I like CHICAGO FIRE "In My Face"

Article first published as I like CHICAGO FIRE "In My Face" on TheTVKing.

Just ahead of its spinoff debut, NBC's Chicago Fire returns for the back half of its second season with "Shoved in My Face." Some time has passed since the fall finale, though how much is not clear. As the episode begins, Casey (Jesse Spencer) is able to resume work, healed from the incident. But has he fully recovered?

Casey is one of the most central players, so fans had to have known he wasn't dead, despite the cliffhanger we were left on. However, some might not expect the consequences of the injuries. Casey seems fine to most of his friends, but there's something a little off and unstable about him that begins to rear its head.

For most jobs, making mistakes is no big deal. For a firefighter, where lives are on the line every day, this isn't good. Mouch (Christian Stolte), who witnesses the danger Casey poses first hand, hasn't told on Casey yet, out of loyalty, but if Casey doesn't figure out how to fix the problem, there will be further ramifications, and none of them will be good.

Casey is trying to move on by asking Dawson (Monica Raymund) to live with him. It's about time the two were officially an item. They dance around each other for a season and a half before this comes about, and viewers and characters alike are happy that they have gotten together. But it's not a good sign that Casey isn't even confiding his issues with Dawson, beginning their relationship on a rocky path.

Dawson can be forgiven for not hounding Casey too hard about how he's feeling as she's now quite busy as a cadet in the firefighter school. She doesn't have the easiest start to classes, especially when she is around 51, as her instinct is to act like a member of the team. There will definitely be some adjustment time for her to step back and move away. But that should only be temporary, so it's all good.

Shay (Lauren German) also has to adjust to the new arrangement, as a new woman, Allison Rafferty (Christine Evangelista, Lucky 7), takes over Dawson's spot as Shay's partner and boss. This dynamic is very shaky at first, and there's a point in "Shoved in My Face" where it doesn't look like things are going to work out. Then Shay breaks through the new woman's armor, and they seem to get along.

Rafferty comes across as a homophobe initially. She says she has no problems with lesbians, she just doesn't want the behavior shoved in her face. This is usually an excuse for those who are small-minded and trying not to appear as full of gross hate as they are. In this particular case, though, it looks like one person just did over share with Rafferty, and while its unfair to employ stereotyping, Rafferty doesn't really appear to be a bigot at her core. Thank goodness!

There's plenty of conflict without bringing a jerk into the firehouse. Molly's might be lost, as Otis (Yuri Sardarov) and Herrmann (David Eigenberg) learn about a lien on the building, Mills (Charlie Barnett) has to push Clarke (Jeff Hephner) to stop protecting his gal from a serious crime, and Severide's (Taylor Kinney) teaching career starts off bad when he tries to kick out the daughter of one of the brass, Rebecca Jones (Daisy Betts, Last Resort). That's quite enough without more discord creeping in.

Of course, there are good things in "Shoved in My Face," too. Mills is finally accepted into Squad 3, Otis has a love connection with Severide's sister, Katie (Brittany Curran), Antonio (Jon Seda) finds evidence that could clear Clarke, and most of the main characters are getting along with one another, no internal spats disrupting the tone of the house right now. That's a relief.

Chicago Fire is a prime time soap opera, along the lines of Grey's Anatomy, so the personal drama will always be a focus. But that doesn't mean everyone has to be at everyone's throats all the time, and the shift in "Shoved in My Face," from internal conflict to external, is one that will hopefully stick around for awhile.

Chicago Fire airs Tuesdays at 10 p.m. ET on NBC, and the spin-off, Chicago PD, well worth watching, premieres tonight at 10 p.m. EST.

Last Resort a haven for TV

Grade: 98%

For a few years now, networks have searched for the next Lost, a television show popular and unique that will engage audiences in ways big and small. Nothing can ever truly replace Lost, and it’s going to take another groundbreaking, original series to reach those heights again. Recent attempts have fallen far short. In ABC’s new drama, LAST RESORT, we may finally have found something that comes close.

As the “Pilot” begins, Captain Marcus Chaplin (Andre Braugher, Men of a Certain Age) is in command of the U.S. Navy submarine, Colorado. He receives orders to fire nuclear weapons at Pakistan on a secondary channel that is only supposed to be used if the primary communication system is taken out. Not seeing any problems with Plan A, Chaplin questions the order. The White House immediately relieves him of command and tells the first officer, Sam Kendal (Scott Speedman, Felicity), to obey the directive. When Kendal hesitates, another sub fires on the Colorado, nearly sinking it.

What an auspicious start for a series! There is already mystery, political intrigue, a band of heroes who must bring a crooked government to light, and some very exciting action sequences. These early scenes are done incredibly well, both visually, and in how the actors do their jobs.

The implications of the Colorado being struck are swiftly brought to light. The U.S. government blames Pakistan for striking the submarine and bombs the Middle Eastern country. What would have been the excuse for starting a war if the Colorado had just done what they had been told to do? Why do Americans need to get dragged into another conflict of this nature? Who is really behind the plan? Will Chaplin and crew be able to expose what’s happening to the naive public?

