GROUND FLOOR "On Top"

Article first published as GROUND FLOOR "On Top" on TheTVKing.

Seven episodes into its freshman season, Ground Floor has become a series I look forward to watching. The cast doesn't have the chemistry of Cougar Town and the writing lacks the weird fun of Scrubs, but it still is a reliable draw from creator of all three, Bill Lawrence. There are constantly decent jokes, and I do enjoy the show's leads immensely.

At the heart of Ground Floor is the relationship between Brody (Skylar Astin) and Mr. Mansfield (John C. McGinely). Did you think I was going to say Brody and Jennifer (Briga Heelan)? Well, as much as Brody and Jennifer's pairing provides the structure, the best parts of each installment are usually those where Mansfield gives Brody advice. Every part of Brody's romantic life is observed and commented on by his boss, and through these talks, we see the development of Mansfield.

At first, it appeared that Mansfield might be a retread of Dr. Cox, McGinley's Scrubs character. But as layers are willingly revealed week after week, it becomes clear that isn't the case at all. While Cox was closed off, Mansfield is open. Cox hated being a mentor, and Mansfield lives for it. Cox would never admit to screw ups and emotions unless pushed, while Mansfield volunteers such things, thinking nothing of throwing an arm around an employee and sitting close on a couch. They are really two completely different people.

McGinley is quite the talented actor. He really makes the little gags Mansfield gets work far more than they should. Each time he appears on screen, the eye is instantly drawn to him, and for good reason. Last week's episode found him singing and dancing in the empty office, and I don't know how the actor kept it together with the audience reacting as they did (assuming the show films in front of a live studio audience?). He really has something.

Brody benefits much from his lessons from Mansfield. Whether he agrees with his superior or not, and he doesn't always, there's a camaraderie and respect between them that belies their varying power statuses. Mansfield is someone Brody looks up to, and I think they are friends, too, though Mansfield would never admit it to the office.

Back to the more obvious central duo, Brody and Jennifer appear to be progressing nicely. I'm a little disappointed we haven't witnessed more of their development after the rocky start, with a bigger focus on shenanigans in the office than in their personal lives. I want to see them outside of work more, find out what kinds of things they are going through that result in them being stronger. They do have a palpable attraction, and I just want it to be explored more in-depth.

Which is kind of what is nice about this week's episode, "Woman on Top," in which we see strain between Brody and Jennifer and how they work through it. Mansfield unknowingly hires Brody's serious ex-girlfriend, Heather (Anna Camp, True Blood, The Help), and as cool as Jennifer tries to be, she gets jealous, especially when she sees how well Brody and Heather still get along and how much they have in common.

Brody and Jennifer do overcome the Heather obstacle, though. It messes them up, and they put in the work to get through it. That's what every strong union needs, to be tested and survive, in order to thrive. I'm not asking for constant drama on this magnitude, as that would be hokey and false, but to get more glimpses of these two in this manner would be welcome.

It is not at all unexpected that Heather leaves at the end of "Woman on Top." Camp is much too in-demand to stick around in a recurring part, and her desk position and attitude would necessitate she be constantly seen. So Mansfield sends her to run his Chicago branch, leaving the door open for repeat appearances, but not making her someone we have to see again.

Does Mansfield do this for Brody? He's been a supported of Brody and Jennifer, even when he resists them, so it makes sense he might do a behind-the-scenes move to help the couple. On the other hand, he's a shark in the business world, and Heather is the type of firm hand the Chicago branch needs. Perhaps it's just a win-win.

Heather's departure is too bad, in a way. Camp and Astin were two of the stars of the film Pitch Perfect, and "Woman on Top" is a nice reunion. Jennifer always has Harvard (Rory Scovel) lusting after her, so it could be interesting to toss in someone who might want to get back with Brody. Plus, it's just plain fun how fast Heather whips Threepeat (Rene Gube) into serving her.

Speaking of Pitch Perfect, a movie with a lot of singing, Astin and Camp have musical moments in this episode, and McGinley and others sang last week. It's cool that Ground Floor finds ways to work its actors' vocal talents into the series. I'm a fan of musicals in general, and while I don't think this will ever be one of those, I appreciate even small numbers done by talented performers. Between Ground Floor and Super Fun Night, it's nice to see this element emerging in the new fall sitcoms. More singing please!

