American Horror Story scares up a Blu-ray release

When American Horror Story premiered last fall on FX, it was immediately apparent that this was a different type of show. Going far creepier than most television ever dares to, it's about the Harmon family, who move into a haunted house in L.A. It is, strangely enough, from the team that brought us Glee and Nip/Tuck, Ryan Murphy and Brad Fulchuk, and we were promised the first season, now released on Blu-ray and DVD, was a stand alone story.

What no one told us ahead of time is that it would be so darn good. For 12 hours, viewers were kept on the edge of their seats as twist after twist played out. We learned about all of the past residents of the house, most of whom died gruesomely and still haunt the building. We learned what the Harmons would do under pressure. We learned that a house can have a life of its own, and that the residents who dwell within are only one small chapter of a larger volume.

The Harmons arrive with problems already brewing. Wife, Vivien (Connie Britton, Friday Night Lights), had recently given birth to a stillborn baby, then learned of husband, Ben's (Dylan McDermott, The Practice), cheating ways. The mistress, Ben's student, Hayden (Kate Mara, 127 Hours), actually follows them out from Boston, making sure that the issues they are fleeing from don't just disappear. Daughter, Violet (Taissa Farmiga), is frustrated with all of the adults, who can't seem to grow up, and suffering from depression.

But then they meet a host of new characters that bring their own set of challenges for the Harmons. A man in a rubber suit (Vivien wrongly believes that it's Ben) has sex with Vivien and impregnates her. A burned man named Larry (Denis O'Hare, True Blood) follows Ben around and wants to help him take care of Hayden once and for all. Neighbor Constance (Oscar winner Jessica Lange, Big Fish) knows more than she lets on. And Violet falls in with a possibly homicidal lad named Tate (Evan Peters, Invasion), who has a connection to a strange and violent creature living in the basement.

If that sounds like a lot, it's just the tip of the iceberg. The large recurring cast of season one includes: a maid who usually appears old (Frances Conroy, Six Feet Under), but looks young and hot (Alexandra Breckenridge, Dirt) to Ben; an abortion doctor (Matt Ross, Big Love) and his wife (Lily Rabe), who so desperately wants a baby; a nosy real estate agent (Christine Estabrook, Mad Men, Desperate Housewives); Constance's daughter with Downs syndrome (Jamie Brewer); a noble security guard (Morris Chestnut, V); a psychic (Sarah Paulson, Studio 60 On the Sunset Strip); and the gay couple to whom the rubber suit belonged (Teddy Sears, Raising the Bar, and Zachary Quinto, Star Trek, Heroes). This large ensemble means that no haunted house convention goes ignored.

The writing, acting, and production are all top notch in American Horror Story, which led to seventeen Emmy nominations and a host of other accolades. Jessica Lange won an Emmy, Golden Globe, and Screen Actor's Guild award for her role as Constance. These were completely deserved, as American Horror Story is something truly original, taking the genre to a new level when allowed to live amongst such well developed characters for so many hours.

Blu-ray is definitely the way to go to get the full affect of American Horror Story. Obviously, there are special effects, and you won't want to miss any elements of those. Also, the masterful score will be much more effective in high definition surround sound. American Horror Story creates such a detailed, engrossing world, with its rich blacks and attention to detail, it is best experienced in the most immersive way possible, which is currently Blu-ray.

This Blu-ray set includes a number of special features. There's The Murder House guide done by the fictional Eternal Darkness Tours of Hollywood, a making of featurette, a focus on the title sequence, introductions to the various ghosts that live in the house, and audio commentary for the "Pilot" episode. This is plenty to satisfy most fans of the show.

Plus, how many series actually give you a conclusion after a mere twelve episodes? Season two, premiering soon, will be in a new place and time, with many of the actors returning, but in different roles. Season one is a complete tale, from beginning to end, making this three-disc set like a very long, very good movie.

 American Horror Story The Complete First Season is available now.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! Article first published as Blu-ray Review: American Horror Story The Complete First Season on Blogcritics.

Mad Men deserves more than just "A Little Kiss"

After a hiatus of nearly a year and a half, AMC's Mad Men returns with "A Little Kiss." Pete (Vincent Kartheiser) begins to resent Roger (John Slattery), not believing Roger is pulling his weight at Sterling Cooper Draper Pryce. Roger isn't concerned much, spending money to poke fun at another agency in the paper, which results in Joan (Christina Hendricks) fearing that her job is in jeopardy and the firm having to hire minorities on their already tight budget. Amid this, Megan (Jessica Paré) throws Don (Jon Hamm) a surprise birthday party, but does not get the reaction that she hopes for.

"A Little Kiss" is a little disappointing. Just a little. It's not that there's anything wrong with the episode. It's just that, after such a long absence, one expects a big, splashy return. That's not what this episode is. It does an adequate job catching viewers up with what is going on for the characters, and there are some amazing moments sprinkled in, but it is mostly a routine installment.

Megan gets her due, to say the least. Now promoted to series regular, she is central to multiple stories in "A Little Kiss." At work, she is a junior member of the creative team, no longer a simple secretary. Her position is shaky, being that she is obviously promoted because of her marriage to Don, but Peggy (Elisabeth Moss) seems to be warming up to her, slowly. If Megan can win Peggy over, she'll be fine. Megan contributes, proves she is up to the job, and willing to work for it. This should result in her acceptance, given time.

