Kinda FREAKISH

Article first published as FREAKISH Review on Seat42F.

Hulu’s latest series, available to stream now, is FREAKISH. Set in a small-ish town, a bunch of students and a teacher are at the high school on a Saturday when the local chemical plant explodes. Seeing the town nearly destroyed, most of them take shelter in the building, though a few insist on stupidly running out into the craziness to look for their family and friends. Unfortunately, that’s not a great idea, and it isn’t long before those that fled return and pose a threat to the ones trying to stay safe.

FREAKISH is essentially a zombie show. There’s a group of survivors who are in danger from former friends turned into something monstrous. There are appearance and behavior changes around the infected that mimic zombie behavior, and they attack those that haven’t been changed.

So the lone adult star, Chad L. Coleman, should feel at home, having not-too-long ago been a cast member on The Walking Dead. Though FREAKISH is much less complex and deep than its AMC cousin, so it’s definitely a step down for Coleman. Then again, practically any series is a step down from The Walking Dead.

Besides Coleman, the other characters are all kids, and perhaps appropriately enough, most are more internet famous than traditionally well known. Among the ensemble are Mary Mouser (Body of Proof), Aislinn Paul (Heroes Reborn), Adam Hicks (Zeke and Luthor), Leo Howard (Kickin’ It), Hayes Grier (Dancing With the Stars), Melvin Gregg (Sharknado 3), Liza Koshy (Boo! A Madea Halloween), Meghan Rienks (Makeup Mishaps), Chachi Gonzales (East Lost High), and Tyler Chase (The Walking Dead).

All of them are good enough, though none stood out to me as really spectacular. This feels like a low-budget, indie-type show, and that includes the casting. They’ve believable, but I don’t see any of them really breaking out and blowing up anytime soon. Though it may be that the showcase of their talent comes later in the season.

I liked the pilot a lot. It was intriguing and mysterious. Not knowing zombies were at all involved, I was very curious to see where things would go, and I was sucked in enough to want to continue. But the second episode didn’t hold my attention the same way. I quickly grew bored, and wasn’t all that thrilled to see the affected kids start showing up. It felt a bit cheesy and done-before. The pilot was good enough that I’ll give the series a chance to see if it recaptures the spirit I enjoyed so much initially, but it might be one of those quick-burns that flame out far too soon.

Despite the dramatic nature of the program, FREAKISH is only half an hour long. This format means the pilot barely has time to show the disaster, and the actual threat doesn’t appear until episode two. I haven’t yet made it any further than that, but it’s a good thing the entire first season became available all at once; ending a pilot without showing the premise would be a bad idea otherwise. I’m kind of confused as to why the episodes are so short, because there doesn’t appear to be any storytelling need for this segmentation. (And yes, I’m aware that FREAKISH got its start on a non-traditional channel, Verizon’s AwesomenessTV, but it still doesn’t make much sense from a plot-based perspective.)

Hulu isn’t known for a lot of high quality programming, but they’ve had some promising entries lately. Two episodes in, I’m thinking FREAKISH might not be one of the latter ones despite a great premiere. But there are eight episodes left to watch, so I guess we’ll see.

The entire first season of FREAKISH is available now on Hulu.

"This Sorrowful Life" comes to an end on The Walking Dead

Article first published as THE WALKING DEAD Recap Season 3 Episode 15 This Sorrowful Life on Seat42F.

Grade: 96%

AMC’s THE WALKING DEAD pays tribute to “This Sorrowful Life” of Merle Dixon (Michael Rooker) in the penultimate episode of the third season. Rick (Andrew Lincoln) tells Merle about his plan to hand over Michonne (Danai Gurira) to the Governor (David Morrissey), after which the Governor has promised to leave the rest of the group alone. Knowing Rick won’t have the stomach to go through with it, sending Michonne to be tortured and brutalized, Merle captures Michonne himself and sets out to the meeting.

Along the way, though, Merle has time for self-reflection. Some of this is surely caused by Michonne’s words in their wonderful scenes together, but some of it is spurred by Merle’s own doing. He knows that he has made mistakes, and he realizes he has become something bad. He regrets some of those actions, even if he doesn’t stop at the time to consider the consequences, both to others and to his own soul. Michonne tells Merle that the truly evil don’t feel guilty, and Merle’s remorse proves he is, or at least can be, a good guy.

