Showing posts with label Izabela Vidovic. Show all posts
Showing posts with label Izabela Vidovic. Show all posts

Tuesday, April 23, 2013

Zombieland: The Series

Article first published as Zombieland: The Series on TheTVKing.

Amazon has recently released a bunch of pilots they are considering picking up for series, depending on the public's reaction to them. One such entry is Zombieland: The Series. Based on the hit movie Zombieland, different actors play the four roles from the film, and the action continues not long after the events from that endeavor.

I loved Zombieland: The Series's opening. It's two people sitting in an office. One of them, Ainsley (Tim Bagley, Web Therapy, Monk), thinks he is having a very bad day, and his sympathetic co-worker, Sheila (Rachel Cannon, Underemployed), is listening with a kind ear. But his issues involving someone mispronouncing his name and getting his sandwich wrong pale in comparison to the apocalypse taking place behind them, clearly visible through the window, as zombies attack and eat people.

It's a fantastic comedy bit, showing the contrast between the problems before the disaster and after. The two actors, sadly short-lived, play the scene with such earnestness, my attention is not completely pulled away by the action outside. Their last few moments of blissful ignorance of the crisis is amusing, and because the scene is so extended, thankfully, making for a memorable hook.

I'm not sure it's necessary to use the end of the Ainsley / Sheila scene to introduce one of the show's leads, Tallahassee (Kirk Ward, Forrest Gump), but it doesn't really hurt anything either, so I won't complain about that.

From there, the story follows the film, picking up after the central foursome have been together for some time. They decide that it's time to expand their group, but every person they find to try to join them soon dies, usually from a zombie attack. They just can't catch a break!

Zombieland: The Series retains much of the same comedic elements from the film, as well as the structure. We hear about Columbus's (Tyler Ross, Boss) rules for surviving the apocalypse. There is a count of how many times Tallahassee references female anatomy. They hang out in an IKEA. I even like their On-Star pal, Detriot (Kendra Fountain), whom they frequently talk to, but have not met.

But there is also some things that seem more irreverent. The way they don't bat an eyelash when witnessing a gruesome muder-by-zombie could be a sign that they have hardened themselves, but it's played for laughs, and since they are actively looking for new friends doesn't quite gel. They don't seem at all concerned about the danger around them, whereas the movie built up some suspense. Yes, we know that these four aren't in any real peril, but Zombieland: The Series doesn't even try to pretend otherwise. What the show does well is deliver a punchline. What it doesn't really do is make us care about the characters.

The only real attempt at pathos in the "Pilot" is when we learn that Columbus and Wichita (Maiara Walsh, Desperate Housewives) have broken up. It's unfortunate, but not entirely unexpected, based on their varying personalities. Once the immediate danger has passed, and life has returned to what now passes for normal, Columbus is just too eager. It is doubtful the couple is finished, but rather, the writers are just trying to add some tension to the story, and it will be an ongoing romantic arc for the characters.

The biggest problem with Zombieland: The Series, though, is that they have recast the four lead roles. I'm sorry, but these four performers, who are fine for a standard sitcom, pale in comparison to the amazing actors in the movie. Drawing parallels is inevitable, and the show loses across the board. The smarter move would be to keep the same universe and tone, but make the cast play different people, rather than the same ones film-goers are already familiar with. This form of goofiness certainly has a place, but the elements aren't quite combining right yet.

Zombieland: The Series also stars Izabela Vidovic (Help for the Holidays) as Little Rock, and the "Pilot" is available now on Amazon.com

Tuesday, March 13, 2012

Harry's Law is the only law

NBC's Harry's Law ends its hiatus last night with "After the Lovin'." Adam (Nathan Corddry) and Harry (Kathy Bates) disagree over the morality of taking a settlement from Harry's former firm after her old colleague, Sam (Christian Clemenson, Boston Legal, CSI: Miami), gets a nail in the head. Tommy (Christopher McDonald) is also accused of being immoral when a girlfriend finds out he is seeing other women, and sues him over it. And Cassie (Karen Olivo) tries to help a friend whose ex-husband (Jay Harrington, Better Off Ted, Private Practice, in a chillingly awesome performance) seems threatening.

Morality is something that can be subjective, and Harry's Law loves to play in the gray areas. Harry does what she thinks is right, even if that crosses the boundaries of what is known to be legal. Adam tends to follow the letter of the law more carefully. But in "After the Lovin'," the letter of the law isn't clear. They cannot accept the settlement if Sam is not in his right mind. But is Sam sane? Traumatic events can put one's priorities in order. Does Sam agree to cutting a large check because his brain is injured, which the doctors deny, or because he has a change of heart?

