BAD TEACHER Makes For Bad Show

Article originally published as BAD TEACHER Review on Seat42F.

A couple of years ago, a pretty awful “comedy” film hit theaters. Called BAD TEACHER, it followed the antics of an abandoned trophy wife as she became an educator in the public school system. For some inexplicable reason, someone thought a terrible movie would make a great TV show. Hence, we now get BAD TEACHER on CBS, beginning this Thursday at 9:30 p.m. ET.

The premise itself is highly flawed. A woman with absolutely no educational training is somehow hired, without license, degree, or credentials, to teach youngsters. She then acts completely unprofessionally in front of staff, students, and parents, and still gets to keep the job. Not only is this completely unrealistic, teaching standards being quite high and requiring much preparation and schooling, but it just isn’t funny.

Perhaps my own feelings about the field of education, having studied to become a teacher myself, color my opinion of BAD TEACHER. I’m sick of teachers being looked down upon, criticized for the “high” pay (low compared to most positions that require a Master’s degree), working hard for little credit, and being blamed for things that are wrong with the system, graded on student performance they often can’t control that much. At a time when press about teachers is not good, it really irks me that a network would be irresponsible enough to put this drivel on the air, further reinforcing negative and untrue stereotypes.

Getting off my soapbox, I guess I’ll tell you a little about the show itself. Ari Graynor (Fringe, Nick and Nora’s Infinite Playlist) stars as Meredith Davis, the titular woman. She gets nothing in her divorce, due to an iron-clad pre-nup, and so sets about finding herself a new sugar daddy. While crashing with her friends (‘Til Death’s Kat Foster and Luck’s Richard Kind), Meredith discovers that their child’s school is full of eligible, rich dads. Tricking inept sad-sack Principal Carl (David Alan Grier, In Living Color) into giving her a job, Meredith begins trying to land the next big one.

Even though Meredith routinely blows off everyone at her new place of employment, she is slotted into a place in the building’s hierarchy. Dorky Irene (Sara Gilbert, The Big Bang Theory) latches on, forcing herself into position as Meredith’s bestie. A former classmate, Joel (Ryan Hansen, Veronica Mars), decides he likes Meredith and sticks around to be her love interest. Well, he will be when she gets over her obsession with wealth. And the current Top Dog at the school, controlling Ginny (Kristin Davis, Sex and the City), decides Meredith is a threat, even though the blonde shows no ambition whatsoever, and casts herself as the enemy.

Of these people, Joel is the only one that comes across as interesting. Joel has an odd backstory, his penis being posted in photographs all over the school by Meredith’s predecessor, even though he doesn’t come across as the type of guy who would spark such venom. He isn’t pushy with Meredith, hanging around but waiting for her to come to him. He also seems the only one not participating in the game, standing by with a smirk as Meredith makes a fool of herself. He’s a normal, sane guy in a world populated with stereotypes.

Of course, as a series like this must, Meredith finds a heart at the end of the pilot. Unfortunately, there is no build up or character growth to support this. For the entire half hour, Meredith acts like a selfish jerk, and then, without any warning or catalyst, she suddenly pretends to care. If the first episode can’t give her even a hint of an arc, it’s unlikely the rest of the series will correct the mistake.

It isn’t unusual for CBS to present a crass, unfunny comedy. It’s not even unheard of for them to land really good actors and force them into parts that are beneath them, though seldom has been assembled on a bad project a group this good (being a fan of Gilbert, Davis, Graynor, Hansen, and a number of non-central cast members), wasted immensely. But BAD TEACHER has barely any redeeming qualities and is certainly worth no one’s time.

Game Over For THE GOODWIN GAMES

Article first published as Game Over For THE GOODWIN GAMES on TheTVKing.

FOX's The Goodwin Games brings their brief, seven episode run to a close this week with "The Box." Although very funny and sweet, the series by How I Met Your Mother creators Carter Bays and Craig Thomas was basically given a vote of no confidence by FOX, placed on the summer schedule to be burnt off. Thus, before it even began airing, the show was doomed.