The one thing Ground Floor has yet to figure out is how to effectively use all of its supporting players. Jennifer, Brody, and Mansfield are the real leads, and they are great. Harvard serves his purpose, and Threepeat is someone flexible enough to vary his role week to week, which is what is happening. But Derrick (James Earl) and Tori (Alexis Knapp, who was also in Pitch Perfect) don't really have a fit yet. I'm hoping that changes and Ground Floor moves more in an ensemble direction, as pretty much all the best comedies on TV have larger casts than just 3 or 4 characters.

Overall, Ground Floor has a charm that really resonates, and it is pretty funny. For a freshman show with only half a dozen episodes under its belt, it's doing quite well, and the pedigree involved is such that I expect it will mature nicely. I look forward to seeing where it grows from here.

Ground Floor airs Thursdays at 10 p.m. ET on TBS.

Getting In On the GROUND FLOOR

Article first published as Getting In On the GROUND FLOOR at TheTVKing.

Bill Lawrence's (Spin City, Scrubs) newest comedy, created along with Greg Malins (Better With You, 2 Broke Girls, Friends), is Ground Floor, which premiered on TBS this week. A step above other TBS original sitcoms, like Sullivan & Son, because of more layered characters and stories, but a step below other Lawrence work, like Cougar Town, mostly because of an annoying laugh track, Ground Floor is not bad.

The series stars Skylar Astin (Pitch Perfect) as Brody, an ambitious, talented young money manager who is on the ground floor of his life, early in both career and the romance department. The latter kicks off as the "Pilot" begins when Brody meets Jennifer (Briga Heelan, Cougar Town), a girl who works on the first floor of his building. Both of them are given grief by their friends for dating each other.

See, in Ground Floor, the business world is segmented into two classes. The upper crust makes the cash and works themselves to death, while the lower level are uneducated slackers. No one in either world supports crossing the boundary. Never mind that the building has many more floors than two, and should employ many more people than the scant few we see, at many different levels.

This is the problem with the series, which seems to be a trait of this particular network - simplifying things to go for quick laughs without having to earn them with depth. It's the reason why I don't watch many TBS sitcoms (Cougar Town excepted, since it wasn't originally created for the cable channel). And given the weaknesses, tossing in the laughter, whether it be a live studio audience or just recorded additions, actually makes it seem more inane and surface-level.

Yet, Ground Floor has a little more than these surface traits, likely owing to its clever creator. Brody and Jennifer don't start their relationship in a predictable way, actually giving us a portrait of two people that are more than a stereotype or a category. The co-workers are forced to mix right away, blurring the lines between tow two groups right off the bad. And supporting players seem to have a little more going on than their counterparts in Sullivan & Son's bar, even if it's only a little bit.

Part of the credit can go to John C. McGinley, who plays Brody's boss, Mr. Mansfield. Mansfield is sort of like Dr. Cox, McGinley's character on Scrubs, because he's a demanding hard ass. But Mansfield is a little more willing to admit he cares, and reveals something of himself to his underlings. He tries to mold them into himself because he's found success and he wants that for them, too.

In the second episode, "Off to the Races," which aired just after the first, Mansfield meets Jennifer, whom he's been counseling Brody to ditch, leaving more time for his career. Mansfield takes an instant shine to the girl, and admits to Brody that he knew he would, given Brody has good judgment. This is something we'd never see from Dr. Cox, and makes the whole situation, with Body torn between love and his profession, more complex.

The three main actors aside, though, I haven't found any way to connect with the rest of the cast, co-workers to Jennifer and Brody. Played by Rory Scovel (Zach Stone is Gonna Be Famous) Alexis Knapp (Pitch Perfect), James Earl (Glee), and Rene Gube (a writer on TBS's Men at Work), none of these stand out as someone to watch. At least not yet.

I can't say that Ground Floor has truly won me over yet, but it's earned a few more episodes. Given the extremely poor way in which Cougar Town began, before growing into a beloved favorite, there's every chance that Ground Floor can do the same, as it did have a better initial two installments. The premise is a little flimsy, but the actors and the writing give us a bit more than might be expected, so there's definitely hope to be found.

Ground Floor airs Thursdays at 10 p.m. ET on TBS.

Burn Notice gets desperate

USA's Burn Notice returned this week with two hours of new episodes. The first, "Desperate Measures," is a follow up to the summer finale, "Desperate Times," centering on the team trapped in a foreign land. The second mostly moved on to another story, but kept some of the serial elements surrounding Michael (Jeffrey Donovan) this season as he seeks to get justice for his brother's death.

