HAND OF GOD Not Involved In This Drama

Article originally published as HAND OF GOD Review on Seat42F.

Amazon has released a new drama called HAND OF GOD, the first season of which is available to stream on Amazon’s website now, free for Prime members. It revolves around Judge Pernell Harris (Ron Perlman, Sons of Anarchy), who undergoes a traumatic experience. Pernell begins believing God is speaking to him, asking him to carry out vigilante justice. Is he right, or is he crazy?

HAND OF GOD sets up a relatively complex story. We have Pernell, of course, along with his wife, Crystal (Dana Delany, Body of Proof), who is at the end of her rope, too, but doesn’t speak to a higher power. The catalyst that has brought them to this point is the rape of their daughter-in-law, Jocelyn (Alona Tal, Burn Notice), and the attempted suicide of their son, PJ (Johnny Ferro, Children of God). The second occurs seven months after the first, but is likely related, given that he was forced to watch the assault of his wife.

That would be enough for any couple to endure, and the Harris family is suffering mightily. With PJ in a coma, it’s no wonder Pernell snaps. Or does he?

HAND OF GOD doesn’t tell us for sure if Pernell is insane or righteous, at least not in the pilot. On one hand, he seems to know things that only God could tell him. Or might he be processing clues he doesn’t consciously realize? Or is he a lucky guesser and his luck will run out? The show keeps us guessing, too, taking us from one event to the next in rapid fire.

Besides the central family, there are a number of other people involved in the chaos, wittingly or not. Reverend Paul Curtis (Julian Morris, Pretty Little Liars), formerly a soap opera star, baptizes Pernell, and may be taking advantage of the judge alongside his morally-challenged partner, Alicia Hopkins (Elizabeth McLaughlin, Betrayal). KD (Garret Dillahunt, Raising Hope) is a violent criminal whom the judge decides to free and use for his own purpose. Mayor Robert Boston (Andre Royo, The Wire) is Pernell’s friend and business partner, confused and concerned about the changes Pernell is going through.

Now, how much each of these people know and how pure their motives are is anyone’s guess. None seem innocent, and a couple may be downright evil. But the writers prefer to keep a twisty, dark story going than lay things out for us, so it may take some time before intentions are truly revealed.

I like HAND OF GOD mainly because of the cast. It’s an excellent group, especially Dillahunt and Perlman, and even if the circumstances aren’t great for their characters, alienating the audience with hideous behavior, the performances are worth watching and admiring.

The story, I’m less into. Perhaps because it’s so hard to figure out what’s going on, combined with mainly unlikeable players in the drama, it doesn’t draw one in as other programs do. It’s hard to care if the man that raped Jocelyn will get justice because it doesn’t feel like that will fix anything for the family, not even a little bit. And the religious angle is played pretty cynically. I’m not religious myself, but I’d like to see doubt sewn into the story that god might actually be involved. Considering what happens, Satan may be a better suspect.

Still, it’s quality stuff, well-made, well-acted, and lacking any glaring flaws or plot holes. I think it’s likely worth giving it a few more hours in order to figure out if the show is for me or not. It’s certainly for someone, and not a program I would dismiss for inferior quality, which gives it a leg up on most fare, especially on the broadcast networks. This is better than that stuff, even if it fails to be as compelling as, say, House of Cards or The Walking Dead, in my opinion.

HAND OF GOD’s entire first season is available now at Amazon.com.

HAPPYISH Will Make You Happy-ish

Article originally written for Seat42F.

Thomas Paine was one of our Founding Fathers who inspired revolution against Great Britain. Thomas Payne was a bookseller and publisher, not all the important in the grand scheme of things, but still remembered with a small paragraph on Wikipedia. Thom Payne (Steve Coogan, Philomena) is a little bit of both, an insignificant man who is becoming obsolete, but bristles at the thought and really doesn’t want to let it happen. Showtime’s new half-hour dramedy, HAPPYISH, is his story.

As HAPPYISH begins, Thom is turning 44, not old enough to be an executive like his boss, Jonathan (Bradley Whitford, The West Wing, Trophy Wife), nor is he young enough to be into the social media scene, like the young Norwegians who just bought the advertising company Thom works for. The latter would like to force him, in the nicest way possible, to adapt to their mindset, but Thom just doesn’t want any of it. He’d rather write a book or rant about how things used to be.