Viewers are treated to some of the going-ons in Washington, even if we don’t see the president. The Colorado has an experimental system on board, and the creator of this technology, Kylie Sinclair (Autumn Reeser, No Ordinary Family), is not about to just sit by and let her work be lost. She immediately runs to her contact, Admiral Arthur Shepard (Bruce Davison, X-Men), to find out what has occurred. Shepard has his own reasons to be concerned, unaware until now that his daughter, Lieutenant Grace Shepard (Daisy Betts, Persons Unknown), is on the Colorado.

Adding this D.C. layer to the show is nice because we actually get to see what is being done outside the isolated world of the Colorado. While the crewmen on the sub are a large focus of the episode, they would not by privy to much that is happening between their leaders, which would make the mystery pretty obtuse. Through Sinclair, viewers can understand who is making a move, and perhaps even find out why.

Not that Sinclair gets many answers. She is shut down quickly, as is anyone else who might expose the government’s actions. Even crewmen’s families, like Kendal’s wife, Christine (Jessy Schram, Falling Skies), have official agents in their homes, watching their every move. Clearly, a lid is being kept on things, which does limit what anyone can do to help the stranded crew.

Thankfully, we live in 2012, so there’s a little invention called the Internet. Chaplin drags his sub to a nearby island. The military tries to bomb them again, and Chaplin shoots a missile at D.C. to show he means business. The missile is allowed to miss the capital once the bombers turn away from the island. But Chaplin isn’t done. He shoots a video laying out what he knows and posts it for all to see. Will anyone believe him? Does his cache of weapons protect him against further strikes, meaning he can do whatever he wants? How much will be allowed to upload online before the government decides taking Chaplin out is worth some collateral damage? And will his video be enough to stop a war, or just incite more violence?

What Chaplin wants to do is take over the island and start a new society, away from the United States politics that have brought them to this point. He fancies himself a founding father, but has a number of challenges to this goal. His crew have friends and family back home they’d like to see again. Locals already inhabit the island, and it is run by a thug named Julian Serrat (Sahr Ngaujah, The Signal). A SEAL team is present among the sub’s crew, and they may or may not have further orders from high command.

Braugher delivers a masterful performance. He is a man on the edge, pushed too far by the people he trusted. He is somewhat loyal to his crew, but he also has selfish motivations, and probably a messiah / dictator complex. The glint in his eyes could be something heroic, standing up for ideals and principals. Or it could just be insanity. This makes him unpredictable and dangerous, sometimes surprising (not necessarily in a good way) his own men.

Speedman is the everyman whom we are going to root for. Even when Chaplin goes off the hook, Kendal seems grounded enough to know what the right thing to do is. He will have to weigh the faith he has in his commanding officer with keeping everyone else below him safe. He balances out the leader, which should make for a tenuous, interesting dynamic.

LAST RESORT has a sprawling cast. Among those not mentioned in this review so far are Daniel Lissing (Crownies) as the leader of the SEALs, Camille De Pazzis (La vie est a nous) as a French NATO worker on the island, Robert Patrick (The Unit) as the sub’s Master Chief, and Dichen Lachman (Dollhouse) as a local bar owner. This makes for quite the large world to play in, and leaves the story a lot of directions to go.

It’s hard to find any fault at all with the first episode of LAST RESORT. It sets up a compelling plot, with lots of moving pieces, visually enticing settings, engrossing characters with some very different personalities that will clash terrifically, and many mysteries to explore. If the rest of the installments do as good a job as the first one in playing out this adventure, it should be the next must-see series.

LAST RESORT premieres Thursday, September 27th on ABC.

Harry's Law atones for "Sins of the Father"

     NBC's Harry's Law begins season two with a three-part episode, culminating in "Sins of the Father" this week. Harry (Kathy Bates) finally gets to court with Eric's (Alfred Molina, Law & Order: LA, Spider-Man 2) case. She argues fiercely, though a few, last minute surprises pop up. In the end, Harry plays a hunch and exposes D.A. Roseanna Remmick's (Jean Smart, 24, Samantha Who?) misconduct, spurring Judge Kirkland (Matt Servitto, Brotherhood, The Sopranos) to dismiss the case. It's only later that Harry realizes the real cold, calculating killer is Eric's daughter, Bethany (Daisy Betts, Persons Unknown).

     The Eric Sanders case is an intriguing legal mystery, recalling some of the best arcs of creator David E. Kelley's previous series, The Practice. There are twists and turns, a true villain of a prosecutor, and a fair-minded judge. There's a client that it is unclear whether he is guilty or not, and enough surprises to keep anyone interested. As such, "Sins of the Father," and the first two parts, "Hosanna Roseanna" and "There Will Be Blood," together make up a fascinating story and a strong season premiere.

