DIG Deeper

Article originally written for Seat42F.

USA’s DIG has an intriguing premise, the kind we need on television. Created by Gideon Raff (who created the show Homeland was based on) and Tim Kring (Heroes, Touch), DIG is a globe-spanning mystery set mainly in history-teeming Jerusalem and full of biblical prophecy. Our hero has to investigate a murder and a conspiracy despite overwhelming odds against him, while forces are rising in other parts of the world that will soon converge in Israel. It’s a really great concept for a TV show.

Unfortunately, DIG is not as well-executed as it should be. The story plays out in a predictable manner with some really trite dialogue, and an absolutely stupid use of a grainy surveillance photo. There are good things of note in the pilot, but the pacing makes much of the hour boring, and there’s real a lack of depth in several of the lead characters.

It’s known that Jason Isaacs (the Harry Potter films, Awake) is a good actor, and I’m sure he can convincingly carry a show. Just not this one. His character, Peter Connelly, sleeps with a very young woman, Emma Wilson (Alison Sudol, Transparent), who reminds him of his dead daughter, which is icky. He is married, by the way, and also already sleeping with his boss, Lynn Monahan (Anne Heche, Hung, Men in Trees), making him doubly repulsive. He’s bad at his job, pissing off the local cop he works with, Golan Cohen (Ori Pfeffer, World War Z), and inserting himself where he isn’t needed or wanted. He’s unlikeable, without even a bit of charm that normally makes such jerks tolerable.

While Peter is the main protagonist, thankfully there are others. There’s a side story about a red calf, and even better, a secret compound in a New Mexico desert that is keeping an orphan boy (Zen McGrath) hostage. These add actual intrigue to the plot, and provide a reason to keep watching, to see how they may tie into the story and if the mythology of the series will be worth committing to.

I particularly enjoy the compound scenes in the pilot. The place is run by David Costabile’s (Suits, Breaking Bad) Ted Billingham. Costabile is a reliable character actor, and his creepy cult leader is interesting. He is served by evil Faye (Angela Bettis, May), who matches his demeanor. Even better is Lauren Ambrose (Six Feet Under, Torchwood: Miracle Day) as his truly demented follower, Debbie, who is far too lax with their hostage, probably my favorite performance of the piece. Together, these three are far more compelling than anything going on with Peter, and so I kept finding myself eagerly anticipating their scenes.

I think the fundamental flaw with DIG is that it’s a Tim Kring show. Kring’s Heroes was a series that started out with an excellent premise and cool characters, then lost steam as he didn’t know what to do with them to keep them going. After the failed Daybreak, he then did Touch, which also involved global conspiracies. Again, Touch was a neat series that hooked the viewer, especially the pilot, which gripped a certain type of audience, myself included, in just the right way. But like Heroes, Touch suffered from a lack of direction and vision, and faltered as it wore on.

DIG feels very much like Touch, and that worries me. While there are some definite differences, including a darker tone, the lack of cohesion in the pilot itself makes me think this will go the way of Kring’s other efforts. Creating a poor core arc certainly doesn’t help, but this definitely feels like a one-and-done season because it squanders its ambitions from the start.

Television deserves a show like DIG, but not DIG itself, which falls short of the heights it should be reaching.

DIG airs Thursdays at 10 p.m. ET on USA.

Out of Touch

Article first published as Out of Touch on TheTVKing.

FOX's Touch completed its two-season run with the series finale "Leviathan" last week. Aster Corps kidnaps Jake (David Mazouz) and Amelia (Saxon Sharbino), hoping to use them to finish the sequence before a financial report ruins the company. Unfortunately, with time being limited, Farington (Frances Fisher) orders a dangerous method to extract those digits from their brains that could kill them.

Jack Bauer Martin (Kiefer Sutherland) goes a bit crazy in trying to track down the children, torturing Tanner (D.B. Sweeney) for a lead. We know Martin's overriding motivation has always been protecting Jake, but we've never seen him like this before. He's violent and irrational, getting the job done, but at cost to both his soul and his ability to stay within the limits of the law.

Thankfully, not only do Martin's efforts pay off, but he's made a friend in the police force, Detective Lang (Mykelti Williamson), who is able to protect Martin from the ramifications. It's not exactly realistic, but it is satisfying that Martin gets off without trouble, while making the villains pay. This is the episode where Touch ventures into 24 territory.