The Goodwin Games boasts an awesome cast. Ugly Betty's Becki Newton, Scandal's Scott Foley, and Cloverfield's T.J. Miller play three siblings named Chloe, Henry, and Jimmy Goodwin, respectively. When their father (Beau Bridges) passes away, he leaves them a series of challenges to complete in order to get his sizable (and previously secret) inheritance. The "Goodwin Games" are designed to let the adult brothers and sister reconnected with each other and themselves, righting the wrong paths they are all on.

From the beginning, I was a little skeptical of Miller alongside the other two, who were already beloved and respected. But as the weeks went by, he proved he could hang at their level, too, eliciting some of the biggest laughs of the show. Each have their own foibles and idiosyncrasies, but when they combine, they are strong, able to better help fix each other than themselves. Not to mention, hilarious.

In the series finale, which doesn't feel a lot like a series finale, all end up some degree above where they begin. Henry is forced to take time off work by his boss (Laurie Metcalf), meaning he will finally spend some time with the other two, as previously his mind is frequently elsewhere, and he is commuting two hours each way to his job as a surgeon. This also lets him relax enough to reconnect with his ex, Lucinda (Kat Foster), and discover that they didn't need to break up after all.

Henry is uptight and fancies himself better than others and his hometown. Even though we don't get to see his continued growth, "The Box" shows us the turning point, when he shifts his energies and begins to open his eyes. We know he will continue on this journey, and while there may be twists along the way, he is going to get back with Lucinda, the right woman for him, unlike his current and unseen fiance, and he'll come to see there is more to life than being the best surgeon he can be.

Chloe, meanwhile, gives up her dreams of being an actress, returns to college, and falls for a childhood pal named Ivan (Adam Rodriguez, CSI: Miami). Her plot is about bursting her bubble, too, like Henry's, although she isn't any good at what she is doing, unlike him and his career. Instead, she has been wasting her talents, namely her brilliance in mathematics, and now she can begin to put them to good use.

There is clearly opportunity here for a swap between Chloe and Henry down the road, with Chloe becoming driven in her field, and Henry growing too complacent and directionless after a break. It's a crying shame we won't get to see that develop.

Jimmy has to prove himself responsible for his daughter, Piper (Kaitlyn Maher). "The Box" doesn't really address this, but shortly before the last episode, Jimmy gets a rude awakening when he realizes that Piper's mother (Janina Gavankar, True Blood, The League) is right, he isn't a good influence on Piper. So he sets off to find a job and become stable so that he can be in Piper's life.

I like that Jimmy and Piper aren't able to reconnect so easily, with an acknowledgement about what a bad father Jimmy is. I also like that Jimmy isn't able to turn things around so quickly, becoming a bartender and sleeping with his father's lawyer, April Cho (Melissa Tang), not exactly getting to a good environment right away. It leaves him some room to expand and improve, as it should be.

It's these detailed characters, each with so much to offer, wonderfully performed by three amazing actors, that make The Goodwin Games so alluring. They all go from goofy to sincere, from crazy to wise, in moments with utter authenticity. The premise is clever, with lots of appearances by Bridges' deceased father in ways that make sense, and one can see not only some movement in these seven episodes, but also oh so many possibilities as to where they could go. This could easily have run for seven seasons and been entertaining the entire time.

Sadly, this is not to be, and The Goodwin Games has crossed the finish line.

Looking on the bright side, at least the cancellation leaves Scott Foley open to return to Scandal, where he has been upgraded to series regular. Newton should bounce back, as she did after her previously failed and charming Love Bites, making her a hot property for next year's pilot season. And Miller, perhaps not considered a popular casting choice previously, has some cred he can lobby into another role.

Read, Set, Go for THE GOODWIN GAMES

Article first published as THE GOODWIN GAMES Review on Seat42F.

Grade: 92%

FOX’s new comedy THE GOODWIN GAMES premieres tonight at 8:30 P.M. EST. The “Pilot” finds three grown up, estranged siblings returning to their hometown upon learning of their father’s death. After the funeral, they learn he secretly has more than twenty million dollars tucked away, and, rather than split it among them, has set up an elaborate series of contests to determine with child should inherit the fortune.

