What is BLACK NARCISSUS?

 Article first published as TV Review: BLACK NARCISSUS on Seat42F.

This week, BLACK NARCISSUS premiered on FX and the BBC. A joint-production, FX marketed it as a creepy show based on the 1939 novel by Rumer Godden. Though, watching the three-episode miniseries, I’m not sure that accurately describes it. In fact, this show is very hard to define exactly what it is or what genre it belongs in.

BLACK NARCISSUS begins high up in the Himalayas with a disturbing opening in a cliffside “house of pleasure,” or that’s what it appears to be, anyway. (The truth is close enough to that.) A tragic event happens. Then, about twenty years later, a quintet of nuns move into the abandoned building to form a school for the locals. The place seems suitable to their needs, though there are just a few strange things that happen, especially to one nun in particular, sort of related to that opening.

I’m halfway through the miniseries as I write this and I plan to finish it. But I’m still not sure exactly what to say about BLACK NARCISSUS when considering it overall. There isn’t a sense of urgency or danger in any real way (except when climbing those railing-less steps). There also isn’t any certainty that something big will happen before the end. I am not familiar with the novel or the 1940s film adaptation, but this seems to be a slow-moving drama without an overriding central narrative, other than running a school, and maybe being haunted just a tiny bit.

The setting of BLACK NARCISSUS is absolutely beautiful. The views from the mountain are, as you might imagine, breathtaking. I don’t have much frame of reference to say how accurate it is, and I wonder about the feasibility of building a ‘palace’ so far up and having other stone-hewn villages nearby. But the design is very cool and detailed, and this certainly seems like a place I would love to visit.

Gemma Arterton (The Girl with All the Gifts) stars as Sister Clodagh, the leader of the little group, and she is very compelling. Sister Clodagh’s inner life is explored through a series of flashes to a different time. It’s unclear if these are things that actually happened or just what she wishes her life to be like. But it’s informative to see her wavering of the mission when outwardly she is so focused and holy. She is doing her best in running the group, and she’s not bad at leadership. Though she can be a bit petty at times.

The rest of the roles are well-performed, too. My second favorite is Mr. Dean (Alessandro Nivola, Chimerica), an immigrant who has blended in with the locals, and who offers handyman support and eye candy for the nuns. I assume he’ll have something to do with how things end, but that’s unclear at the moment. I really like friendly Sister Briony (Rosie Cavaliero, Hold the Sunset), a good moral center and caretaker to the group. Sister Philippa (newcomer Karen Bryson) is intriguing and odd. Sister Ruth (Aisling Franciosi, The Fall) provides the right amount of crazy, pretty shocking, but not so much as it feels weird that she’s still among them. Nila Aalia (Wolfblood) is wonderful as Angu Ayah, the local who lives among the nuns, and seems to be the only one who really knows the secrets of the place.

For the performances and the vistas, I recommend BLACK NARCISSUS. After all, it’s a small time commitment, basically a movie and a half, and those are important elements. My hesitation stems from the lack of clear story, but maybe the second half will pick up? I doubt it. Even so, it’s neat to sit in this world for a few hours.

BLACK NARCISSUS is available to watch in its entirety now on Hulu, through FX.

PREY For Relief

Article first published as PREY Review on Seat42F.

A British crime drama, PREY follows Marcus Farrow (John Simm, Doctor Who, Life On Mars) as he runs from the law. Marcus is a cop, but when his estranged wife and young son end up dead, he is the one the investigation points to. Is Marcus innocent? And if so, why is he being framed?

Despite the questions I pose in the first paragraph, I am pretty certain that Marcus is innocent. The first episode of PREY doesn’t show the actual crime itself, only Marcus finding his wife’s body, but the entire episode is from Marcus’ perspective. The viewer is made to care about and sympathize with Marcus, so it feels like a drama about clearing one’s name, not a mystery as to whether Marcus is evil or not. Though, there are plenty of unanswered questions as to what happened and why.