To be completely fair, should Sam ever come to his senses and press charges, any judge is likely to side with Adam here. Given Sam's abrupt about face post-accident, it only makes sense that caution should be taken in this situation. Yet, Harry has a point about the evil of cigarette corporations, and wanting to get money out of them. Though her judgment is clouded because Sam works for Harry's old firm, which kicked her to the curb. But even setting that aside, Harry's client (Brent Jennings, Moneyball) deserves the money for losing his wife to addiction to the unhealthy product.

Seeing Adam and Harry at odds in "After the Lovin'" is actually a great development. Harry clearly has a motherly instinct for Adam, and Adam is hurt by Harry's questionable actions because of the high respect that he has for her. Harry threatening to fire Adam may have gone a little too far, but everyone says things that they don't mean when they are upset. Their business relationship is fundamentally stable, even if they disagree. It's great that they are there to keep each other in line when a line is in danger of being crossed.

Clemenson is fantastic in the regrettably small role of Sam. A veteran of creator David E. Kelley's former series, Boston Legal, Clemenson brings the same level of talent he consistently showed in his Emmy-winning performance, now with a different character. There are similarities between Sam and Jerry, to be sure, but there are also differences. Sam is more toned down, and less quirky. It's wonderful to see him again in any capacity, and hopefully Clemenson will return to the show soon.

The opening of Harry's Law, when Sam almost breaks the fourth wall at the beginning of "After the Lovin'," is absolutely fantastic. The fourth wall was frequently torn down on BL, though HL has a somewhat different tone. The scene brings to mind a memorable occurrence when Jerry sang the Boston Legal theme song, though, sadly, Harry's Law does not have a full theme for him to perform. Terrific reference for Kelley fans.

So Tommy is in trouble again in "After the Lovin'." And, at first glance, it seems that it's just his womanizing ways leading him astray. The latest victim? A girl he has been seeing for months (Melinda McGraw, Men of a Certain Age, Mad Men, The Dark Knight), who learns that they aren't exclusive. She is understandably upset, and perhaps thinks of taking legal action because she has been dating a lawyer and has court on the brain. Of course, this is an overreaction, and she drops the suit. But it shows the level of pain that she is feeling.

Tommy is far from blameless, of course. He acts dishonestly and without regard for her feelings. However, as is the case in other areas of Tommy's life, his being a player is a defensive mechanism for his insecurities. Tommy is afraid of being alone, and so keeps backups. He does love this woman, but is afraid that she will abandon him. Is it too late for him to make a real go of a relationship with her if he commits to sincerity and drops the act? Let's hope not. He should be happy. She seems like a warm person who may entertain a second chance, and Tommy needs lots of those.

Tommy's actions are not exactly defended by Oliver (Mark Valley), whom Tommy asks to represent him in "After the Lovin'," but still earns Oliver disgusted glances from Chunhua (Irene Keng) anyway. What did Oliver do to her? There has got to be more to this story than has been shown on screen, and it's important for both of these characters that the viewers are let in on that.

Cassie has a very tough case. Her friend (Emily Maya Mills) is scared, but there isn't any proof to justify a restraining order. Judge Beckland (Derek Webster) would like to help, but there's just no basis for him to do so. Add to that, the ex's counsel (Omar Metwally) believes his client is a good guy, and Cassie has no case. In fact, as "After the Lovin'" goes on, Cassie's friend seems paranoid, and viewers might be forgiven for thinking that she is trying to set her ex up. And in trying to protect herself, Cassie further hurts her client's standing.

Which reveals a glaring hole in our legal system, without offering a way to fix it. This is something that Harry's Law does plenty, but when the safety and well being of a child are on the line, it is even more disturbing than usual. Without the ex acting against the mother of his child, there is nothing anyone can do. But once he acts, it could be too late.

This is 'solved' in "After the Lovin'" by Cassie's friend's kid (Izabela Vidovic) loading a gun that her mother leaves pointed at the door. The ex comes by in the middle of the night and is killed. He is no longer a threat, but the cold way that the child seems completely unaffected by her actions is even more scary. How must the father have treated his daughter for her to be this way? Not a happy ending.

What's more, next week's episode of Harry's Law will feature another creepy kid. So tune in to the new time slot Sundays at 8 p.m. ET on NBC.

If you like my reviews, please follow me on Twitter! Article first published as TV Review: Harry's Law - "After the Lovin'" on Blogcritics.