It seems likely that Thom’s story will ring rather familiar to viewers of a certain age. Many people may keep themselves from flying off the handle as Thom does, but it has to be frustrating to be asked to keep up with a rapidly changing world on top of everything else going on in one’s life. Thom is married with a young child; he doesn’t have time to be accustomed to twitter, and justifiably thinking it is stupid, why should he? But that’s the position he is in for his career, and one has to keep paddling or drown.

Thom’s home life doesn’t make things much easier. His wife, Lee (Kathryn Hahn, Parks and Recreation), is loving, but not all that satisfied with the way Thom’s ED pills and antidepressants interact, making them less effective. His son, Julius (Sawyer Shipman, Adult Beginners), isn’t a bad kid, but he’s young enough that he still needs a lot of attention from his parents. Neither of them are obstacles per se, Thom glad to have them in his life, but they certainly divide his attention.

Despite all of the misery, HAPPYISH is very enjoyable. Part of that is the cast, which includes recurring players Carrie Preston (True Blood), Andre Royo (The Wire), Molly Price (Third Watch), and co-star Ellen Barkin (The New Normal). Hahn is absolutely fantastic, and the rest all make the proceedings more fun. Thom may be unhappy, but those around him aren’t always, and they are able to play off Thom’s broad actions well. It’s a really good group of players.

Seeing Coogan play the role, it’s hard to imagine Philip Seymour Hoffman as Thom, though Hoffman starred in the original pilot before his death. Coogan, as he must, completely owns the role and uses his talents to help shape the character. Coogan is a different type of actor than Hoffman was, and while HAPPYISH might have been good without Coogan, it would be a different show. I think this version is likely funnier. I’m glad, seeing the product, that Showtime decided to move forward with this project even after losing its star.

It’s funny that HAPPYISH premieres now, so soon after HBO’s Togetherness ended its freshman run. I feel like the two shows share a lot of DNA, having similar themes and quality. While Togetherness is more of an ensemble and HAPPYISH has a stronger, more singular lead, both capture an authentic spirit in a moment where they are especially relevant. I don’t know that both are needed on the air, but I’d be hard pressed to say one should be cancelled over the other.

HAPPYISH premieres Sunday, April 26^th at 9:30 p.m. ET on Showtime.

Meet AGENT CARTER

Article originally written for Seat42F.

MARVEL’S AGENT CARTER is Alias in the 1940s, so with a large dose of how women were treated in the first season of Mad Men. Set two years after the events of the main plot of Captain America: The First Avenger, SSR Agent Peggy Carter (Hayley Atwell) has been relegated to a desk job that wastes her talents. But when Howard Stark (Dominic Cooper) is accused of selling weapons to the nation’s enemies, he calls upon her to secretly investigate who stole his tech.

AGENT CARTER is not about the start of S.H.I.E.L.D., set prior to that organization’s founding, nor does it feature connections to Agents of S.H.I.E.L.D., at least not yet. Instead, the miniseries is its own thing, a self-contained mission seemingly designed to highlight Atwell’s talents and prove her worthiness to Stark, who certainly needs no further evidence. It’s not ground-moving to the Marvel universe, but it is enjoyable.

For those wondering about continuity, well, it works fine with Captain American, but not with the Marvel One-Shot, Agent Carter. In the One-Shot, which takes place one year after Captain America, thus one year prior to AGENT CARTER, she is rescued from obscurity by Howard to begin the organization Nick Fury will one day run. This hasn’t happened yet, and she’s still locked in the desk job, albeit with a different boss and co-workers than in that short. Toss out the One-Shot, or assume it happens at a later date, and all is well. Though, it’s a tad disappointing we don’t get to see Peggy traipsing the globe with Dum Dum Dugan and the Howling Commandos, picking up artifacts as glimpses in Agents of S.H.I.E.L.D. this fall.

