Nothing TABOO

Article first published as TABOO Review on Seat42F.

FX’s newest drama is TABOO, premiering tonight. It is the story of a man, James Keziah Delaney, who has spent the past decade in Africa under shady circumstances, and who has just returned home to London, England in the year of Our Lord 1814. Inheriting his father’s property and shipping business should be an easy thing, but even if Delaney were right in the head, which he doesn’t seem to be, he’d find it a challenge given the dark mysteries of his family and the many enemies who seek his wealth for themselves.

Given that TABOO is airing on FX, it stars the terrific Tom Hardy (Mad Max: Fury Road, The Revenant), and is created by Steven Knight of Peaky Blinders fame, as well as Tom and his father, I expect good things from the series. Its ensemble cast, which includes Jonathan Pryce (Brazil, Game of Thrones), Oona Chaplin (The Hour, Quantum of Solace), Michael Kelly (House of Cards), Mark Gatiss (Sherlock), Jason Watkins (Trollied), Nicholas Woodeson (Rome), Tom Hollander (The Night Manager), Stephen Graham (Boardwalk Empire), Franka Potente (Copper), Jefferson Hall (Vikings), and more, adds even more promise. There is lots of talent bringing their skills to bear on this one!

Which means it’s extra disappointing when the show ends up being a dud, a rare misstep for FX.

I’d say the biggest problem is that it doesn’t really seem to be going anywhere. The pacing is very slow, but rather than feeding us bits of the story as it goes to keep us engaged, very little happens or is revealed in the first hour. It plods along and I keep waiting for even a little bit of a hook, but fail to find one.

The other option a series has, besides a gripping story, is to have very magnetic characters, but TABOO lacks those as well. Pryce is always wonderful, and I enjoy him as a villain here. Chaplin is very good in this, too, her character of Zilpha having a very weird relationship with half-brother Delaney. Others of the group do a decent job, but don’t stand out as all that memorable, and Delany himself isn’t well-defined enough to be interesting. He has a little bit of a presence, but trying to attribute mystic qualities to him just because he spent time in Africa (nope, doesn’t get any more specific than that) feels forced, and there really isn’t anything in the pilot to make you want to root for him, or even care what happens to him.

So what we’re left with is an hour that’s pretty excruciating to sit through, and it ends without any motivating factor to tune in again.

What TABOO does well is the production design. The gritty side of old London comes through strongly, providing nice contract to less grounded productions. For those who watch a lot of PBS, this is going to have a very different feel. The shadows and the muck work well with the tone the series is trying to set, and the opulence of the East India Trading Company clashes nicely with the more common men and women portrayed. The world is built is visually neat.

That isn’t enough, though, for repeat watching. It puzzles me why the BBC ran this, or why FX would want to pick it up, as it seems off-brand for both. I’m not sure where it fits in their lineups, especially on the American cable network, and I can’t imagine it’s going to stick around for a second season, given the lackluster reviews its getting. It doesn’t seem likely to draw many eyeballs on either platform.

TABOO premieres tonight at 10/9c on FX.

Back Across THE BRIDGE

Article first published as THE BRIDGE Review Season 2 on Seat42F.

It’s a little weird to talk about this week’s episode of FX’s THE BRIDGE, entitled “Yankee,” as a season premiere. The major arc of the first year ends a bit early, and Detectives Sonya Cross (Diane Kruger) and Marco Ruiz (Demian Bichir) are already on to a new case hours before the season concludes. Thus, “Yankee” is a continuation of the story already in progress, rather than a fresh batch of subplots.

I like that, though. Life is not so segmented as most television shows seem to portray it, and the approach THE BRIDGE takes, keeping the narrative going without tying up all the threads at once, is more realistic. There are a lot of bad things happening near the U.S. / Mexico border, and Sonya and Marco are likely to investigate several of them, sometimes overlapping, as the show continues.

“Yankee” is a pretty typical hour of THE BRIDGE. Sonya is still having trouble understanding Marco (among other people), though she tries. Daniel Frye (Matthew Lillard) is still struggling with his alcoholism. Adriana’s (Emily Rios) sister is still missing. Hank (Ted Levine) still has sage wisdom to share. Charlotte (Annabeth Gish) is still working to come into her own as a criminal queenpin. There are still many missing girls. And something really brutal and bloody happens that viewers may not quite be expecting, not an uncommon occurrence. Basically, it is consistent in quality, tone, and structure with the other installments that have come before it.