"Desperate Measures" is an exciting, action-packed episode as the team attempts to get out of Panama. Having captured Tyler Gray (Kenny Johnson), the man who actually shot Nate, it is soon clear to both Michael and Tyler, after some inconveniences that delay a return home, that their beef isn't with each other. Tyler has been lied to by Card (John C. McGinley) about the threat that Michael poses, and Tyler was simply following Card's orders when the tragedy occurred.

Donovan really handles the emotion swelling within Michael well in this episode. As a mostly collected guy, it's rare that we see Michael really loose it. His brother's death sparked some heavy grief, and because of that, Michael is definitely a danger to Tyler and himself. But, in the end, Michael's hero goodness wins out, and he spares Tyler, knowing that they are both somewhat in the same boat.

But then, in the second hour, "Means & Ends," Michael gets to confront Card, and he gets dangerous again. Michael has kept it together when dealing with people who don't deserve his rage, and he has above average abilities to empathize with others, and to try to help them. However, when he finally gets in a room with Card, his friends not around to even try to calm him down, it ends with Michael putting a bullet in Card's head.

I can't recall ever seeing Michael quite like this. It's clear that a line has been crossed for him. We know that Michael is a spy, and has probably killed people before. But after watching six seasons of him go out of his way to avoid getting lethal, it's chilling to see the lead character murder someone like Card, especially when Card is not posing an immediate threat. In this one instance, Michael moves beyond justice and goes for revenge. Sam (Bruce Campbell) or Fiona (Gabrielle Anwar), or even, to a lesser extent, Jesse (Coby Bell), might have been able to talk him out of it, but without his moral compasses in the room, Michael takes that big, irreversible step.

How will this change Michael, going forward? Will this mean that he's going to be colder, with a sharper edge? Fi and Sam are still around, so there will be influences to draw him back to the light, if he can let himself be happy with them. But will that be enough? What does it do to one's soul to commit such an act? I hope that Burn Notices gives Michael the time to fully explore the ramifications of his actions.

One thing does seem certain, and that's that Michael's mother, Maddie (Sharon Gless), will not be around to help. Unable to forgive Michael for letting Nate get killed, and disgusted with her living son's inability to be honest with her, no matter how good his intentions might be, she decides to leave town. Will this be the end of Maddie on the series? Let's hope not. Her sorrow is completely understandable, as are her negative feelings about Michael. But he is her son, the family she has left, and hopefully that will be enough to let her move past it.

There are other things going on, too. In "Means & Ends," Fiona's old prison friend needs the team's help. But at this point, these side missions take a backseat to the main arc, which is finally being given the attention it deserves. Burn Notice will probably continue to deliver some case of the week type stories, but the more it shifts focus to the big stuff, the better it becomes.

Burn Notice airs 9 p.m. on Thursdays on USA.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

"Desperate Times" for Burn Notice

USA's Burn Notice has had a heck of a summer. Finally dropping a mandatory case-of-the-week in each episode format, the show commits to an arc and sticks with it, allowing much more movement in the story of Michael Weston (Jeffrey Donovan) than the first several seasons combined. This is gratifying, even when the onion, which we thought done, peels yet another layer into the conspiracy.

In "Desperate Times," the CIA finds Nate's (Seth Peterson) killer. Tom Card (John C. McGinley) agrees to let Michael take his team down to Panama to hunt the shooter, but only sends them with one agent as back up. Things go awry, of course, and it isn't long before Michael discovers that Card has set them all up to die. The only thing to do is let Card believe he succeeded, leaving the effort of taking down their latest foe for the next run of episodes, beginning in November.

It seems like the agent sent with Michael and company to Panama is only there so someone can be killed off. He gets a bit of development, which is nice, before biting the big one. But that doesn't mean we care about him all that much. This sort of low stakes game is why Burn Notice still ranks a little lower than other summer shows. However, with the recent loss of Nate, perhaps it is too soon to kill another important character. I just wish it hadn't been set up so obviously.

Other than that complaint, "Desperate Times" is fairly great. McGinley makes a terrific villain, even if viewers are growing weary of the deeper and deeper plots against Michael, wanting him to finally catch a lasting break. Maddie (Sharon Gless) gets to let out some of that raw emotion she does so well talking to Card about Nate, even as we know Card is playing her. And Jesse (Coby Bell) having to run around with no shoes is very amusing.

