Wild ANIMAL KINGDOM?

Article first published as ANIMAL KINGDOM Review on Seat42F.

TNT’s new drama ANIMAL KINGDOM, based on the little-seen 2010 film of the same name, is about a crime family. Like any show about a crime family, there’s the strong leader, in this case a matriarch, several brothers of various levels of competency, the relation that has spent time behind bars, and the fresh-faced kid who viewers and characters alike will wonder how far in they can be drawn before they start to seem like everyone else. And these people will get into new scrapes together that constantly put them in danger and mess with the clan dynamics, while more or less maintaining status quo.

The matriarch in this series is Janine “Smurf” Cody (the fantastic Ellen Barkin, The New Normal). Janine maintains a house where her grown sons are welcome to hang out and party, which seems a little strange, considering how much nudity ends up being involved. Janine has four children, twins Pope (Shawn Hatosy, Southland) and Julia, reckless Craig (Ben Robson, Vikings), and affection-seeking Deran (Jake Weary, It Follows). Perhaps not finding any of her children competent enough to take over the business, she also adopted Baz (Scott Speedman, Felicity, Underworld) when he was twelve, and he is now the de-facto leader of the children.

The story really begins, though, when Julia, who has been estranged from the Codys for a decade, dies of an overdose. Janine immediately takes in Julia’s seventeen year-old, J (Finn Cole, Peaky Blinders), which upsets at least a couple of her sons, unsure if they can trust J around their illicit activities. Add to this, Pope shortly thereafter returns home after three years spent behind bars, and the finely-tuned system Janine has becomes unbalanced a bit.

The main drives revolve around J and Pope, which makes sense, considering they are the new elements. J is a very familiar protagonist, the outsider thrust into the strange world, but keeps his cards close enough to his chest that viewers will wonder whether or not he approves of what his family is doing. Pope is even less predictable, seeming to have some serious mental imbalance. As such, there is probably enough steam in these two threads to push the first season through easily enough.

Perhaps to add some much-needed estrogen to the proceedings, ANIMAL KINGDOM has two other female characters besides Janine: Baz’s baby mama, Catherine (Daniella Alonso, Revolution), and J’s girlfriend, Nicky (Molly Gordon, I Am Sam). Sadly, they aren’t used much; at least not yet. Catherine does have some friction with Janine, but that is barely touched upon in the pilot. Nicky seems to exist solely as a tool the Codys can use against J.

The plot in the first episode is secondary to getting to know the characters. A lot of time is spent dwelling on their various relationships and existing life, presumably to establish a baseline before things change too much and to get the audience used to the players involved. There is a bit of action, but no real threat or danger in the initial hour. I assume that will appear in the coming weeks.

I like ANIMAL KINGDOM, but I don’t love it. The concept is both familiar and decently executed, with a fine ensemble cast who can handle what’s required of them. My hesitation is that it might not show us anything we haven’t seen before, and the characters are a lot less complex than those on the higher-tier cable networks such as FX, AMC, and HBO. I think ANIMAL KINGDOM will definitely be enjoyable, but I do not see it being a serious contender for major awards or to be a “must-see” show.

ANIMAL KINGDOM premieres Tuesday, June 14^th on TNT.

HAPPYISH Will Make You Happy-ish

Article originally written for Seat42F.

Thomas Paine was one of our Founding Fathers who inspired revolution against Great Britain. Thomas Payne was a bookseller and publisher, not all the important in the grand scheme of things, but still remembered with a small paragraph on Wikipedia. Thom Payne (Steve Coogan, Philomena) is a little bit of both, an insignificant man who is becoming obsolete, but bristles at the thought and really doesn’t want to let it happen. Showtime’s new half-hour dramedy, HAPPYISH, is his story.

As HAPPYISH begins, Thom is turning 44, not old enough to be an executive like his boss, Jonathan (Bradley Whitford, The West Wing, Trophy Wife), nor is he young enough to be into the social media scene, like the young Norwegians who just bought the advertising company Thom works for. The latter would like to force him, in the nicest way possible, to adapt to their mindset, but Thom just doesn’t want any of it. He’d rather write a book or rant about how things used to be.