Which is not to say that “Yankee” is without any season premiere hallmarks. While maintaining the ensemble from last year, this fresh episode brings a slew of new faces into the mix, each comfortably slipping in within the established framework. There’s: the chilling Eleanor Nacht (Franka Potente, Copper), who doles out harsh punishment for even the smallest slip up; Gary (Brian Baumgartner, The Office), the skeptical sponsor of Daniel Frye; Jack Dobbs (Nathan Phillips, The Saddle Club), the brother of the man who killed Sonya’s sister; DEA Agent Joe McKenzie (Abraham Benrubi, ER); and Sebastian Cerisola (Bruno Bichir, Demian’s brother), to name a few. Other episodes have introduced a new character or two, but it’s the number of arrivals here that make “Yankee” stand out just a bit.

The best part of THE BRIDGE is the gritty authenticity it uses to portray a certain area of the country. This is a place that many viewers will never have been, and there are quite a few differences in culture and action from elsewhere in the U.S. Heck, there are many variations whenever a character crosses from the United States to Mexico or back, two settings for the price of one. What’s most interesting, though, is the way the people who routinely slip back and forth interact with one another and their environment. It more than a culture clash, it’s a complete melding that is anything but consistent in makeup, leading to some personalities that must be quite versatile to cope.

THE BRIDGE can be a little boring from time to time. It’s not my favorite show on FX, and the pacing will often drag when jumping over to some of the less engaging side stories. This hurts the enjoyment factor, even though the inclusion of all of the different aspects are what fill out the world presented and make it seem so complex and layered.

However, it also has an excellent production and style, and is full of terrific performances. Kruger and Bichir stand out, of course, as the leads, but there is nary a weak link among those that surround them. Studying any one of the roles and how it is handled is sure to impress. In this, THE BRIDGE succeeds quite well.

THE BRIDGE airs Wednesdays at 10 p.m. ET on FX.

Blu-ray Review: ‘Copper Season Two’

Article first published as Blu-ray Review: ‘Copper Season Two’ on Blogcritics.

BBC America’s original series Copper recently saw its second season released on Blu-ray and DVD. Set in the Five Points neighborhood of New York City in 1865, the show follows some police detectives, nicknamed “coppers,” as they try to keep the peace in the infancy of forensic science, where fists sometimes overrule a just trial, and the country uneasily tries to end and recover from the Civil War. Dealing with race relations, missing persons, and class conflict, it paints a picture of a specific time and place to viewers who likely know little of the period.

Season two starts with “Home, Sweet Home.” A new villain, Buzzie Burke (Noah Danby, Defiance), a psychopath, has been ignored by the community, but has stepped up his mischief, garnering him the attention of the police force. Detective Kevin Corcoran (Tom Weston-Jones) would like to shut Buzzie down, but since he faced a penalty for going after the man before, he hesitates to make a movie. Then Buzzie hurts Eva (Franka Potente), and Kevin, who is fond of Eva, changes his mind.

That ought to tell you a lot about the tone of the series. Filled with sex, drugs, secrets, betrayal, murder, and maiming, there is action, danger, and adventure. Corcoran has a difficult duty, and it’s more about taking out the worst of the bad guys than actually enforcing the letter of the law.

Corcoran isn’t as equipped to deal with the problems as he has been in the first season. His comrade, Francis Maguire (Kevin Ryan), is in jail, awaiting execution. Corcoran has turned his back on Maguire, though many viewers are likely to still root for the man. But his absence is markedly felt on the beat, especially by O’Brien (Dylan Taylor) who, unlike Corcoran, won’t turn his back on a friend. Though, it likely won’t surprise you to learn that Maguire is soon out of prison, albeit serving a different role than he did in season one.

Corcoran is also down his science expert, Dr. Freeman (Ato Essandoh), who has moved to the country for the health of his wife, Sara (Tessa Thompson). Add to that a rocky marriage to newly-found Ellen (Alex Paxton-Beesley), and season two starts out rough for the hero.

Luckily, Corcoran has some help in his new boss, General Donovan (Donal Logue, Terriers). Coming in with a mission to clean house at the precinct, Donovan quickly proves an unpredictable and tough leader, comfortable with the upper crust, but generous to the working man. A former copper himself, his moral code is shady, but he definitely is determined to get the Five Points on the right path, and may just have the ability to do so.

