Showing posts with label Phil La Marr. Show all posts
Showing posts with label Phil La Marr. Show all posts

Saturday, April 27, 2013

Dark Minions

Article first posted as Amazon Originals Dark Minions Review on TheTVKing.

Amazon made a ballsy move by releasing one of their new pilots, Dark Minions, in an unfinished state. Intended to be stop-motion animation, only a handful of scenes are complete, with the rest presented as sketches and sound effects.

I do not know the costs associated with stop motion, so don't know if that was the reason for the incomplete look, but I got the gist of the program decently enough. The story is easy to follow, the characters are relatable and likeable, and the voice work is cartoonish enough to mostly overcome the lack of visual product.

Still, I do think Dark Minions would have benefited by being complete. It's hard to imagine some of the bigger scenes in their current form, and the look is not at all impressive. If the series was able to wow us with what it wants to do, I think that would have helped. At the end of the day, though, I hope that this presentation doesn't hurt its chances of being picked up.

Of all the Amazon comedy pilots, Dark Minions is the most family-friendly. Sure, there is an evil empire with a planet-destroying weapon. But the blustery leader is goofy and amusing. I can't recall, though I could be wrong, any cursing, and a couple of pot jokes, while not ideal viewing for children, might just go over their heads. Content-wise, it's the tamest of the releases.

Which doesn't mean that it's not enjoyable. Mel (John Ross Bowie, The Big Bang Theory) and Andy (Kevin Sussman, also The Big Bang Theory) are slackers, more or less, who go to work for the galactic conquerors because they need a paycheck. They are the lesser storm troopers, working deep within the bowels of the starship, with no power or influence over policy. Thus, they are harmless, and their sweet dispositions make us forgive their choice in jobs, which at least one of them has a good reason for taking.

While on assignment to a planet, they meet Carly (Jamie Denbo, Terriers) and Lance (Andrew Daly, Eastbound & Down), rebels who would like to overthrow their overlords. Mel and Andy manage to pass themselves off as antique dealers, rather than soldiers, and a bond forms between the foursome.

Which is why when Drebnor (Clancy Brown, SpongeBob SquarePants) decides to blow up their world, Mel and Andy risk life, limb, and employment to save their new friends. They succeed, and Carly, believing them to be prisoners, rather than liars, drags Lance along to save them.

I think there are the makings here for a sweet, heroic story. Carly will be mad when she learns she has been fooled, of course, but the genuine earnestness of the lead characters should be enough for them to eventually earn her forgiveness. Plus, they will likely end up helping her, so this could be a bumbling comedy about good guys trying to take down the bad ones. I see potential here.

I also found the "Pilot" quite amusing and charming. Most of the players here are everymen, people we can get behind and root for in every setting, even space, which provides a rich tapestry of trouble to get into and strange environments to visit. They screw up, thankfully, because it provides laughs, but rebound from doing so, too, without much harm done. One can enjoy the blunders when one knows there won't be any serious, dire consequences, which there won't be with Dark Minion's light tone. Side characters, such as Drebnor's blubbering assistant, Feldenbaum (Richard Kind, Luck), and the radio man, DJ Wormhole (Phil LaMarr, Futurama), help round out the world.

Overall, I wish I could have seen a completed project, but Dark Minions should have broad enough appeal to find an audience. Dark Minions is available now on Amazon.com.

Tuesday, August 21, 2012

Futurama returns to The Matrix

Normally, I like the more emotional episodes of Comedy Central's Futurama better than the comedy-centered ones, though both have their merits. This week's entry, "Near-Death Wish," kind of balanced things out nicely, even if it stretched the believability of the universe a bit. There was some true character exploration, and throw backs to previous episodes, as well as good movie references.

Obviously, the title of the episode is a play off of the movie Death Wish, though instead of a vigilante seeking revenge, Fry (Billy West) just connects with some old relatives who may soon pass away. You see, Fry is desperate for approval from his great-great...-nephew, the Professor (also West), but the Professor isn't that interested in being a good family member. Discovering the Professor's parents are still alive, Fry finds them living in a virtual world, and builds the family connection he has longed for. This also exposes the Professor's past, and allows him to finally make peace with his mom and dad.

"Near-Death Wish" makes the Fry family connections make sense a little more. We know that the Professor is crazy, and now we see him in his early days, before he got locked up in the mental institution. (Yes, now we need a episode to figure out how he got from a 25 year lock up to working for Mom.) And with the personality that the Professor has, unable to relate even to the people who lovingly raised him, it's no wonder he has no strong connection to Fry, despite their shared DNA.