It seems likely that Thom’s story will ring rather familiar to viewers of a certain age. Many people may keep themselves from flying off the handle as Thom does, but it has to be frustrating to be asked to keep up with a rapidly changing world on top of everything else going on in one’s life. Thom is married with a young child; he doesn’t have time to be accustomed to twitter, and justifiably thinking it is stupid, why should he? But that’s the position he is in for his career, and one has to keep paddling or drown.

Thom’s home life doesn’t make things much easier. His wife, Lee (Kathryn Hahn, Parks and Recreation), is loving, but not all that satisfied with the way Thom’s ED pills and antidepressants interact, making them less effective. His son, Julius (Sawyer Shipman, Adult Beginners), isn’t a bad kid, but he’s young enough that he still needs a lot of attention from his parents. Neither of them are obstacles per se, Thom glad to have them in his life, but they certainly divide his attention.

Despite all of the misery, HAPPYISH is very enjoyable. Part of that is the cast, which includes recurring players Carrie Preston (True Blood), Andre Royo (The Wire), Molly Price (Third Watch), and co-star Ellen Barkin (The New Normal). Hahn is absolutely fantastic, and the rest all make the proceedings more fun. Thom may be unhappy, but those around him aren’t always, and they are able to play off Thom’s broad actions well. It’s a really good group of players.

Seeing Coogan play the role, it’s hard to imagine Philip Seymour Hoffman as Thom, though Hoffman starred in the original pilot before his death. Coogan, as he must, completely owns the role and uses his talents to help shape the character. Coogan is a different type of actor than Hoffman was, and while HAPPYISH might have been good without Coogan, it would be a different show. I think this version is likely funnier. I’m glad, seeing the product, that Showtime decided to move forward with this project even after losing its star.

It’s funny that HAPPYISH premieres now, so soon after HBO’s Togetherness ended its freshman run. I feel like the two shows share a lot of DNA, having similar themes and quality. While Togetherness is more of an ensemble and HAPPYISH has a stronger, more singular lead, both capture an authentic spirit in a moment where they are especially relevant. I don’t know that both are needed on the air, but I’d be hard pressed to say one should be cancelled over the other.

HAPPYISH premieres Sunday, April 26^th at 9:30 p.m. ET on Showtime.

DVD Review: ‘The New Normal – The Complete First Season’

Article first published as DVD Review: ‘The New Normal – The Complete First Season’ on Blogcritics.

In the 2012-2013 television season, NBC presented a different kind of family sitcom called The New Normal. From the mind of Ryan Murphy (Glee, American Horror Story) and Allison Adler (Chuck, No Ordinary Family), it took what Modern Family does a step further, with an edgier, even less traditional clan, while still remaining thoroughly charming. Finally, the series, which ran only one year, comes to DVD, though the release is strangely subtitled The Complete First Season.

In 2014, we all know that not all families look the same, even less so than just a couple of decades ago, but while the television industry is getting better about portraying that, it still does not reflect the large diversity out there. The New Normal may be quite specific in the make-up of its clan, but the characters are earnest enough that most should find a way to relate, even if their circumstances don’t mirror exactly the mixture shown on screen.

The premise is simple enough: A young mother named Goldie (Georgia King, Little Dorrit), who gave birth to a daughter, Shania (Bebe Wood), as a teenager, is tired of putting her dreams on hold and relying on her bigoted grandmother Jane (Ellen Barkin, Fear and Loathing in Las Vegas, Drop Dead Gorgeous). Jane raised Goldie after Goldie’s own mother, who also gave birth young, split. After Goldie catches her boyfriend cheating on her, she gets the courage needed to make a change. This leads her, with Shania in tow, to the strange land of California.

At the same time, a gay couple named Bryan (Andrew Rannells, Girls, The Book of Mormon) and David (Justin Bartha, The Hangover) are ready to start a family of their own. Armed with eggs provided by Abby (Gwyneth Paltrow, Glee, Iron Man), their first attempt is a misstep. But then they meet Goldie and decide she is perfect. After she agrees to serve as their surrogate, they offer to help her with her goals, much to the dismay of Jane, who has by now tracked them down.

Oh, and Bryan has an assistant named Rocky (NeNe Leakes, The Real Housewives of Atlanta, Glee), whose love/hate relationship with Jane makes for some of the best material of the series.