Some villains are less blatant than others. Elizabeth Haverford (Anastasia Griffith) seeks shelter with Robert Morehouse (Kyle Schmid), worried that her devious deeds will come to light. She doesn’t clue Morehouse into this, however, taking advantage of his kindness and manipulating him with sex.

Elizabeth isn’t the only one that defies typical gender roles, and that’s part of the reason to watch Copper. In some ways, it does mirror today, especially as TV audiences cling to the cop procedural, but the differing ethics and values of the 1860s, as well as much weaker technology, provides a nice counterpoint, setting Copper apart from its peers in the current age. And it’s pretty enjoyable on its own, the characters and arcs deepening in the second year as it grows into itself.

After a ten episode first season, which BBC America lauded as highly successful, season two consists of thirteen episodes, after which the show is canceled. The network calls it a natural end point, and while much of the story does seem concluded, there is certainly more that could have been done, had the shown gone on. Though, as someone who frequently complains about BBC America’s lack of British programming, I sincerely hope the budget that previously went to Copper brings us a number of fresh programs from across the ocean, rather than another new show.

Copper looks terrific in high definition. With its dark shadows and grimy streets, one may not want to look too closely at the setting. Yet, there is a sharpness and clarity to the picture that is aided by the Blu-ray release. The colors are often muted, but come across clearly, especially in scenes full of blacks and browns, a frequent occurrence for this show, bound to frustrate those watching in standard definition. The soundtrack is well mixed, with crisp dialogue and full background and score.

In terms of extras, Copper Season Two could do better. All we get are two very short, unnecessary characters profiles, a trio of brief set tours, which are kind of illuminating, but don’t go nearly deep enough, and three “Insiders.” This last bit is what I want more of, but instead are just quick behind-the-scenes focuses on a few elements of the season such as hats and facial hair, less than five minutes total running time.

Still, it’s a pretty good show, and it looks fantastic, so this three-disc set is worth checking out. Copper Season Two is available now.

COPPER Is "Home, Sweet Home"

Article first published as COPPER Season 2 Premiere Review on Seat42F.

Grade: 90%

BBC America’s COPPER begins its second season this week with “Home, Sweet Home,” and it’s quickly clear, despite the pleasing episode title, that things are anything but serene in Five Points. Sex, drug use, waiting for execution, murder, and serious maiming are just a few of the things that occur in the first few scenes of the season. Which indicates that we’re in for another, even rockier ride than last year.

The villain causing much of the trouble is Buzzie Burke (Noah Danby, Defiance). Buzzie has been under the protection of community leaders, but now is causing too much trouble to be ignored. Detective Kevin Corcoran (Tom Weston-Jones) is reluctant to go after him in an official capacity, having been rebuffed in the past for doing so, but considering that Buzzie chooses Eva (Franka Potente) to hurt, someone Kevin is protective of, Kevin has no problem with taking Buzzie down.

What Buzzie does to Eva is graphic and disturbing, and when combined with his later actions in “Home, Sweet Home,” it seems we are dealing with a ruthless psychopath. The fact that he’s been allowed to live and do whatever he wants this long is unacceptable. He is a sign of a larger symptom, the semi-lawlessness of the neighborhood, and that has got to change.

Enter General Donovan (Donal Logue, Terriers). Donovan has been tasked with cleaning up the police department in the area and restoring order. His methods are confusing, beating an officer one moment, then offering him words of encouragement the next. He seems determined to make sure his men are doing their jobs and refrains from consuming much alcohol, but he is also not a paper pusher or pious or weak man. He has fortitude and determination, but his moral code remains somewhat shaded.

This might be just what Five Points needs. Donovan is encouraging of Corcoran, and misses being a copper himself, so he’s sympathetic to the job. Yet, his elbow rubbing with the high society folk make him somewhat suspicious. Sure, Corcoran is friends with Robert Morehouse (Kyle Schmid), and that doesn’t reflect poorly on him, but there’s something about the way Donovan is actually part of that world that sits weirdly. However, we also see Donovan generously help out a working man, so perhaps he is exactly what he purports to be.

Unfortunately for Morehouse, though, he has someone under his roof that is definitely not on the up and up. Morehouse’s fiancé, Elizabeth Haverford (Anastasia Griffith), may give him great and copious love making sessions, but she is much less forthcoming about her feelings and actions. She is nervously awaiting the axe, as the man she conspired with in the burnings in New York is captured in Detroit, and she fears that her part will be exposed. She likely hopes the wedding takes place first, so Morehouse will be motivated to protect, rather than shun, her.