My only beef here is that the Professor is so often portrayed as close to death, himself, and to have his parents show up definitely pushes what can be accepted as reality, even in this cartoon world. The likely explanation is that the Matrix-esque Near-Death Star must be able to keep old people alive. And I wish we had seen the referenced Floyd and Bender (John DiMaggio) sequence a couple of weeks ago, like when the Nibbler plot seeds were planted early.

"Near-Death Star," besides that obvious Star Wars reference, also makes allusions to Star Trek, and goes on an extended tirade about The Matrix itself. But the best references are those to past Futurama episodes. The Near-Death Star was visited by the characters awhile ago, and even has the same robot guard arm. We get to see Fry playing his holophone again. Hermes (Phil LaMarr) and Zoidberg (also West) seem to have become friends, a toss back to earlier this season.

Also, the clout Fry gets after winning the Clippie Award is just plain hilarious, and who can pass up a guest star turn by Estelle Harris?

The gags, references, and a sweet ending on a farm all contribute to make "Near-Death Wish" a memorable Futurama episode. Watch new installments Wednesdays at 10 p.m. ET on Comedy Central.

If you like my reviews, please follow me on Twitter! Check out my new website, JeromeWetzel.com! First posted on TheTVKing

Friday, July 27, 2012

Futurama builds "The Six Million Dollar Mon"

In the latest installment of Comedy Central's Futurama, "The Six Million Dollar Mon," Hermes (Phil LaMarr) is disgraced after being rated the least valuable employee at Planet Express and fired, replaced by a machine. It doesn't matter that he is the one who does the firing to himself, it still hurts. Adding insult to injury, Hermes is almost mugged by crazy Roberto (David Herman). To cope with these events, Hermes begins getting robot implants, until there is nothing human left about him.

"The Six Million Dollar Mon" is, overall, a very good episode. It really focuses on the characters of Hermes and Zoidberg (Billy West), exploring their relationship, and their personalities. Futurama is at its strongest when it takes the time to work with what it already has, which are fully developed, complex characters. Adventures are nice, but character exploration is what makes good television great.

The episode uses these individuals and their quirks to be funny. When Zoidberg thinks Hermes's meanness towards him is Hermes's way of showing affection, it's sweet. When we learn that Hermes really does hate Zoidberg, it informs on the way their characters interact, and is tragically amusing. Zoidberg building the Hermes puppet continues this trend, simultaneous making us laugh at the visual gag, but also feel sorry for poor, pathetic Zoidberg, knowing this is his way of coping with not truly having any friends. Many people can relate to this.

Add to that, Professor Farnsworth (also West) acting as a mad scientist, and Scruffy (also Herman) refusing to fix anything that is not a boiler or a toilet, and there are some truly classic moments. Best of all is Bender (John DiMaggio) being fascinated with a machine that bends, and appearing jealous of Hermes's shiny metal ass, a trademark catchphrase of Bender's.

There are a couple of smart plot twists in "The Six Million Dollar Mon." Once Roberto is executed, and then Mecha Hermes wants a robot brain, it's fairly predictable what is going to happen. Still, it seems clever, even if it's a trope used in other fiction, because of the sincerity it is played with. Ditto for Zoidberg rebuilding Hermes piece by piece. One can see where the writers are going, but it's still fun to be taken along for the ride. It's the seamless way it all ties together that kicks the story a notch above the norm.

Plus, Futurama really delivers the references in this episode. From the title, a play on the television show of almost the same name, Hermes getting a Cylon eye, and seeing Helper's grave in the robot cemetery, "The Six Millon Dollar Mon" has goodies for geeks galore, whether one is a fan of The Venture Brothers or Battlestar Galactica. These are more than just cut scenes, a la Family Guy, but actually add to the value of the plot here.

That being said, it isn't a perfect episode. The sequence where LaBarbara's (Dawnn Lewis) curry drips through a number of different places, finally burning the Robot Devil (Dan Castellaneta), is a throwback to the other animated shows that lack the ingenuity and cleverness of Futurama. Worse, Leela (Katey Sagal) and Amy (Lauren Tom) invite a distracted Fry (West again) to shower with them in a cheap joke that is totally out of character for all involved.

Still, Futurama delivers more consistently than most, and remains a must-watch show, even after the many years of episodes that have come before this one. Catch Futurama Wednesdays at 10 p.m. ET on Comedy Central.

Check out my new website, JeromeWetzel.com.  If you like my reviews, please follow me on Twitter! Article first published on TheTVKing