THE GOODWIN GAMES was originally ordered as part of FOX’s lineup for the television season that is just ending, but has now been reduced to a seven-episode order intended to be burnt off this summer. Even being programmed with reruns of popular comedies, the show doesn’t stand much chance of a future.

But don’t let that scare you aware. It has a great cast and a fun concept, one that should hook in viewers, even if it failed to find support at the network. It’s charming, and it’s time-jumping story will remind sitcom fans of How I Met Your Mother, which isn’t coincidence, since this show is from the same producers. As such, it retains some of the tone and jokes that make How I Met Your Mother so entertaining.

In THE GOODWIN GAMES, we are introduced to: Henry (Scott Foley, Scandal, True Blood), whom is a successful surgeon; Chloe (Becki Newton, Ugly Betty, How I Met Your Mother), a highly intelligent aspiring actress; and Jimmy (T.J. Miller, How to Train Your Dragon, Cloverfield), a screw-up freshly out of prison (again), and indebted to some very bad people. Each have their eccentricities and good and bad qualities. They are all easy to root for, even when bickering, because there is familial affection present in their rivalry.

It’s no wonder they’re a little weird, given their upbringing by single father Benjamin (the great Beau Bridges). He always pitted them against each other, making them jump through hoops for treats and his approval. Viewers get a chance to see just how Benjamin treats them as kids, which informs quite a bit about who they are today, and it’s apparent just where their relationships go wrong.

Now, it’s clear almost right off the bat that the main goal Benjamin has is to bring the three back together as a family, one that is very sympathetic, and likely to happen, based on early interaction. It would not be surprising if, in the end, should an end ever be shown, that he’s not rich. After all, the house they return to isn’t super ornate, though it is quite nice, and maybe the fourth man who plays the game in the first episode and is gifted one million dollars is a decoy to motivate them into participating. This would make sense, given the premise. But, if the money is real, surely they will share it in the end.

However, as in How I Met Your Mother, knowing how things will turn out, generally speaking, doesn’t detract from the enjoyment of the show. The draw is the journey, how the characters will get from Point A to Point B. Their interactions with each other, buoyed by excellent casting choices and great chemistry, are what makes THE GOODWIN GAMES worth watching, and the scenes where all three siblings are together are easily the best moments of the “Pilot.”

The only small complaint I have about THE GOODWIN GAMES is that Chloe, Henry, and Jimmy get along to well too quickly. Sure, mid-episode they argue so much that they can’t finish a single game of Trivial Pursuit. But by the end of the half hour, they seem to have found some common ground and begin to rebuild things between them. In order for Benjamin’s scheme to take up some time and continue for awhile, a little more conflict and a slower warm-up would be appropriate.

Had it been known that THE GOODWIN GAMES would only get seven installments, it’s likely the story would stay confined to this premise. However, designed to run much longer, each of the trio also has their own subplot, too. Chloe is ex-best friends with the lawyer Benjamin tasks with handling his children, April Cho (Melissa Tang, Beginners). Henry, soon after arriving in town, runs into his ex-girlfriend, Lucinda Hobbes (Kat Foster, Weeds, Royal Pains), who is now a minister, and whom Henry still has feelings for. Jimmy has a young daughter, Piper (Kaitlyn Maher, America’s Got Talent), who he tries to do right by, and who is wise enough at her young age to encourage Jimmy to stay on the straight and narrow. These characters are fun, and they do add depth to the proceedings, but while they would work great for a longer-running show, seem extraneous to a limited series.

There’s always a chance THE GOODWIN GAMES could find an audience and continue, slim as that might be. Because I’m a big fan of Foley and Newton’s work, and these are interesting, funny roles for them to play, I really hope that this happens, and will definitely be watching as many episodes as FOX will air, having loved the “Pilot.” But if THE GOODWIN GAMES would fail, as it is expected to, at least I’m confident that the cast won’t be unemployed for long.

Weeds is "Red in Tooth and Claw"

This season, the final one for Showtime's Weeds, the show is going back to its roots. With the Botwins living in the suburbs once more, surrounded by upper middle class opulence and the wisp of a normal life, there is nothing Nancy (Mary-Louise Parker) wants more than to stay there. That's why, in this week's episode, "Red in Tooth and Claw," she tries to get out of the the drug business.