Whether or not Merle is redeemable has long been debated by fans of THE WALKING DEAD. We know that, in the beginning, he and his brother, Daryl (Norman Reedus), intend to steal from the group. But seeing how Daryl has become not only a team player, but a valued friend and compatriot over three seasons offers hope that, given time, Merle can also play nice. Carol (Melissa McBride) certainly thinks this is a possibility, extending a second chance to him early in the episode.

The sad thing is, “This Sorrowful Life” proves that Merle not only has a heart, but is willing to sacrifice for others, and then doesn’t give him time to expound upon it. He lets Michonne go and tries to single-handedly remove as many of the Governor’s men from the game as he can. I don’t think Merle intends his mission to be a suicide one, but he is willing to take the chance and in the end, the Governor leaves Merle to become a Walker, which means we’ll never see the others forgive and welcome him as one of their own.

Rooker does a fantastic job in this installment, delivering what will be one of THE WALKING DEAD’s most unforgettable performances. At the start of the hour, Merle is still loathsome. But we see so much in his eyes, those soulful orbs that show us that he wants to do right by his brother and be cared for by others. We see that, under the right circumstances, he can be heroic. And we watch him go down with quite a fight, even if he doesn’t end up succeeding.

Rooker’s performance is matched by Reedus, whose character arrives at the battle site too late, and finds a Walker Merle that he must put down. Rooker’s eyes are, again, pivotal, and the scene between the two brothers is amazing. They can’t ever say what they want to say to one another, even if they ever could find the words, but dialogue isn’t necessary to convey the message. Merle’s deaths are tragedies, both of them.

I don’t think Merle does much damage to the Governor’s team. He takes a few men out, but by dying himself, Merle removes a valuable tool from the prison group, so it probably about evens out. Merle is worth several other man.

What might be missed in Merle’s last stand is that one of those he kills is Ben (Tyler Chase), a member of Tyreese’s (Chad L. Coleman) contingent. Ben isn’t a huge character, nor is he one fans will particularly care about seeing die. However, because of Ben’s connection to several other, slightly more significant, characters, his demise could most definitely play a role in motivation and manipulation in the finale.

Back at the prison, it’s nice to finally see Rick be the leader he needs to be. This entire season has been about him figuring out what kind of person the group needs to follow. He begins, with his speech at the end of season two, trying out dictatorship. But in “This Sorrowful Life,” he chooses democracy. He can’t sacrifice Michonne because she’s one of the people he serves. He gets a chance to tell everyone else that in a very moving moment.

Rick has needed to step up for a long time. He’s tried, sure, but with all of the emotional turmoil he has suffered, he hasn’t achieved the status. This has now changed, and should he survive the coming battle (an almost certainty), he will be a different man yet again in season four, one finally prepared to make his group into what they need to be, and what they should be.

I hope that Michonne can forgive Rick and know that he cares about her and couldn’t go through with handing her over. She has every reason to feel betrayed, after Merle kidnaps her and she learns that Rick has been considering handing her over. However, she is also an understanding and compassionate woman, and surely knows that while Rick struggles with the decision, he isn’t the type to sentence her to a fate worse than death. And if he did consider the act, it was only to protect his people.

Lastly, Glenn (Steven Yeun) secures Hershel’s (Scott Wilson) blessing to marry Maggie (Lauren Cohan), and finds his bride-to-be a ring, on the hand of a Walker, no less. I wish we would have gotten a little speech from Hershel, which would be totally in keeping with his character, but the proud papa’s smile is enough.

It’s not clear if Glenn officially proposes, just sticking the ring in her palm, or if they already consider themselves spouses without a proposal. Maggie is wearing the ring shortly after this scene, signifying their commitment to one another. Glenn says they may not have a wedding, given the circumstances, and I doubt there will be time for one in what little is left of this season. But do they actually need to say “I do” in this post-apocalyptic world? Isn’t it enough that they are together and intend to stay that way?

We unfortunately didn’t get any of Woodbury this week, and rather than being part one of a two part showdown, this is a sort-of stand-alone episode. “This Sorrowful Life” is a brilliant piece of television, and an excellent installment of the series. However, I don’t see how everything else can possibly be resolved in forty-two minutes. Are we heading for the mother of all cliffhangers?

THE WALKING DEAD will complete its third season next Sunday at 9 p.m. ET on AMC.

Coincidentally, next Sunday is Easter Sunday, a celebration of Jesus’s rising from the dead, which some have begun to say makes him a zombie. Will we see a long-haired, sandal-clad Walker in the finale? One can only hope so.