PUBLIC MORALS Cartoonish, But Good

Article originally published as PUBLIC MORALS Review on Seat42F.
 

TNT goes in a bit of a different direction with PUBLIC MORALS. A 1960s-set crime drama from Edward Burns (Saving Private Ryan, The Brothers McMullen), it tells the tale of cops and robbers in New York City. It’s the Mad Men era, but this is the other side of the tracks, those lower income people who think the laws are guidelines, not hard and fast rules. Does the series work?

Well, at first I was taken aback by the style. It’s very specific and consistent, but comes across as cartoonish. I don’t necessarily think that’s a bad thing, though. After watching the pilot, it is clear that the characters and plot are in this same vein, so the costumes and set decoration match the tone that the series is going for well. While PUBLIC MORALS is a hyper reality, no one ever said every TV show must be totally grounded.

The main reason I quickly got over my hesitation and embraced PUBLIC MORALS is because of the cast. Burns not only writes and directs, but stars as Terry Muldoon, who isn’t in charge, but is definitely the most defined force in this world, feeling totally authentic for the piece. Burns has surrounded himself with an excellent ensemble including Michael Rapaport (Justified), Robert Knepper (Prison Break), Ruben Santiago-Hudson (Castle), Neal McDonough (Desperate Housewives), Brian Dennehy (First Blood), Elizabeth Masucci (Shame), Timothy Hutton (Leverage), Wass Stevens (The Wrestler), Katrina Bowden (30 Rock), and more. Many of these supporting players are doing some of the best work I’ve ever seen from them, and those that already have impressive resumes feel like they get this project and meld in seamlessly.

Together, they create a complex world that thrives on shades of gray. As Burns says to his son, the line between hero and asshole is a thin one, with the cops substituting the letter of the law for their own moral code, and working hand in hand with the bad guys when the bad guys stay in line. There are a number of differing relationships between the characters, and PUBLIC MORALS does a good job of painting its reality in just that first hour.

Once introduced to the status quo, the show also spends little time upheaving it. A new officer joins the plain clothes force, and it’s hard to tell if he’s going to be on board with their schemes or a hindrance. Someone who seems like a main character in this initial installment is killed off at the end, which will surely shake up several of the other players and provide a driving force through the season.

PUBLIC MORALS isn’t as brilliantly groundbreaking or as beautifully artistic of many of the cable shows on the air, and it feels a bit strange to be praising it, as those high-quality, original dramas make up much of what I gravitate towards. TNT doesn’t really have any of those, so that’s not surprising. Not everything that happens is realistic, and while some of the story is a slow boil, there’s a lot of fast talking and bits of action, too, so it never gets boring. True Detective or The Killing, this is not.

However, the program knows what it is and makes the best example of the genre that it can, and there’s a lot to be said for that. When coupled with magnetic personalities that suck the viewer right into the world, I find little to complain about. Honestly, I went into this expecting little, and now plan on setting a season pass on my TiVo because I really want to find out what happens next. That’s just about all I can ask for from a pilot, and I look forward to seeing what they do with the rest of the season.

PUBLIC MORALS premieres Tuesday, August 25^th at 10 p.m. ET on TNT.

LOW WINTER SUN Premiere Review

Article first published as LOW WINTER SUN Review on Seat42F.

AMC’s LOW WINTER SUN begins with the murder of Detroit cop Brendan McCann (Michael McGrady, Ray Donovan) by two of his fellow officers, who do their best to make the death look like a suicide. Viewers are told that McCann is an alcoholic, corrupt, working with mobsters, and an all-around not-good guy. He deserves to die, right?

Well, that’s not clear. LOW WINTER SUN is all about shades of grey, with a character claiming early on that morality is neither black and white. Said character, Detective Joe Geddes (Lennie James, The Walking Dead, Jericho), who happens to be Brendan’s partner, used to be in priest school, so he knows a thing or two about right and wrong.

Yet, just doing what one should or shouldn’t do isn’t enough, and everyone may have a different opinion on whether they are working towards justice or not, and how far one should go.

LOW WINTER SUN asks us to forget about a style of storytelling where we know what’s going on and just pay attention to the characters. What each person says and does may be much more telling than how the plot unfolds, and it presents a world where right and wrong are relative, as well as shifting from moment to moment. The only certain rule in this complex drama is that the episodes will be unpredictable, and we’re supposed to just take it all in, saving figuring things out and making our judgments for later.

Of course, every television show needs an access point where viewers can connect with the world being presented. LOW WINTER SUN’s main protagonist is Frank Agnew (Mark Strong, reprising the role from the British miniseries on which this show is based). Frank is the mastermind behind Brendan’s death, convinced by Joe that killing Brendan is the right thing, and that Brendan may have hacked up Frank’s love. Thusly, Frank is introduced as a hero, a man acting for the right reasons.

Frank and Joe’s alliance quickly falls apart. Joe may or may not have been up front with Frank, meaning Frank can’t trust his accomplice. Joe could be dirty, like Brendan, or could be lying about Frank’s girl. He may just be a smooth talker, or he may have yet-to-be-revealed reasons for wanting Frank dead. There’s a lot of ambiguity here, which James plays brilliantly.