The action is good, too. Lately, Burn Notice has been splitting up the team, which does lend itself to more story and a larger world. But it's great to see the ensemble working together again, because they really do have an entertaining chemistry. Michael, Jesse, Fi (Gabrielle Anwar), and Sam (Bruce Campbell) have such different personalities, and when separated, sometimes that can be forgotten. Seeing them slip back into their familiar roles is comfortable.

Comfortable is what works for Burn Notice. Yes, we want some change and movement from week to week. However, the show is not going to abandon its roots and alienate those viewers who prefer the older style of predictable storytelling. Balancing this with the superior way things are being handled keeps the show from truly soaring, but it does allow improvement, and it was never bad to begin with. Burn Notice is fun entertainment, especially in the summer. And what's wrong with that?

Will Burn Notice continue the new trend of larger arc this winter? Will Michael stop Card, only to find another man behind him? Will something bad happen to Maddie before she can realize that Michael and his friends are still alive? And will Jesse get some new footwear? All of these questions are on hold for now. But I can't wait to find out!

Burn Notice returns in November to USA.

If you like my reviews, please follow me on Twitter! Check out my new website, JeromeWetzel.com! First posted on TheTVKing

Scrubs ends abruptly

 
     Scrubs, after a mistaken decision to be kept on air this year with a new format, was canceled after a mere thirteen episodes.  Ok, it's not quite canceled yet, but would you believe that a portion of this article was written nearly two months ago and saved, because it was so obvious that the end was coming?  Technically, the episode that aired this week was a season finale, and was certainly not written to cap a long-running series.  However, that's most likely what it was.

     It's biggest mistake was a lack or originality. It was a mere goofier version of the original. The security guards, while funny, were just an extension of the Janitor (Neil Flynn, The Middle) character. Drew (Michael Mosley) was a mini-Dr. Cox, Cole (Dave Franco) was like The Todd (Robet Maschio), both of whom were still on the show. Lucy (Kerry Bishe) was a cross between J.D. (Zach Braff) and Elliot (Sarah Chalke), and Denise (Eliza Coupe) became very similar to Elliot as well as Dr. Cox (John C. McGinley), but with less emotion than the former. The problem was, all of these new characters resembled the old ones, instead of bringing something new to the show.

      The one positive was that it gave Dr. Cox and Dr. Turk (Donald Faison) a chance to really grow their friendship. We finally got to see them on equal footing, rather than Turk being seen as the much younger student.  And in the end, both Cole and Drew got some serious growth that would have made them much more interesting were they allowed to continue.  Dr. Kelso (Ken Jenkins), who seemed to have the most fun in this continuation of the show, was nowhere to be seen this week.  Anyway, it's likely too little, too late.

Scrubs's new class

     Bill Lawrence's Scrubs returned for it's second season on ABC last night.  (It originally ran for seven years on NBC).  It felt like a whole new show, and it was a little shaky, but since this was only the first hour, that can be forgiven.  That is, IF it improves quickly.  Here's what was good, and what was bad.

     The new characters are fun and interesting.  Not sure Lucy (Kerry Bishe) can fill Zach Braff's shoes, though.  Yeah, she is quirky, sweet, and naive.  Kind of like a slightly less female version of J.D.  However, she didn't have quite the level of likability that he always had.  She may, in time, grow to be a fitting main character, but she is clearly still finding her legs.  Cole and Drew had an easier time, perhaps because they were allowed to be their own people, instead of serving as a replacement for a beloved character. Cole (Dave Franco) brought a level of jerkiness not seen on the show regularly before, and Drew (Michael Mosely) seems to be the type to try to hide everything, but also has layers.  The romance blossoming between Drew and last season newbie Denise could turn out quite exciting.  The only issues with the new guys is that the show is focusing on them too quickly.  Last season a slew of new interns was brought on, presumably to prepare for this new direction, however it appears that only Denise (Eliza Coupe) made the cut to continue, and that is disappointing.  It would be easier to accept them if they had been eased in, but given a few more episodes, I think they will all pass muster.  None of the three faces insurmountable odds.  I also enjoyed the security guards and the Australian chick, and hope that they will become staples.  I even liked the slightly new theme song.