Which seems to be exactly what FOX wants. Shortly after cancelling Touch, it was announced that 24 will be returning next spring for a twelve-hour season, solving the difficulty of making a feature film. Kiefer fills the role of Jack very well, and it's funny that Touch works best when he is allowed to revert to that part. I look forward to Jack Bauer's return, even if that means the end of Touch, which was a decently enjoyable series.

Touch season two is quite a bit different from the first year, containing a large, compelling arc in the battle between our heroes and the evil corporation, which fits more into the action genre, something Touch did not start out in. Over the course of thirteen episodes, the back and forth between the two sides keeps escalating, until is ends in a climatic showdown. As that run-in concludes this week, "Leviathan" serves as a pretty neat series-ender.

That's not to say that there aren't more stories that could be told, of course. While season one shows us the numeric patterns in the world, and season two seeks to protect abuse of those patterns, there are still a number of directions this story could go in. Sadly, it will not get the chance.

We also get the conclusion of a couple of other hanging tales in "Leviathan." First, Calvin (Lukas Haas) has to pick a side, staying loyal to Aster Corps or saving the kids' lives. He chooses correctly, but only after influence by others. It makes him a weak character who hasn't earned a reprieve from his wrong-doings, and thus does not get one. I like that his decision is not simple, and that his earlier actions have consequences, even if that makes his redemption incomplete.

We also find out what has happened to Avram (Bodhi Elfman). His story isn't nearly so exciting, having been abducted by his own people, who hope to set him back on the right path. But because Avram's boss is Ron Rifkin from Alias, it not only makes a cool couple of scenes, but there's also a level of possible evilness lurking just below the surface of the organization. This could have made a wonderful season three plot.

In the end, I'm glad Touch was able to bring their story to a close, with no huge, hanging threads, even if it didn't feel like it got enough time to explore the possibilities. It's a series I probably won't think about enough to really miss, but enjoyed it while it was around.

Touch getting "Closer" to what it should be

Article first published as TOUCH Season 2 Premiere Review on Seat42F.

Grade: 87%

FOX’s TOUCH returns this Friday with two new hours. When last we see Martin Bohm (Kiefer Sutherland), he is in California, led there by Jake’s (David Mazouz) number trail. He encounters Lucy Robbins (Maria Bello, who guest starred in last spring’s finale), whose own daughter, Amelia (Saxon Sharbino, I Spit on Your Grave), is kidnapped after touting the same sequence as Jake. Now, teamed up, they must find Amelia and stop the dastardly corporation, Aster Corps, who will use the numbers for evil, rather than good.

TOUCH has undergone a major cast overhaul heading into season two, ditching social worker Clea Hopkins (Gugu Mbatha-Raw), left behind in New York when the Bohms head to the West Coast, and adding four new stars, including Lucy and Amelia. For some shows, a drastic change like this would be startling. However, in TOUCH, it seems a natural part of the growth of the story. The series follows Martin and Jake, and when they move to the opposite end of the country, they will necessarily be surrounded by different people.

It makes sense, too, then, that many of the recurring players of the first season are not in evidence in these initial two hours back. Some, like Randall Meade (Titus Welliver), seem to have already run their course, while others, like the Asian girls, are simply gone. It won’t be too disappointing if many season one players don’t come back, as the story has moved into the next phase, and so, too, must the people in it. However, the pattern is often illustrated as a spiral, so TOUCH may eventually circle back around to them.

I really like the changes TOUCH has made. Whereas season one seemed a little wandering, a little unfocused, playing a bit with mythology, but also presenting a lot of seemingly stand-alone stories, season two tightens up the plot. Now, there is a singular enemy, and all of the various characters in the show are involved in one situation. It helps to focus, and while there are still plenty of coincidences and patterns, they are usually guiding towards something specific.

As the first episode back, “Event Horizon,” begins, Jake narrates, telling viewers that his lack of speech is about to change. He doesn’t utter a word out loud in these two hours, so it seems a little odd to start this way. Does he just mean that he will begin communicating more clearly, though utilizing the tools he already has, or does he mean that he will start talking? Others like him, including Amelia, have no problem with vocalization. Why does Jake stay silent?