Which is a hallmark of the rest of the series, too. Characters know different things at different times, and have their own motivations. These are well-defined individuals, which means their interactions are complicated and layered. Just as people can be deceptive in real life, so, too, can the players in LOW WINTER SUN, which makes it hard to accept what plays out on screen at face value. This is a plus for the show.

Things get more complicated when Internal Affairs agent Simon Boyd (David Costabile, Breaking Bad, Suits, Damages) shows up to look into Brendan. Simon arrives before Brendan’s body is found, but Simon is very interested in not only what happened to Brendan, but what the implications are. He is the type of man to keep things close to the vest and goad his subjects or not, as the need arises, driving everyone crazy very quickly. He is definitely intelligent enough to eventually put the pieces together, but is he wise enough to balance that information and the law with reality and judgment? Costabile is the perfect man for this difficult, juicy role.

Simon isn’t the only one Frank needs to worry about. A fellow officer, Khalil (Athena Karkanis, Wild Kratts), is already taking note of Frank’s odd behavior, as Frank tries to keep himself under control and not let doubt and guilt consume him. Frank’s boss, Charles Dawson (Ruben Santiago-Hudson, Castle), cares more about his career than his officers, tasking Frank with keeping Brendan from damaging him, and would surely throw Frank under the bus if need be. Frank is surrounded by people who might cause him trouble.

LOW WINTER SUN also takes time to examine the criminal side of Detroit, the one in which Brendan was mixed up in. There’s a wanna-be crime boss, Damon (James Ransone, Treme), his wife, Maya (Sprague Grayden, 24, Sons of Anarchy), and their new recruit, the psychologically damaged Nick Paflas (Billy Lush, The Chicago Code), to round out the cast. This means that not only will the show be giving us a very involved police presence, but also showing the other side, too, which makes sense, given the cross-over component, with villains and heroes working both sides of the line.

The result is an intriguing series that should be well-accepted by AMC viewers, who expect an extremely high quality to their programming, with characters and scripts not easily digested, and installments that leave them with much to ponder and debate. Despite its trappings of a crime drama, LOW WINTER SUN is so much more, and should feel right at home with the network’s other fare.

LOW WINTER SUN airs Sundays at 10 p.m. ET on AMC.

The "Rise" of Castle

      When ABC's Castle last aired in May, Beckett (Stana Katic) lay on the ground, shot. The season four premiere, "Rise," picks up immediately after that moment. Castle (Nathan Fillion) accompanies his partner to the hospital. When she finally wakes up, she claims to not remember anything, and asks Castle to leave her alone for awhile. He reluctantly agrees.

     Three months later, Beckett returns to work, having never called Castle. While investigating a new murder, she learns that Castle is working tirelessly to find her shooter, though the new boss, Captain Victoria Gates (Penny Johnson Jerald, 24, Star Trek: Deep Space 9), bans him from the police the station. Having no choice, Beckett must go to Castle to continue to look for her would-be killer, who is still at large. Castle goes over Gates's head to get reinstated, and helps out with both the current case, and Beckett's secret continued investigation into her own shooting.

     Gates is certainly a breath of fresh air. While Captain Montgomery (Ruben Santiago-Hudson) finally gets interesting plot right before he is killed off, Gates has a good back story right off the bat. Knowing Gates worked in internal affairs, and is very by the book, Beckett has to sneak around for personal business, something she never does with Montgomery. Also, Castle immediately rubbing Gates the wrong way by going over her head to the mayor means there will be no shortage of friction in the workplace for some time to come. She changes the dynamics of the series completely. Plus, Jerald is a terrific actress, and will certainly bring some dramatic heft in with her.


     Castle and Beckett have never been further apart than they are right now. Beckett is lying about not remembering Castle's declaration of love, something she only admits to her therapist (Michael Dorn, Star Trek: The Next Generation, Star Trek: Deep Space 9). Castle lies to Beckett about having a lead on her shooter to protect Beckett's life. With such monumental things kept hidden from the other, they are setting themselves up for a major falling out of trust. Both have their reasons, but that doesn't make their decisions any wiser, if they want to maintain any type of relationship, working or otherwise.

     Add to that, Beckett tells Castle that she can't make a serious go of a relationship until her mother's murder is solved, and now she is putting him in danger. Castle will not tell Beckett about his new leads because he knows what it feels like to lose her, and doesn't want it to happen again, permanently. But knowing he cannot have her romantically until the case is closed, he will be even more motivated to finish investigating himself, meaning he could be the next one threatened. It's his own choice to do so, but he is doing it for her.

     Alexis (Molly C. Quinn), without knowing the full extent of why she should worry, is concerned for her father's safety. Certainly Martha (Susan Sullivan) is, too, after the scare with Beckett. Castle has a family that counts on him, which makes his efforts, while somewhat heroic, also more reckless. What would they do if something happened to him? His character doesn't know that he's the titular component of a television series, and thus, invincible!