     The issue with the new Scrubs is the how the old characters are being treated.  Only one of the supporting cast turned up, though The Todd (Robert Maschio) was arguably the most prominent, save Ted (Sam Lloyd), so it is fitting that he will continue.  But what about the rest?  Kelso (Ken Jenkins) made the transition the easiest.  He seems fine where he is.  Janitor (Neil Flynn), too, who won't be part of the new show, had a nice little goodbye scene.  The others, not so much.  Dr. Cox (John C. McGinley) and Dr. Turk (Donald Faison) are the only two returning full time.  Why would Dr. Cox stop being chief of medicine and take a teaching job?  What exactly happened to the old hospital, and who is in charge now?  Sure, I understand it was torn down and rebuilt on a campus, but why, and what happened to most of the staff?  For instance, I saw nurses.  Where is Carla (Judy Reyes)?  Apparently she is no longer in the cast at all, though her bio is still on the official website, because she wanted to remain a full time character, and she was told that wasn't feasible.  Why not?  And Dr. Turk, who did transition almost as well as Kelso, is still married to her, so how will he get full, rich stories if she won't be popping up from time to time?  Also, what is Elliot (Sarah Chalke) up to?  We saw her only briefly in the pilot.  She is signed to do a number of episodes, but in what capacity?

     The character of John Dorian suffers the most, though.  He is still the same guy he was, which is fine, but what has he been up to this past year?  He apparently wasn't working with is friends, but where is he?  Why exactly did he return?  He is still treated like one of the stars, despite splitting narration with Lucy, but he is only signed for a limited number of episodes.  I would assume his contract stipulated he remain in the theme song with top billing for now, but why?  Just because he's an executive producer?  It doesn't make sense, and it makes him seem watered down.  My biggest beef is that he had such a perfect, fitting series finale last spring, that anything more than an occasional guest spot for him seems to cheapen the new show.  Hopefully his transition out will come soon and with class.

     This new version of Scrubs is funny, I'll give it that.  It kept enough of the old elements to make the viewer feel comfortable continuing.  But it needs to up the ante and let the newbies prove themselves quickly, or this could be another failed After M*A*S*H*.

Scrubs, Chuck & Lost: missing persons

     Three of the best shows on television will be returning soon, but this time they will be down a few cast members.  Is it the economy, scheduling conflicts, or creative decisions?  I don't know, but it certainly won't be the same without them.

     Chuck returns in January, and Anna Wu, played by Julia Ling, will no longer be at the Buy More.  This is hugely disappointing to the fans, especially those rooting for her character and Morgan to work out.  Chris Fedak, co-creator of the show, gave a glimmer of hope, however, when he mentioned to Ausiello that although she is not in the original order of thirteen episodes this year, six more were picked up and they are still being written, so there's always a chance.

     Scrubs has undergone a complete makeover, and will be missing practically the entire cast.  Only Drs. Cox (John C. McGinley) and Turk (Donald Faison) will be starring in the new year, which is moving to med school, with only an occasional visit to Sacred Heart, the hospital the show has taken place at up til now.  Judy Reyes, who played Carla, only wanted to return full time, and because of the new setting, it was decided not to honor that.  She is not currently signed to return at all.  The show will even get a new narrator, with Zach Braff being reduced to a handful of appearances.  Fear not though, most of the former cast will pop up from time to time, and there are plenty of new faces that will hopefully continue on the very funny tradition.

     The most disturbing shakeup has been for Lost.  Henry Ian Cusick (Desmond) and Elizabeth Mitchell (Juliet) are out, the latter currently starring in V.  They are both set to appear a little, along with former cast members Ian Somerhalder (Boone), Rebecca Mader (Charlotte), Dominic Monaghan (Charlie), and the recurring Katey Sagal (Helen), and likely more.  But Desmond was arguably the best character on the show, and he already had only limited screen time last season, being off the island but not with the Oceanic Six.  Also, he was added later in the show.  Very disappointing.  The enjoyable Jeremy Davies is also gone, and not yet signed to return at all.  The bright spot, however, is who was added.  Joining Jack, Sawyer, Kate, Locke, Sun, Jin, Hurley, Ben, Miles, and Sayid this year as full time cast members will be Jeff Fahey (Frank) and Nestor Carbonell (Richard Alpert).  Emilie de Ravin will also star, after taking last season off, as will Zuleikha Robinson, who played Ilana last year.  This final season is a complete mystery to fans, but it should be nothing if not interesting.