FALLING SKIES a "Machine"

Article originally written for Seat42F.
 

One thing I’ve noticed about FALLING SKIES is that it has never quite figured out what it is. Every time it seems to settle into some sort of routine, the writers make sure to knock the characters out of their situation, sending them somewhere entirely new. This does keep the show interesting, even if it seems to lack depth. I do wish the pacing would slow down a bit and explore each scenario a little more before moving onto the next one, but for now, that doesn’t seem likely, so just buckle up and enjoy the ride.

As season four starts this week with “Ghost in the Machine,” it all changes again. Our band of heroes is walking along, enjoying a rare, happy day in the sun as they approach Charleston, until they are suddenly attacked. The group is fragmented and sent in various directions, and as the action picks up months later, many have settled into a ‘new normal’ that they have no wish to perpetuate.

So it seems this season, more than the others, won’t be about bringing down the aliens. The characters will be fighting the invaders, yes, but with short-term goals of finding missing loved ones and achieving freedom from captivity, not the long-term mission of taking back the planet. This changes the scope, even while trying to elicit more emotional responses from the viewers tuned in. Will FALLING SKIES take full advantage of this, or gloss over it as it has done other set ups?

In the current season, there are definitely some new and interesting developments involving the conquerors. For one, we finally know what they are doing with the children. Matt (Maxim Knight) is placed in a re-education school where kids are being brainwashed to fit into a new world run by those who are not native to Earth. Apparently, this has worked in other places, and it is the next phase of the invasion, which makes sense, because perpetual war or outright extinction don’t seem like outcomes that gel with what we’ve seen before.

Of course, not all of the youngsters fall in line. Matt is smart enough to realize that he should at least pretend to, biding his time until he has the opportunity to stage a coup. It’s the boy’s first major arc that he’s central to, and Knight seems to be doing a pretty good when faced with this challenge. Matt is likely to cause as much trouble as his father ever has, learning from the best.

Speaking of Tom (Noah Wyle), he has become the Batman of the slums, sneaking around in a mask, spying on their captors, and doling out vigilante justice when needed against low-lifes like Pope (Colin Cunningham). I feel like this is a natural next step for the character of Tom, but also feels almost as ridiculous as some of the other leaps he makes. Tom is best when he is being a father or a negotiator or a professor, and whenever he takes on the super leader persona, it always feels just a bit false.

I think Tom seems even more out of place when put in a cell next to Weaver (Will Patton). Weaver is distraught that his daughter has been taken, understandably so, but goes a little bit too far off the rails when dealing with it, to the point of almost committing suicide-by-cop. While Weaver has been pathetic in the past, that is when his character seems least authentic, and by putting an uneven Weaver and Tom side by side, “Ghost in the Machine” highlights something FALLING SKIES has never gotten quite right.

Anne (Moon Bloodgood) has a cool arc, though. Off in the woods with Anthony (Mpho Koaho) and some other soldiers, she is staging a military operation to rescue her family. This is a tougher side of Anne, stepping up to be a leader in a desperate situation, and it’s welcome. As a mother, she has a reason to turn hard, tasked with protecting those she is responsible for. This other side of her isn’t nearly as false as the men’s.

I also believe the reverted Pope. He’s not fully back to his old ways. He may be acting selfish again, but other than hoarding some supplies, he’s not actively trying to hurt anyone. I think he just doesn’t want to risk showing he cares, having been burnt before, as he’s locked up now. He thinks if he acts the old way, he’ll be left alone or get back to surviving as he did previously. But in the manner Pope refuses to beat on Hal (Drew Roy) too much, we see that it will just take some motivating factor to bring back the mostly redeemed Pope viewers love.

Finally, in the strangest twist in the premiere, Ben (Connor Jessup) wakes up after months of sleep to a tranquil garden staffed with body-snatcher-esque versions of Lourdes (Seychelle Gabriel) and Maggie (Sarah Carter), seemingly run by a grown up version of his sister, Lexi (Scarlett Byrne, Harry Potter). I don’t know what’s going on here, but it’s weird and definitely not what it appears to be. Which just makes it all the more intriguing. Given what we know and don’t know about Lexi, it could very well be real, but as for what it means, that’s up for debate.