Having watched a number of British shows in this genre, PREY feels good, not great. Simm’s performance is terrific, of course; he’s a top-notch actor, and has proven that repeatedly in the past. But something about the story itself doesn’t seem as well put together as, say, Broadchurch or The Fall. I just didn’t find myself caring about Marcus all that much, and the clues we’re given and supposed to be following aren’t interesting or surprising enough to really grab my attention.

This is especially disappointing given the excellent opening, which is bizarre and intriguing. Beginning with a car crash in which viewers are not immediately told what’s happening, we get a sense of Marcus before we even know who he is or what’s happening. I liked the first scene a lot, and it’s a bit of a let down that it goes the way it does from there.

Even more disappointing is learning that Marcus is not the main character of PREY. I know, I know, I already said he was, and he is – for the first three episodes. Apparently, PREY changes direction after week three and there is a totally different case covered in weeks four through six, with an almost totally different cast. Simm exits and someone else replaces him.

There is one character, though, who is the connecting thread between the two stories, and that’s Susan Reinhart (Rosie Cavaliero, A Young Doctor’s Notebook). Susan is a co-worker of Marcus’ who is tasked with tracking down the officer after he goes on the run. She is the face of the law, the one trying to bring him to justice. She’s also totally forgettable.

I don’t blame Cavaliero for this. Looking back at her scenes, she does seem like a talented performer. But the way her part is written, on the fringe of the action with few notable qualities, make it very weird that she is actually the lead of PREY. Had I not done some research on the series before writing this review, I would never have guessed that, nor would I have thought it was a good idea. If she is going to be the spine of this series, I really wish more would be done to set that up or develop her further.

Because of my complaints about Susan’s character, and the mediocre enthusiasm I can muster up for the Marcus mystery, I can’t really recommend this one. Perhaps viewed by itself, it’s not bad, but slipping it in between episodes of The Fall (which I’m currently plowing through this week), it does not feel nearly as good by comparison, and so I am lukewarm on it. If you’re really into the genre, you might want to check it out. Otherwise, I’d give this one a pass.

PREY airs Thursdays at 10/9c on BBC America.

‘A Young Doctor’s Notebook’ – Previewing Season Two

Article originally published as ‘A Young Doctor’s Notebook’ – Previewing Season Two on Blogcritics.


A Young Doctor’s Notebook, now subtitled & other stories, returns this week for a second four-episode season on Ovation. Picking up this year with 1918 and 1935 timelines (about a year after the first season left off for both versions of the protagonist), this is both a continuation of the plot, and an entirely new tale. Based, in part, on the short story “Morphine” by Mikhail Bulgakov, the writers are tying that text back into the setting and characters introduced in season one.

When last we’d seen him, the older doctor (Jon Hamm) had been caught prescribing himself morphine. Now, released from a mental institution, he travels back to the office where he spends the Russian Revolution, determined to confront his past — while sober. Whether he can face up to the man he’d at one time been, and the things he’s done, is a central question to this second season, especially where a certain woman is concerned.

As the second season narrative begins, the younger doctor (Daniel Radcliffe) is in the throes of addiction. In an unhealthy sexual relationship of convenience with Pelageya (Rosie Cavaliero), he is much more concerned about his next fix, and not getting caught skimming drugs than he is about romance. Yet, there is some sort of affection between them, if only because she enables the Younger Doctor in his habits.

During season one, the under-the-influence older doctor had been spinning out of control as he relives the beginning of his tumultuous journey, while the younger doctor is a naive, optimistic lad; season two turns the tables. Now the younger doctor is the reckless one, out of control, while the older doctor sits in judgement, knowing full well that he is fact sitting judgment on his younger self. This created a complex dynamic, allowing both actors to explore the psyche of their damaged parts in different, unique ways.

This is a very poignant time for A Young Doctor’s Notebook to air in the United States, given the recent death of Robin Williams. Mental health and addiction are at the forefront of the public consciousness, and the series delves into the subject in an interesting, entertaining, enlightening way.