The dynamic between Jake and Martin is already being shaken by the inclusion of Lucy with them. Amelia does provide a handy way for Martin’s time to be freed up, leaving his son with Lucy. But she’s not just a babysitter, with the action following her, as well as Martin. I am very curious how things may change even more when they find and rescue Amelia, which seems a foregone conclusion. TOUCH isn’t nearly dark enough to kill a child viewers are made to care about.

TOUCH places Amelia in the most unlikely place. She is staying with someone we think of as a good guy, based on the story laid out in “Event Horizon” and the second part, “Closer.” I won’t spoil where she is, but suffice it to say, it’s unexpected. In keeping with what the show does best, TOUCH sets up some storylines in the first two hours, but only gives viewers a taste of what’s to come, leaving many unanswered questions.

Unanswered questions hover over the other two main characters quite thickly. The first, Calvin Norburg (Lukas Haas, Inception), is the brain behind Aster Corps’ recent activities, but he is feeling bad about what they plan on using his ideas for. He wants to save the world, and finds that hard to do in his current position.

Calvin’s path already begins crossing the rest of the cast quite quickly, being in L.A. at the same time they are. I don’t know if we will join up with them or pursue his own path, but he definitely will not remain outside of the circle. The question is, will he have power to help them? And what insights might he offer into what is going on?

Lastly, TOUCH has added a true face of evil in Guillermo Ortiz (Said Taghmaoui, Lost). Ortiz is traveling the globe, slaughtering people who know about the number sequence. We don’t yet know what his motivation is, though there are hints in his physical appearance, nor do we know what his end game might be. However, it does seem like his negative emotions about what he’s doing, which are present, are not enough to sway him off the course, so he could end up being quite a danger to the protagonists, since he cannot be reasoned with or moved by sympathy.

All in all, TOUCH’s season two ups the ante and makes the latest installments more exciting by shrinking the world in which this tale unfolds. I am curious as to if this is a trend that will continue more and more as the show goes on, spiraling towards an impressive climax. At least, that’s what it appears should happen at this point.

TOUCH airs Fridays at 8 p.m. ET on FOX.

Want to read some of my fiction? It's on my website, JeromeWetzel.com! Also, for the latest updates and article links, as well as commentary on episodes I don't fully review, please follow me on Twitter.

Touch now touching on DVD

FOX presented a very strange show last year called Touch, the complete first season of which is now available on  DVD. It is mostly a procedural, with each episode finding Martin Bohm (Kiefer Sutherland, 24) following clues left by his autistic son, Jake (David Mazouz, Amish Grace), who doesn't talk, to help someone in need. But it is also an anthology series, with several plots going on around the world every week, oftentimes connected to one another in unexpected ways. And it is also a mystery, as we don't know why Jake sees the numbers, or who may be trying to stop him from seeing the numbers.

The premise of Touch is that there is a connectedness to the world that can be explained with mathematics. Jake can see this, while almost everyone else cannot. Somehow, it isn't really explained how, these patterns track the movements of people. Jake wants Martin to help preserve the patterns, tying together two pieces of string that may have become disconnected. What happens if he doesn't? Will the entire tapestry fall apart? That seems unlikely. More probable is that Martin can use the pattern to make others' lives better, and that's what Jake wants.

This can all be very confusing, and understandably so. What starts off as a highly intriguing "Pilot," full of magic and wonder, soon settles into a head spinning series. Viewers may want more of the answers, but instead, all we get are small pieces to a puzzle we don't have a finished picture of to guide us. If creator Tim Kring can be trusted, a risk to be sure after the disappointing Heroes, there should be some major payoffs down the road. But for now, little is explained. We just know that life is great, and coincidences are supposedly predetermined, if you know how to see them.

While Jake and Martin are the central characters, a few others play a role in their lives. In season, Jake is placed in a home under the care of social worker Clea Hopkins (Gugu Mbatha-Raw, Undercovers, Doctor Who). She slowly starts to see what Martin sees, and is torn between her superiors, who appear to have a hand in preventing anyone from following these numbers, and wanting to help Martin help people. There is also professor Arthur DeWitt (Danny Glover, Lethal Weapon, Brothers & Sisters), who has worked with children like Jake before, and offers his assistance to Martin.

What is going on among these four is definitely the meat of Touch, and the most engaging of the many elements. While other tales may be neat and inspiring, they don't mean as much, since we don't know the characters. Whenever one of them enters into Martin's direct arc, it gives a greater weight to the plot, while those less obviously connected seem less important. Touch is still struggling to find the balance of these elements throughout this freshman run.

