illegally selling vampire blood on the black market.  And Bill's maker, Lorena (Mariana Klaveno) has also taken up residence with the King.

     Plenty of new comers have joined the cast this year, and their motivations are only slowly unfolding.  Of particular note, Franklin (James Frain, The Tudors) is looking for something on Bill, and I don't like the way he's using his glam manipulation on Tara (Rutina Wesley).  Many fans are most excited about Alcide (Joe Manganiello, One Tree Hill), as her apparently plays some big part in the books, though we were only introduced to him this week, and learned almost nothing about him.  Also, it is so good to have Pam (Kristen Bauer van Straten) as a full-time member of the cast.  This week's scene with her answering the phone while performing oral sex on some girl in the bar was alone worth her salary.

     Of course, True Blood works so well because it captures such a specific time and place.  Like Gilmore Girls, it has a town of neurotic people, each with an interesting personality.  Yes, I realize it's a strange comparison to make, but it's apt.  Blood even boasts a Gilmore alum in Todd Lowe, who plays Terry, a PTSD-suffering cook.  Others that have really grown on me include former alcoholic detective Andy Bellefleur (Chris Bauer), wide-eyed romantic Hoyt (Jim Parrack), and many-times-married waitress Arlene (Carrie Preston), who is now pregnant with a baby that doesn't appear to be Terry's, her current beau.  These well-developed characters, living mostly outside the world of the supernatural, are what sets True Blood apart from the many other vampire stories that have popped up during this most recent fad.

     Unfortunately the current season of True Blood is available only to HBO subscribers, though I definitely recommend it for anyone that can watch it.  Seasons 1 and 2 are also already on sale on DVD.