All in all, while I’m sad FALLING SKIES just jumps into yet another something new, barely checking in with the most recent abandoned (for now) plot involving Cochise (Doug Jones), it’s still a pretty cool season opener, with a lot to tantalize, and some fresh settings and new aliens to keep audiences engaged. It may move a bit too fast, but I guess that’s better than getting bogged down in slowness, and during the summer, when people want explosions and special effects, this program serves that purpose well enough.

FALLING SKIES airs Sundays at 10 p.m. ET on TNT.

FALLING SKIES Premiere Does "Damage"

Article first posted as FALLING SKIES Review on Seat42F.

Grade: 90%

TNT’s FALLING SKIES returns this Sunday with two new hours, “On Thin Ice” and “Collateral Damage.” The story picks up seven months after season two’s finale, with the 2^nd Mass now firmly ensconced in Charleston, their population ballooned, making a real dent against the alien invaders with some major help from extra terrestrial allies. Yet, not all is peachy keen under the leadership of President “Just Call Me Tom” Mason (Noah Wyle), as suspicions rise.

My biggest complaints about the first two years of FALLING SKIES are the problems with pacing and story complexity. Some arcs are breezed through, while others plod along forever. Minor characters are barely introduced, then killed or tossed aside.

Some of that is still present in “On Thin Ice” and “Collateral Damage,” especially in regards to losing characters too early, but I do feel like the writing has gotten better. There is a lot going on in these first two hours, to be sure, but the plots are well-balanced and develop at an engaging pace, revealing bits at a time, but not necessarily concluding many threads at the end of this week.

It’s pretty hard to talk about what is going on without dropping spoilers, especially because so much time has passed, and anything I say about what the characters are doing will take away some surprise. So, be warned, while I will avoid ruining anything too big, there are key elements discussed within.

The war section of FALLING SKIES is very exciting. There are definitely plenty of explosions and gun battles, and even a bit of hand-to-hand combat in this episode. The humans, bolstered by new friends and advanced weaponry, have really learned to hold their own. Those tuning in for these elements should be quite satisfied.

But it’s not all just shoot ‘em up. In fact, what I find most fascinating about this premiere, especially in “Collateral Damage,” is the human cost. Tom is forced to use some of his own men and closest friends as bait so that he can deal a blow against the bad guys. Not only that, but even though the humans now have a reliable way to remove the harnesses from enslaved teens, there isn’t always time to rescue them, and sometimes they just have to shoot the innocents.

These are clearly things weighing heavily on Tom. He seems to be weathering them OK, taking his responsibility of protecting everyone seriously, but also understanding that sacrifice must be made to win the war. Whereas before, Tom argues only for the sake of the morality, once he’s the leader of them, he doesn’t have the luxury of being quite so judgmental of military decisions, even if he isn’t flip about the value of life.

If anything, this seasoned attitude has strengthened the bond between Tom and Dan Weaver (Will Patton). They bond over a drink, and there is definitely friendship between them, even more so than before. They have met each other in the middle, and their close relationship makes leading the people easier for everyone.

Pope (Colin Cunningham) may be on the outside of the official government, but his role in keeping the peace is just as important as that of the other two. While his hooligans are among the most specist against the aliens, including their allies, Pope walks the thin line between letting them blow off steam, keeping their respect, and getting them to do what he wants. It’s a precarious position for him to be in, and he seems to be doing very well in it at the present. I do wonder how long that will last.

The biggest problem the humans have right now is that there is a mole in their midst who is feeding the enemy information. There are two strong possibilities as two who that mole might be, but unfortunately, the only character that knows for sure dies before he can tell anyone, and it has not yet been revealed to the viewer.