In the season finale, the two part "Gyre," the game changes significantly, providing a tangent that should move season two in bigger directions, giving more attention to the mythology and the larger arcs. I won't go into much detail, because I hope you might check out these episodes and see how it plays out for yourself, but "Gyre" opens the door for a notably different second season. Should the series whole-heartedly go with this turn, Touch might become one of the best shows on television. For now, it's just an interesting curiosity, which may or may not pay off down the road.

Whether this happens or not, Touch isn't quite like anything else on television, which when combined with a truly terrific cast, makes it worth watching. The eleven episodes of season one are clearly just an appetizer for what is planned, and if there is a plan, I look forward to a delicious multi-course meal in the coming years.

On this three disc DVD set, there are a handful of special features. The "Pilot" is presented in an extended version, and some deleted scenes are included. Two featurettes, "Touch the World" and "Fate's Equation," get into the mechanics of the series a bit, but do not really provide more understanding than what is contained in the episodes. Like the show, they are interesting, but murky in their significance.

Touch The Complete First Season is available now on DVD.

If you like my reviews, please follow me on Twitter! Check out my website, JeromeWetzel.com! First posted on TheTVKing

Touching on the Touch season finale

FOX's Touch ended its freshman run this week with the two part episode, "Gyre." Things come to a head as Sheri (Roxana Brusso, Southland) and the company make a play to take over full custody of Jake (David Mazouz). Knowing that the shady organization killed Arthur (Danny Glover) and made a little girl named Amelia disappear, Clea (Gugu Mbatha-Raw) helps Martin (Kiefer Sutherland) sneak Jake away. With pursuers hot on their heels, Martin and Jake flee New York.

Touch is all about patterns in the world, and how things are fated to come together. For many weeks, this is simply something hinted at, seen in brief glimpses, or at the ends of episodes. But "Gyre" really pulls things together. A number of guest stars, such as Arnie (Jude Ciccolella, 24), return, making the world appear a little smaller. As first Abraham (Bodhi Elfman), and then Randall (Titus Welliver, Lost, The Good Wife), help Jake and Martin escape, it seems like their team, which includes Clea and Abigail (Catherine Dent, The Shield), has gotten a little bigger.

This is great! Martin and Jake need a team behind them!  They are facing one of the unseen, shadowy corporations with unlimited power and staff that makes for many an exciting story. Everyone wants to root for the little guy when he is threatened by the big guy, and Touch taps into the classic storytelling technique. Plus, how doesn't love a secretive group of traditional Jews, and prophecies of thirty-six people saving the planet?

Similarly, Touch has lots going on behind the scenes, too. Masquerading as a procedural, with Martin helping a different person each week, "Gyre" exposes the true serial story. Touch is something that will play out over years, and connections come together constantly, in the most unexpected ways. Those watching most of the first season may be forgiven for being disappointed in the lack of movement of the major arcs. "Gyre" makes up for this, and points to a less fomulaic approach moving forward. In fact, the title of the episode plays into unexpected change, and hints at things moving in different directions.

Not that the cases of the week are bad. Seeing a son and father finding understanding in Japan, or a man making up for a mistake that he thinks he made, or another guy, who is lost, but finds himself while building a church and a life in a community, is heartwarming. Unlike the slew of medical and crime dramas flooding the airwaves, Touch is more of an anthology series, with common threads typing things together. It's also inspiring and uplifting, making it unique and deserving of airtime.

Besides Martin and Jake's plot, which is the central thread of Touch, "Gyre" opens up a whole new bag of worms by introducing Lucy (Maria Bello, Prime Suspect). At first, she seems to be a crazy woman destined for a single hour, interacting with a traumatized man on the beach (Cougar Town's Ian Gomez). But then viewers learn that she is the mother of Amelia, and she is looking for her daughter, whom she does not believe is dead. With the ending of "Gyre" bringing together Martin and Lucy in California, she appears to figure more prominently into season two of Touch. As a fellow servant to the numbers? As a love interest for Martin? Who knows, but it would be nice if she is signed full-time.

Season one of Touch has been a mixed bag experiment, sometimes growing boring and confusing. But both parts of "Gyre" are shining examples of what the series could, and should be. With a finale like this, I am very much looking forward to season two! Touch will return to FOX next fall.