At home, Megan's birthday party doesn't go so well. Many of the co-workers enjoy Megan's sexy song, "Zou Bisou Bisou," for Don, but Don is embarrassed by her. Setting aside just how stellar her gift is, one can see why, given the sexy moves Megan performs in front of others, but the moment is still a highlight of the episode. However, the fight between the couple does spill over into the work place, and makes things awkward, especially for her.

The thing is, Megan's relationship with Don is more important than her connection to her colleagues, and the former is on pretty solid ground. In stark contrast to Don's disastrous marriage to Betty (January Jones), Megan doesn't allow Don to get away with his behavior. Nor does she act like a little child. She does resort to some antics to get his attention, but it's to challenge him, rather than punish him. They work out the matter, rather than ignoring it. It's a healthy sign for their union.

Another healthy sign is just how happy Don seems. There is a rough patch in "A Little Kiss," but overall, he seems much more at peace than at any other time during the series. This can surely be credited to Megan, and thus, her presence is welcome. Their nuptials do seem a little fast, but she's proving to be a good match who can inspire Don to be his best self. Better still, he already told her his secrets between seasons, including that he is really Dick Whitman, so there is no dark cloud hanging over them.

Pete's marriage to Trudy (Alison Brie) in Mad Men, on the other hand, seems far less suitable. Pete is clearly unhappy no longer living in the city as of "A Little Kiss." He doesn't exactly cheer the advice of his buddy on the train, who suggests that Pete stay at work later, if he comes home at all, but it does appear that Peter considers the words. How long before Pete begins to act on them? And how long after that before Trudy leaves him?

Roger, too, isn't happy in his marriage. He ignores his wife, Jane (Peyton List), or tells her to shut up. It's not like Roger has ever been happy with anyone (except for Joan), but this is the bed that he made. If he doesn't want to stay married, then get a divorce. Having an unhappy home is not doing him any favors, and with everything else going on, Roger needs some sanctuary where he can feel at ease. At present, Roger is lacking that.

Pete's relationship with Roger is even more tenuous in "A Little Kiss." Pete wants to push Roger out, and makes a play for his office. Roger holds him off, for now, by bribing Harry (Rich Sommer) to switch with Pete instead. Not exactly what Pete wants, since the office isn't really the issue. But this struggle is far from over. And might Pete just be lashing out at Roger because he is unhappy at home?

The thing is, while Pete is right about Roger not bringing in a lot of new business, or really, any, Roger does have value. Clients love him. Potential clients love him. Roger has great people skills, and is fantastic at entertaining with alcohol and fun. This can be very important for a firm that needs all the business it can get, and is still growing. Not giving Roger his own secretary may make sense, but trying to oust him does not.

Is Cooper (Robert Morse) on his way out of Mad Men? He doesn't seem to have an office anymore, and he is treated a bit like a dolt. Not that Cooper seems to notice. He asks to be included in a status meeting in "A Little Kiss," right after it takes place without him. He's just through a glass wall at the time, so he could have noticed, if he were more alert. His mental acuity has definitely suffered, and it looks like he's merely a figurehead these days. But how long can they afford to keep him if he's not contributing?

Joan's position with Sterling Cooper Draper Price is definitely secure, despite her fears. Seeing the ad in the paper in "A Little Kiss," Joan is understandably worried. She may not want to show that in front of her annoying, controlling mother (Christine Estabrook, Desperate Housewives), but who can blame her? She has been away from the office for awhile, with her baby, and she wants to make sure that she has a place to come back to.

Thankfully, Lane (Jared Harris) lays her concerns to rest. No one can run an office as efficiently as Joan, and SCDP cannot wait to have her back. This is a load off not only the character's mind, but fans' as well. Mad Men would just not be the same without Joan at all.

Joan is not the only one shaken by the ad. It's a stupid prank by Roger, but Roger does not consider the consequences before acting. A crowd of African American job applicants show up. It's an unexpected twist, that reminds fans how brilliant the writing on Mad Men can be. All of the sudden, SCDP has a new challenge, and has inserted themselves squarely into the civil rights movement. They cannot send all these people away without hiring them. They would look like fools and bigots themselves. They will have to find money somewhere to provide jobs to at least a couple new diverse employees. Otherwise, their reputation could be ruined.

How will hiring African-Americans change the dynamic of the office? In modern society, of course, many, many offices are integrated without problem. However, in the world of Mad Men, advertising is a white male-dominated business. There is no ethnicity in their workplace. Each characters has a varying comfort level, with a number of them not having been exposed to many people different from themselves. It will make good drama to see who adapts, and who does not.

The final plot in "A Little Kiss" involves Lane finding a man's wallet in a taxi, and falling for the girl whose picture is in said wallet. While Lane is in a good marriage, for the most part, other than some money worries, he is considering straying. Thankfully, nothing comes of it, but not because Lane doesn't want it to. Where is Mad Men going with this character? He's been such a welcome addition to the cast, it would be sad to see him ruined.

"A Little Kiss" deserves at least a solid B+. As mentioned, it is a little uneventful for a long-anticipated season premiere. But as a standard episode, it succeeds, and moments such as Megan's dance, angry floor sex, and the joke ad situation even soar. And anyone else not miss Betty? Best of all, it's great to have the series back in our living rooms with all new stories, and that alone is worth a lot.

Watch Mad Men Sundays at 10 p.m. ET on AMC.

If you like my reviews, please follow me on Twitter! Please click here to catch up on Mad Men with streaming episodes and DVDs. Article first published as TV Review: Man Men - "A Little Kiss" on Blogcritics.