Students of history may find in A Young Doctor’s Notebook several tidbits of interest. Season two takes place during the Russian Revolution, bringing the war to the very doorstep of the hospital for most of the four installments. Natasha (Margaret Clunie), a member of the ruling elite, and The Colonel (Charles Edwards, Downton Abbey), her protector, stop over in the chaos and each catch the eye of one of our central cast. I’m not sure how much actual, factual past is included in this story, but the pair of new characters do help it feel like the office is set in the real world, rather than existing apart, on its own, as it sort of did in season one.

A Young Doctor’s Notebook is funny, but through an extremely dark brand of comedy. Whether joking about a dead horse or trying to get laid, there’s a pathetic sadness to the characters who exist within the series narrative. Tears may not make it to the audience’s eyes, but they do emanate from the characters on multiple occasions, and with good reason. This is a dangerous, tragic world, and the misfortunes, while amusing because of the cartoonish, over-the-top manner through which they occur, are genuine.

I don’t know if A Young Doctor’s Notebook return for a third season, given the lack of more source material. It’s a unique series I have very much enjoyed, thoroughly impressed by the talent behind it. I watched all four episodes of the second season in one sitting and craved more, a testament to its quality.

A Young Doctor’s Notebook airs Tuesdays at 10 p.m. ET on Ovation.

Chapter Closed On A YOUNG DOCTOR'S NOTEBOOK

Article first published as Chapter Closed On A YOUNG DOCTOR'S NOTEBOOK on TheTVKing.

The British series A Young Doctor's Notebook, which has been airing on Ovation in the States, came to a close last night with the fourth episode of season one (a second season has been ordered). While short in length, it's been quite a journey for the Young Doctor (Daniel Radcliffe), from eager graduate, topping his class, to hardened, drug-addicted general practitioner in the cold wilderness. But this is nothing compared to what we learn about the Older Doctor (Jon Hamm).

It turns out, A Young Doctor's Notebook plays out in the Older Doctor's head. This explains the cartoonish style and exaggerated happenings and people. The Younger Doctor's life is not portrayed as reality, but rather the hallucinations of the Older Doctor, suffering withdrawal from morphine addiction. Unlike FX's Wilfred, the answer to the mysterious center is presented sooner, rather than later.

This changes the perception of the entire piece. At first, it seems a goofy comedy, easy to laugh at the Younger Doctor's antics, whether it be in botched medical procedures or fumbling around in general. But now, knowing this is in the Older Doctor's diseased mind, it becomes a sad, melancholy drama, one from which there is no easy escape. The laughs cover pain. As the Doctor gets tossed behind bars in the 1930s, we see not only the beginning of his downfall in the 1910s, but how he sees himself, which is not so positive.

The surreal quality of A Young Doctor's Notebook is thoroughly intriguing and enjoyable. Even when one is rendered uncomfortable by events, the series remains something that can't be looked away from. The brilliant performances by Hamm, Radcliffe, and others ground a story that could so easily be silly or ridiculous in serious emotion, while still hitting the notes of a humorous play, and it's very impressive.

In the final half hour, the Young Doctor travels to the aid of a woman who has been bashed in the skull. An Even Younger Doctor (Joshua McGuire, The Hour) assists, and this is when we see how much our Young Doctor has changed. Almost wordlessly, the Young Doctor euthanizes the injured girl, knowing there is no cure, a realization that is slow to dawn on the Even Younger Doctor, then eats ham. We can see a pattern about to be repeated, a bad cycle that will be very difficult to escape from.

The Young Doctor even fantasizes about having his license stripped, half seriously wondering how many patients he would have to let die (never kill) to escape the hell of his job. The Older Doctor finds out, unfortunately, just how low he can sink. It's a message that can sort of be communicated, since they interact in the story, but the Older Doctor holds back somewhat, perhaps knowing he can't change the course of his life. So, so sad; a bitter, inescapable destiny.

While the focus is on the Doctors, as it should be, the series would not work nearly as well without the talented work of the supporting cast. Adam Godley, Rosie Cavaliero, and Vicki Pepperdine do extraordinary work, and they should not be forgotten about. The way they lend themselves to small, supporting roles is not exactly an easy feat, balancing between being entertaining but not distracting. Each have specific moments that can be praised, and the overall effect owes a lot of credit to the trio.