Option one is Cochise (Doug Jones, Hellboy),  the representative for the race supplying mankind with the weapons. Many are suspicious of his race’s intentions after helping the 2^nd Mass overthrow the planet’s current rulers. Part of this could just be prejudice, but maybe there’s something real behind such accusations? If it is Conchise, the 2^nd Mass’s prospects are dire, indeed.

Option two is Hal Mason (Drew Roy). The eldest Mason child would never intentionally betray his people, but he is being controlled by an implant put there by Karen (Jessy Schram), now the alien leader. It’s not only got Hal believing he can’t walk, but he meets her in his sleep and has sex with her (complete with a Battlestar Galactica-glowing spine rip-off). Can Maggie (Sarah Carter), who he has been pushing away, save him, now that she knows at least part of what is going on?

Hal may not be the only one affected by Karen’s manipulation. Anne (Moon Bloodgood) gives birth to her baby, Alexis, whom promptly shows great intelligence, crawls away, and calls her mama. Is this the result of something Karen did while Anne was held prisoner? It seems the only logical explanation.

Anne keeping the baby’s actions a secret from everyone, including Tom, is the part of this premiere that makes absolutely no sense. Perhaps she thinks she is imagining it because of exhaustion, but if so, she should do something to fix herself, not just sweep it under the rug. Major weak spot in two otherwise excellent episodes.

We also have Matt Mason (Maxim Knight). Not seeing the point of school, and accepted as a full soldier now, young Matt gets into trouble while his parents are otherwise distracted. There are so many directions FALLING SKIES can go with this, debating the importance of education in a post-apocalyptic society, examining how neglected children can be developmentally affected, exploring the rapid maturation of kids in a war environment. Hopefully, the series will take the time to do this, rather than flipping quickly past it.

Two other things I’d like to see happen are a long-harnessed mutant teenager being rescued, as their attitude would likely be quite a bit different from the short-term prisoners, and more development for the new scientist character played by House’s Robert Sean Leonard. While only appearing in “Collateral” thus far, Leonard, almost unrecognizable, quickly catches my interest, and I definitely want more from him. If he’s written off as quickly as other major guest stars, I will be quite upset.

Taken all together, these are very strong installments of FALLING SKIES, and definitely show the series is getting itself on the right track. With more ambitious plots and an appropriately expanding cast, I expect more good things to come this summer.

FALLING SKIES premieres Sunday, June 9^th at 9 p.m. ET on TNT.

"Love and Other Acts of Courage" drive Falling Skies

This week's installment of TNT's Falling Skies, "Love and Other Acts of Courage," sees a huge sea change for the show. The alien I nicknamed Scar in my previous review, but is now being referred to as Red Eye by the show's PR materials, is actually a good guy, who would like to team up with the human resistance! Viewers and the soldiers barely have time to digest this fact before the 2nd Mass must flee an attack, and Red Eye escapes from them, his captors and would-be killers.

In retrospect, this turn of events makes sense. We previously learned that the Skitters, or at least some of them, have been harnessed. Ben (Connor Jessup), and especially Rick (Daniyah Ysrayl), continue to show some loyalty to their former alien masters. Red Eye is observed not killing Ben, Tom (Noah Wyle), and other humans on multiple occasions. And yet, with the scary look the production crew gives to Red Eye, it is somehow still surprising when he reveals his gentle nature.

Unfortunately, Falling Skies is still struggling with some weaknesses in writing and / or editing. Tom switches his loyalties too quickly, as does Captain Weaver (Will Patton). Ben runs off constantly without talking to anyone about it, and last time fans saw Rick, he was outright hostile towards the humans, yet now, he's a friend. Why does the 2nd Mass keep putting up with Ben's behavior? Will who trusts who, and the reasons why, become more clear? When taken as a whole, it doesn't all quite add up, even as the show just drops the plot points on you and moves on.

One thing that "Love and Other Acts of Courage" continues is to build suspense about the stakes of the battle, a highpoint thus far in season two. A number of characters have been lost or killed off. Jimmy's (Dylan Authors) recent death is pretty unexpected, as is Rick's this week. With Pope (Colin Cunningham) MIA, and not returning as quickly as expected, it seems like anything could happen to anyone at any time (unless their last name is Mason). Which means that Weaver and his harness creature-infected leg could be in danger.