Over the course of the year, there is actual growth among the characters, and lessons are learned. Yes, The New Normal can be slightly preachy at times, and the season finale, more so than any other episode, plays to conventional sitcom tropes. But maybe that’s a good thing, as the show needs to help people become more accepting, and by staging a half hour that feels like it could have been written for any other show, it feels ‘normal.’

Thankfully, the last episode ties up most of the major arcs pretty well, leaving us without a never-to-be-resolved cliffhanger.

The writers of this show clearly know what they’re talking about. Adler herself has gone through the surrogate process, and both creators are gay. The situations and characters they’ve created here feel only slightly exaggerated for television, avoiding stereotypes as much as possible, and are definitely well-defined enough to tug the heartstrings, with layers to various characters’ motivations. Bolstered by a terrific cast, The New Normal fully earned the People’s Choice Award it won for Favorite New TV Comedy, and more than a year after its cancellation, it is still missed.

This three-disc set contains all 22 episodes produced, but no special features at all. On the one hand, this is hugely disappointing because there is so much more I want to know about how the show came about and why it didn’t last. On the other hand, I guess fans should just be grateful we get the opportunity to relive the episodes at all, considering how quickly they came and went.

The New Normal – The Complete First Season is available now.

The New Normal Slightly Too Normal in Season Finale

Article first published as The New Normal Slightly Too Normal in Season Finale on TheTVKing.

NBC's freshman sitcom The New Normal completed its freshman run with a pair of episodes this week, "Finding Name-O" and "The Big Day." While not exactly a two-part story, these installments do flow well together, as Bryan (Andrew Rannells) and David (Justin Bartha) talk about baby names and prepare for their wedding, and then see the birth of their son and say their vows.

My issue with the episode, especially "The Big Day," is that The New Normal follows the traditional sitcom tropes. Right as Bryan and David are getting ready to say "I do," Goldie (Georgia King) goes into labor. Not only is this not the first show ever to have such an occurrence happen, it's not even the first series in the past month to use the scenario. As such, it feels completely stale and rote.

But maybe that's a good thing. The New Normal wants to show that an extended family, including two gay men raising a child, is just as typical as any other clan. By using such a familiar, played-to-death scenario for their year's final half hour, they seem even more like other programs on television.

However, I like to think they can do a little better, and they often do. There is plenty of sweetness and originality present throughout the first year of the series, including in these two chapters.

For instance, I love that Goldie decides not to go back to Clay (Jayson Blair) before the end, avoiding a predictable summer cliffhanger or a retread of a romance we've been shown is dead. Clay really is trying to change and be there for Goldie and Shania (Bebe Wood), but he has a lot to make up for. Someday, he may earn his place back at Goldie's side, but for now, it would be foolish of her to reconcile with a lazy, irresponsible ex, and she wisely chooses not to.

What's more, she is encouraged not to by those around her, who love and care about her. Sitcoms are the breeding ground for families made up of friends, which is sort of an artificial concept. The New Normal makes it feel authentic, though, and by reminding us how much Goldie has touched everyone's lives, and how much growth has happened for the characters this year, we see that this show will allow change and development much more so than many of its peers.

I also think it's important to have such a wonderful example of a steady gay couple on television. Bryan and David love each other, and even when the bicker, they both compromise to go out of their way and keep their relationship strong. This not only sets a great example for young gay viewers, but also may help the more closed-minded members of our society dispel some ugly and untrue myths about homosexuals, which linger mostly among the older generation.

The character that speaks to that the most is Jane (Ellen Barkin), of course. Jane arrives on the West Coast with some stubborn, Mid-Western opinions. (Disclaimer: I live in the Mid-West, and these are far from universally shared). After a little exposure to people outside of her small community, she sees that she is wrong, and she now understands a different point of view. She'll continue to be grump and coarse and have great one-liners, but she's a different person than in the first episode, and has become sort a role model.

The New Normal is hilarious, and there are plenty of funny moments in "Finding Name-O" and "The Big Day." Most of them involve the grooms' mothers (Jackie Hoffman and Mary Kay Place), who are both hilarious in their own right, and in totally different ways. We also get the return of Michael Hitchcock and John Benjamin Hickey.