Francis Maguire (Kevin Ryan) awaits a more literal execution, sitting in jail, expecting to be sentenced to death. Maguire is a main character in season one, and he does some things that make viewers root for him before his downfall. Yet, Kevin’s feelings of betrayal at the hands of Maguire are also justified, so a legal punishment isn’t unwarranted. It’s hard to say what exactly Maguire’s plot will be this year, but given the end of “Home, Sweet Home,” he definitely won’t just be sitting in jail, and we may have reason to support him once more, as O’Brien (Dylan Taylor) covertly does.

I do think Eva is involved with what Maguire does while in prison. She is a very tough cookie, and not one to sit idly by and wait for others to take care of the threats against her. Knowing her life and her business are in jeopardy, she takes steps to secure both. With Buzzie out of the way, Eva’s operation grows, but I really think she is more concerned with self-preservation than becoming a major entrepreneur. Unlike most women of the time, she has the ability to handle herself in a way many men would not be able to. Amazing is an absolutely appropriate word to describe her character and strength.

Although Eva is independent, she doesn’t need to be alone. Corcoran may have cut off their intimate relations now that his wife, Ellen (Alex Paxton-Beesley), is found alive and returned home, but Corcoran isn’t happy with Ellen. Eva is a much better match, her passion and intelligence matching Corcoran’s own, whole Ellen is a somewhat pathetic woman. Corcoran can do better.

Elsewhere, Dr. Freeman (Ato Essandoh) is asked to take over a medical practice in the Five Points. He is reticent, having moved to the country for the sake of his wife, Sara (Tessa Thompson), who is just about the polar opposite of Eva. The patients need Freeman, and while it may be inconvenient for him to commute, and though he doesn’t reveal his decision this week, it’s likely he will accept the job, out of obligation to his profession, if for no other reason. It’s in keeping with the nobility Freeman has.

Despite Sara’s weaknesses, she has shown the gumption to survive and make it through ordeals. She still is haunted by the sight of her brothers’ deaths during the riots, but she agrees to go to work in the city, for Elizabeth, no less. And it looks like she may be good at it, leading to more than a temporary assignment. This provides a possible way for the Freemans to return to the old neighborhood, coming “Home, Sweet Home,” if you will.

I’ll admit, I liked season one, but didn’t love it. However, the season two premiere of COPPER is an exciting story providing movement and intrigue for a number of characters, and introducing at least one new one I’m eager to learn more about. It presents a totally different world than the modern one, with vastly diverging values and codes. The show does have heroes and villains, but sometimes both labels describe the same person, which is interesting. As such, I look forward to what may develop next.

COPPER airs Sundays at 10 p.m. ET on BBC America.

Copper arrests a Blu-ray release

BBC America's first original series, Copper, recently finished airing, and already there is a DVD and Blu-ray release of the freshman season. The two disc set contains all ten episodes of the 1964 New York City-set crime drama, as well as audio commentary, a handful of featurettes, including a "making of," deleted scenes, and video profiles.

Copper is the story of Irish-American Kevin Corcoran (Tom Weston-Jones, World Without End), a tormented man who returns home from the Civil War to find his family gone, daughter dead, wife missing. He becomes obsessed with finding out what happened, but while he does so, he becomes a cop in the Five Points neighborhood. His quest for justice extends to those he serves, and unlike many policemen of the day, he digs deep, rather than just believing whatever story seems obvious.

Kevin is not alone in this. He is aided by two detectives that he can trust, Francis Maguire (Kevin Ryan, Laredo) and Andrew O'Brien (Dylan Taylor, Defying Gravity). Not every copper on the force is nearly as noble as these three. While their methods may be brutal, and they are not above beating or killing those who deserve it, they also won't punish an innocent party, at least not once they realize the person isn't guilty.

Kevin is further helped along by a man at the cutting edge of forensic science, Matthew Freeman (Ato Essandoh, Blood Diamond). Interestingly, Matthew is a black man, which leads to all sorts of racial subplots. Matthew lives pretty well, being educated, though he has to deal with a mentally unstable wife, Sara (Tessa Thompson, Veronica Mars). But he will never be fully accepted into Kevin's world, and so most of his assistance is under the table.