The same can be said for the crew that builds the sets and costumes, and lights the scenes, as well as scores the piece. There is a tone here, reinforced by every aspect or the visual and audio presentation.  A lot more is going on than just actors delivering lines, and it's the combination of everything that really lets this succeed in the best possible way.

I don't know when we'll get a second season of A Young Doctor's Notebook, and with our eyes opened, it certainly won't be as funny and light as the first. Yet, even as depressing as it may be, I really want to see more of these characters and this world. They have left a lasting impression not to be soon forgotten, as much for the high quality of the production, as for the compelling story itself.

Peek Inside A YOUNG DOCTOR'S NOTEBOOK

Article first published as Peek Inside A YOUNG DOCTOR'S NOTEBOOK on TheTVKing.

Ovation is currently airing the four-part series A Young Doctor's Notebook. It is the story of a medical professional, fresh out of school in Moscow, who heads out to the country to run a small hospital. It's funny, in a dramatic way, and completely charming. This is a review of the first episode.

The Young Doctor, who has no established name, is played by Daniel Radcliffe of Harry Potter fame. In the first episode, he arrives near the town, and has to drag his large trunk through the snow to reach his destination. He's not even settled in among the disapproving staff, who keep talking about his worshiped predecessor, a portrait of which looms large in the halls, when he has to jump into a surgery on a woman giving birth, made complicated by the fact that the doctor has never actually seen a vagina.

That is a heck of a set up for a story, and one easy to vividly picture. Everything about the tale is a little larger than life, from the way the former physician is idolized, to the extreme give in the doctor's bed, to the incessant smoking of cigarettes. It takes a realistic situation and heightens it in the best manner possible, until it's almost a tall tale or a fairytale, laid out on screen in beautiful grey tones.

The supporting cast is appropriately cartoonish, from the long-winded feldsher (Adam Godley, Suits, Breaking Bad) to the disapproving nurses (Vicki Pepperdine, Getting On and Rosie Cavaliero, Jane Eyre). They help set the mood of the piece, and somehow manage to be disapproving of the Young Doctor, who viewers instantly love. It helps build the world that these will be the Young Doctor's companions, those who don't laud praises on him, providing stark contrast to what is on screen from those watching it.

Radcliffe is perfect for the lead part, manically rushing around, stumbling through broad physical comedy, and yet maintaining an earnest naivety that is sure to connect with viewers. His fear is real and felt; his triumphs are accidental, but celebrated. And when his ego gets a little too big, his confidence running high, he's quickly pulled back to earth by a major screw up, delivered with laughter. Sure, the role is a little similar to the part he's most famous for, but now he has only his wits to rely on, not magic.

OK, there's a little magic, in that an older version of himself (Jon Hamm, Mad Men) appears to offer unwanted guidance. The Older Doctor is seen only by the Young Doctor, and isn't exactly generous with his younger self. The Older Doctor wants the Young Doctor to learn through experience, so he doesn't reveal quick solutions, and actually proves a hindrance at times, such as tearing out a page of a medical text that might be helpful for the situation, trying to teach himself to rely on his own mental acuity when there's no time for reading.

These scenes between the two are fantastic. I'm not sure I completely believe them as the same person, especially given the height difference, but it still makes for an entertaining series by two terrific actors. The Older Doctor is frustrating, but the Younger Doctor needs him, and likely will continue thusly.

Hamm only allows his Don Draper skills to emerge during the ending scene, set years later, and this is where the drama of the piece comes in. We don't know exactly what is happening to the Older Doctor, but it seems dangerous. The rest of the time, he gets to work his comedy chops, as he has done in 30 Rock and, Childrens Hospital, proving he can span the genres with ease, making him a great pick for A Young Doctor's Notebook.

I can't speak enough praise for A Young Doctor's Notebook. If you're dissatisfied with the lackluster batch of new pilots of broadcast television, this is sure to cure your doldrums in a hurry. I highly recommend checking it out.