Article first published as RUSH Review on Seat42F.
USA’s new drama RUSH is not very
original. Like the network’s own medical series, Royal Pains, it follows
a private concierge doctor who works for those rich enough to afford
on-call and home-based services. Unlike Hank Lawson, though, the titular
character in RUSH is more along the lines of House M.D. in that he’s a
heavy drug user whose life is falling apart and like Greg Kinnear’s Rake
in that he enjoys his iffy lifestyle a tad too much. Thus, while RUSH
is an interesting show, it just doesn’t feel all that fresh.
This is my main problem with RUSH. In a
golden age of television (don’t let anyone tell you it’s not), it’s hard
to have time for just-good shows any more when there are so many great
ones. RUSH is a series that, five years ago, would have been the best
thing on USA and certainly a solid entry for cable. Now, though, it is
entertaining, but not nearly special enough to kick it into that top
tier worth paying attention to. If you haven’t discovered the wealth of
programs available from various sources that are better than RUSH, you
may like it. But trust me, better-than-broadcast does not necessarily
mean it’s at the top of the pack these days.
RUSH is fronted by Welsh actor Tom Ellis
(Vera Drake, The Fades), who does a serviceable job with the cad. Rush
is intelligent, of course, and much better at helping others than
himself, which is an archetype quite familiar to most viewers at this
point. Ellis does give him a charm and vulnerability, especially late in
the pilot, that makes him seem like a real person, even if his actions
and situation are far from average.
Unfortunately for Rush, he is nowhere
close to being the man he should be. He has far too many enablers in his
life. Dr. Alex Burke (Larenz Tate, Rescue Me), his best friend, makes
excuses for Rush and still allows him to attend his godson’s birthday
party, despite Rush’s less-than-sober appearance. Rush’s assistant, Eve
(Sarah Habel, Underemployed), does criticize Rush, but doesn’t really do
anything to try to force change. Both judge our antihero, but don’t
exactly push him to change.
The one person who could have an effect
on Rush is his ex-girlfriend, whom he was with for four years, Sarah
Peterson (Odette Annable, Banshee, House M.D.). But Sarah’s already
given Rush all of the chances she’s willing to give, and unlike Eve and
Alex, is washing her hands of Rush. Perhaps Rush’s friends should follow
her example because Rush seems like the type who needs to hit rock
bottom before he can start to rebuild anything resembling a successful
life.
Rock bottom may not be as far as off as
most who know Rush might expect. There are some Latino gang members, one
of whom is named Manny (Rick Gonzalez, Reaper) and sells Rush his
cocaine, that Rush gets too involved with. I won’t go into details, but
while part of their story may wrap a little too easily, the pilot also
leaves the door open for them to take Rush down a road he should
absolutely avoid if he wants to be an upstanding individual.
RUSH also has the tendency to venture
into cheesiness from time to time. Early in the first episode, multiple
characters tell Rush that he looks bad. He doesn’t; not even close.
You’ll see near the end of the installment what Rush looks like when he
really lacks sleep and is stressed out. Instead, those early lines feel
like what the script writer thinks we expect, and those making the
production forgot to make it true, nor should it have been, given the
larger arc of Rush’s journey. A moment meant to show Rush is a good man,
giving cash to someone who turns out not to be homeless, also is
forced.
The potential lies in the backstory.
Rush clearly has done something to inspire the loyalty of Eve and Alex,
and I do think that will eventually be revealed, though only a hint
about Eve creeps into the pilot. While I don’t think the history will be
enough to redeem the current man, at least there might be an engaging
story there.
RUSH isn’t bad. It’s just not stellar. Judge it for yourself when it premieres this Thursday at 9 p.m. ET on USA.
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