While Kevin's crew slums through the lower-class people, dark and dirty and grimy, his investigations bring him into contact with high society, which may look pretty, but is just as seedy on the underbelly. His first encounter is with a child prostitute, Annie (Kiara Glasco), whom Kevin takes an interest in because she reminds him of his daughter. It becomes a pet project of his to keep tabs on Annie, and make sure she gets her life on track.

When venturing into the upper crust world, Kevin has a friend there, too, in Robert Morehouse (Kyle Schmid, Being Human). Robert serves with Kevin in the war. Although his pursuits are often of the aristocratic variety, Robert does have a moral compass, to some extent, and is more of a help than a hindrance to Kevin. This relationship extends to Kevin's cohorts, as well, including Matthew, with whom Robert has a shared history.

What is most interesting to me about Copper is the dichotomy set up between the two worlds. No one with sense in their head ever said that being wealthy makes you a better person. But rather than engaging in class warfare, Copper draws parallels between the two worlds, taking a page from British hits such as Upstairs/Downstairs and Downton Abbey, illustrating that people are very much the same no matter what their economic status. Showing prostitutes on both side of the coin, as well as criminals and righteous men, these neighborhoods are separated only by surface characteristics, not by any measure that matters.

Speaking of prostitutes, amid the cases of the week crimes and the ongoing plots of Kevin, Annie, Matthew, Robert, and the others, there is also time for romance. Kevin is drawn to two women, Eva (Franka Potente, The Bourne Identity), who sells her flesh for money, and Elizabeth (Anastasia Griffith, Once Upon a Time, Royal Pains), who nearly loses her soul to a wicked husband. Again, we have the two worlds clashing, as the series rounds itself out.

Copper is more than a genre show, and it's more than a period piece. It's extremely well made, terrifically acted, and a fully developed, visually pleasing universe. The characters and the setting feel completely whole, and the stories will suck you in, expertly mixing the adventure, romance, intrigue, and drama. I am still disappointed that BBC America is spending money on original fare instead of beefing up it's slim offerings from across the pond. But if they had to go down this path, at least it's something as fitting and wonderfully made as Copper.

Copper Season One is available now.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

Copper shines

Grade: 82%

I am of two minds about BBC America’s first original series, COPPER, which premieres tonight. On one hand, there are tons of great British shows that we don’t get to watch in the States, so it seems a shame that, rather than adding more fresh British programming, of which the station is relatively light on, BBC America is getting into making their own shows. On the other hand, it is a well-made, engrossing period drama that should be highly enjoyable.

COPPER follows Detective Kevin Corcoran (Tom Weston-Jones, World Without End), a righteous man looking for information on his missing wife and daughter while patrolling the streets of New York City in 1864. Living among the lower class, and friendly with minorities, Corcoran realizes that the upper crust may just be uglier than the filth under their feet. Corcoran follows the path of justice, and while his methods may be brutal, torturing a man not yet proven guilty, or coldly killing thieves in the act, he cares only about the strength of character of the men he encounters.

The contrast between the slums where Corcoran often works and the pristine mansions the city’s millionaires inhabit is stark. This is even more apparent among the prostitutes, whom we see in both settings. For the first part of episode one, it seems like COPPER is destined to be dark and dank. But when Corcoran is summoned to the other world, there is a parallel drawn that is interesting, if not completely unexpected. COPPER will show viewers how both halves live, and what kind of people those lives make.

Now, yes, this may be a bit of class warfare. But all of the rich people aren’t bad. And besides, in these rough economic times, a little class warfare may appeal to many viewers in the States, who are tired of the well-to-do getting away with screwing the little people. As much as things change, they also stay the same, and in this, COPPER comes across as a timely series, still relevant to the modern world.

Some may be shocked by the raw reality of COPPER. The upper echelons of the police force are corrupt and use their position to leverage money from those they are supposed to be protecting. No one thinks anything of cops gunning down a gang of bank robbers, leaving their dead bodies decaying in the street. A child pleasures grownups for money. These are more often the subject of dramatic films, not cable television, at least not from non-premium networks. COPPER delves into this world fully, and doesn’t shy away from how disturbing it can be.

There is also a theme of race relations. Some of the whites in New York, especially Irish immigrants, still a few rungs down the ladder themselves, are terrified that the newly freed slaves with come north and take their jobs. Again, COPPER is drawing a parallel to blue collar workers who worry the same of modern Mexicans. To combat this fear, rather than argue or fight the prejudices, blacks are moving away from those neighborhoods most hostile to them. History will show that it takes another century for things to truly begin to right themselves, and the minority to get a fair shake. But in COPPER’s day and age, fear exerts heavy influence, just as it is today.