Will the humans learn to trust the rebellious Skitters? Will the 2nd Mass accept help? Will the army in Charleston prove to be real, and if so, how will Weaver, Tom, and the others adjust to taking orders from someone who hasn't gone through exactly what they have? So much about the war is done right that it outweighs the negatives, overall.

Falling Skies also does the romance pretty decently, taking it slow enough to be realistic, but fast enough to not frustrate shipper fans. Tom and Anne's (Moon Bloodgood) relationship continues to grow and deepen, but it's kind of nice that most of those developments happen off screen, and what is seen is small and sweet. Their disappearing into a hospital room in this episode satisfies those waiting for something to happen, but avoids intruding on their privacy.

Hal (Drew Roy) and Maggie (Sarah Carter), too, stay away from prying eyes, though viewers get something to talk about in "Love and Other Acts of Courage." When Maggie brings up Karen (Jessy Schram), it looks like she might sabotage whatever spark is lit. But then Hal overcomes that, and it's Maggie that pulls away. Thankfully, the circumstances of her injury and his rescue of her should push them along enough to avoid a "will they, won't they" struggle of several years.

With blossoming love and surprise allies, "Love and Other Acts of Courage" stands out as a strong entry for Falling Skies. The real reason that the show works is the human factor, presenting characters who are inspiring and relatable. How cool is it that one of those characters, Red Eye, is an alien, especially one that looks so different from people? Barely halfway through the second season, I can't wait to see where it goes next!

Watch Falling Skies Sundays at 9 p.m. ET on TNT.

Check out my new website, JeromeWetzel.com. If you like my reviews, please follow me on Twitter! Originally posted as "Love and Other Acts of Courage" drive Falling Skies on TheTVKing.com

Falling Skies threatens "Mutiny" before the last "Eight Hours"

     This week, TNT's Falling Skies brings season one to a close with two episodes. The first, "Mutiny," deals mainly with Weaver's (Will Patton) ability to command, and the doubts Tom (Noah Wyle) has about Weaver's mental stability. Of course, those sort themselves out, and "Eight Hours" concerns an offensive against the aliens. Ben (Connor Jessup) proves essential when he realizes he can help Scott (Bruce Gray) find the aliens' radio frequency, jamming their communications. This gets the invaders' attention, but instead of wiping out the 2nd Mass, they just take Tom, supposedly to better 'understand' their opponents. 

     Falling Skies is one of those shows with moments of greatness, but often falls flat in its attempt to achieve the grand scale. Over all it is a pretty decent series, but not one of the all time greats. This is beautifully illustrated in "Mutiny" with the Weaver problem. Here we have a commander who is taking pills and making bad decisions. Tom determines Weaver must be removed, obviously. But then, in a confrontation, for some reason, Tom doesn't make Weaver explain himself. He just wants Weaver to let them get behind him. What? Weaver mentions he's off the pills, and other than a shaking hand, that's the last we hear of it. Weaver gives everyone the facts, and his plans continue.

     Admittedly, Weaver's plan is one that the 2nd Mass is desperate enough to attempt. Tom's insistence that they know what they are up against is a sound one. But there isn't enough resolution or explanation. From the point where Tom and the others are ready to relieve Weaver of command, to everyone getting along again comes too easily, and without enough realism. In truth, Weaver should be removed at that point. Tom can take over and present the same situation Weaver does, or even allow Weaver to do it as a mouthpiece, but Weaver is done. Surely Tom has lost faith in the commander. What does Weaver possibly do to gain that trust back? Interestingly, Patton is so good, these missteps are quickly forgotten about in the second hour.