Taking AGENT CARTER on its own merits, I like it. It’s a new take on the detective / cop / spy story, with Carter having to work behind her superior’s backs because they don’t trust or believe in her. She has a sort-of bumbling male sidekick, Stark’s butler, Edwin Jarvis (James D’Arcy, Those Who Kill), and when she’s not working, she has a gal pal to hang around with, waitress Angie (Lyndsy Fonseca, Nikita). There is character development when someone Peggy is close to pays the cost of Carter’s activities. Peggy’s adventures are exciting enough, and it’s fun watching her kick butt and brilliantly outsmart the villains, including Spider Raymond (Andre Royo, The Wire), Leet Brannis (James Frain, Grimm), and Miles Van Ert (James Urbaniak, The Venture Bros.).

AGENT CARTER is feminism in action without pounding you over the head with it. Sure, Peggy’s boss, Roger Dooley (Shea Whigham, Boardwalk Empire), has no confidence in her, nor do co-workers golden boy Jack Thompson (Chad Michael Murray, One Tree Hill) and bumbling Ray Krzeminski (Kyle Bornheimer, Perfect Couples). But Stark and Jarvis have plenty of faith in her, and her peer, Daniel Sousa (Enver Gjokaj, Dollhouse), respects her, too. So how people regard Peggy is more about them as individuals than the time as a whole.

Where the show gets most preachy is when we hear the Captain American radio plays, which paint Peggy as a damsel in distress that the hero must rescue. Of course, at one point this is interspersed with her beating the heck out of a baddie, so it’s more laughable bit than social commentary.

AGENT CARTER feels fresh, and it feels new. I think making it a period piece sets it apart from other network fare, and while the structure of show isn’t wholly original, making it one big story instead of cases-of-the-week keeps it compelling. I do wish it had been set in the early days of S.H.I.E.L.D., thus adding to the franchise as a whole, but it’s still a fun piece without that, and I look forward to seeing where the plot is going over the next six weeks. And maybe season two will satisfy that other want?

AGENT CARTER airs Tuesdays at 9 p.m. ET on ABC.

JWTV Quickie: Fringe - "Bloodline"

     The Observer (Michael Cerveris) is back! That means something big is stirring on FOX's Fringe. Of course, that is no surprise, considering that Faulivia (Anna Torv) just gave birth to Peter Bishop's (Joshua Jackson) baby. The fate of both universes hang in the balance, supposedly the decision resting in Peter's hands. While Peter is in love with Olivia (also Torv), not of his universe, learning that Fauxlivia has had his (age accelerated) baby just may shift the balance. A showdown seems imminent, as the season finale will be called "The Day We Died", and chances are, one universe of the other may be dead for good soon.

     What will that mean for characters we've come to love? Sure, Olivia, Peter, Walter (John Noble), and the like are much cherished. But I have also gotten attached to alt-universe counterparts, especially seeing Charlie (Kirk Acevedo) back from the dead, and alt-Fringe leader Lincoln Lee (Seth Gabel). While we have now seen Lincoln (Gabel) on our side, I don't want alt-Lincoln to die either. Could we possibly stage a little rescue before a universe implodes? You know, let a few people immigrate over from one side to the other? Peter did it. Let's have a few more. Or everyone. Can you imagine the possibilities if there was an en-masse evacuation?! It could fuel three more seasons, easily!

     As for this week's episode itself, it was hell-a-citing! Fauxlivia is kidnapped and medical procedures are done to her. While we think she is in danger, Walternate (Noble) is actually saving mother and baby. Why did he do it so secretly? If there is a way to save the baby, surely Faulivia would be on board. Losing her sister to the condition that now threatens her, the threat is more than hypothetical to her. I'm glad everyone is all right. Walternate is showing more and more to like, rather than just being a flat villain, but sneaking around is not going to help his case. Especially odd considering the secrets that Walternate did let out of the bag.

     Also of note, adored Lincoln, Charlie, Henry (Andre Royo), and weird alt-Astrid (Jasika Nicole) (what is up with her, anyway?) teaming up and sharing Walternate's secrets. It was great fun, and wonderful for so many reasons. They could be their own spin-off! Or a Fringe B-Team if they come over to stay. Now that we're getting to know them through a few separate adventures, I'm liking them more and more. Please don't take them away.

     Fringe airs Friday nights at 9 p.m ET on FOX.

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