    Harry's Law leaned more towards Kelley's Boston Legal than The Practice in season one, focusing on outrageous characters and situations. Considering that BL's run was much shorter than The Practice's, it may be a wise decision to pull back towards the serious. A dark, gruesome murder is not what one might expect from Harry's Law, so it certainly serves the purpose of defining the retooled show. Especially considering that the preview for episode four looks to be just as severe.

     But the show has not completely lost its fun side. The shoe store is still present, though Jenna (Brittany Snow), who runs it, has been reduced to guest star status, and is rarely seen. Instead, she has been replaced by Cassie Reynolds (Karen Olivo, Adrift in Manhattan), a serious and tough lawyer. Adam (Nate Corddry) is still around, but is less featured thus far. On the more outrageous side, Tommy Jefferson (Christopher McDonald) has been promoted to series regular, and shares office space with Harry. Which is good for Harry, because she needs him to loosen her up. Oliver Richard (Mark Valley, Boston Legal, Human Target) joins Harry for this case, and as he is a main character, probably for others. His constant insistence on repeating "Take it outside" lets him be a little goofier than his previous Kelley character, and it is nice to see him re-enter the universe.

     The biggest change in Harry's Law is a depressing one, though hopefully just temporary. While the series begins with Harry seriously depressed, she feels purpose throughout season one, helping those who truly need her. As season two begins, it is apparent right from the beginning she is back in her slump. She trudges around looking miserable, and has no fun on Eric's case. Tommy points this out to her, basically telling her that life is too short to be miserable. Thus, despite her new success, it may not be long before Harry chooses to downgrade again. Or, better yet, just reform the place she runs. It's nice to see her with staff and business, even if it comes a bit too quickly. So reappropriate the firm's resources, or give the darker cases to Oliver and Cassie. Harry has lost her spirit and she needs it back.

     That little musing takes nothing away from "Sins of the Father," in every way a brilliant, serious legal drama. Kudos to Harry's Law for producing such an engaging three-parter. Watch Harry's Law Wednesdays at 9 p.m. ET on NBC.

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Persons Unknown makes summer a little more mysterious

     NBC's Persons Unknown has already aired five episodes, but I hesitated to do an initial review because the first episode left me confused and didn't seem like a fair representation of the series.  Seven strangers woke up in a hotel, not knowing where they were or how they got there.  Now that a few episodes have passed, the second one being the only one that really stunk and bored me, I feel I can make a better judgment.  The show struggles to imitate The Prisoner, but falls far shy of that work, at least, the classic version.  However, it's worth a watch, and as the advertisements promise that everything will be revealed by summer's end, it may unfold some intriguing mysteries in the process, without leaving viewers unsatisfied.  That would point to this being more of a miniseries than a series, which honestly, may be better.  While I have been entertained, I don't see Persons Unknown sustaining years worth of interest.

     The central character seems to be Janet Cooper (Daisy Betts, Australia's Out of the Blue).  We saw her before she was kidnapped, and the main plot outside the prison / town follows her ex-husband, Mark (Gerald Kyd, the UK's Casualty) tracking her down.  Why he left her when she was pregnant, then changed his name and became a reporter is also unexplained thus far, but I assume that it will be connected to the rest of the questions left unsolved as of yet.  Honestly, from my current standpoint, the biggest mystery is why the people were chosen for the experiment in the first place.  For Janet, it could be as simple as her mother (Lee Purcell) paid someone to get her out of the way.  The mother seems to want a second chance at raising a child, and Janet's daughter

     Obviously they weren't just taken at random, but not each prisoner is important.  Or perhaps none of them are.  Tori (Kate Lang Johnson), while one of the original group, was picked up by a taxi at the end of episode four, and then apparently her dead body was dumped in a fountain, although viewers saw nothing between the two scenes.  Tom (Reggie Lee, Prison Break) seemed ready to let Janet die in the vault this week.  At least one, Joe (Jason Wiles, Third Watch) is on at least part of the scheme, as he has confronted Tom several times in the latter's secret spying room.  But Tom says he and Joe are being watched and tested, so I don't know who is behind them, or even if the entire situation is merely a training ground for Joe and Tom.  Another one of the group, Graham (Chadwick Boseman, Lincoln Heights) is convinced it's a military training ground, so perhaps there's something to his theory.

     Although many of the actors above have few credits to their name, the show does boast some real talent as well.  Alan Ruck (Spin City, Star Trek: Generations, Ferris Bueller's Day Off) was the reason I tuned in in the first place.  Sean O'Bryan is also a familiar face.  Better yet, the newest abductee is played by Kandyse McClure, almost unrecognizable in a drastically different part than the one she perfected on the recent incarnation of Battlestar Galactica.  I think one of the more interesting and mysterious, but understated elements of the series is the night desk clerk, played by Andy Greenfield.  And the other actors hold their own against these four.

     All in all, the acting is pretty good, the production style is fresh, and the writing is decent.  As long as it fulfills it's promise of a limited-run show, I think it could be a real winner.  NBC's web site still lists the show as running Mondays at 8pm, but according to my TiVo, the next episode will air Saturday, July 17th.  I hope that isn't a sign that the series will be pulled prematurely.