     In "Eight Hours," the only real weak point centers around the attack on the tower. Isn't it odd that every face that goes with a name for the viewers is in Weaver's group, while the other three groups are completely wiped out? And then, somehow, all of those names survive, save one introduced only recently in "Mutiny." This is a suicide mission, and lots of men don't make it back. But the half dozen we know survive?Falling Skies has already killed off recognizable faces, but when the chips are down and the stakes are high, they back off from taking out any others. Missed opportunity. The impact would be higher with an emotionally moving death scene.

     There are plenty of characters that I could go on about in this review, from Tom's interactions with his children, to Anne's (Moon Bloodgood) stolen kiss with Tom, to Margaret (Sarah Carter) and Jimmy's (Dylan Authors) new bond. Yet, the only relationship that is really intriguing, so much so that it still evokes musings a day after watching, is how Pope (Colin Cunningham) fits into the group. And with only limited time to get this review of Falling Skies done, that seems the place to focus, so I apologize if I'm skipping a beloved favorite.

     You see, Pope is a very bad man as a rebel and hunter, who is forced to become a cook after capture by the 2nd Mass. He escapes, causes some trouble, but then comes to the rescue of some kids, proving he is not without heart or redeemable qualities. He returns to the 2nd Mass, and helps them prepare for the final battle, seemingly becoming a team player. Yet, none of this is entirely out of character. His change of heart likely stems from the fact that he is involved in fighting aliens now, and as long as the 2nd Mass lets him work to that purpose, he can play nice. It may be that Pope led brutes and let them get away with their awful behavior to keep them loyal, rather than being a total tool himself. Granted, what Pope allows to happen to Margaret during her tenure with him is unforgivable. But that doesn't mean he can't be useful and get along when he needs to.

     Finally, the nagging questions about the aliens may begin to be answered by the intriguing cliffhanger. Harnessed Karen (Jessy Schram) approaches Tom and forces him to get on the alien ship. Tom does it to protect his son, Ben, who is maybe turning into a skitter? Anyway, this new interaction will likely give Tom a chance to save Ben from metamorphosis, as well as shine light into what the aliens are doing on Earth. Unless they harness Tom, too, which could be interesting, considering Tom is the central hero. Though no adults have been harnessed up to this point, and that may prove to be impossible.

     Falling Skies can go any number of ways from here, and only the writers know what direction the series will take when season two resumes next summer. Hopefully, given a second season, the weaknesses will be ironed out, and the strengths played to.  There is real potential present.


    Falling Skies will return next summer to TNT.

     If you like my reviews, please follow me on Twitter!

Article first published as TV Review: Falling Skies - "Mutiny" and "Eight Hours" on Blogcritics.

Falling Skies makes a "Silent Kill"

     TNT's Falling Skies looks for the "Silent Kill" this week, as Tom (Noah Wyle) finally gets the chance to rescue his son, Ben (Connor Jessup), from the alien harness. Well, actually, older son, Hal (Drew Roy), does most of the rescuing, with more than a bit of help from Margaret (Sarah Carter). And Anne (Moon Bloodgood) is the one who does the actual harness cutting, as well as figuring out the best way to subdue the aliens. But still... The only thing that is truly a mistake in "Silent Kill" is killing off Dr. Harris (Steven Weber, Wings, Web Therapy) so soon. Weber is a fantastic actor, and Harris is an interesting character. Too bad.


     The question of what the alien harnesses are used for when placed on children's bodies is one at the heart of the first few episodes of Falling Skies. The more that is learned, the more that remains a mystery. It is currently known that the aliens can communicate over radio waves, and likely do so when controlling the children. The aliens can reach the kids even after the harness is taken off. This may be because only the exterior portion can be removed without killing the kid. Also, the kids do manual labor, and a group of them sleep with an alien "nanny." They are almost treated as the own children of their alien caregiver, who may also cure diseases, such as Rick's (Daniel J. Gordon) cystic fibrosis. At present, Tom's group now has six kids rescued from such a fate.

