Go Below With STAR TREK: LOWER DECKS

 Article first published as TV Review: STAR TREK: LOWER DECKS on Seat42F.

A new kind of STAR TREK has arrived, with STAR TREK: LOWER DECKS premiering today on CBS Access. It follows the ensigns who work on the lower decks of the starship U.S.S. Cerritos and do the grunt work of the vessel, not getting the credit and glory the senior staff enjoy. Oh, and it’s a cartoon.

Believe it or not, this is not the first animated Star Trek series. There was a show in the early 1970s called Star Trek: The Animated Series that starred the same cast as the original show, voicing their characters on continuing missions. That series took the liberties of a few big aliens and worlds that the live action budget could never have achieved, but was basically the same type of story the original had already told, albeit shorter. And also, speaking as someone who has seen all twenty-two episodes because I’m that kind of Star Trek fan, it was pretty bad.

STAR TREK: LOWER DECKS doesn’t need to go bigger on aliens, as Star Trek now has the budget and technology to do some pretty incredible stuff. It does, though, because why not? If you can do show races or shots you want, go for it.

My only complaint of this aspect is that it feels just a bit too cartoon-y. I’m not saying it should be as grounded as the its processor because, why even bother to make it animated then? But it’s just a tad too zany for the Star Trek universe, in my opinion. A cross between The Orville and Rick and Morty, I wish it been more of a cross between The Orville and Star Trek: The Next Generation.

TNG is the series that STAR TREK: LOWER DECKS owes the most to. It is set shortly after Star Trek: Nemesis, before disaster rocked the Federation and shook Starfleet to its core, as shown in Star Trek: Picard. This is from those post-Dominion War lighter times, with uniforms and starship design to match. The references are many and varied, and pull plenty of original series in, too, with Spock and Kirk getting shout-outs in the pilot. The visuals are full of Easter eggs, especially in the theme song, so it does feel set in the Trek universe, even if a few things get a little too wild.

The idea of focusing on the non-bridge crew has been around for awhile on Star Trek. It was the plot of a Star Trek: The Next Generation episode, also called “Lower Decks,” and is the subject of much fan speculation. So it makes sense in a time where we’re getting so much Trek, we’d eventually get around to that idea.

A great cast has been assembled. Tawny Newsome (Space Force) steals the show as Ensign Mariner, a very capable young woman who has problems with authority and a huge chip on her shoulder. She has the most interesting story, to be sure, but even if she didn’t, Newsome would shine. Her sidekick is Ens. Boimler (Jack Quaid, The Boys), who is much more predictable, but hopefully will grow over time. Secondary to the pair are Ens. Tendi (Noel Wells, Saturday Night Live) and Ens. Rutherford (Eugene Cordero, The Good Place), who are obsessed with their work in the most delightful way, and are surely destined to be a romantic couple.

But unfortunately, STAR TREK: LOWER DECKS doesn’t commit to this conceit of just portraying the junior staff. Instead, we see Captain Freeman (Dawnn Lewis, A Different World), Commander Random (Jerry O’Connell, Billions), Dr. T’Ana (Gillian Vigman, Suburgatory), and other senior staff pretty regularly. And of course these characters are great. But they aren’t needed, and I think the show would be far more interesting if we saw them only fleetingly if at all, like the president in the early seasons of Veep. I could excuse the captain, given her role in relation to one of the core group, and even the doctor popping up makes sense when Tendi is on duty. But the others are in the show too much.

In short, I like the show. Quite a lot, actually. But I think it misses the mark in a few areas that would elevate it to something really special. It’s good, but it could be great, and the squandered potential is a bit sad. Even if I still want it to run for years while I obsessively watch every episode. After all, it is easily the best animated Star Trek series ever made.

STAR TREK: LOWER DECKS streams new episodes every Thursday on CBS All Access, beginning today.

Futurama builds "The Six Million Dollar Mon"

In the latest installment of Comedy Central's Futurama, "The Six Million Dollar Mon," Hermes (Phil LaMarr) is disgraced after being rated the least valuable employee at Planet Express and fired, replaced by a machine. It doesn't matter that he is the one who does the firing to himself, it still hurts. Adding insult to injury, Hermes is almost mugged by crazy Roberto (David Herman). To cope with these events, Hermes begins getting robot implants, until there is nothing human left about him.

"The Six Million Dollar Mon" is, overall, a very good episode. It really focuses on the characters of Hermes and Zoidberg (Billy West), exploring their relationship, and their personalities. Futurama is at its strongest when it takes the time to work with what it already has, which are fully developed, complex characters. Adventures are nice, but character exploration is what makes good television great.

The episode uses these individuals and their quirks to be funny. When Zoidberg thinks Hermes's meanness towards him is Hermes's way of showing affection, it's sweet. When we learn that Hermes really does hate Zoidberg, it informs on the way their characters interact, and is tragically amusing. Zoidberg building the Hermes puppet continues this trend, simultaneous making us laugh at the visual gag, but also feel sorry for poor, pathetic Zoidberg, knowing this is his way of coping with not truly having any friends. Many people can relate to this.

Add to that, Professor Farnsworth (also West) acting as a mad scientist, and Scruffy (also Herman) refusing to fix anything that is not a boiler or a toilet, and there are some truly classic moments. Best of all is Bender (John DiMaggio) being fascinated with a machine that bends, and appearing jealous of Hermes's shiny metal ass, a trademark catchphrase of Bender's.

There are a couple of smart plot twists in "The Six Million Dollar Mon." Once Roberto is executed, and then Mecha Hermes wants a robot brain, it's fairly predictable what is going to happen. Still, it seems clever, even if it's a trope used in other fiction, because of the sincerity it is played with. Ditto for Zoidberg rebuilding Hermes piece by piece. One can see where the writers are going, but it's still fun to be taken along for the ride. It's the seamless way it all ties together that kicks the story a notch above the norm.

Plus, Futurama really delivers the references in this episode. From the title, a play on the television show of almost the same name, Hermes getting a Cylon eye, and seeing Helper's grave in the robot cemetery, "The Six Millon Dollar Mon" has goodies for geeks galore, whether one is a fan of The Venture Brothers or Battlestar Galactica. These are more than just cut scenes, a la Family Guy, but actually add to the value of the plot here.

That being said, it isn't a perfect episode. The sequence where LaBarbara's (Dawnn Lewis) curry drips through a number of different places, finally burning the Robot Devil (Dan Castellaneta), is a throwback to the other animated shows that lack the ingenuity and cleverness of Futurama. Worse, Leela (Katey Sagal) and Amy (Lauren Tom) invite a distracted Fry (West again) to shower with them in a cheap joke that is totally out of character for all involved.

Still, Futurama delivers more consistently than most, and remains a must-watch show, even after the many years of episodes that have come before this one. Catch Futurama Wednesdays at 10 p.m. ET on Comedy Central.

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