Showing posts with label Christian Cooke. Show all posts
Showing posts with label Christian Cooke. Show all posts

Wednesday, July 1, 2020

What Are BARKSKINS?

Article first published as TV Review: BARKSKINS on Seat42F.


Recently, National Geographic aired the scripted drama BARKSKINS, based on a small part of the Annie Proulx novel of the same name. Now available on Hulu, the eight-episode drama follows French (and a few English) colonizers in the so-called New World, or New France as it was known, in the late 1600s. What would become the United States and Canada is still a wilderness, and the people portrayed live far away from their familiar civilizations. Their best connections back to their homeland are the new arrivals, but those newcomers must adapt quickly to the harsh life of the forest or die. Native Americans fight for their land, while the Europeans bicker amongst one another. It’s a wonder our current society came out of it.
The title BARKSKINS refers to indentured servants who labored three years in return for freedom and a chance at prosperity. Two of the characters in the series, Rene Sel (Christian Cooke, Witches of East End) and Charles Duquet (James Bloor, Shoplifters of the World), are in the titular position. Though, Charles has no intention of serving out his time. They work for Monsieur Claude Trepagny (David Thewlis, the Harry Potter films), who has dreams of building an everlasting city. Will they help him?
It’s actually quite easy to miss that Rene and Charles are supposed to be the leads. Yes, there is a quite a bit of screentime with them, but there’s plenty without them, the show boasting a sweeping cast. Among the most recognizable are Marcia Gay Harden (Code Black), who plays innkeeper Mathilde Geffard, Matthew Lillard (Good Girls) as the sleazy Gus Lafarge, Zahn McClarnon (Longmire), Aneurin Barnard (The White Queen), and Thomas M. Wright (Outsiders). But there are plenty of others besides, representing a wide swath of people that make up the residents of the area.
BARKSKINS is trying to be a sweeping drama, but lacks the feel of one. Quite honestly, most of the characters blur together, and after watching the premiere, it’s hard to actually sit down and pick out each player and actor (sans beards in their IMBD photos). It’s not confusing, exactly, since the same players tend to stay in scenes together. But picking up names is difficult, and without the context and backstory as the show begins, harder still. Lots of these characters have pasts, but they are slow to reveal them to the audience.
The production looks fantastic, of course. This is clearly a show with a budget, or at least they spent it on look. Period costumes and miles of actual wilderness help BARKSKINS feel like it’s another time and place, nature only beginning to be spoiled by man. But it lacks the epic feel that compelling characters and a sweeping score could lend it to kick it up a few notches. There are a number of recent shows that have achieved a similar thing with a lot more filled out than BARKSKINS presents, leaving this more like a cable also-ran than an awards contender. It doesn’t feel like a show that’s going to amass a following and run for very long.
Also confusing, while it is a National Geographic series, and NatGeo’s website boasts that you can watch your favorite shows from them on Disney+, don’t look for this one among the offerings on the new streaming app. Surprisingly, it IS on Hulu, so you can find it if you want it and are up on your streaming subscriptions. It’s just not in the obvious place.
All in all, I can’t say BARKSKINS is disappointing because I’d heard almost nothing about it and no expectations had been built up. But it doesn’t feel like the type of series that will be a sleeper hit, either. It’s fine, no major complaints other than the size of the cast and lack of distinguishing characteristics and personalities (at least initially). Just nothing special.
As mentioned, you can watch BARKSKINS now on Hulu.

Tuesday, June 5, 2012

Magic City fails to spark

Starz's Magic City brought its first season to a close this weekend with "Time and Tide." Ike Evans (Jeffrey Dean Morgan) is arrested for murder. Vera (Olga Kurylenko) has to try to save Ike's business deal, after he is escorted out of a meeting in handcuffs. Mob boss Ben Diamond (Danny Huston) catches Ike's son, Stevie (Steven Straight), having an affair with Ben's wife, Lily (Jessica Marais). Victor (Yul Vazquez) and Mercedes (Dominik Garcia-Lorido) deal with the death of a loved one. And none of this really excites.

There is something lacking about Magic City that is hard to pinpoint. It certainly isn't the sets or costumes, because the series presents a rich, vintage environment that looks stunning. It isn't the acting. Jeffrey Dean Morgan deserves the Emmys he won for Grey's Anatomy, and he is surrounded by a believable cast. And it's not lack of plot twists, because there is murder, intrigue, sex, and secrets aplenty. Then what exactly is it?

The simple truth is, even with all the right ingredients, television shows can still come out lackluster. As mentioned in my review of the first episode, there is just an utter lack of depth. Everything feels false, or slightly off. The tone and mood presented in each episode don't quite add up.

Take, for example, the Ben Diamond story in "Time and Tide." This is a truly murderous man, who thinks nothing of piling up the bodies in a quarry. There is some serious suspense when naked pictures of Lily and Stevie begin circulating. But there is little chance that Stevie will be killed off, at least not so early in Magic City's run, not the way the series sets itself up. Then, Ben actually does see the pictures! Instead of killing Lily and Stevie, though, he makes them have sex while he watches. Now, seeing as how he gets off on this, it's an interesting twist for a complex character, even though this is something Lily's character should have touched on before. But the Ben Diamond that has been presented would then kill these two afterwards, rather than risk his secret being exposed, or allowing them to get away with the betrayal. He doesn't.

Another thing that's odd is when Mercedes decides to quit her job as a maid and become a Pan Am stewardess. Besides feeling like she's about to spin-off into the canceled ABC series Pan Am, it's something not set up for her character. Then she sleeps with Danny (Christian Cooke), even though she's about to leave. And instead of leaving before the end of the hour, she stays and grieves her mother's death. So her entire store in "Time and Tide" is just convoluted and nonsensical.

The best representation of what I'm getting at is when Ike is arrested. Vera takes over the presentation, in a show of strength for her character. But then she is asked if she is seriously going to continue with this, after they all just watched Ike be led away. It's not like there's anything else she can or should be, but the entire thing is surreal, and just doesn't add up to a gripping, driven scene, as it should.

These false notes are what kills the series. It's still interesting and somewhat entertaining, despite an often slow pace. But it just doesn't quite resonate the way it should, or the way its peers on other networks do. Magic City could be something great, and because it's been given a second season, it may still be. Yet, the lack of risk taking and true authenticity are hurting it, and there needs to be some reworking if it is to be great.

Will I tune in next season? Yes. There is a slight draw here, and it's one that will hopefully be built upon.  And it's still better than a lot of what is on TV. It just hasn't met expectations yet.

Magic City will return next year to Starz. If you like my reviews, please follow me on Twitter! Article first published as Magic City fails to spark @TheTVKing.com