     "Rise" is also nice because it gives viewers a chance to see Detectives Ryan (Seamus Dever) and Esposito (Jon Huertas) solving cases without Beckett and Castle's support. Usually these two play second fiddle, but in the season premiere, they are almost entirely working alone, the other two caught up in other matters. What's more, they've clearly been doing so for months. This helps establish their competence as policemen, and hopefully will allow them a more active role in future episodes. The same can be said, to a slightly lesser extent, for Lanie (Tamala Jones).

     Watch Castle Mondays at 10 p.m. ET on ABC.

     If you like my reviews, please follow me on Twitter!

     To order the Castle DVD, or purchase streaming episodes, please click here.

Article first published as TV Review: Castle - "Rise" on Blogcritics.

Castle: The Complete Third Season on DVD

     ABC's Castle: The Complete Third Season comes to DVD this Tuesday, September 20th, the day after season four premieres. These episodes aired from September 2010 until this past May, the most recent season to air. Season three provides many of the stand-alone mysteries viewers have come to expect from Castle, as well as a handful of episodes that play into larger arcs.

     As season two ends, Castle (Nathan Fillion) heads off to the Hamptons with his second wife and editor, Gina (Monet Mazur), just after Beckett (Stana Katic) breaks up with her boyfriend. Season three finds Castle dating Gina for awhile, before the relationship implodes. But the time that it does, Beckett finds a new guy to date. So, of course, the two lead characters never do find the opportunity to hook up. However, in the season three finale, Castle tellz Beckett that he loves her, so it will be interesting to see what the ramifications of that moment will be.

     Though Castle and Beckett don't get lucky in love, they seem to be the only ones. Among the other relationships that play out during the third season, Alexis (Molly C. Quinn) gets serious with her first real boyfriend, Ashley (Ken Baumann, The Secret Life of the American Teenager), so much so that, after a fight, they decide to try the long distance thing as he goes off to college. Ryan (Seamus Dever) proposes to his girlfriend, and she says yes. Esposito (Jon Huertas) and Lanie (Tamala Jones) try to sneak around, and for awhile, their friends allow them to believe it's working. Martha's (Susan Sullivan) beau dies just as she is about to decline his marriage proposal.

     But romance is a small part of Castle, while murder is a much bigger part. There are a number of cool, memorable cases that Castle, Beckett, and company solve during this third season. The team works with Agent Mark Fallon (Heroes's Adrian Pasdar) to stop a dirty bomb in a gripping two parter. Actress Natalie Rhodes (Laura Prepon, October Road, That '70s Show) helps out on one case while studying Beckett, as she will be playing Nikki Heat in a film based on Castle's books. Beckett's old mentor, Royce (Jason Beghe), returns, only to be killed, and Beckett and Castle have to travel to Los Angeles to find his murderer.

     Of course, the biggest episode of Castle's third season is the finale, "Knockout," which continues the investigation into Beckett's mother's murder, an arc spanning the series thus far. Esposito and Ryan learn that Captain Montgomery (Ruben Santiago-Hudson) is part of the cover up conspiracy. Montgomery faces the hired killer himself, losing his life, but saving Beckett's. There is also much examination by Castle over his feelings for Beckett, while trying to convince her to stop digging before she gets killed. "Knockout" ends with Beckett being shot as Montgomery's funeral, and Castle professing his love, as mentioned above, before her head lolls back. What an exciting cliffhanger!

     Interestingly, unlike other ABC releases, Castle's bonus features are spread across each disc in the set, rather than packing them all onto one disc. This certainly makes sense for the audio commentaries, which are provided for a few of the more memorable episodes. It's also convenient for the deleted scenes, too, keeping them near the episode that they belong with. Those are all pretty standard, nothing shocking or exciting to set Castle's apart from any other show. Though it is fun to see Castle bumble in front of Beckett's father (Scott Paulin). You can skip watching them, and won't miss anything. The longer features are all on the final disc, so the setup works pretty well.

     One three and a half minute feature examines how the twelve murder boards on set are used to film each episode, as told by Kurt DeFilipps, the man in charge of doing so. A just over two minute music video called "Get On the Floor" comes from an episode during the season, expanded with scenes from the show added in. The obligatory four minute blooper reel begins semi-seriously, giving it a fun, unique spin. It also exposes the cast's potty mouths.

     "Castle Goes Hollywood" is an eight minute short about filming in Los Angeles for one episode. Actually, Castle always films in L.A., but the cast and crew talk about how they had to adapt, since usually they are concerned with making L.A. pass for New York, and this time, they can embrace the city where they live.

      Finally, "Murder They Wrote" is a twenty-two minute roundtable discussion with series creator Andrew Marlowe, executive producer Rob Bowman, author Michael Connelly, graphic novelist Brian Michael Bendis, and star Nathan Fillion. The guys discuss the writing process and the realism of the show. They also go into detail about the books and graphic novel that have been released in conjunction with the series. Fillion talks about his experience on Firely, always a treat. Plus, they remember Stephen J. Cannell, author and former guest star.

     If you like my reviews, please follow me on Twitter!

     To order the Castle DVD, or purchase streaming episodes, please click here.

Article first published as DVD Review: Castle: The Complete Third Season on Blogcritics.