     What is unknown is what exactly the short-term and long-term effects are for a kid who is harnessed. Some kids have different reactions. For instance, Rick wakes up with no memory of his father or his life before being taken. Yet, Ben instantly recognizes Tom. Rick also puts the harness back on to try to free a captive alien, though it does not go very deep, so it is able to be ripped off again, and Rick survives it. Does the device breed some sort of loyalty into the kids? Or is Rick still able to be controlled by the aliens over the radio waves? What does this mean if some of the aliens get close to the camp where many ex-harnessed children are? It's a frightening thought.

     For now, though, Tom is just happy to have his son back, as he should be. There have been a variety of horrors since the invasion, but having an enslaved child controlled by some sort of alien device is now one that can be reversed. There are many more captive kids out there, and many more worried parents. While not every child can be successfully unhooked, Anne has lost only one out of seven, so the odds are in the favor of the children being OK, at least as of "Silent Kill."

     Another thing worth exploring is that Rick is removed just fine, but after Ben's harness comes off in "Silent Kill," the other five kids' vital signs in the room begin failing. Is there some sort of connection or chain reaction that destroys the group? Rick's co-workers are executed, so there is no chance to observe the effects on them. But perhaps separating the kids before performing the surgery will decrease the fatality rates. Or possibly there is little time to save the rest of the group once one kid is removed. The questions to ponder are nearly endless.

     There is a lot of detailed technical discussion about these harnesses, and it is quite imaginable that most viewers do not care about the device one way or the other, but only how it emotionally affects the kids' friends and family. So enough of the technical stuff, and on to pathos!

     There is plenty of emotional turmoil in "Silent Kill." Much of it concerns Dr. Anne Glass. She is torn about killing an alien hostage who kills a fellow doctor. She is upset about the kid she loses. But these are symptoms of her deeper grief, which stem from her son's death, and having nothing to remember him by. Anne has a very harsh reaction to having a child die on her watch because it sparks bad memories, and she feels incredibly guilty about her lack of photos and momentos. If only she hadn't gone to work, she would have either died with her family, or helped them escape. But they'd be together. No wonder she is having a rough time. Kudos to Ms. Bloodgood for the incredible way she is handling the role.

     Tom has similar regrets in Falling Skies, as his wife was not supposed to work the day of the attack, prior to the series's start. Yet, she did, and so she died while Tom and their sons live on. Because of this, especially, Tom finds it hard to put his children in danger any more than he can help it. Unfortunately, he is unable to do much to prevent the threats. Ben has been a hostage for awhile, and Hal and youngest boy, Matt (Maxim Knight), are itching to help the resistance army. Matt is little enough he is satisfied assisting with the radio, but Hal is in on the action. Which is why it must almost kill Tom to let Hal go into the hospital by himself in this episode, an incredibly risky plan that is barely lucky enough to work.

     Hal does little to calm his father's fears. It is understandable in Falling Skies that an eighteen year old does not have the worldly wisdom and foresight to understand a father's worry. Besides, Hal just wants to help as much as anyone else, and he cares very deeply for his brother, Ben. There is no blame to be placed in this situation, with both Tom and Hal doing what their best to solve a tough problem, and both willing to put their lives on the line for someone they care about. It's not simply a matter of Tom understanding Hal's desires, but that has to be why Tom goes along with the plan, against his strong reservations.

     In "Silent Kill," a lot is learned about Margaret. The mysterious woman, who is previously held captive by a not-so-nice gang, seems to know a lot about hospitals and drugs. This is easily explained away by her cancer back story. It's too bad that the questions are answered so quickly and neatly, as a little bit of murkiness never hurt any story or character.

     It appears Margaret may be a third love interest for Hal. Or, really, second, given her personality and physical similarities to Hal's currently kidnapped girlfriend, Karen (Jessy Schram). With Karen gone, Margret is an older, wiser, deeper version that may stick where Karen does not. It's regrettable only in that it looks like Schram, who is a delight, won't be sticking around. Carter is more than capable, so anything the writers choose to give to her is welcome.


     Watch Falling Skies Sunday nights at 10 p.m. ET on TNT.

     If you like my reviews, please follow me on Twitter!

Article first published as TV Review: Falling Skies - "Silent Kill" on Blogcritics.