There is definitely something ideal about living this way. It's the American dream. Sure, one may have to donate a bit of money and kiss some butt, playing local politics, but that's far better than running from guns. Life here isn't dangerous. As Nancy watches Stevie (Ethan and Gavin Kent) play soccer, a happy, normal child, she knows that she wants to give him this life, as she has failed to do with her other two sons. The life she used to have, before all the craziness started, way back in the early days of Weeds.

Alas, wanting doesn't make it so. Nancy has forgotten why she got into the pot business in the first place - to support her family. She is broke once more, and has no prospective income coming in. Shredding the pot she does have is a dumb move. It's understandable, given how she just saw such a horrible reflection of herself in Kiki (Kat Foster). And sure, it helps Nancy go straight. But it also takes away the only thing of monetary value that she really has at this time. She may get the life she wants temporarily, but it will come crashing down around her soon enough.

Where might Nancy seek help? In "Red in Tooth and Claw" she finally meets the neighbor whose pool she has been secretly using. It turns out he is a rabbi, and thus, resists the sexual advance Nancy inevitably tries to make. It's interesting to watch her in this scenario, as she has a certain method to get her way, and a rabbi throws that off. But perhaps he can offer her some helpful guidance, at least spiritually. Then maybe she can be happy with what she has, instead of wanting to be with a group of people, meaning this rich neighborhood, that she doesn't fit into anymore.

Andy (Justin Kirk ) also gets a bit spiritual in "Red in Tooth and Claw." He is seduced by yet another woman, and wonders aloud if this might be a karma payback, or the work of a god who just likes to see him get laid. He does seem to get with a lot of people throughout the run of Weeds. This monologue is a great way to address that concern for viewers who have remarked how unrealistic this is. It's very tongue in cheek, which is classic Weeds style.

However, Andy's dalliance with the roller derby chick costs him a reconciliation with Jill (Jennifer Jason Leigh), whom Andy actually has real feelings for. As lucky as Andy thinks he is, there is a reason that he doesn't end up with any of the many women that throw himself at him. Getting sex is one thing; maintaining a meaningful relationship takes a different skill set. Andy is good only at the first, not the second, and his run with Jill may be over, sadly.

Yes, it's a little messed up that Andy goes after Jill, especially after all the years that he pines for Nancy. But Nancy was Andy's sister-in-law, so at least Jill is slightly more appropriate. Both sisters are a lot alike, so it's clear that Andy is attracted to the similar qualities in each. No matter how hard he tries, he probably won't get either girl, and there's scarce time left for him to find someone who actually appreciates him. Nancy and Jill would each benefit from finally fully committing to Andy, but that ship has seemed to have sailed. What will become of Uncle Andy?

Silas (Hunter Parrish) is at a crossroads. With his pot stolen because he isn't open to head from a guy, he has no stash and no job. Nancy has not yet told him about her desire to go legit, but will this be something Silas would even consider? Silas grew up with Nancy's illegal machinations, and that's the life he not only knows, but has chosen. He is lost without the growing business. It's really a blessing, though, because he should have noticed how destructive this life can be by watching his mother, and it's time for him to pick something else. Perhaps the only way he can do that is by being forced out.

Shane (Alexander Gould), alone of the Botwin family, has staked his claim on a worthwhile path. Funny, since he went darker than any of the rest when he murdered a woman a few years back. Shane has a good girlfriend (Daniele Watts), who is a positive influence on him, and he is fitting in very well to the cop world. It's heartening to see him making good choices, and to witness those choices pay off. As long as Shane doesn't do something stupid to screw it up, he's got his life made.

Part of the conceit of Weeds is that its characters are weeds themselves, the annoying plants choking out the ones you want around, ruining the landscape. Shane has turned himself from a weed into something better. What chance do the rest of them have in the short time that the series has left, as it will bow out permanently at the end of the season? Will they need to be pulled from the garden of life so that others can thrive? Or will they, too, find a way to not be as destructive as the term weed implies? Weeds has been a terrific show for many years, and I can't wait to see how it ends.

