Showing posts with label William Sadler. Show all posts
Showing posts with label William Sadler. Show all posts

Friday, April 26, 2013

Onion News Empire

Article first published as Amazon Originals Onion News Empire Review on TheTVKing.

Onion News Empire is the best of Amazon's new "Pilot" offerings. From the minds of the infamous satirical Onion comes a show that is part The Newsroom parody, part a lambasting of modern CNN, part political roast, part journalism criticism, and part just plain fun. Plus, though I like The Onion's shorts and former Comedy Central series, Onion News Empire boasts a casts of mostly proven actors, which helps the credibility of the franchise's latest effort, and the boosts the talent level involved.

We are quickly introduced to quite a few characters in the "Pilot." Not just introduced, but told their backstories and motivations immediately and explicitly, a play on the jarring way some characters begin on a television show. Many of those shown are stereotypes or the personification of a cliche, and all the standard news types are present.

There's: Sam West (Christopher Masterson, Malcolm in the Middle), the young upstart who has just been promoted to the big leagues and will do anything to prove himself to his more experienced colleagues; Jillian (Aja Naomi King, Emily Owens M.D.), the helpful young assistant who wants to be more, but is taken advantage of by everyone else, including Sam, her stated love interest; Cameron Grey (Cheyenne Jackson, 30 Rock, Glee), the very popular, hot reporter who is trying to hide his illiteracy; David Bryan (Jeffrey Tambor, Arrested Development, Bent), the washed-up, self-involved veteran worried more about playing the game and maintaining his status than doing his job well; Helena Zweibel (Laila Robins, Bored to Death, In Treatment), the hard-nosed executive; and Ed Musgrove (William Sadler, The Pacific, Damages), the definition of a newsman, and the most direct mocking of The Newsroom.

Each of these personalities are so well cultivated, there is not a weak link among them. What's more, with only twenty plus minutes of screen time total for the episode, I feel like I know exactly who each and every character in the series is. This is no small feat, and it's a testament to the great work each of the performers are doing.

The writing is incredibly tight. There are at least a dozen one-liners I could pull from this "Pilot" and tweet, including bits about a very specific Ohio rape law and my favorite, a story that the nation's poor people pooled their money to buy an oil company so that the government might finally offer them assistance. There is something amusing and clever in every minute of the show, and from beginning to end, I was inspired and entertained.

The plots themselves are smart, too. Sam is assigned a crappy beat, which he turns into a big story, only to find out that it makes the network's biggest sponsor look back. So then, he peddles back and spins it, saving the day by getting into the muck. Jillian is looking after a little girl whom is kidnapped by the network to create news on a slow day, though they screwed up by nabbing a chubby girl, whom no one cares about. If these are the kinds of plots we have to look forward to, I very much anticipate some great snarky, current commentaries.

As if that isn't enough, Onion News Empire reveals a huge, sinister scheme at the end of the episode that could have deep and lasting implications for... well, who knows? But it's cool.

Plus, the sets are great, the detail is perfect, and there are visual gags sprinkled throughout, including two matching portraits in David's office. This is the total package, and the culmination of everything The Onion does best, finally delivered in one heck of a fantastic production.

In all, I can find nothing to complain about in the Onion News Empire "Pilot," and dozens of things to praise. Check out Onion News Empire, now available on Amazon.com.

Thursday, September 22, 2011

Hawaii Five-0 - "Ha'i'ole"

     Hawaii Five-0's season premiere "Ha'i'ole," picks up one week after the season finale ends. Steve McGarrett (Alex O'Loughlin) is in jail, until Victor Hesse (James Masters) stabs him. Victor knows Wo Fat (Mark Dacascos) will soon come after him, and wants McGarrett to take out their mutual enemy first, so a non-fatal wound provides an opportunity to escape. McGarrett goes on the run, with his old friends showing up to help him. They succeed in getting McGarrett's name cleared and Five-0 reinstated, but Kono (Grace Park) is not part of the deal, since she is being investigated by Internal Affairs. And by the time it's done, Victor is already dead.

     McGarrett is lucky that the Five-0 group has bonded. If not, there is no way that he would be able to clear his name. Not only do Danno (Scott Cann), Chin Ho Kelly (Daniel Dae Kim), and Kono assist, but so do Jenna Kaye (Larisa Oleynik), Kamekona (Taylor Wily), and Max (Masi Oka, now a series regular). Plus, the man who trained McGarrett, Lt. Commander Joe White (Terry O'Quinn, Lost), comes to the island. White doesn't tell them why exactly he came, but he does lend a hand, and his familiarity with McGarrett's father (William Sadler) proves invaluable to proving McGarrett  innocent.

     Unfortunately, the evidence, which comes from a camera that the senior McGarret placed in the governor's study, has some dark implications. Yes, the film shows that McGarrett did not shoot Jameson (Jean Smart), but it also reveals a secret meeting between Jameson, Wo Fat, and the elder McGarrett. Could Steve's dad not be the hero that Steve thinks he is? Or, more likely, does the team just not understand what they are seeing? After all, there is no audio to clue them in.

     Things will not stay status quo for Five-0, or so it seems. With Jameson dead, the lieutenant governor (Richard T. Jones, Terminator: The Sarah Connor Chronicles) gets to decide the team's fate. He is willing to allow them to continue, since they have been effective at lowering the crime rate, but he also tells McGarrett that they will not be able to cross as many lines. They no longer have unlimited power and resources. When McGarrett falters at agreeing to these terms, the lt. gov. says it's fine. But is it? Will he be an impediment? And if not, why even go through the trouble of bringing in the new character?

     Even though Five-0 is back on the job, things are not all cheery for the team. As mentioned above, Kono is not reinstated with the others because she is under investigation. Considering how corrupt the police department is, it's not certain that she will ever be allowed to rejoin her friends in an official capacity. It took a lot of effort for Chin Ho's honor to be restored. Is it Kono's fate to repeat her cousin's journey this season? Hopefully not.

     Worse, Danno learns that Rachel's (Claire van der Boom) baby is likely not his, so she decides to go back to her ex, leaving him alone. Is she being truthful? Why raise the plot point of Danno getting Rachel pregnant in the first place if the writers are just going to go back on it? Sure, some drama is necessary to give a series life, but does everything have to be an uphill battle all of the time? It's not like Danno's love life is an essential element, or Rachel is a main character, where tension needs to build between them each week.

     "Ha'i'ole" is a satisfying episode overall, tying more into the larger arcs of the show than a stand-alone case. Even the crime that is investigated in the episode has to do with Wo Fat, making the stakes mean more. As such, it's a pretty good outing, and hopefully Hawaii Five-0 will give more of those, and less of the stand alone hours that filled up most of last season.

     Hawaii Five-0 airs Mondays at 10 p.m. ET on CBS.

     If you like my reviews, please follow me on Twitter!

     To buy Hawaii Five-0 DVDs or streaming episodes, please click here.

Article first published as TV Review: Hawaii Five-0 - "Ha'i'ole" on Blogcritics.