One such African American, afraid to stay where he is, is Doctor Matthew Freeman (Ato Essandoh, Blood Diamond). Last name that hits a little too on the nose aside, Freeman is a CSI genius, doing the type of investigative work on bodies that seems far ahead of his time, but would be right at home in this decade. Freeman can tell the type of weapon used based on the bruise, and examines semen samples. I’m not quite sure if this is historically accurate, if these types of investigations were done then, or if there were any black men educated enough to conduct them in 1864, but it does help keep the cast more balanced, racially. Plus, Matthew makes for a sympathetic character, torn between the need to do his duty, driven by a strong sense of justice like Corcoran is, or giving in to the worries of his wife, Sara (Tessa Thompson, Veronica Mars), who would rather they follow their ilk, not unjustifiably.

The rest of the very talented cast includes Anastasia Griffith (Once Upon a Time, Royal Pains), Kevin Ryan (Laredo), Franka Potente (The Bourne Identity), Kyle Schmid (Being Human), Dylan Taylor (Defying Gravity), Tanya Fisher (The Defenders, Life On Mars), David Keeley (Friends and Heroes), Ron White (not the comedian) and Kiara Glasco. They each bring a high level of talent, immersing themselves and the viewers in the world. Perfectly cast, this is especially impressive in Glasco, given how young the actress is, and how she holds her own among the others.

Visually enjoyable, well written, and intriguing, COPPER creates a world that lives up to the standards of BBC America. Again, I would definitely like to see more shows that were made in Britain make it onto the networks’ schedule, but if they’re going to do their own series, at least it’s as good as COPPER, which fits the expected tone and quality standards of the other things that they air.

Watch COPPER Sundays 10 p.m. ET on BBC America.

Psych Out (Until November)

   This past Wednesday, USA's Psych ended its summer run. Like most USA shows, Psych does half of their season in the summer, and the other half sometime during the regular television season. For Psych, a crime procedural about a very observant man who pretends to be a spy, that usually means January. But this year, as they have twice before, there will be a Christmas episode, presumably in November. Yes, November. Don't ask my why. This year's will be It's a Wonderful Life-themed.

     In the season finale, Shawn (James Roday) and Gus (Dulé Hill) helped a spy (Franka Potente, the Bourne movies) clear her name. It was a little like the Bourne Identity series. It wasn't quite the standard case of the week episode, but it also wasn't one of the special episodes that rate a different directing style or a theme song remix. Instead, it was a slightly bigger case than they usually solve, it being a season finale, and the case also had to be wrapped up a little quicker so that the writers could spend the obligatory few minutes not quite getting Shawn and Detective Juliet O'Hara (Maggie Lawson) together.

     That's right. Not getting them together. For four and a half seasons now, Shawn has been in love with the female cop, but never actually made a real move on her. While the two get slightly closer to something real every season, for some reason, like most shows, the writers just won't pull the trigger. Last year, Shawn had a steady girlfriend. This year, Juliet overheard Shawn basically say that he loved her, and she finally kissed him. But it was in Declan Rand's (Lost's Nestor Carbonell) house, the man she has been dating. And she didn't leave when Shawn left, though I doubt she kept her vacation plans with Declan. Of course, we won't know that for sure until at least November, if not later.

     What is the obsession with shows like Psych for putting two characters so obviously right for each other, close, but not allowing them to forge a relationship? Perhaps it's the Moonlighting curse, as that show allowed its two main characters to consummate the relationship, and then watched the series blow up in their faces. Other shows (Bones springs to mind) have waited like Psych has. But Grey's Anatomy hasn't suffered from Derek and Meredith being together, and House is about to take the plunge between the title character and Dr. Cuddy this year. If they can do it, so can Psych.

     Two more criticisms about this season of Psych: the theme song and the recasting of Young Shawn in the flashbacks. Although four actors have played Young Shawn during the series' run, Liam James has done it by far the most, and the new boy that has played him the last few episodes does not measure up at all. Get Liam back! Also, the longer version of Psych's theme song is amazing, while the short version is lame. I know it's the same song, but it's true. Most of last winter, the long version aired. It aired very little this summer. Please install the long version permanently, save, of course, for any special episodes with remixed versions, which are nearly always cool.

     Psych will return to USA later this year.

Article first published as TV Review: Psych Out (Until November) on Blogcritics.