Weeds airs Sundays at 10 p.m. ET on Showtime.

For Weeds DVDs and streaming episodes, please click here. If you like my reviews, please follow me on Twitter! Check out my new website, JeromeWetzel.com! Article first posted on TheTVKing.

FRANKLIN & BASH Season 2 Premiere Review

Mark-Paul Gosselaar, Breckin Meyer and Garcelle Beauvais : Photo : Trae Patton/TNT

TNT's FRANKLIN & BASH returns tonight with the season two premiere, "Strange Brew." Stanton Infeld (Malcolm McDowell) would like to make Jared Franklin (Breckin Meyer) and Peter Bash (Mark-Paul Gosselar) full partners at his law firm, where they have been working. To do so, the duo must earn the votes of two thirds of the existing senior partners. Infeld sends them to meet with a beverage company head (Kevin Nealon, Weeds), who, if they woo as a client, will help their chances. Unfortunately for them, keeping the client happy may mean abandoning their values.

FRANKLIN & BASH is about two lawyers who care about more than just the law, or their careers. They care about people. Their bold, outlandish stunts are part of their draw, but the real reason Infeld is so in awe of the boys is because they bring something to the firm that it's lacking. Infeld is ingrained in his ways, though, and so he doesn't always give them a leash of unlimited length. "Strange Brew" tests the resolve of all three, as Infeld insist they keep the client happy, and Franklin and Bash think about how much they might want a spot at the big table.

The series is pretty light-hearted. As such, while FRANKLIN & BASH may flirt with heavy drama, it stops short of committing to it altogether. Things work out in the end because the core fan base doesn't want the story to end on a downer. The characters can face tough situations and question themselves, but at the end of the day, the good guy must win, and justice has to prevail. It's not a new formula, but it's certainly one that regular viewers of this particular show count on. In this, "Strange Brew" may take the path of least resistance, but that's what the people are looking for them to do.

This does not make FRANKLIN & BASH a bad show. While it will never sweep the Emmys or any other awards ceremony, it is still very entertaining. That is why, even when the ending might seem a little too neat, it is still a good episode.

Besides, Franklin and Bash are not the only ones affected by their promotion. They have friends to consider, too. Their new position allows them to hire Carmen (Dana Davis) and Pindar (Kumail Nanjiani) full-time. This is good, because as a subplot of the episode reveals, Pindar is in need of the mental health care that will come with being a permanent employee. Some of his social problems can now be traced back to his ex-roommate's girlfriend, whom Pindar clearly had an attraction towards. Though, how Pindar deals with the woman speaks to a previously existing condition.

Becoming senior partners is not without risk. Hannah (Garcelle Beauvais) tells Damien (Reed Diamond) she supports the change because of a moral clause that might help them get Franklin and Bash fired for good. Is Infeld aware of this clause, and does he already have a plan to get around it, like he negated the five year waiting period that would have delayed partnership for some time to come? Or is he just not considering the implications, as he sometimes doesn't. Franklin and Bash's behavior will not change, and to keep the show going, they will not be fired, no matter how much Hannah and Damien scheme against them. So where is this plot going? Perhaps it's just a new source of ongoing, low-stakes conflict for the coming season.

Another great thing about "Strange Brew" it the wealth of guest stars. Besides, Nealon, Martin Mull (Clue, Sabrina The Teenage Witch) and Ernie Hudson (Ghostbusters, Oz) both play judges for various trials that Franklin and Bash bring to court. Kat Foster ('Til Death) is an attractive cop that Bash hits on while fighting a case against. Eddie Jemison (Hung) is an old friend of Franklin and Bash's, who was arrested by the hot cop. Is this a sign that good comedy actors are now lining up to appear on FRANKLIN & BASH?

Basically, "Strange Brew" is a return to same zany-hijinks-in-a-legal-setting recipe that attracted viewers last year. The quality of the stories and acting remains about the same. In short, it's mindless summer fun. FRANKLIN & BASH airs Tuesday nights at 10 p.m. ET on TNT.

Article originally published at Seat42F.com