Article originally published as BLOOD & OIL Review on Seat42F.
It
should not surprise you to learn that ABC’s BLOOD & OIL is a
prime-time soap. After all, the alphabet network relies on the genre
just as heavily as CBS does on crime procedurals. It’s sort of their
hallmark. But there are good prime-time soaps (Grey’s Anatomy) and bad
prime-time soaps (remember Betrayal? No? Me, neither). Which one is
this?
Sadly, it is bad. A lot happens in the
first hour of BLOOD & OIL, and it turns out to be too much. In an
effort to keep the story rocketing along, the writers abandon even the
slightest tinge of reality. A terrible car wreck? Yep, both occupants
walk away unscathed. Need a large sum of money in a short amount of
time? No problem, they’ll get it. Want to build a better life for
yourself and your family? It only takes a week, but in this world, it
could probably just as easily be gone in even less time. Half a dozen
twists rocket past so fast you just might get whiplash. I don’t know how
the production can possibly keep up this pace for twenty-two hours a
year, as even in the pilot, it seems like they’re blowing through all
the possibilities.
That just makes the show hard to get
into. If you cannot relate to the people, or at least wish you were
them, why would you watch? There isn’t a deep mystery, nor a bunch of
secrets remaining hidden. It’s just betrayal and bad deeds, one after
another, that cause harm to the other characters, and makes life harder.
Then, a fantastical solution presents itself so that they can quickly
move on to the next thing. The show itself has ADD.
BLOOD & OIL is basically an inferior
Dallas. Inferior even to the recent TNT continuation of that show
because of BLOOD & OIL’s all-over-the-place structure, with about an
equal quality cast. As soon as you see the premise, you’ll see why
Dallas is the first show that springs to mind to compare it to.
The cast is a solid B-tier. All of the
actors are serviceable, but none stand out as excellent. They handle the
scenes well, but without a lot of subtext. All of these performers
could be well-used in certain parts, but not as the lead ensemble of a
drama like this, and their combined average deliveries keep the show in
the middle strata of quality.
Set in a North Dakota oil boom, we get a
batch of moderately interesting players. Chace Crawford (Gossip Girl)
is Billy LeFever, a brash young man with big dreams. Along with his high
school sweetheart, and now wife, Cody (Rebecca Rittenhouse, Red Band
Society), Billy borrows a lot of money from his family and friends and
moves to a town he is sure he can strike it rich in. Once there, he
meets tycoon Hap Briggs (Don Johnson, Dash Bridges), who ends up taking a
shine to Billy. Hap has his own strong, loving partner, Carla (Amber
Valetta, Revenge), and a screw-up son, Wick (Scott Michael Foster,
Greek). These two families are the center of BLOOD & OIL, with a few
townspeople sprinkled in every once in awhile.
What would make BLOOD & OIL worth
your time? Perhaps a slower, more thoughtful arc in which the characters
actually have to work for what comes to them. Maybe there could be some
challenges we see them struggle to overcome. And perhaps some deep
scenes which require more than a surface-level emotion could be added.
None of this is evident in the first hour, and I’m not confident any of
it will be incorporated into future installments, either.
BLOOD & OIL premieres Sunday, September 27th at 9 p.m. ET on ABC.
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