The show is serious and touching, too. Among the best scenes in these episode are when Bryan and David agree on a name, Jane thanks Goldie for bringing her out to California, Jane and Rocky (NeNe Leakes) party together at the wedding, and when "Beautiful Boy" plays during the rush to the hospital for the baby's birth.

It does such a bit that Jane is not included in the beach wedding. I wonder why that was done.

I do wonder if there will be any objection from the Catholic community that a priest ends up performing the gay wedding ceremony. The Catholic Church is definitely an institution that is well behind the times on such issues (another disclaimer: I was raised to be Catholic), and it's fantastic to see someone playing a priest push for change in his own small way, but I could see some being upset about this. However, those are probably also the same people who wouldn't watch this show in the first place, so hopefully bad nothing comes of it.

The first year of The New Normal is relatively strong over all, with wonderful characters and heart-warming stories, and I look forward very much to a second batch of episodes next fall. If the show gets picked up, that is, which it deserves to be, but that is very much up in the air at this point. If you've enjoyed it, as I have, feel free to encourage NBC to renew The New Normal.

Is The New Normal normal?

Grade: 89%

Coming to NBC next week is a different kind of family sitcom. THE NEW NORMAL is from the minds of Ryan Murphy (Glee, American Horror Story) and Allison Adler (Chuck, No Ordinary Family), and takes what Modern Family does a step further, with an edgier, less traditional clan.

In 2012, we all know that not all families look the same, but our television shows still do not reflect the large diversity that is out there. THE NEW NORMAL may be quite specific, making their situation less relatable, but it’s the oddness and quirkiness that should prove entertaining. Also, seeing a group of people in such an untraditional situation may help many find this familiar, even if their circumstances don’t mirror exactly the mixture shown on screen.

The premise is this: A young mother named Goldie (Georgia King, Little Dorrit), who had daughter Shania (Bebe Wood) as a teenager, is tired of putting her dreams on hold and relying on her bigot grandmother, Jane (Ellen Barkin, Fear and Loathing in Las Vegas, Drop Dead Gorgeous). Jane raised Goldie after Goldie’s own mother, who also gave birth young, split. After Goldie catches her boyfriend cheating on her, she gets the courage needed to make a change. This leads her, with Shania in tow, to the strange land of California.

At the same time, a gay couple named Bryan (Andrew Rannells, Girls, The Book of Mormon) and David (Justin Bartha, The Hangover), are ready to start a family of their own. Armed with eggs provided by Abby (Gwyneth Paltrow, Glee, Iron Man), their first attempt is a misstep. But then they meet Goldie, and decide she is perfect. After she agrees to serve as their surrogate, they offer to help her with her goals, much to the dismay of Jane, who has by now tracked them down.

The writers of this show clearly know what they’re talking about. Adler, herself, has gone through the surrogate process, and both creators are gay. The situations and characters they’ve created here feel only slightly exaggerated for television, and are definitely well-defined enough to tug the heartstrings. Bolstered by a terrific cast, the first episode, at least, is a sweet story with a lot of potential.

THE NEW NORMAL does not play to stereotypes too much. While sometimes the characters act exactly as one might expect they would, this isn’t always the case, and there are layers and motivations behind the various decisions they make. For instance, Jane isn’t just a bigot because she’s old. Her husband cheated on her with another man. It’s no wonder, then, that she is uncomfortable around gay people, her personal experiences clouding her overall opinion.

As to why she also is racist, well, that isn’t clear yet. We do know that the guys have a gal named Bryan has an assistant named Rocky (NeNe Leakes), and Jane doesn’t like her, either. But that’s something to explore another day.

Those familiar with Murphy’s other recent work may be expecting a song-less Glee, but hopefully this will not be the case. Glee proved that even if a good pilot is delivered, the story can still be wildly uneven, airing terrible weeks right after great ones. It will be interesting to see if, with a smaller cast, and without the structure that songs necessarily build into the story, Murphy can maintain a high quality. He did it with American Horror Story last year, albeit in a different genre entirely.

All in all, THE NEW NORMAL looks to be a fun new series that feels fresh and different from the standard fare. This opinion could change as the season unfolds, but it has made a good first impression, and on television, as in life, that is extremely important, and not always easy to do.