If you like my reviews, please follow me on Twitter! Catch up with streaming episodes of Touch. Article first published as Touching on the Touch season finale @TheTVKing.com

Touched by Touch

     FOX presented a very special preview episode of Touch last night, two months before it officially joins the network lineup. In the "Pilot," widower Martin Bohm (Kiefer Sutherland, 24) is working a low paying job, struggling to make ends meet, while caring for his autistic son, Jake (David Mazouz, Amish Grace), who, by the way, doesn't talk, nor allow even his father to touch him. When Jake repeatedly runs away from his school to climb a cell tower, social worker Clea Hopkins (Gugu Mbatha-Raw, Undercovers, Doctor Who) shows up to remove Jake, at least temporarily, from the home. But soon both Martin and Clea are drawn in by the mystery of Jake's numbers, which leads to some remarkable connections. Martin follows those, and when his actions result in kids' lives being saved, he becomes a true believer.

     "A believer of what?" you might ask. Well, that's complicated. Basically, the theory set forth in Touch, and explained to Martin by the series's mysterious fourth main character, Arthur DeWitt (Danny Glover, Lethal Weapon, Brothers & Sisters), is that everything in the world is connected. Not only that, Jake is part of the next stage of human evolution. Jake can see all of these connections, and it allows him to understand what is going to happen. It's not predicting the future, but rather, having a clearer understanding of how the world works. Unfortunately, being mute is a side effect that prevents Jake from acting on this knowledge, so Martin must pick up on the clues and do the hard work for his son.

     While, in terms of realism, Touch stretches things just a bit, the emotional impact of this show cannot be overstated. Sutherland is fantastic as Martin, and other than at the beginning of the episode when Martin is informed that Jake has left the school, and dad gets upset, there are few echoes of Jack Bauer. For instance, Jack Bauer would never be afraid of heights! Viewers will really feel the affection Martin that has for his son, as well as his frustration at not being able to connect with him. Add to that, Martin's wife died on September 11th, and the whole nation will remember and feel his pain. Martin is in a nearly impossible situation, and the way in which he deals with his life is nothing short of heroic. Being given this purpose, as difficult as it may pan out to be, is kind of like a reward for all of the suffering Martin has been through, tangible proof that his efforts have paid off.

     In "Pilot," things get personal for Martin when Jake's numbers keep leading dad to run into a grumpy man (Titus Welliver, The Good Wife, Lost, Sons of Anarchy). At first, this strange guy seems to be an antagonist. But soon enough Martin learns he is a firefighter, and one who not only tried to save Martin's wife's life on that fateful day, but also pulls children from a bus. He is a hero, too, and Martin's actions lead to the latter outcome. It personalizes the mission in a way that future episodes likely won't often be able to, making for a hell of a "Pilot."

     It's wonderful that Clea gets on board with Martin so easily. Many shows would stretch out this friction to make drama, keeping Martin fighting with her. But in finding an ally for him and his son, Martin's job gets a little easier. And Martin has suffered enough, he doesn't need any further problems. Look for Clea to get more personally involved soon, cementing her role in Touch.

     There are other things going on in the "Pilot," though, that don't seem to have a lot of connection to the main plot, other than the central role of cell phones. A woman trying to make it as a singer sends videos of herself out on cell phones, aided by a friend. The video gets onto a father's, which he loses, and it also has pictures of his young, deceased daughter. The father desperately tries to get his phone back, and it ends up on a suicide bomber in the Middle East. Luckily, the bomber just needs an oven for his family, the father is a restaurant supplier, and they end up both connected to an operator, who happens to be the singer, during a crucial moment. How this connects to Jake and Martin is circumspect, but it's an inspiring, uplifting tale.

     In all, Touch really hooks viewers in with one of, if not the, the best pilots of the season, even with the few leaps people will have to make to enjoy it. The biggest worry here is that it is from Tim Kring, who also created the ill-fated Heroes. Fans of Heroes will remember how awesome the beginning of that show was, before devolving into something not worth watching, and getting canceled at the end of season four without resolution to a cliffhanger. Thus, watching Touch is recommend with some reservation, given that if Kring goes down the same path, an emotional investment might hurt quite a bit.

     Touch will return in March to FOX.

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