Article first published as SATISFACTION Review on Seat42F.
You know the familiar small drama movie
story of a husband and a wife who have been married a long time, have at
least one child, and have drifted apart as he throws himself into his
work and she seeks someone else to help her feel alive? Throughout the
ninety-minute running time, they realize their mistakes and rediscover
what they love about one another, eventually fixing the problems in
their marriage and being happy all over again, a mid-life reckoning that
leaves their bond stronger than ever? USA is turning that concept into a
series called SATISFACTION.
It’s such an intriguing idea that I’m
surprised no one has done it before, at least not that I’m aware of.
After all, how many relationships can be repaired so simply, especially
after the long deterioration of their union has eroded them into near
strangers to one another? Is it really so easy to rebuild one’s life and
put the mistakes made during that time of estrangement behind you? Can a
new beginning truly be found? SATISFACTION seeks to answer that
question by setting up the unoriginal plot, but advancing it far beyond
what most of this genre has done.
As the pilot begins, we meet Neil Truman
(Matt Passmore, The Glades), a money man who absolutely hates his job.
He loves his family, even though he doesn’t have much time for wife,
Grace (Stephanie Szostak, Iron Man 3), and teenage daughter, Anika
(Michelle DeShon), always working, even when he’s at home. This
frustration isn’t held back by a nice house and a fancy TV any longer,
and Neil has one of those snap moments where he has to act out. He
actually has a couple of them, since his boss (Spencer Garrett, Yes Man)
laughs off the first one, and Neil feels the need to keep exploding
bigger until someone pays attention.
Meanwhile, while Neil might not be aware
of it, Grace is equally unhappy. Her break comes one night at book club
when she demands her friends accompany her to a club. Once there, she
meets a charming man named Simon (Blair Redford, The Lying Game) who
wants to hear her story, and even though he ends up being an escort whom
she must pay if she wants sexual attention from him, the two soon begin
getting together on a regular basis.
As one might expect, both Neil and Grace
begin discovering each other’s secrets, all while dealing with Anika,
who has her own scene of rebellion, acting out against the private
school she hates. But this is only the beginning.
SATISFACTION doesn’t have a moment of
confrontation, where the family talks frankly with one another. In the
movies, this has to happen because that’s what’s required to air the
dirty laundry so it can be cleaned and put away. Instead, the TV show
keeps going forward. Most of what I’ve mentioned in the preceding
paragraphs happens in the first half of the pilot, barely scratching the
surface of the tale waiting to be told. This will be about emotions and
motivations and feelings of emptiness and lies and desires and
consequences. Can these people stay together, or are they too far
removed to make it work any longer? If the pilot is any indication of
the level of quality, sign me up to find out.
While most of the cast, which also
includes Deanna Russo (Being Human), Katherine LaNasa (Deception), and
Chris Williams (Californication), are not widely known, they are solid
performers who really sell the depth and complexity of their characters.
It’s easy to be drawn in by the Trumans and what they’re going through.
Many will relate to their situation, even if only obtusely, and it’s
the authenticity of the situation that is so fascinating.
USA has, in the past few years, allowed
itself to not be boxed in any longer by only making a certain type of
show. Even with the loosening of the reigns, SATISFACTION feels like a
complete departure for the network, a slow burn human piece that will
tell a very real story. I recommend checking it out when it premieres
Thursday, July 17th at 10 p.m. ET.
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.